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- | 
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from Interpol - Antics (2005)
Saw you from the urchin's side, from under the boat
Saw you making knots, saw you get the rope The boy appearing on the deck and making it lurch And bubble of your interests ready to burst He whistles and he runs Saw you in distraction, a sleeping slow despair Rehearsing interaction, he wasn't even there A creature is a creature though you wish you were the wind The boat will not stop moving if you tie him up until the end He whistles and he runs so hold him fast Breathe the burn, you want to let it last He might succumb to what you haven't seen He has a keen eye for what you used to be When the cadaverous mob saves its doors for the dead men You cannot leave |
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- | 
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| from Interpol - Interpol (2010) | |||||
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- |
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| from Interpol - All the Rage Back Home [digital single] (2015) | |||||
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- |
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| from Interpol - El Pintor (2015) | |||||
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- |
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| from Interpol - Interpol (2010) | |||||
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- |
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| from Interpol - Ancient Ways [digital single] (2015) | |||||
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- |
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| from Interpol - El Pintor (2015) | |||||
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- |
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| from Interpol - El Pintor (2015) | |||||
 |
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4:09 |
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from Interpol - Barricade [single] (2010)
I did not take to analysis
So I had to make up my mind and hold it for a while I would not just leave you without a kiss But I guess there must come a time, when there's no more tears to cry Thieves and snakes need homes, need homes Barricade It starts to feel like a barricade To keep us away, to keep us away It kind of does It starts to feel like a barricade To keep us away, keep us away I could not lean on the politics 'Cause I didn't want to train my eye to hold so short a time Oh so high, just don't know where the blind could lead the sightless But I still like to witness Thieves and snakes need homes, need homes Barricade It starts to feel like a barricade To keep us away, to keep us away It kind of does It starts to feel like a barricade To keep us away, keep us away Full speed, half blind Full tilt, decline We turn to past times Full speed, half blind You know us You know us And we said.... I'm sorry Say I'm sorry Sometimes it feels like a barricade To keep us away, keep us away It kind of does How much fear can you fabricate To keep us away, keep us away You know us Full speed, half blind Full tilt, decline We turn to past times Full speed, half blind Full speed, half blind Full tilt, decline On to old times Full speed, half blind |
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- |
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| from Interpol - Interpol (2010) | |||||
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- |
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| from Interpol - El Pintor (2015) | |||||
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from Interpol - Antics (2005)
It's way too late
To be this locked inside ourselves The trouble is That you're in love with someone else It should be me Oh, it should be me Your sacred parts Your getaways You come along On summer days Tenderly Tastefully And so may we make time To try find somebody else This place is mine You said today You know exactly how I feel I had my doubts, little girl I'm in love with something real It could be me That's changing And so may we make time To try and find somebody else Who has a line Now seasoned with health Two lovers walk a lakeside mile Try pleasing with stealth, rodeo See what stands long Ending fast Oh, how I love you in the evenings When we are sleeping We are sleeping Oh, you are sleeping And so may we make time To try and find somebody else Who has a line Now seasoned with health Two lovers walk a lakeside mile Try pleasing with stealth, rodeo See what stands long Oh, ending fast |
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- |
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| from Interpol - Marauder (2018) | |||||
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- |
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| from Six Feet Under Vol.2 (식스 핏 언더 2편) [ost] (2005) | |||||
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- |
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| from Interpol - El Pintor (2015) | |||||
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3:36 |
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from Interpol - Evil [ep] (2005)
Rosemary
Heaven restores you in life You're coming with me Through the aging, the fearing, the strife It's the smiling on the package It's the faces in the sand It's the thought that moves you upwards Embracing me with two hands Right will take you places Yeah maybe to the beach When your friends they do come crying Tell them now your pleasure's set upon slow release Hey wait Great smile Sensitive to fate, not Denial But hey, who's on trial? It took a lifespan with no cellmate The long way back Saying, why can't we look the other way? He speaks about a travel Yeah we think about the land We smart like all peoples Feeling real tan I could take you places Where you need a new man? Wipe the pollen from the faces Make revision to a dream while you wait in the van Hey wait Great smile Sensitive to fate, not Denial But hey, who's on trial? It took a lifespan with no cellmate Find the long way back Sandy, why can't we look the other way? You're weightless, you are exotic You need something for which to care Saying, why can't we look the other way? Leave some shards under the belly Lay some grease inside my hand It's a sentimental jury And the makings of a good plan You've come to love me lightly Yeah you've come to hold me tight Is this motion everlasting Or do shudders pass in the night? Rosemary Oh, heaven restores you in life I spent a lifespan with no cellmate A long way back Saying, why can't we look the other way? You're weightless, semi-erotic You need someone to take you there Saying, why can't we look the other way? Why can't we just play the other game? Why can't we just look the other way? |
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3:33 |
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from Interpol - Evil [ep] (2005)
Rosemary
Heaven restores you in life You're coming with me Through the aging, the fearing, the strife It's the smiling on the package It's the faces in the sand It's the thought that moves you upwards Embracing me with two hands Right will take you places Yeah maybe to the beach When your friends they do come crying Tell them now your pleasure's set upon slow release Hey wait Great smile Sensitive to fate, not Denial But hey, who's on trial? It took a lifespan with no cellmate The long way back Saying, why can't we look the other way? He speaks about a travel Yeah we think about the land We smart like all peoples Feeling real tan I could take you places Where you need a new man? Wipe the pollen from the faces Make revision to a dream while you wait in the van Hey wait Great smile Sensitive to fate, not Denial But hey, who's on trial? It took a lifespan with no cellmate Find the long way back Sandy, why can't we look the other way? You're weightless, you are exotic You need something for which to care Saying, why can't we look the other way? Leave some shards under the belly Lay some grease inside my hand It's a sentimental jury And the makings of a good plan You've come to love me lightly Yeah you've come to hold me tight Is this motion everlasting Or do shudders pass in the night? Rosemary Oh, heaven restores you in life I spent a lifespan with no cellmate A long way back Saying, why can't we look the other way? You're weightless, semi-erotic You need someone to take you there Saying, why can't we look the other way? Why can't we just play the other game? Why can't we just look the other way? |
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from Interpol - Antics (2005)
Rosemary
Heaven restores you in life You're coming with me Through the aging, the fearing, the strife It's the smiling on the package It's the faces in the sand It's the thought that moves you upwards Embracing me with two hands Right will take you places Yeah maybe to the beach When your friends they do come crying Tell them now your pleasure's set upon slow release Hey wait Great smile Sensitive to fate, not Denial But hey, who's on trial? It took a lifespan with no cellmate The long way back Saying, why can't we look the other way? He speaks about a travel Yeah we think about the land We smart like all peoples Feeling real tan I could take you places Where you need a new man? Wipe the pollen from the faces Make revision to a dream while you wait in the van Hey wait Great smile Sensitive to fate, not Denial But hey, who's on trial? It took a lifespan with no cellmate Find the long way back Sandy, why can't we look the other way? You're weightless, you are exotic You need something for which to care Saying, why can't we look the other way? Leave some shards under the belly Lay some grease inside my hand It's a sentimental jury And the makings of a good plan You've come to love me lightly Yeah you've come to hold me tight Is this motion everlasting Or do shudders pass in the night? Rosemary Oh, heaven restores you in life I spent a lifespan with no cellmate A long way back Saying, why can't we look the other way? You're weightless, semi-erotic You need someone to take you there Saying, why can't we look the other way? Why can't we just play the other game? Why can't we just look the other way? |
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3:35 |
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| from Interpol - Our Love To Admire (2007) | |||||
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| from Interpol - Marauder (2018) | |||||
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7:48 |
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| from Interpol - Remix [single] (2005) | |||||
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3:06 |
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from Interpol - Turn On The Bright Lights (2002)
Will you put my hands away?
Will you be my man? Serve it up, don't wait Let's see about this ham oh, what happened? oh, what happened? Home spun desperation's knowing Inside your cover's always blown |
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3:08 |
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from Interpol - Obstacle 1 [single] (2003)
Will you put my hands away?
Will you be my man? Serve it up, don't wait Let's see about this ham oh, what happened? oh, what happened? Home spun desperation's knowing Inside your cover's always blown |
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3:28 |
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| from Interpol - Heinrich Maneuver [single] (2007) | |||||
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| from Interpol - If You Really Love Nothing [digital single] (2018) | |||||
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| from Interpol - Marauder (2018) | |||||
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1:02 |
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| from Interpol - Turn On The Bright Lights (2002) | |||||
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- |
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| from Interpol - Marauder (2018) | |||||
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- |
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| from Interpol - Marauder (2018) | |||||
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| from Interpol - Marauder (2018) | |||||
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4:01 |
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from Interpol - Turn On The Bright Lights (2002)
She says it helps
with the lights out Her rabid glow is like braille to the night. She swears I’m a slave to the details But if your life is such a big joke, why should I care? The clock is set for nine but you know you’re gonna make it eight. So that you two can take some time, teach each other to reciprocate. She feels that my sentimental side s hould be held with kid gloves But she doesn’t know that I left my urge in the icebox She swears I’m just prey to the female, Well then hook me up and throw me, baby cakes, cuz I like to get hooked. The clock is set for nine but you know you’re gonna make it eight. All the people that you’ve loved they’re all bound to leave some keepsakes. I’ve been swinging all the time, think it’s time to learn your way. I picture you and me together in the jungle it would be ok. I’ll bring you when my lifeboat sails through the night That is supposing that you don’t sleep tonight It’s like learning a new a language Helps me catch up on my mime If you don’t bring up those lonely parts This could be a good time It’s like learning a new language You come here to me We’ll collect those lonely parts and set them down You come here to me She says brief things, her love’s a pony My love’s subliminal She says brief things, her love’s a pony My love’s subliminal |
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from Interpol - The Black [ep] (2003)
She says it helps
with the lights out Her rabid glow is like braille to the night. She swears I’m a slave to the details But if your life is such a big joke, why should I care? The clock is set for nine but you know you’re gonna make it eight. So that you two can take some time, teach each other to reciprocate. She feels that my sentimental side s hould be held with kid gloves But she doesn’t know that I left my urge in the icebox She swears I’m just prey to the female, Well then hook me up and throw me, baby cakes, cuz I like to get hooked. The clock is set for nine but you know you’re gonna make it eight. All the people that you’ve loved they’re all bound to leave some keepsakes. I’ve been swinging all the time, think it’s time to learn your way. I picture you and me together in the jungle it would be ok. I’ll bring you when my lifeboat sails through the night That is supposing that you don’t sleep tonight It’s like learning a new a language Helps me catch up on my mime If you don’t bring up those lonely parts This could be a good time It’s like learning a new language You come here to me We’ll collect those lonely parts and set them down You come here to me She says brief things, her love’s a pony My love’s subliminal She says brief things, her love’s a pony My love’s subliminal |
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3:53 |
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from Interpol - Evil [ep] (2005)
She says it helps
with the lights out Her rabid glow is like braille to the night. She swears I’m a slave to the details But if your life is such a big joke, why should I care? The clock is set for nine but you know you’re gonna make it eight. So that you two can take some time, teach each other to reciprocate. She feels that my sentimental side s hould be held with kid gloves But she doesn’t know that I left my urge in the icebox She swears I’m just prey to the female, Well then hook me up and throw me, baby cakes, cuz I like to get hooked. The clock is set for nine but you know you’re gonna make it eight. All the people that you’ve loved they’re all bound to leave some keepsakes. I’ve been swinging all the time, think it’s time to learn your way. I picture you and me together in the jungle it would be ok. I’ll bring you when my lifeboat sails through the night That is supposing that you don’t sleep tonight It’s like learning a new a language Helps me catch up on my mime If you don’t bring up those lonely parts This could be a good time It’s like learning a new language You come here to me We’ll collect those lonely parts and set them down You come here to me She says brief things, her love’s a pony My love’s subliminal She says brief things, her love’s a pony My love’s subliminal |
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from Interpol - Antics (2005)
This could be destiny, oh sweetheart
I've had no sense of time since we started I've got friends in need, oh sweetheart I'd grown lengths and lengths and lengths of love since we started this thing out Combat salacious removal There is a bitter breed, oh sweetheart They will be watching you sometimes with their bitter hearts But we are through with these Oh, we're shifting the heartache We want strong summer love, the most robust of blood Just to stay awake Combat salacious removal |
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5:38 |
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|
from Interpol - Lights [single] (2010)
All that I see
Show me your ways Teach me to meet my desires...with some grace All that I fear Don't turn away And leave me to plead in this hole of a place... What if I never break Estuary won't you take me Far away Far away All that I seek Please police me I won't you to police me But keep it clean Uhhh... Now that you mean.. my day Now let's take them away (that's why I hold you) Strong as you've seen Bold as you behave (that's why I hold you) You will always obey (that's why I hold you) All that I feel Capital ways Teach me to grieve and conspire With my age All that I can see A gold mystic spree A seeithing routine I could never navigate Maybe I like to stray No harm it seems to be less so free...not today It's like you want it that way All that I see Peaceful lives run away from me Run away from me We would like to take the sights (that's why I hold you) And bring silence in disguise (that's why I hold you... dear) We would like to meet the buyer that is on your life That's why I hold you That's why I hold you dear That's why I hold you.... |
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- |
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| from Interpol - Interpol (2010) | |||||
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4:16 |
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| from Interpol - Heinrich Maneuver [single] (2007) | |||||
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4:13 |
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from Interpol - Our Love To Admire (2007)
Spare me the suspense
Spare me the suspense I got no currency But I'm heaven sent So spare me the suspense Just spare me the suspense Hey lady wraith Oh, I so hope you try You're late Babe, you know it's your time I won't let you sit by So cold in the pitch night Alone you can't make amends No, I won't let you sit by So cold in the pitch night We should dance like two fucking twins Just spare me the suspense There are seven ancient pawn shops along the road I know seven aching daddies you may want to know Oh, right on Hey, lady wraith Oh baby, I can't deny I got a taste A taste A taste And it's time But I won't let you sit by So cold in the pitch night Alone you can't make amends No, I won't let you sit by So cold in the pitch night It's enough with this fucking incense Just spare me the suspense There are seven ancient pawn shops along the road Oh, I know seven aging daddies you may want to know When you played your heart out It made me turn around Oh, right on Wait and you froze in the night You're late There's a hole in the sky No haste No lesson, no lie Got a taste That I can't deny And you wait till you know that it's time You wait till you know that it's time You wait till you know that it's time You wait till you know that it's time You say to me, set black fires Do you know? You say to me, set black fires |
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- |
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| from Interpol - Interpol (2010) | |||||
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- |
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| from Interpol - Marauder (2018) | |||||
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- |
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| from Interpol - El Pintor (2015) | |||||
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- |
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| from Interpol - El Pintor (2015) | |||||
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|
4:08 |
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|
from Interpol - Evil [ep] (2005)
Touch your thighs, I'm the lonely one
Remember that last sweat 'cause that was the right one Oh, all your mysteries are moving in the sun And show some love and respect Wanna get some love and respect Baby you can see that the gazing eye won't lie Don't give up your lover tonight 'Cause it's just you, me and this wire, alright Let's tend to the engine tonight She found a lonely sound She keeps on waiting for time out there Oh love, can you love me babe Love, is this loving babe Is time turning around Feast your eyes, I'm the only one Control me, console me 'Cause that's just how it should be done Oh, all your history's like fire from a busted gun I show some love and respect Don't wanna get a life of regret But baby you can see that the gazing eye won't lie Don't give up your lover tonight She found a lonely sound She keeps on waiting for time out there Oh love, can you love me babe Love, is this loving babe Is time turning around He slips into the bedroom, baby You know me, this is all right Old names, we'll make soon Will sustain us through the night Inside my bedroom baby Touch me, oh tonight Poses we'll make soon Will reveal our sense of right You should be in my space You should be in my life You should be in my space You should be in my life You could be in my space |
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- |
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|
from Interpol - Antics (2005)
Touch your thighs, I'm the lonely one
Remember that last sweat 'cause that was the right one Oh, all your mysteries are moving in the sun And show some love and respect Wanna get some love and respect Baby you can see that the gazing eye won't lie Don't give up your lover tonight 'Cause it's just you, me and this wire, alright Let's tend to the engine tonight She found a lonely sound She keeps on waiting for time out there Oh love, can you love me babe Love, is this loving babe Is time turning around Feast your eyes, I'm the only one Control me, console me 'Cause that's just how it should be done Oh, all your history's like fire from a busted gun I show some love and respect Don't wanna get a life of regret But baby you can see that the gazing eye won't lie Don't give up your lover tonight She found a lonely sound She keeps on waiting for time out there Oh love, can you love me babe Love, is this loving babe Is time turning around He slips into the bedroom, baby You know me, this is all right Old names, we'll make soon Will sustain us through the night Inside my bedroom baby Touch me, oh tonight Poses we'll make soon Will reveal our sense of right You should be in my space You should be in my life You should be in my space You should be in my life You could be in my space |
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|
2:37 |
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||
|
from Interpol - Remix [single] (2005)
Touch your thighs, I'm the lonely one
Remember that last sweat 'cause that was the right one Oh, all your mysteries are moving in the sun And show some love and respect Wanna get some love and respect Baby you can see that the gazing eye won't lie Don't give up your lover tonight 'Cause it's just you, me and this wire, alright Let's tend to the engine tonight She found a lonely sound She keeps on waiting for time out there Oh love, can you love me babe Love, is this loving babe Is time turning around Feast your eyes, I'm the only one Control me, console me 'Cause that's just how it should be done Oh, all your history's like fire from a busted gun I show some love and respect Don't wanna get a life of regret But baby you can see that the gazing eye won't lie Don't give up your lover tonight She found a lonely sound She keeps on waiting for time out there Oh love, can you love me babe Love, is this loving babe Is time turning around He slips into the bedroom, baby You know me, this is all right Old names, we'll make soon Will sustain us through the night Inside my bedroom baby Touch me, oh tonight Poses we'll make soon Will reveal our sense of right You should be in my space You should be in my life You should be in my space You should be in my life You could be in my space |
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- |
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from Interpol - Antics (2005)
We ain't going to the town
We're going to the city Gonna trek this shit around And make this place a heart to be a part of We ain't going to the town We're going to the city Gonna trek this shit around And make this place a heart to be a part of again We're going We're going We're going And we're gone We're going We're going We're going And we're gone So baby make it with me In preparation for tonight We've got so much to leave But that's not what makes this right We've been building up steam Ignited by this fight So do this thing with me instead of Tying on a tight one tonight We're going We're going We're going And we're gone We ain't going to the town We're going to the city Gonna trek this shit around And make this place a heart to be a part of again |
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|
3:51 |
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||
|
from Interpol - Our Love To Admire (2007)
Through the storms and the light
Baby, you stood by my side And life is wine But there are days in this life When you see the teeth marks of time Two lovers divide Sound meets sound, babe The echoes they surround And all that we need is one thing Now what is there to allow? Babe, it's time we give something new a try Oh, alone we may fight So just let us be free And baby, tonight I see your lips are on fire And life is wine Now the windows are open The moon is so bright 'Cause no one can tell us what love brings for you and I Sound meets sound, babe The echoes they surround And all that we need is one thing Now what is there to allow? Babe, it's time we give something new a try Oh, alone we may fight So just let us be free tonight Through the storms and the light Baby, you stood by my side And life is wine You feel the sweet breath of time It's whispering it's truth, not mine There's no I in threesome And I am all for it Babe, it's time we give something new a try Oh, alone we may fight And feathers bend like trees in the moonlight Babe, it's time we give something new a try Oh, alone we may fight So just let us be free tonight |
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- |
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from Interpol - Antics (2005)
I'll lay down my glasses
I'll lay down in houses If things come alive I'll subtract pain by ounces Yeah, I will start painting houses If things come alive I promise to commit no acts of violence Be it physical or otherwise If things come alive I'll say it now I'll say it now I'll say it now Oh, I'll say it now 'Cause I want it now When personality is scar tissue We travel south with disuse I'm subtle like a lion's cage Such a cautious display Remember take hold of your time here Give some meanings to the means To your end Not even jail We marshal in new days of longing We tremble like anyone's children And wink towards the fire I'm erring on this side of caution Betraying no other symptom But girl, you shake it right I will bounce you on the lap of silence We will freeload to the beats of science And girl, you shake it right I'll say it now Oh, but hold it still, darling, your hair's so pretty Can't you feel the warmth of my sincerity? You make motion when you cry You're making people's lives feel less private And don't take time away You make motion when you cry We all hold hands Can we all hold hands When we make new plans? I pretend like no one else To try control myself I'm subtle like a lion's cage Such a cautious display Remember take hold of your time here Give some meanings to the means To your end Not even jail |
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5:38 |
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||
|
from Interpol - Remix [single] (2005)
I'll lay down my glasses
I'll lay down in houses If things come alive I'll subtract pain by ounces Yeah, I will start painting houses If things come alive I promise to commit no acts of violence Be it physical or otherwise If things come alive I'll say it now I'll say it now I'll say it now Oh, I'll say it now 'Cause I want it now When personality is scar tissue We travel south with disuse I'm subtle like a lion's cage Such a cautious display Remember take hold of your time here Give some meanings to the means To your end Not even jail We marshal in new days of longing We tremble like anyone's children And wink towards the fire I'm erring on this side of caution Betraying no other symptom But girl, you shake it right I will bounce you on the lap of silence We will freeload to the beats of science And girl, you shake it right I'll say it now Oh, but hold it still, darling, your hair's so pretty Can't you feel the warmth of my sincerity? You make motion when you cry You're making people's lives feel less private And don't take time away You make motion when you cry We all hold hands Can we all hold hands When we make new plans? I pretend like no one else To try control myself I'm subtle like a lion's cage Such a cautious display Remember take hold of your time here Give some meanings to the means To your end Not even jail |
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- |
|
||
| from Interpol - Marauder (2018) | |||||
 |
|
4:20 |
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||
|
from Interpol - Interpol [ep] (2002)
I had seven faces thought
i knew which one to wear I'm sick of spending these lonely nights training myself not to care the subway is a porno pavements they are a mess i know you've supported me for a long time somehow i'm not impressed New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) subway she is a porno and the pavements they are a mess i know you've supported me for a long time somehow i'm not impressed It's up to me now turn on the bright lights It's up to me now turn on the bright lights New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares ( got to be some more change in my life) It's up to me now turn on the bright lights (got to be some more change in my life) oh, It's up to me now turn on the bright lights (got to be some more change in my life) |
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|
4:20 |
|
||
|
from Interpol - Turn On The Bright Lights (2002)
I had seven faces thought
i knew which one to wear I'm sick of spending these lonely nights training myself not to care the subway is a porno pavements they are a mess i know you've supported me for a long time somehow i'm not impressed New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) subway she is a porno and the pavements they are a mess i know you've supported me for a long time somehow i'm not impressed It's up to me now turn on the bright lights It's up to me now turn on the bright lights New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares ( got to be some more change in my life) It's up to me now turn on the bright lights (got to be some more change in my life) oh, It's up to me now turn on the bright lights (got to be some more change in my life) |
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 |
|
4:21 |
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||
|
from Interpol - Say Hello To The Angels / NYC [single] (2003)
I had seven faces thought
i knew which one to wear I'm sick of spending these lonely nights training myself not to care the subway is a porno pavements they are a mess i know you've supported me for a long time somehow i'm not impressed New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) subway she is a porno and the pavements they are a mess i know you've supported me for a long time somehow i'm not impressed It's up to me now turn on the bright lights It's up to me now turn on the bright lights New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares ( got to be some more change in my life) It's up to me now turn on the bright lights (got to be some more change in my life) oh, It's up to me now turn on the bright lights (got to be some more change in my life) |
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4:29 |
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from Interpol - Say Hello To The Angels / NYC [single] (2003)
I had seven faces thought
i knew which one to wear I'm sick of spending these lonely nights training myself not to care the subway is a porno pavements they are a mess i know you've supported me for a long time somehow i'm not impressed New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) subway she is a porno and the pavements they are a mess i know you've supported me for a long time somehow i'm not impressed It's up to me now turn on the bright lights It's up to me now turn on the bright lights New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares ( got to be some more change in my life) It's up to me now turn on the bright lights (got to be some more change in my life) oh, It's up to me now turn on the bright lights (got to be some more change in my life) |
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from Interpol - The Black [ep] (2003)
I had seven faces thought
i knew which one to wear I'm sick of spending these lonely nights training myself not to care the subway is a porno pavements they are a mess i know you've supported me for a long time somehow i'm not impressed New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) subway she is a porno and the pavements they are a mess i know you've supported me for a long time somehow i'm not impressed It's up to me now turn on the bright lights It's up to me now turn on the bright lights New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares (got to be some more change in my life) New York Cares ( got to be some more change in my life) It's up to me now turn on the bright lights (got to be some more change in my life) oh, It's up to me now turn on the bright lights (got to be some more change in my life) |
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4:11 |
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from Interpol - Turn On The Bright Lights (2002)
I wish I could eat the salt off of your lost faded lips we can cap the old times make playing only logical harm we can cap the old lines clay-making that nothing else will change well she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad but it’s different now that I’m poor and ageing I’ll never see this face again you'll go stabbing yourself in the neck we could find new ways of living make playing only logical harm we could top the old times clay-making and nothing else will change but she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad it's different now that I’m poor and ageing I’ll never see this place againyou'll go stabbing yourself in the neck but it's different now that I’m poor and ageing I’ll never see this place again you'll go stabbing yourself in the neck it's in the way that she poses it's in the things that she puts in my hair her stories are boring and stuff she’s always calling my bluff she puts the she puts the weights into my little heart and she gets in my room and she takes it apart she puts the weights into my little heart I say she puts the weights into my little heart she packs it away it’s in the way that she was her heaven is never enough she puts the weights in my heart she puts the she puts the weights into my little heart |
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4:11 |
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from Interpol - Obstacle 1 [single] (2003)
I wish I could eat the salt off of your lost faded lips we can cap the old times make playing only logical harm we can cap the old lines clay-making that nothing else will change well she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad but it’s different now that I’m poor and ageing I’ll never see this face again you'll go stabbing yourself in the neck we could find new ways of living make playing only logical harm we could top the old times clay-making and nothing else will change but she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad it's different now that I’m poor and ageing I’ll never see this place againyou'll go stabbing yourself in the neck but it's different now that I’m poor and ageing I’ll never see this place again you'll go stabbing yourself in the neck it's in the way that she poses it's in the things that she puts in my hair her stories are boring and stuff she’s always calling my bluff she puts the she puts the weights into my little heart and she gets in my room and she takes it apart she puts the weights into my little heart I say she puts the weights into my little heart she packs it away it’s in the way that she was her heaven is never enough she puts the weights in my heart she puts the she puts the weights into my little heart |
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from Interpol - The Black [ep] (2003)
I wish I could eat the salt off of your lost faded lips we can cap the old times make playing only logical harm we can cap the old lines clay-making that nothing else will change well she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad but it’s different now that I’m poor and ageing I’ll never see this face again you'll go stabbing yourself in the neck we could find new ways of living make playing only logical harm we could top the old times clay-making and nothing else will change but she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad it's different now that I’m poor and ageing I’ll never see this place againyou'll go stabbing yourself in the neck but it's different now that I’m poor and ageing I’ll never see this place again you'll go stabbing yourself in the neck it's in the way that she poses it's in the things that she puts in my hair her stories are boring and stuff she’s always calling my bluff she puts the she puts the weights into my little heart and she gets in my room and she takes it apart she puts the weights into my little heart I say she puts the weights into my little heart she packs it away it’s in the way that she was her heaven is never enough she puts the weights in my heart she puts the she puts the weights into my little heart |
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from Interpol - Obstacle 1/ Arthur Baker Remix [single] (2005)
I wish I could eat the salt off of your lost faded lips we can cap the old times make playing only logical harm we can cap the old lines clay-making that nothing else will change well she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad but it’s different now that I’m poor and ageing I’ll never see this face again you'll go stabbing yourself in the neck we could find new ways of living make playing only logical harm we could top the old times clay-making and nothing else will change but she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad it's different now that I’m poor and ageing I’ll never see this place againyou'll go stabbing yourself in the neck but it's different now that I’m poor and ageing I’ll never see this place again you'll go stabbing yourself in the neck it's in the way that she poses it's in the things that she puts in my hair her stories are boring and stuff she’s always calling my bluff she puts the she puts the weights into my little heart and she gets in my room and she takes it apart she puts the weights into my little heart I say she puts the weights into my little heart she packs it away it’s in the way that she was her heaven is never enough she puts the weights in my heart she puts the she puts the weights into my little heart |
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from Interpol - Obstacle 1/ Arthur Baker Remix [single] (2005)
I wish I could eat the salt off of your lost faded lips we can cap the old times make playing only logical harm we can cap the old lines clay-making that nothing else will change well she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad but it’s different now that I’m poor and ageing I’ll never see this face again you'll go stabbing yourself in the neck we could find new ways of living make playing only logical harm we could top the old times clay-making and nothing else will change but she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad it's different now that I’m poor and ageing I’ll never see this place againyou'll go stabbing yourself in the neck but it's different now that I’m poor and ageing I’ll never see this place again you'll go stabbing yourself in the neck it's in the way that she poses it's in the things that she puts in my hair her stories are boring and stuff she’s always calling my bluff she puts the she puts the weights into my little heart and she gets in my room and she takes it apart she puts the weights into my little heart I say she puts the weights into my little heart she packs it away it’s in the way that she was her heaven is never enough she puts the weights in my heart she puts the she puts the weights into my little heart |
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from Interpol - Obstacle 1/ Arthur Baker Remix [single] (2005)
I wish I could eat the salt off of your lost faded lips we can cap the old times make playing only logical harm we can cap the old lines clay-making that nothing else will change well she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad but it’s different now that I’m poor and ageing I’ll never see this face again you'll go stabbing yourself in the neck we could find new ways of living make playing only logical harm we could top the old times clay-making and nothing else will change but she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad it's different now that I’m poor and ageing I’ll never see this place againyou'll go stabbing yourself in the neck but it's different now that I’m poor and ageing I’ll never see this place again you'll go stabbing yourself in the neck it's in the way that she poses it's in the things that she puts in my hair her stories are boring and stuff she’s always calling my bluff she puts the she puts the weights into my little heart and she gets in my room and she takes it apart she puts the weights into my little heart I say she puts the weights into my little heart she packs it away it’s in the way that she was her heaven is never enough she puts the weights in my heart she puts the she puts the weights into my little heart |
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from Ales Music Sampler - 04 (0000)
I wish I could eat the salt off of your lost faded lips we can cap the old times make playing only logical harm we can cap the old lines clay-making that nothing else will change well she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad but it’s different now that I’m poor and ageing I’ll never see this face again you'll go stabbing yourself in the neck we could find new ways of living make playing only logical harm we could top the old times clay-making and nothing else will change but she can read she can read she can read she can read she's bad she can read she can read she can read she's bad oh she's bad it's different now that I’m poor and ageing I’ll never see this place againyou'll go stabbing yourself in the neck but it's different now that I’m poor and ageing I’ll never see this place again you'll go stabbing yourself in the neck it's in the way that she poses it's in the things that she puts in my hair her stories are boring and stuff she’s always calling my bluff she puts the she puts the weights into my little heart and she gets in my room and she takes it apart she puts the weights into my little heart I say she puts the weights into my little heart she packs it away it’s in the way that she was her heaven is never enough she puts the weights in my heart she puts the she puts the weights into my little heart |
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3:47 |
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| from Interpol - Turn On The Bright Lights (2002) | |||||
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4:37 |
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from Interpol - Our Love To Admire (2007)
You can′t hold it too tight,
These matters of security. You don′t have to be wound so tight, Smoking on the balcony. But it′s like sleaze in the park. You women, you have no self-control, The angels remark outside, You were known for insatiable needs. I don′t know a thing. I′ve seen love, and I follow the speed in the starlight. I′ve seen love, and I follow the speed in the star-swept night. Yeah, pace is the trick. And to all the destruction in man, Well I see you as you take your pride, my lioness. Your defenses seem wise. I cannot press, And detentions are demised, my lioness. Can′t you hurt it some, think I hurt it. I′ve seen love, and I follow the speed in the starlight. I′ve seen love, and I follow the speed in the star-swept night. And now I select you, slow now to let you See how I stun, see how I stun. And now I select you, slow now, I bet you. See how I stun, see how I stun. And to all the destruction in man, And to all the corruption in my hand And now I select you, slow now to let you, See how I stun, see how I stun. And now I select you, slow now I′ve let you See how I stun, see how I stun. And now I select you, slow now to let you See how I stun, see how I stun. And now I select you, slow now to let you. I always follow the speed in the star-swept night You don′t hold a candle. You don′t hold a candle. You don′t hold a candle. |
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| from Interpol - Marauder (2018) | |||||
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5:03 |
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from Interpol - Interpol [ep] (2002)
yours is the only version of my desertion that
I could ever subscribe to that is all that I can do you are a past sinner the last winner I'm raking all around me until the last drop is behind you you're so cute when you're frustrated, dear you're so cute when you're sedated, dear i'm resting sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tonight, s leep tonight, sleep tonight, sleep tonight you are the only person who’s completely certain there’s nothing here to be into that is all that you can do you are a past dinner, t he last sinner and everything we've come to makes you you and you cannot safely say w hile I will be away that you will not consider sadly how you hurt me this free you will not reach me I am resenting a position that is past resentment now I can consider now there is this distance so sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tonight, sleep tonight, sleep tonight, sleep tonight something to say something to do nothing to say when there's nothing to do |
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5:00 |
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from Interpol - Turn On The Bright Lights (2002)
yours is the only version of my desertion that
I could ever subscribe to that is all that I can do you are a past sinner the last winner I'm raking all around me until the last drop is behind you you're so cute when you're frustrated, dear you're so cute when you're sedated, dear i'm resting sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tonight, s leep tonight, sleep tonight, sleep tonight you are the only person who’s completely certain there’s nothing here to be into that is all that you can do you are a past dinner, t he last sinner and everything we've come to makes you you and you cannot safely say w hile I will be away that you will not consider sadly how you hurt me this free you will not reach me I am resenting a position that is past resentment now I can consider now there is this distance so sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tonight, sleep tonight, sleep tonight, sleep tonight something to say something to do nothing to say when there's nothing to do |
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4:54 |
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from Interpol - Obstacle 1 [single] (2003)
yours is the only version of my desertion that
I could ever subscribe to that is all that I can do you are a past sinner the last winner I'm raking all around me until the last drop is behind you you're so cute when you're frustrated, dear you're so cute when you're sedated, dear i'm resting sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tonight, s leep tonight, sleep tonight, sleep tonight you are the only person who’s completely certain there’s nothing here to be into that is all that you can do you are a past dinner, t he last sinner and everything we've come to makes you you and you cannot safely say w hile I will be away that you will not consider sadly how you hurt me this free you will not reach me I am resenting a position that is past resentment now I can consider now there is this distance so sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tonight, sleep tonight, sleep tonight, sleep tonight something to say something to do nothing to say when there's nothing to do |
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from Interpol - The Black [ep] (2003)
yours is the only version of my desertion that
I could ever subscribe to that is all that I can do you are a past sinner the last winner I'm raking all around me until the last drop is behind you you're so cute when you're frustrated, dear you're so cute when you're sedated, dear i'm resting sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tonight, s leep tonight, sleep tonight, sleep tonight you are the only person who’s completely certain there’s nothing here to be into that is all that you can do you are a past dinner, t he last sinner and everything we've come to makes you you and you cannot safely say w hile I will be away that you will not consider sadly how you hurt me this free you will not reach me I am resenting a position that is past resentment now I can consider now there is this distance so sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tight, grim right, we have two hundred couches where you can sleep tonight, sleep tonight, sleep tonight, sleep tonight something to say something to do nothing to say when there's nothing to do |
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5:42 |
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from Interpol - Our Love To Admire (2007)
Show me the dirt pile
And I will pray That the soul can take Three stowaways You vanish with no guile And I will not pay But the soul can wait The soul can wait Your hair is still pretty What with all these leafs We′ll be fine We′ll be fine But if it′s still pretty What with all these leafs We′ll be fine... Oh And supervised Show me the dirt pile And I will pray That the soul can take Three stowaways Then you vanish with no guile And I will not pay But the soul can wait I felt you so much today I know you try You try straight into my heart You fly straight into my heart Girl I know you try You fly straight into my heart You fly straight into my heart But here comes the fault So much for me believing that soul So much of dreams to see are not prepared to know Your heart makes me feel Your heart makes me moan For always and ever I′ll never let go Always concealed safe and inside, alive Show me the dirt pile And I will pray That the soul can take Three stowaways In a passion it broke I pull the black from the grey But the soul can wait I felt you so much today |
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from Interpol - Antics (2005)
If time is my vessel
Then learning to love might be my way back to sea The flying, the metal, the turning above These are just ways to be seen We all get paid Yeah some get faith before they die Then through stars we will navigate Through the holes in your eyes How many days will it take to land How many ways to reach abandon Abandon Oh, so swoon, baby, starry nights May our bodies remain You move with me, I'll treat you right, baby May our bodies remain There is love to be made So just stay here for this while Perhaps heartstrings resuscitate The fading sounds of your life How many days will it take to land How many ways to reach abandon Oh, abandon So swoon, baby, starry nights May our bodies remain As deep we move I'll feed you light, baby May our bodies remain Oh yeah, in history I'll treat you right, baby I'm honest that way, hey Swoon, baby, starry nights May our bodies remain |
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8:09 |
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from Interpol - Remix [single] (2005)
If time is my vessel
Then learning to love might be my way back to sea The flying, the metal, the turning above These are just ways to be seen We all get paid Yeah some get faith before they die Then through stars we will navigate Through the holes in your eyes How many days will it take to land How many ways to reach abandon Abandon Oh, so swoon, baby, starry nights May our bodies remain You move with me, I'll treat you right, baby May our bodies remain There is love to be made So just stay here for this while Perhaps heartstrings resuscitate The fading sounds of your life How many days will it take to land How many ways to reach abandon Oh, abandon So swoon, baby, starry nights May our bodies remain As deep we move I'll feed you light, baby May our bodies remain Oh yeah, in history I'll treat you right, baby I'm honest that way, hey Swoon, baby, starry nights May our bodies remain |
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5:01 |
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from Interpol - Our Love To Admire (2007)
I haven't slept for two days I've bathed in nothing but sweat And I've made hallways scenes for things to regret. My friends they come. And the lines they go by Tonight I'm gonna rest my chemistry Tonight I'm gonna rest my chemistry I live my life in cocaine Just a rage and three kinds of yes And I've made stairways Such scenes for things that I regret Oh, those days in the sun They bring a tear to my eye Tonight I'm gonna rest my chemistry Tonight I'm gonna rest my chemistry But you're so young You're so young You look in my eyes You're so young. So sweet. So surprised I saw a sign says ""OK"" Gotta take a ride just recline in the faraway Got to take some time to realize That my friends they come And the lines they go by Tonight I'm gonna rest my chemistry Tonight I'm gonna rest my chemistry But you're so young You're so young You look in my eyes So young. So sweet. So surprised You look so young like a daisy in my lazy eyes Tonight I'm gonna rest my chemistry Tonight I'm gonna rest my chemistry Tonight I'm gonna rest my chemistry Tonight I'm gonna rest my chemistry |
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3:36 |
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from Interpol - Turn On The Bright Lights (2002)
shhhh
c'mon, c'mon my best friend's a butcher, he has sixteen knives he carries them all over the town at least he tries oh look it stopped snowing my best friend's from Poland and oh he has a beard but they caught him with his case in a public place that is what we had feared he severed segments and secretely liked that he always had the time to speak with me I liked him for that he severed segments and secretely liked that he always took the time he always took the time c'mon now pussycat my best friend's a butcher, he has sixteen knives he carries them all over the town at least he tries oh look it stopped snowing my best friend's from Poland and oh he has a beard but they caught him with his case in a public place that is what we had feared he severed segments and secretely liked that he always had the time to speak with me I liked him for that he severed segments and secretely liked that he was growing on me he was growing on me |
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| from Interpol - Interpol (2010) | |||||
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| from Interpol - El Pintor (2015) | |||||
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4:28 |
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from Interpol - Turn On The Bright Lights (2002)
I want your silent parts
the parts that the birds love I know there’s such a place I had my back turned, you didn’t realize I’m lonely You lack the things o which I relate But I see no harm. Come ‘way, come ‘way, come ‘way It’s over. And 1, 2, 3 When I’m feeling lazy, it's probably because I’m saving all my energy to pick up w hen you Move into my airspace Move into my airspace Something’s coming over me I see you in the doorway I cannot control the part of me that swells up when you Move into my airspace Move into my airspace But each night, I bury my love around you Oh each night, I bury my love around you You're linked to my innocence This is a concept This is a bracelet This isn’t no intervention This is a concept This is a bracelet This isn’t no intervention This isn't you yet What you thought was such a conquest Your hair is so pretty and red Baby, baby, you're really the best Can I get to this way, I think so Can I get to this way, I think so Can I get to this way? Can I get to this way? Can I get to this way? Can I get to this way? We should take a trip now to see new places I'm sick of this town and I've seen my faces change We should take a trip to see new places I'm sick of this town, I've seen my faces change (each night I bury my love around you) Say hello, say hello to the angels Say hello, say hello to the angels |
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4:29 |
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from Interpol - Say Hello To The Angels / NYC [single] (2003)
I want your silent parts
the parts that the birds love I know there’s such a place I had my back turned, you didn’t realize I’m lonely You lack the things o which I relate But I see no harm. Come ‘way, come ‘way, come ‘way It’s over. And 1, 2, 3 When I’m feeling lazy, it's probably because I’m saving all my energy to pick up w hen you Move into my airspace Move into my airspace Something’s coming over me I see you in the doorway I cannot control the part of me that swells up when you Move into my airspace Move into my airspace But each night, I bury my love around you Oh each night, I bury my love around you You're linked to my innocence This is a concept This is a bracelet This isn’t no intervention This is a concept This is a bracelet This isn’t no intervention This isn't you yet What you thought was such a conquest Your hair is so pretty and red Baby, baby, you're really the best Can I get to this way, I think so Can I get to this way, I think so Can I get to this way? Can I get to this way? Can I get to this way? Can I get to this way? We should take a trip now to see new places I'm sick of this town and I've seen my faces change We should take a trip to see new places I'm sick of this town, I've seen my faces change (each night I bury my love around you) Say hello, say hello to the angels Say hello, say hello to the angels |
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from Interpol - The Black [ep] (2003)
I want your silent parts
the parts that the birds love I know there’s such a place I had my back turned, you didn’t realize I’m lonely You lack the things o which I relate But I see no harm. Come ‘way, come ‘way, come ‘way It’s over. And 1, 2, 3 When I’m feeling lazy, it's probably because I’m saving all my energy to pick up w hen you Move into my airspace Move into my airspace Something’s coming over me I see you in the doorway I cannot control the part of me that swells up when you Move into my airspace Move into my airspace But each night, I bury my love around you Oh each night, I bury my love around you You're linked to my innocence This is a concept This is a bracelet This isn’t no intervention This is a concept This is a bracelet This isn’t no intervention This isn't you yet What you thought was such a conquest Your hair is so pretty and red Baby, baby, you're really the best Can I get to this way, I think so Can I get to this way, I think so Can I get to this way? Can I get to this way? Can I get to this way? Can I get to this way? We should take a trip now to see new places I'm sick of this town and I've seen my faces change We should take a trip to see new places I'm sick of this town, I've seen my faces change (each night I bury my love around you) Say hello, say hello to the angels Say hello, say hello to the angels |
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3:03 |
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from Interpol - Slow Hands [single] (2004)
Nobody searches
Nobody cares somehow When the loving that you've wasted Comes raining from a hapless cloud Then I might stop and look upon your face Disappear in the sweet sweet gaze See the living that surrounds me Dissipate in a violent blaze Can't you see what you've done to my heart and soul This is a wasteland now We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands You put the weights all around your self now I submit my incentive is romance I watch the pole dance of the stars We rejoice because the hurting is so painless From the distance of passing cars But I am married to your charms and grace I just feel crazy like the good old days You make me want to pick up a guitar And celebrate the myriad ways that I love you Can't you see what you've done to my heart and soul This is a wasteland now We spies yeah we slow hands You put the weights all around your self We spies oh yeah we slow hands Killer for hire you know not yourself We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands We retire like nobody else We spies intimate slow hands Killer for hire you know not yourself We spies intimate slow hands You let the face slap around the self |
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4:04 |
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from Interpol - Slow Hands [single] (2004)
Nobody searches
Nobody cares somehow When the loving that you've wasted Comes raining from a hapless cloud Then I might stop and look upon your face Disappear in the sweet sweet gaze See the living that surrounds me Dissipate in a violent blaze Can't you see what you've done to my heart and soul This is a wasteland now We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands You put the weights all around your self now I submit my incentive is romance I watch the pole dance of the stars We rejoice because the hurting is so painless From the distance of passing cars But I am married to your charms and grace I just feel crazy like the good old days You make me want to pick up a guitar And celebrate the myriad ways that I love you Can't you see what you've done to my heart and soul This is a wasteland now We spies yeah we slow hands You put the weights all around your self We spies oh yeah we slow hands Killer for hire you know not yourself We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands We retire like nobody else We spies intimate slow hands Killer for hire you know not yourself We spies intimate slow hands You let the face slap around the self |
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3:44 |
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from Interpol - Slow Hands [single] (2004)
Nobody searches
Nobody cares somehow When the loving that you've wasted Comes raining from a hapless cloud Then I might stop and look upon your face Disappear in the sweet sweet gaze See the living that surrounds me Dissipate in a violent blaze Can't you see what you've done to my heart and soul This is a wasteland now We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands You put the weights all around your self now I submit my incentive is romance I watch the pole dance of the stars We rejoice because the hurting is so painless From the distance of passing cars But I am married to your charms and grace I just feel crazy like the good old days You make me want to pick up a guitar And celebrate the myriad ways that I love you Can't you see what you've done to my heart and soul This is a wasteland now We spies yeah we slow hands You put the weights all around your self We spies oh yeah we slow hands Killer for hire you know not yourself We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands We retire like nobody else We spies intimate slow hands Killer for hire you know not yourself We spies intimate slow hands You let the face slap around the self |
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from Interpol - Antics (2005)
Nobody searches
Nobody cares somehow When the loving that you've wasted Comes raining from a hapless cloud Then I might stop and look upon your face Disappear in the sweet sweet gaze See the living that surrounds me Dissipate in a violent blaze Can't you see what you've done to my heart and soul This is a wasteland now We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands You put the weights all around your self now I submit my incentive is romance I watch the pole dance of the stars We rejoice because the hurting is so painless From the distance of passing cars But I am married to your charms and grace I just feel crazy like the good old days You make me want to pick up a guitar And celebrate the myriad ways that I love you Can't you see what you've done to my heart and soul This is a wasteland now We spies yeah we slow hands You put the weights all around your self We spies oh yeah we slow hands Killer for hire you know not yourself We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands We retire like nobody else We spies intimate slow hands Killer for hire you know not yourself We spies intimate slow hands You let the face slap around the self |
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from Interpol - Antics (2005)
Nobody searches
Nobody cares somehow When the loving that you've wasted Comes raining from a hapless cloud Then I might stop and look upon your face Disappear in the sweet sweet gaze See the living that surrounds me Dissipate in a violent blaze Can't you see what you've done to my heart and soul This is a wasteland now We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands You put the weights all around your self now I submit my incentive is romance I watch the pole dance of the stars We rejoice because the hurting is so painless From the distance of passing cars But I am married to your charms and grace I just feel crazy like the good old days You make me want to pick up a guitar And celebrate the myriad ways that I love you Can't you see what you've done to my heart and soul This is a wasteland now We spies yeah we slow hands You put the weights all around your self We spies oh yeah we slow hands Killer for hire you know not yourself We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands We retire like nobody else We spies intimate slow hands Killer for hire you know not yourself We spies intimate slow hands You let the face slap around the self |
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from Interpol - Antics (2005)
Nobody searches
Nobody cares somehow When the loving that you've wasted Comes raining from a hapless cloud Then I might stop and look upon your face Disappear in the sweet sweet gaze See the living that surrounds me Dissipate in a violent blaze Can't you see what you've done to my heart and soul This is a wasteland now We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands You put the weights all around your self now I submit my incentive is romance I watch the pole dance of the stars We rejoice because the hurting is so painless From the distance of passing cars But I am married to your charms and grace I just feel crazy like the good old days You make me want to pick up a guitar And celebrate the myriad ways that I love you Can't you see what you've done to my heart and soul This is a wasteland now We spies yeah we slow hands You put the weights all around your self We spies oh yeah we slow hands Killer for hire you know not yourself We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands We retire like nobody else We spies intimate slow hands Killer for hire you know not yourself We spies intimate slow hands You let the face slap around the self |
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from Interpol - Antics (2005)
Nobody searches
Nobody cares somehow When the loving that you've wasted Comes raining from a hapless cloud Then I might stop and look upon your face Disappear in the sweet sweet gaze See the living that surrounds me Dissipate in a violent blaze Can't you see what you've done to my heart and soul This is a wasteland now We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands You put the weights all around your self now I submit my incentive is romance I watch the pole dance of the stars We rejoice because the hurting is so painless From the distance of passing cars But I am married to your charms and grace I just feel crazy like the good old days You make me want to pick up a guitar And celebrate the myriad ways that I love you Can't you see what you've done to my heart and soul This is a wasteland now We spies yeah we slow hands You put the weights all around your self We spies oh yeah we slow hands Killer for hire you know not yourself We spies we slow hands You put the weights all around your self We spies oh yeah we slow hands We retire like nobody else We spies intimate slow hands Killer for hire you know not yourself We spies intimate slow hands You let the face slap around the self |
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4:49 |
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from Interpol - Evil [ep] (2005)
you can't sit up
you fell too fast you come at the right time you come too fast you bloom in spring you move the sky you've come in singing you call me a liar you were like a cloud yes you are a flower then you were a lime now our love is sour you were like a flower you were just like a flower then you were a lime now our love is sour don't give up (I owe you) no don't give up oh don't give up don't give up (I owe you) you were like a cloud yes you were a flower then you were a lime now our love is sour you were like a cloud you were just like a flower then you were a lime now our love is sour here I feel I wish I could just see it the love the hate the things that separate forcing conscious to conscious every small attack it takes a small man to notice but not to act up confrontation complication needs a foundation I'm calm baby, I'm calm you were like a cloud yes you are a flower you move i love life is all we need then you were a lime now our love is so sour you move i love life is all we need so sour so sour don't give up no don't give up oh don't give up no don't give up start again butterfly start again butterfly start again butterfly start again, start again dear |
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6:40 |
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from Interpol - Interpol [ep] (2002)
you make me lose my buttons oh yeah you make me spit
i don't like my clothes anymore we're spending time and money yeah you're colder than yourself now we're moving now we're taking control you make me lose my buttons oh yeah you make me spit i don't like my clothes anymore you take me to New Orleans where you put me to the test i know what my heart is for you reach out for a blanket i say girl you've got something i love hou you wear it now we're spenting time and money yeah you're colder than yourself now we're moving now we'retaking control love will get you down my love's a laboratory i sat all my pets free so baby you should sleep with me i make trips to the bathroom yeah my friends all have true grit i 'm speckled like a leopard put a lid on Shirley Temple yeah yeah you make sleek kills yeah you travel you travel you park me in your Buick you sing songs into my lips well i'm speckled like a leopard just like a leopard trust will get you down l love the way you put me in the big house l love the way you put me in the big house if i get there early will it be the right time? our heaven is just waitting so put your hand into mine if i get too surly will you take that in stride? our boat is just there waiting so put that little hand in mine and speak when you're spoken of catch up on your sleep girl when you wear that body glove you're acting on initiative you're spelling out your love you shouldn't be alone in there you could be above ground all i want is to be the very best for you and all i want is to be the very best for you oh this time there'll be no life of crime [sound] circle around me now baby it'll be okay cause we all go downtown sometimes somehow baby we'll beat this mess it's the time fuck the surface to meet the specialist and time away from me will get you down i love the way you put me in the big house i love the way you put me in the big house if i get there early will it be the right time? our heaven is just waitting so put that hand into mine if i get too surly will you take that in stride? our boat is just there waiting so put your little hand in mine and speak when you're spoken of catch up on your sleep when you wear that body clock you're acting on initiative you're spelling out your love your shouldn't be alone in there you could be above ground you're frustrated then go you're frustrated than go honey bee we should be through with this your packaged eyes your vicious lips you could be young but you're out of touch if this love's been done then what's your rush? i'm a specialist in hope and i'm registered to vote why don't you come into my barrio we'll see if you can float i'm a specialist in hope and i'm registered to vote why don't you come into my barrio we'll see if you can float |
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6:40 |
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from Interpol - Turn On The Bright Lights (2002)
you make me lose my buttons oh yeah you make me spit
i don't like my clothes anymore we're spending time and money yeah you're colder than yourself now we're moving now we're taking control you make me lose my buttons oh yeah you make me spit i don't like my clothes anymore you take me to New Orleans where you put me to the test i know what my heart is for you reach out for a blanket i say girl you've got something i love hou you wear it now we're spenting time and money yeah you're colder than yourself now we're moving now we'retaking control love will get you down my love's a laboratory i sat all my pets free so baby you should sleep with me i make trips to the bathroom yeah my friends all have true grit i 'm speckled like a leopard put a lid on Shirley Temple yeah yeah you make sleek kills yeah you travel you travel you park me in your Buick you sing songs into my lips well i'm speckled like a leopard just like a leopard trust will get you down l love the way you put me in the big house l love the way you put me in the big house if i get there early will it be the right time? our heaven is just waitting so put your hand into mine if i get too surly will you take that in stride? our boat is just there waiting so put that little hand in mine and speak when you're spoken of catch up on your sleep girl when you wear that body glove you're acting on initiative you're spelling out your love you shouldn't be alone in there you could be above ground all i want is to be the very best for you and all i want is to be the very best for you oh this time there'll be no life of crime [sound] circle around me now baby it'll be okay cause we all go downtown sometimes somehow baby we'll beat this mess it's the time fuck the surface to meet the specialist and time away from me will get you down i love the way you put me in the big house i love the way you put me in the big house if i get there early will it be the right time? our heaven is just waitting so put that hand into mine if i get too surly will you take that in stride? our boat is just there waiting so put your little hand in mine and speak when you're spoken of catch up on your sleep when you wear that body clock you're acting on initiative you're spelling out your love your shouldn't be alone in there you could be above ground you're frustrated then go you're frustrated than go honey bee we should be through with this your packaged eyes your vicious lips you could be young but you're out of touch if this love's been done then what's your rush? i'm a specialist in hope and i'm registered to vote why don't you come into my barrio we'll see if you can float i'm a specialist in hope and i'm registered to vote why don't you come into my barrio we'll see if you can float |
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from Interpol - The Black [ep] (2003)
you make me lose my buttons oh yeah you make me spit
i don't like my clothes anymore we're spending time and money yeah you're colder than yourself now we're moving now we're taking control you make me lose my buttons oh yeah you make me spit i don't like my clothes anymore you take me to New Orleans where you put me to the test i know what my heart is for you reach out for a blanket i say girl you've got something i love hou you wear it now we're spenting time and money yeah you're colder than yourself now we're moving now we'retaking control love will get you down my love's a laboratory i sat all my pets free so baby you should sleep with me i make trips to the bathroom yeah my friends all have true grit i 'm speckled like a leopard put a lid on Shirley Temple yeah yeah you make sleek kills yeah you travel you travel you park me in your Buick you sing songs into my lips well i'm speckled like a leopard just like a leopard trust will get you down l love the way you put me in the big house l love the way you put me in the big house if i get there early will it be the right time? our heaven is just waitting so put your hand into mine if i get too surly will you take that in stride? our boat is just there waiting so put that little hand in mine and speak when you're spoken of catch up on your sleep girl when you wear that body glove you're acting on initiative you're spelling out your love you shouldn't be alone in there you could be above ground all i want is to be the very best for you and all i want is to be the very best for you oh this time there'll be no life of crime [sound] circle around me now baby it'll be okay cause we all go downtown sometimes somehow baby we'll beat this mess it's the time fuck the surface to meet the specialist and time away from me will get you down i love the way you put me in the big house i love the way you put me in the big house if i get there early will it be the right time? our heaven is just waitting so put that hand into mine if i get too surly will you take that in stride? our boat is just there waiting so put your little hand in mine and speak when you're spoken of catch up on your sleep when you wear that body clock you're acting on initiative you're spelling out your love your shouldn't be alone in there you could be above ground you're frustrated then go you're frustrated than go honey bee we should be through with this your packaged eyes your vicious lips you could be young but you're out of touch if this love's been done then what's your rush? i'm a specialist in hope and i'm registered to vote why don't you come into my barrio we'll see if you can float i'm a specialist in hope and i'm registered to vote why don't you come into my barrio we'll see if you can float |
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| from Music From The O.C. Mix 2 [omnibus, ost] (2004) | |||||
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| from Interpol - Marauder (2018) | |||||
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6:28 |
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from Interpol - Turn On The Bright Lights (2002)
When she walks down the street
she knows there’s people watching the building fronts are just fronts to hide the people watching her she once fell through the street down the manhole in a that bad way the underground drip it's just like her scuba days days daze days daze she was all right cause the sea was so airtight she broke away she was all right cause the sea was so airtight she broke away she was all right but she can't come out tonight she broke away she was all right yeah the sea was so tight, air-tight she broke away broke away she broke away broke away she broke away broke away she broke away stella bottom of the ocean she dwells bottom of the ocean she dwells from crevices carressed by fingers and fat blue serpent swells stella stella oh stella stella i love you stella i love you stella i love you she was all right cause the sea was so airtight she broke away she was all right cause the sea was so airtight she broke away she was all right but she can't come out tonight she broke away she was all right yeah the sea was so tight, air-tight she broke away broke away she broke away broke away she broke away broke away she broke away well she was my catatonic sex toy love-joy diver well she was my catatonic sex toy love-joy diver she went down down down there into the sea she went down down down there down there for me right on oh yeah right on it’s so good oh yeah right on it’s so good oh yeah there's something that's invisible there's some things you can't hide try to detect you when i'm sleeping in a wave you say goodbye |
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| from Interpol - Interpol (2010) | |||||
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| from Interpol - Interpol (2010) | |||||
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| from Interpol - Marauder (2018) | |||||
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from Interpol - Antics (2005)
I'm timeless like a broken watch
I make money like Fred Astaire I see that you've come to resist me I'm a pitbull in time Your pretense is not what restricts me It's the circles inside The anatomy of kisses and a teacher who tries Who knows how we'll disappear? Would you like to be my missus and in future with child? You know we can't get back from here But we can get away Baby don't you try to find me Baby don't you try to fight Baby don't you try to find me Baby it will be alright Along the way tears drown in the wake of delight There's nothing like this built today You'll never see a finer ship in your life We sail today, tears drown in the wake of delight There's nothing like this built today You'll never see a finer ship or receive a better tip in your life I am the scavenger between the sheets of union Lately I can't tell for sure whether machines turn anyone Lady don't you try to find me Lady there is no need to fight Lady don't you try to find me Lady it will be alright We sail today, tears will drown in your wake of delight There's nothing like this built today You'll never see a finer ship in your life Along the way the sea will crowd us with lovers at night There's nothing like this built today You'll never see a finer ship or receive a better tip in your life I see that you've come to resist me I'm a pitbull in time White Goddess Red Goddess Black Temptress of the sea You treat me right Black Goddess Red Goddess White Temptress of the sea You treat me right Oh my love, we're sailing to Norway Oh my love, we're sailing tonight |
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3:29 |
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from Interpol - Our Love To Admire (2007)
How are things on the West Coast?
I hear you moving real fine You wear those shoes like a dove Now strut those shoes We'll go roaming in the night Well, how are things on the West Coast? You keep it moving to your soul's delight Now, I've tried the brakes I've tried but you know it's a lonely ride How are things on the West Coast? Oh, and move heaven behind those eyes Today my heart swings Yeah, today my heart swings But I don't want to take your heart And I don't want a piece of history No, I don't want to read your thoughts anymore My God 'Cause today my heart swings Yeah, today my heart swings How are things on the West Coast? Hear you moving real fine tonight You wear those shoes, I decide Oh, strut those shoes We'll go roaming in the night Well, how are things on the West Coast? Yeah, but you're an actress I don't identify Today my heart swings Yeah, today my heart swings Say it But I don't want to play the part And I don't want a taste of victory No, I don't want to read your thoughts anymore My God 'Cause today my heart swings Yeah, today my heart swings Say it 'Cause today my heart swings Yeah, today my heart swings Let it come 'Cause I've got a chance for a sweet saint life I said, I've got a dance and you'll do just fine Well, I've got a plan Look forward in my eyes Let it come Well, I've got a chance for a sweet saint life I said I've got a dance It moves into the night Well, I've got a plan Look forward in my eyes Well, today my heart swings |
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5:24 |
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from Interpol - Our Love To Admire (2007)
this pace is set to break
it is just too safe for me outside tonight and i want that i face the storms at the time from the lighthouse and i want that and waste the storm and the night oh~ what do the waves have to say now what do the waves have to say now now slow down and let the waves have their way now now slow and let the waves have their day and i want that here i have been living and losing from sin i pulled it out now begin begin here i have been losing and living within inwardly urgent and sinking again the lighthouse |
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가슴네트워크 Review :: 2005-03-28
Subject : Interpol - Antics (Ales Music,2005)
