|
3:54 | ||||
from Judy Collins - Christmas At The Biltmore Estate (1997)
Joyful and triumphant
O come ye, o come ye to Bethlehem Come and behold him Born the king of angels O come let us adore Him O come let us adore Him O come let us adore Him Christ the Lord Sing choirs of angels Sing in exaltation Oh sing all ye rivals Of heaven above Glory to God, Glory in the highest O come let us adore Him O come let us adore Him O come let us adore Him Christ the Lord |
|||||
|
- | ||||
from Judy Collins - All On A Wintry Night: Judy Collins Christmas (2008) | |||||
|
4:51 | ||||
from Judy Collins - Forever An Anthology (1997)
The lady comes to the gate
Dressed in lavender and leather Looking North to the sea She finds the weather fine She hears the steeple bells Ringing through the orchard All the way from town She watches seagulls fly Silver on the ocean stitching Through the waves, the edges of the sky Many people wander up The hills from all around you Making up your memories And thinking they have found you They cover you with veils of wonder As if you were a bride Young men holding violets are curious To know if you have cried And tell you why, and ask you why Any way you answer Lace around the collars Of the blouses of the ladies Flowers from a Spanish friend of the family The embroid'ry of your life holds you in And keeps you out but you survive Imprisoned in your bones Behind the isinglass windows of your eyes And in the night the iron wheels Rolling through the rain Down the hills through the long grass To the sea And in the dark the hard bells Ringing with pain, come away alone Even now by the gate With you long hair blowing And the colors of the day That lie along your arms You must barter your life To make sure you are living And the crowd that has come You give them the colors And the bells and wind and the dream Will there never be a prince Who rides along the sea and the mountains Scattering the sand and foam Into amethyst fountains Riding up the hills from the beach In the long summer grass Holding the sun in his hands And shattering the isinglass? Day and night and day again And people come and go away forever While the shining summer sea dances In the glass of your mirror While you search the waves for love And your visions for a sign The knot of tears around your throat Is crystallizing into your design And in the night the iron wheels Rolling through the rain Down the hills through the long grass To the sea And in the dark the hard bells Ringing with pain, come away alone Come away alone with me |
|||||
|
4:53 | ||||
from Judy Collins - Wildflowers (2005)
The lady comes to the gate dressed in lavender and leather
Looking North to the sea she finds the weather fine She hears the steeple bells ringing through the orchard All the way from town She watches seagulls fly Silver on the ocean stitching through the waves The edges of the sky Many people wander up the hills From all around you Making up your memories and thinking they have found you They cover you with veils of wonder as if you were a bride Young men holding violets are curious to know if you have cried And tell you why And ask you why Any way you answer Lace around the collars of the blouses of the ladies Flowers from a Spanish friend of the family The embroid'ry of your life holds you in And keeps you out but you survive Imprisoned in your bones Behind the isinglass windows of your eyes And in the night the iron wheels rolling through the rain Down the hills through the long grass to the sea And in the dark the hard bells ringing with pain Come away alone Even now by the gate with you long hair blowing And the colors of the day that lie along your arms You must barter your life to make sure you are living And the crowd that has come You give them the colors And the bells and wind and the dream Will there never be a prince who rides along the sea and the mountains Scattering the sand and foam into amethyst fountains Riding up the hills from the beach in the long summer grass Holding the sun in his hands and shattering the isinglass? Day and night and day again and people come and go away forever While the shining summer sea dances in the glass of your mirror While you search the waves for love and your visions for a sign The knot of tears around your throat is crystallizing into your design And in the night the iron wheels rolling through the rain Down the hills through the long grass to the sea And in the dark the hard bells ringing with pain Come away alone Come away alone with me. |
|||||
|
- | ||||
from Judy Collins - Born To The Breed (2009)
The lady comes to the gate dressed in lavender and leather
Looking North to the sea she finds the weather fine She hears the steeple bells ringing through the orchard All the way from town She watches seagulls fly Silver on the ocean stitching through the waves The edges of the sky Many people wander up the hills From all around you Making up your memories and thinking they have found you They cover you with veils of wonder as if you were a bride Young men holding violets are curious to know if you have cried And tell you why And ask you why Any way you answer Lace around the collars of the blouses of the ladies Flowers from a Spanish friend of the family The embroid'ry of your life holds you in And keeps you out but you survive Imprisoned in your bones Behind the isinglass windows of your eyes And in the night the iron wheels rolling through the rain Down the hills through the long grass to the sea And in the dark the hard bells ringing with pain Come away alone Even now by the gate with you long hair blowing And the colors of the day that lie along your arms You must barter your life to make sure you are living And the crowd that has come You give them the colors And the bells and wind and the dream Will there never be a prince who rides along the sea and the mountains Scattering the sand and foam into amethyst fountains Riding up the hills from the beach in the long summer grass Holding the sun in his hands and shattering the isinglass? Day and night and day again and people come and go away forever While the shining summer sea dances in the glass of your mirror While you search the waves for love and your visions for a sign The knot of tears around your throat is crystallizing into your design And in the night the iron wheels rolling through the rain Down the hills through the long grass to the sea And in the dark the hard bells ringing with pain Come away alone Come away alone with me. |
|||||
|
4:05 | ||||
from Judy Collins - Christmas At The Biltmore Estate (1997) | |||||
|
- | ||||
from Judy Collins - All On A Wintry Night: Judy Collins Christmas (2008) | |||||
|
- | ||||
from Judy Collins - Living (1989) | |||||
|
4:08 | ||||
from Judy Collins - Whales And Nightingales (1988)
Amazing grace, how sweet the sound
놀라운 은총,너무나 달콤한 주님의 음성 That saved a wretch like me 나와같이 비참한사람들을 구해주시니 I once was lost but now I'm found, 한때 길을 잃었었지만 지금은 나의 길을 찾았어요 Was blind but now I see. 나는 눈 먼 적도 있었지만 지금은 볼수있어요 'Twas grace |
|||||
|
4:07 | ||||
from Judy Collins - Forever An Anthology (1997)
Amazing grace, how sweet the sound
놀라운 은총,너무나 달콤한 주님의 음성 That saved a wretch like me 나와같이 비참한사람들을 구해주시니 I once was lost but now I'm found, 한때 길을 잃었었지만 지금은 나의 길을 찾았어요 Was blind but now I see. 나는 눈 먼 적도 있었지만 지금은 볼수있어요 'Twas grace |
|||||
|
- | ||||
from Judy Collins - Classic Folk (2006)
Amazing grace, how sweet the sound
놀라운 은총,너무나 달콤한 주님의 음성 That saved a wretch like me 나와같이 비참한사람들을 구해주시니 I once was lost but now I'm found, 한때 길을 잃었었지만 지금은 나의 길을 찾았어요 Was blind but now I see. 나는 눈 먼 적도 있었지만 지금은 볼수있어요 'Twas grace |
|||||
|
4:08 | ||||
from Judy Collins - Rhino Hi-Five: Judy Collins (2006)
Amazing grace, how sweet the sound
놀라운 은혜여! 얼마나 그 소리가 감미로운지요! That saved a wretch like me 그 은혜가 저와 같은 비참한 인생을 구원했습니다. I once was lost but now I'm found, 저는 한때 잃어버려진 존재였지만, 지금은 찾아졌고, Was blind but now I see. 한때 눈이 먼 존재였지만, 지금은 보게 되었습니다 'Twas grace that taught my heart to fear 저의 영혼에 두려워하는 마음을 가르쳤던 것도 은혜였고, And grace my fear relieved 저의 두려움들을 없어지게 해 주신 것도 은혜였습니다. How precious did that grace appear, 그 은혜가 제게 나타났다는 사실이 얼마나 소중한지요! The hour I first believed. Through many dangers, toils and snares We have already come 'Twas grace that brought us safe thus far And grace will lead us home. When we've been there ten thousand years Bright shining as the sun, We've no less days to sing God's praise Than when we first begun. Amazing grace, how sweet the sound That saved a wretch like me I once was lost but now I'm found, Was blind but now I see. |
|||||
|
- | ||||
from Judy Collins - Live At Wolf Trap (2007)
Amazing grace, how sweet the sound
놀라운 은총,너무나 달콤한 주님의 음성 That saved a wretch like me 나와같이 비참한사람들을 구해주시니 I once was lost but now I'm found, 한때 길을 잃었었지만 지금은 나의 길을 찾았어요 Was blind but now I see. 나는 눈 먼 적도 있었지만 지금은 볼수있어요 'Twas grace |
|||||
|
- | ||||
from Judy Collins - Live At Newport (2001)
Lo, lo, lo,
Lazlo Feher stole a stallion, Stole him from the misty mountain And they chased him and they caught him, And in iron chains they bound him. Word was sent to Anathea That her brother was in prison. "Bring me gold and six fine horses, I will buy my brothers freedom." "Judge, oh, judge, please spare my brother, I will give you gold and silver." "I don't want your gold and silver, All I want are your sweet favors." "Anathea, oh, my sister, Are you mad with grief and sorrow? He will rob you of your honor, And he'll hang me from the gallows." Anathea did not heed him, Straight way to the judge went running. In his righteous arms at midnight, There she heard the gallows groaning. "Anathea, Anathea, Don't go out into the forest. There among the green pines standing, You will find your brother hanging." Lo, lo, lo |
|||||
|
4:05 | ||||
from Judy Collins - Recollections (2005)
Lo, lo, lo,
Lazlo Feher stole a stallion, Stole him from the misty mountain And they chased him and they caught him, And in iron chains they bound him. Word was sent to Anathea That her brother was in prison. "Bring me gold and six fine horses, I will buy my brothers freedom." "Judge, oh, judge, please spare my brother, I will give you gold and silver." "I don't want your gold and silver, All I want are your sweet favors." "Anathea, oh, my sister, Are you mad with grief and sorrow? He will rob you of your honor, And he'll hang me from the gallows." Anathea did not heed him, Straight way to the judge went running. In his righteous arms at midnight, There she heard the gallows groaning. "Anathea, Anathea, Don't go out into the forest. There among the green pines standing, You will find your brother hanging." Lo, lo, lo |
|||||
|
- | ||||
from Judy Collins - 3 & 4 (2006)
Lo, lo, lo,
Lazlo Feher stole a stallion, Stole him from the misty mountain And they chased him and they caught him, And in iron chains they bound him. Word was sent to Anathea That her brother was in prison. "Bring me gold and six fine horses, I will buy my brothers freedom." "Judge, oh, judge, please spare my brother, I will give you gold and silver." "I don't want your gold and silver, All I want are your sweet favors." "Anathea, oh, my sister, Are you mad with grief and sorrow? He will rob you of your honor, And he'll hang me from the gallows." Anathea did not heed him, Straight way to the judge went running. In his righteous arms at midnight, There she heard the gallows groaning. "Anathea, Anathea, Don't go out into the forest. There among the green pines standing, You will find your brother hanging." Lo, lo, lo |
|||||
|
2:59 | ||||
from Judy Collins - Sings Lennon & Mccartney (2007)
I give her all my love
that's all I do and if you saw my love you'd love her too and I love her She gives me everything and tenderly A kiss my lover brings She brings to me And I love her A love like ours could never die as long as I have you near me Bright are the stars that shine dark is the sky I know this love of mine will never die And I love her A love like ours could never die as long as I have you near me Bright are the stars that shine dark is the sky I know this love of mine will never die And I love her And I love her And I love her |
|||||
|
4:32 | ||||
from Judy Collins - Times Of Our Lives (1989) | |||||
|
- | ||||
from Judy Collins - Judith (2005) | |||||
|
- | ||||
from Richard Stoltzman, Judy Collins - Innervoices (1997) | |||||
|
- | ||||
from Richard Stoltzman, Judy Collins - Innervoices (1997) | |||||
|
- | ||||
from Judy Collins - All On A Wintry Night: Judy Collins Christmas (2008) | |||||
|
4:37 | ||||
from Judy Collins - Wildflowers (2005) | |||||
|
- | ||||
from Judy Collins - Classic Folk (2006) | |||||
|
- | ||||
from Judy Collins - Shameless (1997) | |||||
|
- | ||||
from Judy Collins - Shameless (1997) | |||||
|
2:15 | ||||
from Songs Of The Civil War (1991)
Mine eyes have seen the glory of the coming of the Lord;
He is trampling out the vintage where the grapes of wrath are stored; He hath loosed the fateful lightning of His terrible swift sword; His truth is marching on. Glory! Glory! Hallelujah! Glory! Glory! Hallelujah! Glory! Glory! Hallelujah! His truth is marching on. I have seen Him in the watch fires of a hundred circling camps They have builded Him an altar in the evening dews and damps; I can read His righteous sentence by the dim and flaring lamps; His day is marching on. Glory! Glory! Hallelujah! Glory! Glory! Hallelujah! Glory! Glory! Hallelujah! His day is marching on. I have read a fiery Gospel writ in burnished rows of steel; “As ye deal with My contemners, so with you My grace shall deal”; Let the Hero, born of woman, crush the serpent with His heel, Since God is marching on. Glory! Glory! Hallelujah! Glory! Glory! Hallelujah! Glory! Glory! Hallelujah! Since God is marching on. He has sounded forth the trumpet that shall never call retreat; He is sifting out the hearts of men before His judgment seat; Oh, be swift, my soul, to answer Him! be jubilant, my feet; Our God is marching on. Glory! Glory! Hallelujah! Glory! Glory! Hallelujah! Glory! Glory! Hallelujah! Our God is marching on. In the beauty of the lilies Christ was born across the sea, With a glory in His bosom that transfigures you and me: As He died to make men holy, let us live to make men free; [originally …let us die to make men free] While God is marching on. Glory! Glory! Hallelujah! Glory! Glory! Hallelujah! Glory! Glory! Hallelujah! While God is marching on. He is coming like the glory of the morning on the wave, He is wisdom to the mighty, He is honor to the brave; So the world shall be His footstool, and the soul of wrong His slave, Our God is marching on. Glory! Glory! Hallelujah! Glory! Glory! Hallelujah! Glory! Glory! Hallelujah! Our God is marching on. |
|||||
|
- | ||||
from Judy Collins - Live At Wolf Trap (2007) | |||||
|
4:38 | ||||
from Judy Collins - Forever An Anthology (1997)
Like a bird on the wire,
Like a drunk in a midnight choir I have tried in my way to be free. Like a worm on a hook, Like a knight from some old fashioned book I have saved all my ribbons for thee. If I, if I have been unkind, I hope that you can just let it go by. If I, if I have been untrue I hope you know it was never to you. Like a baby, stillborn, Like a beast with his horn I have torn everyone who reached out for me. But I swear by this song And by all that I have done wrong I will make it all up to thee. I saw a beggar leaning on his wooden crutch, He said to me, "You must not ask for so much." And a pretty woman leaning in her darkened door, She cried to me, "Hey, why not ask for more?" Oh like a bird on the wire, Like a drunk in a midnight choir I have tried in my way to be free. |
|||||
|
- | ||||
from Judy Collins - Live At Wolf Trap (2007)
Like a bird on the wire,
Like a drunk in a midnight choir I have tried in my way to be free. Like a worm on a hook, Like a knight from some old fashioned book I have saved all my ribbons for thee. If I, if I have been unkind, I hope that you can just let it go by. If I, if I have been untrue I hope you know it was never to you. Like a baby, stillborn, Like a beast with his horn I have torn everyone who reached out for me. But I swear by this song And by all that I have done wrong I will make it all up to thee. I saw a beggar leaning on his wooden crutch, He said to me, "You must not ask for so much." And a pretty woman leaning in her darkened door, She cried to me, "Hey, why not ask for more?" Oh like a bird on the wire, Like a drunk in a midnight choir I have tried in my way to be free. |
|||||
|
4:40 | ||||
from Judy Collins - Who Knows Where The Time Goes (1988)
Like a bird on the wire,
like a drunk in a midnight choir I have tried in my way to be free. Like a worm on a hook, like a knight from some old fashioned book I have saved all my ribbons for thee. If I, if I have been unkind, I hope that you can just let it go by. If I, if I have been untrue I hope you know it was never to you. Like a baby, stillborn, like a beast with his horn I have torn everyone who reached out for me. But I swear by this song and by all that I have done wrong I will make it all up to thee. I saw a beggar leaning on his wooden crutch, he said to me, "You must not ask for so much." And a pretty woman leaning in her darkened door, she cried to me, "Hey, why not ask for more?" Oh like a bird on the wire, like a drunk in a midnight choir I have tried in my way to be free. |
|||||
|
- | ||||
from Judy Collins - Classic Folk (2006) | |||||
|
2:29 | ||||
from Judy Collins - Sings Lennon & Mccartney (2007)
Blackbird singing in the dead of night
Take these broken wings and learn to fly All your life You were only waiting for this moment to arise Black bird singing in the dead of night Take these sunken eyes and learn to see All your life You were only waiting for this moment to be free Blackbird fly, blackbird fly Into the light of the dark black night. Blackbird fly, blackbird fly Into the light of the dark black night. Blackbird singing in the dead of night Take these broken wings and learn to fly All your life You were only waiting for this moment to arise, You were only waiting for this moment to arise, You were only waiting for this moment to arise |
|||||
|
- | ||||
from Judy Collins - Classic Folk (2006)
How many roads must a man walk down
Before you call him a man? Yes, 'n' how many seas must a white dove sail Before she sleeps in the sand? Yes, 'n' how many times must the cannon balls fly Before they're forever banned? The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind. How many times must a man look up Before he can see the sky? Yes, 'n' how many ears must one man have Before he can hear people cry? Yes, 'n' how many deaths will it take till he knows That too many people have died? The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind. How many years can a mountain exist Before it's washed to the sea? Yes, 'n' how many years can some people exist Before they're allowed to be free? Yes, 'n' how many times can a man turn his head, Pretending he just doesn't see? The answer, my friend, is blowin' in the wind, The answer is blowin' in the wind. |
|||||
|
- | ||||
from Judy Collins - Live At Newport (2001) | |||||
|
- | ||||
from Judy Collins - Living (1989) | |||||
|
- | ||||
from Judy Collins - Wildflower Festival (2008) | |||||
|
4:18 | ||||
from Judy Collins - Sings Dylan... Just Like A Woman (1993) | |||||
|
- | ||||
from Judy Collins - A Maid Of Constant Sorrow & Golden Apples Of The Sun (2002) | |||||
|
- | ||||
from Judy Collins - 3 & 4 (2006) | |||||
|
- | ||||
from Judy Collins - A Maid Of Constant Sorrow & Golden Apples Of The Sun (2002) | |||||
|
4:47 | ||||
from Judy Collins - Forever An Anthology (1997)
[Chorus]
As we march down to Fannerio As we march down to Fannerio Our captain fell in love with a lady like a dove And we called her by her name pretty Peggy-O What will your mother think pretty Peggy-O? What will your mother think pretty Peggy-O? What will your mother think but I hear the guineas clink? And the soldiers marchin' behind you O You shall ride in a coach pretty Peggy-O You shall ride in a coach pretty Peggy-O You shall ride in a coach with your true love by your side As fine as any lady in the country O And when I return pretty Peggy-O When I return pretty Peggy-O When I return, the city I will burn And destroy all the ladies in the country O Come trippin' down the stairs pretty Peggy-O Come trippin' down the stairs pretty Peggy-O Come trippin' down the stairs combin' back your yellow hair Bid your last farewell to sweet William-O Sweet William he is dead pretty Peggy-O Sweet William is dead pretty Peggy-O Sweet William is dead and he died for a maid He's buried in the Louisiana country O [Chorus] |
|||||
|
- | ||||
from Judy Collins - Judith (2005)
[Chorus]
As we march down to Fannerio As we march down to Fannerio Our captain fell in love with a lady like a dove And we called her by her name pretty Peggy-O What will your mother think pretty Peggy-O? What will your mother think pretty Peggy-O? What will your mother think but I hear the guineas clink? And the soldiers marchin' behind you O You shall ride in a coach pretty Peggy-O You shall ride in a coach pretty Peggy-O You shall ride in a coach with your true love by your side As fine as any lady in the country O And when I return pretty Peggy-O When I return pretty Peggy-O When I return, the city I will burn And destroy all the ladies in the country O Come trippin' down the stairs pretty Peggy-O Come trippin' down the stairs pretty Peggy-O Come trippin' down the stairs combin' back your yellow hair Bid your last farewell to sweet William-O Sweet William he is dead pretty Peggy-O Sweet William is dead pretty Peggy-O Sweet William is dead and he died for a maid He's buried in the Louisiana country O [Chorus] |
|||||
|
- | ||||
from Judy Collins - Born To The Breed (2009)
[Chorus]
As we march down to Fannerio As we march down to Fannerio Our captain fell in love with a lady like a dove And we called her by her name pretty Peggy-O What will your mother think pretty Peggy-O? What will your mother think pretty Peggy-O? What will your mother think but I hear the guineas clink? And the soldiers marchin' behind you O You shall ride in a coach pretty Peggy-O You shall ride in a coach pretty Peggy-O You shall ride in a coach with your true love by your side As fine as any lady in the country O And when I return pretty Peggy-O When I return pretty Peggy-O When I return, the city I will burn And destroy all the ladies in the country O Come trippin' down the stairs pretty Peggy-O Come trippin' down the stairs pretty Peggy-O Come trippin' down the stairs combin' back your yellow hair Bid your last farewell to sweet William-O Sweet William he is dead pretty Peggy-O Sweet William is dead pretty Peggy-O Sweet William is dead and he died for a maid He's buried in the Louisiana country O [Chorus] |
|||||
|
3:16 | ||||
from Grammy Winning Collection Vol. 2 (0000)
Both Sides Now Bows and flows of angel hair
굽이쳐 흘러내리는 천사의 머리카락 And ice cream castles in the air 그리고 하늘에 떠 있는 아이스크림 성 And feather canyons everywhere 여기저기 자리잡은 깃털 모양의 협곡들 I've looked at clouds that way 난 구름을 그렇게 봤었지요 But now they only block the sun 하지만 이제 구름은 태양을 가리는 존재일 뿐이에요 They rain and snow on everyone 모든 사람에게 짓궂게 비와 눈을 뿌리는... So many things I would have done 많은 일을 하려고 했지만 But clouds got in my way 구름이 날 방해했죠 I look at clouds from both sides now 난 이제 구름의 양면을 다 보아요 From up and down, and still somehow 또 아래 위로도요, 하지만 아직도 어쩐지 It's clouds' illusions I recall 기억나는 것은 구름이 주는 착각이죠 I really don't know clouds at all 정말 구름이 뭔지 잘 모르겠어요 Moons and Junes and Ferris wheels 달님과 싱그러운 유월 그리고 유원지의 회전 관람차 The dizzy dancing way you feel 춤추듯 어지러운 기분이죠 When every fairy tale comes real 모든 동화 속 이야기가 현실로 나타나는 것처럼 I've looked at love that way 나는 사랑을 그렇게 아름다운 것으로 보아왔죠 But now it's just another show 하지만 이젠 사랑은 단지 또 하나의 연극에 지나지 않아요 You leave them laughing when you go 떠날 땐 사람들이 웃을 수 있게 하세요 And if you care, don't let them know 그들을 배려한다면 그들이 모르도록 해요 Don't give yourself away 본심을 드러내지 마세요 I look at love from both sides now 난 사랑의 양면을 생각하게 됐어요 From win and lose and still somehow 주고 받는 것에대해 그렇지만 여전히 It's love's illusions I recall 생각나는 것은 사랑이 주는 오해입니다 I really don't know love at all 사랑이 뭔지 정말 모르겠어요 Tears and fears and feeling proud 눈물과 두려움, 또 To say I love you cried out loud '사랑해'라고 바로 큰 소리로 외칠 수 있는 자신감 Dreams and schemes and circus crowds 미래에 대한 꿈과 계획, 서커스의 구경꾼들 I've looked at life that way 나는 인생을 그런 식으로 보아왔죠 But now old friends are acting strange 하지만 이제 오랜 친구들이 낯설게 행동하네요 They shake their heads, they say I've changed 설레설레 머리를 저으며 나더러 변했다는 거예요 Well, something's lost, but something's gained 하지만 잃는 것도 있고 얻는 것도 있는 거죠 In living every day 하루 하루의 삶은 말이죠 I look at life from both sides now 나는 이제 인생의 양면을 봅니다 From give and take, and still somehow 얻기도 하고 잃기도 하는, 하지만 여전히 It's life's illusions I recall 생각하게 되는 것은 삶의 기만적인 모습이죠 I really don't know life at all 인생이 뭔지 정말 모르겠어요 |
|||||
|
4:13 | ||||
from Neil Diamond - Gold (1996)
Rows and flows of angel hair
ice cream castles in the air feather canyons everywhere I've looked at clouds that way But now they only block the sun They rain they snow on everyone So many things I would have done But clouds got in my way I've looked at clouds From both sides now From up and down, and still somehow It's cloud's illusions I recall I really don't know clouds at all Moons and Junes and Ferris wheels The dizzy dancin' way you feel As every fairy tale comes real I've looked at love that way But now it's just another show leave 'em laughing when you go And if you care, don't let them know Don't give yourself away I've looked at love From both sides now From win and loose, and still somehow It's love's illusions I recall I really don't know love at all Tears and fears and feeling proud To say "I love you" right out loud Dreams and schemes and circus crowds I've looked at life that way But now old friends They're acting strange shake their heads And say I've changed Well something's lost But something's gained In living every day I've looked at life from both sides now From give and take and still somehow It's life's illusions I recall I really don't know life at all |
|||||
|
3:14 | ||||
from Judy Collins - Forever An Anthology (1997)
Bows and flows of angel hair
And ice cream castles in the air And feather canyons everywhere I've looked at clouds that way But now they only block the sun They rain and snow on everyone So many things I would have done But clouds got in my way I've looked at clouds from both sides now From up and down and still somehow It's clouds' illusions I recall I really don't know clouds at all Moons and Junes and ferris wheels The dizzy dancing way you feel When every fairy tale comes real I've looked at love that way But now it's just another show You leave 'em laughing when you go And if you care don't let them know Don't give yourself away I've looked at love from both sides now From win and lose and still somehow It's love's illusions I recall I really don't know love at all Tears and fears and feeling proud To say I love you right out loud Dreams and schemes and circus crowds I've looked at life that way But now old friends are acting strange They shake their heads they say I've changed Well something's lost but something's gained In living every day I've looked at life from both sides now From win and lose and still somehow It's life's illusions I recall I really don't know life at all |
|||||
|
3:17 | ||||
from Judy Collins - Wildflowers (2005)
Bows and flows of angel hair And ice cream castles in the air And feather canyons everywhere I've looked at clouds that way But now they only block the sun They rain and snow on everyone So many things I would have done But clouds got in my way I've looked at clouds from both sides now From up and down and still somehow It's clouds' illusions I recall I really don't know clouds at all Moons and Junes and ferris wheels The dizzy dancing way you feel When every fairy tale comes real I've looked at love that way But now it's just another show You leave 'em laughing when you go And if you care don't let them know Don't give yourself away I've looked at love from both sides now From win and lose and still somehow It's love's illusions I recall I really don't know love at all Tears and fears and feeling proud To say I love you right out loud Dreams and schemes and circus crowds I've looked at life that way But now old friends are acting strange They shake their heads they say I've changed Well something's lost but something's gained In living every day I've looked at life from both sides now From win and lose and still somehow It's life's illusions I recall I really don't know life at all |
|||||
|
- | ||||
from Judy Collins - Classic Folk (2006)
Both Sides Now Bows and flows of angel hair
굽이쳐 흘러내리는 천사의 머리카락 And ice cream castles in the air 그리고 하늘에 떠 있는 아이스크림 성 And feather canyons everywhere 여기저기 자리잡은 깃털 모양의 협곡들 I've looked at clouds that way 난 구름을 그렇게 봤었지요 But now they only block the sun 하지만 이제 구름은 태양을 가리는 존재일 뿐이에요 They rain and snow on everyone 모든 사람에게 짓궂게 비와 눈을 뿌리는... So many things I would have done 많은 일을 하려고 했지만 But clouds got in my way 구름이 날 방해했죠 I look at clouds from both sides now 난 이제 구름의 양면을 다 보아요 From up and down, and still somehow 또 아래 위로도요, 하지만 아직도 어쩐지 It's clouds' illusions I recall 기억나는 것은 구름이 주는 착각이죠 I really don't know clouds at all 정말 구름이 뭔지 잘 모르겠어요 Moons and Junes and Ferris wheels 달님과 싱그러운 유월 그리고 유원지의 회전 관람차 The dizzy dancing way you feel 춤추듯 어지러운 기분이죠 When every fairy tale comes real 모든 동화 속 이야기가 현실로 나타나는 것처럼 I've looked at love that way 나는 사랑을 그렇게 아름다운 것으로 보아왔죠 But now it's just another show 하지만 이젠 사랑은 단지 또 하나의 연극에 지나지 않아요 You leave them laughing when you go 떠날 땐 사람들이 웃을 수 있게 하세요 And if you care, don't let them know 그들을 배려한다면 그들이 모르도록 해요 Don't give yourself away 본심을 드러내지 마세요 I look at love from both sides now 난 사랑의 양면을 생각하게 됐어요 From win and lose and still somehow 주고 받는 것에대해 그렇지만 여전히 It's love's illusions I recall 생각나는 것은 사랑이 주는 오해입니다 I really don't know love at all 사랑이 뭔지 정말 모르겠어요 Tears and fears and feeling proud 눈물과 두려움, 또 To say I love you cried out loud '사랑해'라고 바로 큰 소리로 외칠 수 있는 자신감 Dreams and schemes and circus crowds 미래에 대한 꿈과 계획, 서커스의 구경꾼들 I've looked at life that way 나는 인생을 그런 식으로 보아왔죠 But now old friends are acting strange 하지만 이제 오랜 친구들이 낯설게 행동하네요 They shake their heads, they say I've changed 설레설레 머리를 저으며 나더러 변했다는 거예요 Well, something's lost, but something's gained 하지만 잃는 것도 있고 얻는 것도 있는 거죠 In living every day 하루 하루의 삶은 말이죠 I look at life from both sides now 나는 이제 인생의 양면을 봅니다 From give and take, and still somehow 얻기도 하고 잃기도 하는, 하지만 여전히 It's life's illusions I recall 생각하게 되는 것은 삶의 기만적인 모습이죠 I really don't know life at all 인생이 뭔지 정말 모르겠어요 |
|||||
|
- | ||||
from Judy Collins - Live At Wolf Trap (2007)
Both Sides Now Bows and flows of angel hair
굽이쳐 흘러내리는 천사의 머리카락 And ice cream castles in the air 그리고 하늘에 떠 있는 아이스크림 성 And feather canyons everywhere 여기저기 자리잡은 깃털 모양의 협곡들 I've looked at clouds that way 난 구름을 그렇게 봤었지요 But now they only block the sun 하지만 이제 구름은 태양을 가리는 존재일 뿐이에요 They rain and snow on everyone 모든 사람에게 짓궂게 비와 눈을 뿌리는... So many things I would have done 많은 일을 하려고 했지만 But clouds got in my way 구름이 날 방해했죠 I look at clouds from both sides now 난 이제 구름의 양면을 다 보아요 From up and down, and still somehow 또 아래 위로도요, 하지만 아직도 어쩐지 It's clouds' illusions I recall 기억나는 것은 구름이 주는 착각이죠 I really don't know clouds at all 정말 구름이 뭔지 잘 모르겠어요 Moons and Junes and Ferris wheels 달님과 싱그러운 유월 그리고 유원지의 회전 관람차 The dizzy dancing way you feel 춤추듯 어지러운 기분이죠 When every fairy tale comes real 모든 동화 속 이야기가 현실로 나타나는 것처럼 I've looked at love that way 나는 사랑을 그렇게 아름다운 것으로 보아왔죠 But now it's just another show 하지만 이젠 사랑은 단지 또 하나의 연극에 지나지 않아요 You leave them laughing when you go 떠날 땐 사람들이 웃을 수 있게 하세요 And if you care, don't let them know 그들을 배려한다면 그들이 모르도록 해요 Don't give yourself away 본심을 드러내지 마세요 I look at love from both sides now 난 사랑의 양면을 생각하게 됐어요 From win and lose and still somehow 주고 받는 것에대해 그렇지만 여전히 It's love's illusions I recall 생각나는 것은 사랑이 주는 오해입니다 I really don't know love at all 사랑이 뭔지 정말 모르겠어요 Tears and fears and feeling proud 눈물과 두려움, 또 To say I love you cried out loud '사랑해'라고 바로 큰 소리로 외칠 수 있는 자신감 Dreams and schemes and circus crowds 미래에 대한 꿈과 계획, 서커스의 구경꾼들 I've looked at life that way 나는 인생을 그런 식으로 보아왔죠 But now old friends are acting strange 하지만 이제 오랜 친구들이 낯설게 행동하네요 They shake their heads, they say I've changed 설레설레 머리를 저으며 나더러 변했다는 거예요 Well, something's lost, but something's gained 하지만 잃는 것도 있고 얻는 것도 있는 거죠 In living every day 하루 하루의 삶은 말이죠 I look at life from both sides now 나는 이제 인생의 양면을 봅니다 From give and take, and still somehow 얻기도 하고 잃기도 하는, 하지만 여전히 It's life's illusions I recall 생각하게 되는 것은 삶의 기만적인 모습이죠 I really don't know life at all 인생이 뭔지 정말 모르겠어요 |
|||||
|
- | ||||
from Judy Collins - 3 & 4 (2006) | |||||
|
3:04 | ||||
from Judy Collins - Forever An Anthology (1997)
As we go marching, marching
In the beauty of the day, A million darkened kitchens, A thousand mill lofts gray Are touched with all the radiance That a sudden sun discloses, For the people hear us singing "Bread and roses, bread and roses" As we go marching, marching We battle too for men, For they are women's children And we mother them again Our lives shall not be sweated From birth until life closes Hearts starve as well as bodies Give us bread but give us roses As we go marching, marching Unnumbered woman dead Go crying through our singing Their ancient call for bread Small art and love and beauty Their drudging spirits knew Yes, it is bread we fight for, But we fight for roses too As we go marching, marching We bring the greater days The rising of the women Means the rising of the race No more the drudge and idler, Ten that toil where one reposes But a sharing of life's glories Bread and roses, bread and roses Our lives shall not be sweated From birth until life closes Hearts starve as well as bodies Bread and roses, bread and roses |
|||||
|
- | ||||
from Judy Collins - Shameless (1997) | |||||
|
- | ||||
from Judy Collins - Shameless (1997) | |||||
|
- | ||||
from Judy Collins - Judith (2005) | |||||
|
- | ||||
from Judy Collins - Live At Newport (2001) | |||||
|
- | ||||
from Judy Collins - 3 & 4 (2006) | |||||
|
- | ||||
from Richard Stoltzman, Judy Collins - Innervoices (1997) | |||||
|
- | ||||
from Judy Collins - Live At Newport (2001) | |||||
|
2:51 | ||||
from Judy Collins - Fifth Album (2005) | |||||
|
- | ||||
from Judy Collins - Classic Folk (2006) | |||||
|
- | ||||
from Judy Collins - Wildflower Festival (2008) | |||||
|
7:33 | ||||
from Judy Collins - True Stories And Other Dreams (1989) | |||||
|
- | ||||
from Judy Collins - Born To The Breed (2009) | |||||
|
3:21 | ||||
from Judy Collins - Living (1989)
I woke up, it was a Chelsea morning
And the first thing that I heard Was a song outside my window The traffic wrote the words It came ringing up like Christmas bells Rapping up like pipes and drums Oh, won't you stay we'll put on the day And we'll wear it 'till the night comes I woke up, it was a Chelsea morning And the first thing that I saw Was the sun through yellow curtains And a rainbow on my wall Blue, red, green and gold to welcome you Crimson crystal beads to beckon Oh, won't you stay we'll put on the day There's a sun show every second Now the curtain opens on a portrait of today And the streets are paved with passersby Pigeons fly, and papers lie Waiting to blow away I woke up, it was a Chelsea morning And the first thing that I knew There was milk and toast and honey And a bowl of orange juice too And the light poured in like butterscotch Stuck to all my senses Oh, won't you stay we'll put on the day And we'll talk in present tenses When the contain closes And the rainbow runs away I will bring you incense owls by night By jewel light, by candlelight, if only you will stay Oh my darling won't you wake up, it is a Chelsea morning |
|||||
|
3:14 | ||||
from Judy Collins - Forever An Anthology (1997)
Woke up, it was a Chelsea morning,
And the first thing that I heard Was a song outside my window, And the traffic wrote the words It came ringing up like Christmas bells, And rapping up like pipes and drums Oh, won't you stay, we'll put on the day And we'll wear it till the night comes Woke up, it was a Chelsea morning, And the first thing that I saw Was the sun through yellow curtains, And a rainbow on the wall Blue, red, green and gold to welcome you, Crimson crystal beads to beckon Oh oh, won't you stay, we'll put on the day There's a sun show every second Now the curtain opens on a portrait of today And the streets are paved with passersby And pigeons fly and papers lie Waiting to blow away Woke up, it was a Chelsea morning, And the first thing that I knew There was milk and toast and honey And a bowl of oranges, too And the sun poured in like butterscotch And stuck to all my senses Oh oh, won't you stay, we'll put on the day And we'll talk in present tenses When the curtain closes And the rainbow runs away I will bring you incense owls by night By jewel-light, by candle-light If only you will stay Pretty my darling', won't you wake up, It's a Chelsea morning |
|||||
|
- | ||||
from Judy Collins - All On A Wintry Night: Judy Collins Christmas (2008)
When Joseph was an old man, an old man was he
He married Virgin Mary, the Queen of Galilee He married Virgin Mary, the Queen of Galilee And one day as they went walking, all in the garden green There were berries and cherries as thick as may be seen There were berries and cherries as thick as may be seen Then Mary said to Joseph, so meek and so mild "Joseph, gather me some cherries for I am with child" "Joseph, gather me some cherries for I am with child" The Joseph flew in anger, in anger flew he "Let the father of the baby gather cherries for thee Let the father of the baby gather cherries for thee" Then up spoke baby Jesus, from out Mary's womb "Bow down ye tallest tree that my mother might have some Bow down ye tallest tree that my mother might have some" So bent down the tallest tree to touch Mary's hand Said she, "Oh look now Joseph, I have cherries at command" Said she, "Oh look now Joseph, I have cherries at command" When Joseph was an old man, an old man was he He married Virgin Mary, the Queen of Galilee He married Virgin Mary, the Queen of Galilee |
|||||
|
- | ||||
from Judy Collins - A Maid Of Constant Sorrow & Golden Apples Of The Sun (2002) | |||||
|
4:10 | ||||
from Judy Collins - Forever An Anthology (1997)
Riding on the City of New Orleans
Illinios Central, Monday morning rail Fifteen cars and fifteen restless riders Three conductors and 25 sacks of mail All along a south-bound odyssey The train pulls out of Kankakee Rolls along past houses, farms and fields Passing trains that have no name Freight yards full of old black men And the graveyards of the rusted automobiles Good morning America, how are you? Saying don't you know me I'm your native son? I'm the train they call, The City of New Orleans I'll be gone five hundred miles When the day is done Dealing cards with the oldmen in the club car Penny of point, ain't no one keeping score Say won't you pass the paper bag That holds the bottle Feel the wheels a rumbling 'neath the floor And the sons of Pullman porters And the sons of engineers Ride their fathers' magic carpet made of steel And mothers with their babes asleep Rockin' to the gentle beat And the rhythm of the rails is all they feel Good morning America, how are you? Saying don't you know me I'm your native son? I'm the train they call, The City of New Orleans I'll be gone five hundred miles When the day is done Nighttime on the City of New Orleans Changing cars in Memphis, Tennessee Halfway home and we'll be there by morning Through the Mississippi darkness Rolling down to the sea But all the towns and people seem To fade into a bad dream And the steel rails still Ain't heard the news The conductor sings his song again The passengers will please refrain This train has got the disappearing Railroad blues Goodbye America, I love you Saying don't you know me I'm your native son? I'm the train they call, The City of New Orleans I'll be gone five hundred miles When the days is done I'll be gone five hundred miles When the days is done, I'll be gone |
|||||
|
- | ||||
from Judy Collins - Judith (2005)
Riding on the City of New Orleans,
Illinois Central Monday morning rail Fifteen cars and fifteen restless riders, Three conductors and twenty-five sacks of mail. All along the southbound odyssey The train pulls out at Kankakee Rolls along past houses, farms and fields. Passin' trains that have no names, Freight yards full of old black men And the graveyards of the rusted automobiles. [Chorus] Good morning America how are you? Don't you know me I'm your native son, I'm the train they call The City of New Orleans, I'll be gone five hundred miles when the day is done. Dealin' cards with the old men in the club car.* Penny a point ain't no one keepin' score. Won't you pass the paper bag that holds the bottle Feel the wheels rumblin' 'neath the floor. And the sons of Pullman porters And the sons of engineers Ride their father's magic carpets made of steam.* Mothers with their babes asleep, Are rockin' to the gentle beat And the rhythm of the rails is all they dream.* [Chorus] Nighttime on The City of New Orleans, Changing cars in Memphis, Tennessee. Half way home, we'll be there by morning Through the Mississippi darkness Rolling down to the sea. And all the towns and people seem To fade into a bad dream And the steel rails still ain't heard the news. The conductor sings his song again, The passengers will please refrain This train's got the disappearing railroad blues. Good night, America, how are you? Don't you know me I'm your native son, I'm the train they call The City of New Orleans, I'll be gone five hundred miles when the day is done. |
|||||
|
- | ||||
from Judy Collins - Live At Wolf Trap (2007)
Riding on the City of New Orleans,
Illinois Central Monday morning rail Fifteen cars and fifteen restless riders, Three conductors and twenty-five sacks of mail. All along the southbound odyssey The train pulls out at Kankakee Rolls along past houses, farms and fields. Passin' trains that have no names, Freight yards full of old black men And the graveyards of the rusted automobiles. [Chorus] Good morning America how are you? Don't you know me I'm your native son, I'm the train they call The City of New Orleans, I'll be gone five hundred miles when the day is done. Dealin' cards with the old men in the club car.* Penny a point ain't no one keepin' score. Won't you pass the paper bag that holds the bottle Feel the wheels rumblin' 'neath the floor. And the sons of Pullman porters And the sons of engineers Ride their father's magic carpets made of steam.* Mothers with their babes asleep, Are rockin' to the gentle beat And the rhythm of the rails is all they dream.* [Chorus] Nighttime on The City of New Orleans, Changing cars in Memphis, Tennessee. Half way home, we'll be there by morning Through the Mississippi darkness Rolling down to the sea. And all the towns and people seem To fade into a bad dream And the steel rails still ain't heard the news. The conductor sings his song again, The passengers will please refrain This train's got the disappearing railroad blues. Good night, America, how are you? Don't you know me I'm your native son, I'm the train they call The City of New Orleans, I'll be gone five hundred miles when the day is done. |
|||||
|
- | ||||
from Judy Collins - Wildflower Festival (2008)
Riding on the City of New Orleans,
Illinois Central Monday morning rail Fifteen cars and fifteen restless riders, Three conductors and twenty-five sacks of mail. All along the southbound odyssey The train pulls out at Kankakee Rolls along past houses, farms and fields. Passin' trains that have no names, Freight yards full of old black men And the graveyards of the rusted automobiles. [Chorus] Good morning America how are you? Don't you know me I'm your native son, I'm the train they call The City of New Orleans, I'll be gone five hundred miles when the day is done. Dealin' cards with the old men in the club car.* Penny a point ain't no one keepin' score. Won't you pass the paper bag that holds the bottle Feel the wheels rumblin' 'neath the floor. And the sons of Pullman porters And the sons of engineers Ride their father's magic carpets made of steam.* Mothers with their babes asleep, Are rockin' to the gentle beat And the rhythm of the rails is all they dream.* [Chorus] Nighttime on The City of New Orleans, Changing cars in Memphis, Tennessee. Half way home, we'll be there by morning Through the Mississippi darkness Rolling down to the sea. And all the towns and people seem To fade into a bad dream And the steel rails still ain't heard the news. The conductor sings his song again, The passengers will please refrain This train's got the disappearing railroad blues. Good night, America, how are you? Don't you know me I'm your native son, I'm the train they call The City of New Orleans, I'll be gone five hundred miles when the day is done. |
|||||
|
- | ||||
from Judy Collins - Wildflower Festival (2008) | |||||
|
- | ||||
from Judy Collins - 3 & 4 (2006) | |||||
|
- | ||||
from Judy Collins - 3 & 4 (2006) | |||||
|
4:02 | ||||
from Judy Collins - Christmas At The Biltmore Estate (1997) | |||||
|
- | ||||
from Judy Collins - All On A Wintry Night: Judy Collins Christmas (2008) | |||||
|
3:31 | ||||
from Judy Collins - True Stories And Other Dreams (1989)
Muffin warm and basket brown
Smiling faces gathered round our dinner table Close together, hand in hand Chorus I always cook with honey To sweeten up the night We always cook with honey Tell me, hows your appetite For some sweet love Find in favor with your neighbor Well, it can be so fine Its easier than pie to be kind Weve been searching for so long Now our house has turned into a home Chorus Well, our door is always open And theres surely room for more Cooking where theres good love Is never any chore Some come to get to know us Therell be a place set just for you Sweet wine before dinner That is surely bound to soothe Chorus |
|||||
|
3:31 | ||||
from Judy Collins - Rhino Hi-Five: Judy Collins (2006)
Muffin warm and basket brown
Smiling faces gathered round our dinner table Close together, hand in hand Chorus I always cook with honey To sweeten up the night We always cook with honey Tell me, hows your appetite For some sweet love Find in favor with your neighbor Well, it can be so fine Its easier than pie to be kind Weve been searching for so long Now our house has turned into a home Chorus Well, our door is always open And theres surely room for more Cooking where theres good love Is never any chore Some come to get to know us Therell be a place set just for you Sweet wine before dinner That is surely bound to soothe Chorus |
|||||
|
- | ||||
from Judy Collins - A Maid Of Constant Sorrow & Golden Apples Of The Sun (2002) | |||||
|
- | ||||
from Judy Collins - 3 & 4 (2006) | |||||
|
2:58 | ||||
from Judy Collins - Fifth Album (2005) | |||||
|
- | ||||
from Judy Collins - Recollections (2005) | |||||
|
- | ||||
from Judy Collins - Live At Wolf Trap (2007)
Oh Danny Boy, the pipes, the pipes are calling
From glen to glen, and down the mountain side The summer's gone, and all the roses falling 'Tis you, 'tis you must go and I must bide But come ye back when summer's in the meadow Or when the valley's hushed and white with snow 'Tis I'll be here in sunshine or in shadow Danny Boy, oh Danny Boy, I love you so And when ye come, and all the flowers are dying And I am dead, as dead I well may be Ye'll come and find the place where I am lying And kneel and say an Ave there for me And I shall hear, though soft you tread above me And all my grave shall warmer, sweeter be For you shall bend and tell me that you love me And I shall sleep in peace until you come to me |
|||||
|
4:26 | ||||
from Judy Collins - Sings Dylan... Just Like A Woman (1993) | |||||
|
- | ||||
from Richard Stoltzman, Judy Collins - Innervoices (1997) | |||||
|
- | ||||
from Richard Stoltzman, Judy Collins - Innervoices (1997) | |||||
|
- | ||||
from A Tribute To Woody Guthrie [omnibus] (2008) | |||||
|
- | ||||
from Judy Collins - 3 & 4 (2006) | |||||
|
3:34 | ||||
from Judy Collins - Hard Times For Lovers (1989)
Desperado
Why don't you come to your senses You been out riding fences For so long now Oh, you're a hard one But I know that you've got your reasons These things that are pleasing you Can hurt you somehow Don't you draw the queen of diamonds, boy She'll beat you If she's able The queen of hearts Is always your best bet Now it seems to me some fine things Have been laid upon your table But you only want the ones That you can't get Desperado Oh, you ain't gettin' no younger You pain and your hunger They're drivingyou home Freedom, Ah freedom That's just some people talking You're prisoners walking Through this world all alone Don't your feet get cold in the wintertime The sky won't snow and the sun won't shine It's hard to tell the night time From the day You're losing all your highs and lows Ain't it funny how the feeling goes away Desperado Why don't you come to your senses Come down from your fences And open the gate It may be raining But there's a rainbow above you You better let somebody love you You better let somebody love you Before it's too late |
|||||
|
3:31 | ||||
from Judy Collins - Forever An Anthology (1997)
Desperado
Why don't you come to your senses You been out riding fences For so long now Oh you're a hard one But I know you've got your reasons These things that are pleasing you Can hurt you somehow Don't you draw the queen of diamonds boy She'll beat you If she's able The queen of hearts Is always your best bet Now it seems to me some fine things Have been laid upon your table But you only want the ones That you can't get Desperado Oh you ain't gettin' no younger You pain and your hunger They're driving you home Freedom That's just some people talking You're prisoners walking Through this world all alone Don't your feet get cold in the wintertime The sky won't snow and the sun won't shine It's hard to tell the night time From the day You're losing all your highs and lows Ain't it funny how the feeling goes away Desperado Why don't you come to your senses Come down from your fences And open the gate It may be raining But there's a rainbow above you You better let somebody love you Let somebody love you You better let somebody love you Before it's too late You better let somebody love you Before it's too late |
|||||
|
- | ||||
from Joan Baez - Joan Baez 75th Birthday Celebration (2016) | |||||
|
4:40 | ||||
from Judy Collins - Times Of Our Lives (1989) | |||||
|
- | ||||
from Judy Collins - Home Again (1989) | |||||
|
4:37 | ||||
from Judy Collins - Hard Times For Lovers (1989) | |||||
|
- | ||||
from Judy Collins - Home Again (1989) | |||||
|
- | ||||
from Judy Collins - In My Life (1988) | |||||
|
3:49 | ||||
from Judy Collins - Times Of Our Lives (1989) | |||||
|
3:16 | ||||
from Judy Collins - Fifth Album (2005) | |||||
|
- | ||||
from Judy Collins - Recollections (2005) |