Laurence Equilbey

여성솔로
Laurence Equilbey    
ACTIVE:
2000s -
BIRTH:
0000년
STYLE:
클래식
PROFILE:
MANIADB:

SONGS
default | abc | date_new | date_old

Hymne a Sainte Cecile, meditation religieuse, CG. 557 'Ave Verum'   Deborah Nemtanu, Laurence Equilbey, Orchestre de chambre de Paris
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from Gounod: Saint Francois d'Assise - Liszt: Legende de Sainte Cecile (2018)
Legende Sainte Cecile, S. 5   Accentus, Karine Deshayes, Laurence Equilbey, Orchestre de chambre de Paris
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from Gounod: Saint Francois d'Assise - Liszt: Legende de Sainte Cecile (2018)
Saint Francois d'Assise, CG. 34: La cellule   Florian Sempey, Laurence Equilbey, Orchestre de chambre de Paris, Stanislas De Barbeyrac
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from Gounod: Saint Francois d'Assise - Liszt: Legende de Sainte Cecile (2018)
Saint Francois d'Assise, CG. 34: La mort   Accentus, Laurence Equilbey, Orchestre de chambre de Paris, Stanislas De Barbeyrac
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from Gounod: Saint Francois d'Assise - Liszt: Legende de Sainte Cecile (2018)
Adagio for Strings, Op. 11 `Agnus Dei` (Arr. for Choir)   Accentus, Laurence Equilbey
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from Relaxing christmas (2017)
Adagio, Op. 11 'Agnus Dei'   Accentus, Laurence Equilbey
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from Accentus, Orchestre National De France - Sacred Voices (2017)
All-Night Vigil, Op. 37: VI. Ave Maria   Accentus, Eric Ericson, Laurence Equilbey
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Ave verum corpus, K. 618   Accentus, Laurence Equilbey, Orchestre National De France
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Cantique de Jean Racine, Op. 11   Accentus, Laurence Equilbey, Orchestre National De France
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Christus Op. 97, MWV A26: Ihr Tochter Zions   Accentus, Ensemble Orchestral De Paris, Laurence Equilbey
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Ein deutsches requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Requiem in D Minor, K. 626: III. Lacrimosa (Sequenz)   Ensemble Accentus, Insula Orchestra, Laurence Equilbey
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Requiem, Op. 48: VII. In Paradisum   Laurence Equilbey, Maitrise De Paris, Orchestre National De France
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Ave maria a 4 voci   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Credo, RV 592: III. Crucifixus   Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux, Philippe Jaroussky
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Gloria, RV 589: I. Gloria in excelsis Deo. Allegro   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Gloria, RV 589: II. Et in Terra pax hominibus. Andante   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Great Mass in C Minor, K. 427: Et incarnatus est (Credo)   Accentus, Emmanuel Krivine, La Chambre Philharmonique, Sandrine Piau
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from Accentus, Orchestre National De France - Sacred Voices (2017)
In furore iustissimae irae, RV 626: I. Allegro   Accademia Bizantina, Ottavio Dantone, Sandrine Piau
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Lauda Jerusalem, RV 609   Concerto Italiano, Gemma Bertagnolli, Rinaldo Alessandrini, Roberta Invernizzi
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Magnificat: I. Magnificat anima mea Dominum   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Matthauspassion, Arie, BWV 244: No. 7, Erbarme dich (Arr. by Felix Mendelssohn in 1841)   Alison Browner, Chorus Musicus, Christoph Spering, Das Neue Orchester
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Messe in B Minor, BWV 232: No. 26, Agnus Dei   Les Musiciens Du Louvre, Marc Minkowski, Nathalie Stutzmann
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Nisi Dominus, RV 608: IV. Cum dederit   Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Ode for Saint Cecilia's Day, HWV 76: V. The Trumpet's Loud Clangour (Aria and Chorus)   Choeur des Musiciens du Louvre Grenoble, Les Musiciens Du Louvre, Grenoble, Marc Minkowski, Neil Baker
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Stabat Mater, P. 77: I. Stabat Mater dolorosa. Grave (Duet)   Concerto Italiano, Gemma Bertagnolli, Rinaldo Alessandrini, Sara Mingardo
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Stabat Mater, RV 621: I. Largo   Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Theodora, HWV 68: To thee, Thou Glorious Son of Worth   Alan Curtis, Il Complesso Barocco, Karina Gauvin, Marie-Nicole Lemieux
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Theodora, HWV 68: With Darkness Deep as In My Woe (Aria)   Accademia Bizantina, Sandrine Piau, Stefano Montanari
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Vespro della Beata Vergine, SV 206: II. Dixit Dominus (Psalm 109)   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Adagio for Strings, Op. 11 (Agnus Dei, Choral Version in B-Flat Minor)   Accentus, Laurence Equilbey
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from Classical Melancholy (2017)
Adagio for Strings, Op. 11 (Arr. as Agnus Dei by Laurence Equilbey)   Accentus, Laurence Equilbey
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from Classical Melancholy (2017)
Symphony No. 5: IV. Adagietto (Arr. for Solists and Chorus by Gerard Pesson)   Accentus, Helene Moulin, Jean-Francois Chiama, Jean-Francois Lombard
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from Classical Melancholy (2017)
7 Chansons, for Chorus a cappella, FP. 081: No. 5, Belle et ressemblante   Accentus, Laurence Equilbey
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten, die in dem Herren sterben (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey
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from Brahms: Un requiem allemand, Op. 45 (2016)
Stabat Mater, Op. 58: I. Quartetto e Coro   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: II. Quartetto   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: III. Coro   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: IV. Basso Solo e Coro   Accentus, Brigitte Engerer, Laurence Equilbey, Markus Butter
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: V. Duo   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: VI. Alto Solo   Accentus, Brigitte Engerer, Laurence Equilbey, Renata Pokupic
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: VII. Quartetto e Coro   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
5 Lieder for Alto Voice and Orchestra on Poems by Friedrich Ruckert: No. 4, Ich bin der Welt abhanden gekommen - arr. for Choir: Clytus Gottwald   Accentus, Laurence Equilbey
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Il Terremoto (Das Erdbeden): 'Er ist nicht mehr': Presto e con tutta la forza   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Introduzione: Largo e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Introduzione: Maestoso Ed Adagio   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 1: 'Vater, Vergib Ihnen, Denn Sie Wissen Nicht, was sie tun': I. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 1: 'Vater, Vergib Ihnen, Denn Sie Wissen Nicht, was sie tun': II. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 2: 'Furwahr, Ich Sag'es Dir: Heute Virst Du Bei mir im Paradiese sein': II. Grave e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 2: 'Furwahr, Ich Sag'es Dir: Heute Wirst Du Bei mir im Paradise sein': I. Grave e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 3: 'Frau, Hier Siehe Deinen Sohn, Und Du Seihe deine Mutter': I. Grave   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 3: 'Frau, Hier Siehe Deinen Sohn, Und Du Siehe deine Mutter': II. Grave   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 4: 'Mein Gott, Mein Gott, Warum Hast Du Mich verlassen?': I. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 4: 'Mein Gott, Mein Gott, Warum Hast Du Mich verlassen?': II. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 5: 'Jesus Rufet: Ach Mich Durststet!': Adagio   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 6: 'Es Ist Vollbracht': I. Lento   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 6: 'Es Ist Vollbracht': II. Lento   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 7: 'Vater, In Deine Hande Empfehle Ich Meinen Geist': I. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 7: 'Vater, In Deine Hande Empfehle Ich Meinen Geist': II. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Angelus, on a Text by Gregoire Le Roy -arr. for Choir: Clytus Gottwald   Accentus, Laurence Equilbey
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from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 - Overtura (Live)   Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 1 - Aria: "Chiamo il mio ben così" (Live)   Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 1 - Ballo. Larghetto (Live)   Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 1 - Coro: "Ah, se intorno a quest'urna funestra" (Live)   Accentus Chamber Choir, Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 1 - Coro: "Ah, se intorno a quest'urna funestra" (Live)   Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 1 - Recitativo: "Basta, Basta, o compagni" (Live)   Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 1 - Recitativo: "Numi! barbari Numi" (Live)   Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 2 - Aria: "Gli sguardi trattieni" (Live)   Emmanuelle De Negri, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 2 - Recitativo: "Che disse! Che ascoltai!" (Live)   Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 1 / Scene 2 - Recitativo: "T'assiste Amore!" (Live)   Emmanuelle De Negri, Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1 - Aria: "Men tiranne, ah! voi sareste" (Live)   Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1 - Aria: "Mille pene, ombre moleste" (Live)   Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1 - Ballo. Maestoso / Aria con Coro: "Deh, placatevi con me" (Live)   Accentus Chamber Choir, Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1 - Ballo. Maestoso / Coro: "Chi mai dell'Erebo" (Live)   Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1 - Ballo. Presto / Coro: "Chi mai dell'Erebo" (Live)   Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1 - Coro I: "Ah, quale incognito" (Live)   Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1 - Coro II: "Ah, quale incognito" (Live)   Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 1 - Coro: "Misero giovine" (Live)   Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 2 - Arioso: "Che puro ciel! Che chiaro sol!" (Live)   Accentus Chamber Choir, Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 2 - Ballo (Danza degli eroi ed eroine) (Live)   Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 2 - Ballo. Andante (Danza degli spiriti beati) (Live)   Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 2 - Coro: "Torna, o bella, al tuo consorte" (Live)   Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 2 - Coro: "Vieni a' regni del riposo" (Live)   Accentus Chamber Choir, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 2 / Scene 2 - Recitativo: "Anime avventurose" (Live)   Accentus Chamber Choir, Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 1 - Aria: "Che farò senza Euridice?" (Live)   Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 1 - Aria: "Che fiero momento" (Live)   Insula Orchestra, Laurence Equilbey, Malin Hartelius
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 1 - Duetto: "Vieni, appaga il tuo consorte!" (Live)   Franco Fagioli, Insula Orchestra, Laurence Equilbey, Malin Hartelius
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 1 - Recitativo: "Ah finisca e per sempre" (Live)   Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 1 - Recitativo: "Ecco un nuovo tormento" (Live)   Franco Fagioli, Insula Orchestra, Laurence Equilbey, Malin Hartelius
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 1 - Recitativo: "Qual vita è questa mai" (Live)   Insula Orchestra, Laurence Equilbey, Malin Hartelius
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 1 - Recitativo: "Vieni, segui i miei passi" (Live)   Franco Fagioli, Insula Orchestra, Laurence Equilbey, Malin Hartelius
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 2 - Recitativo: "Orfeo! Che fai?" (Live)   Emmanuelle De Negri, Franco Fagioli, Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 3 - Ballo I. (Grazioso) (Live)   Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 3 - Ballo II. Allegro (Live)   Insula Orchestra, Laurence Equilbey
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from Gluck: Orfeo ed Euridice (2015)
Gluck: Orfeo ed Euridice - Vienna Version (1762), Wq. 30; WOTG/LiebG I.A.30 / Act 3 / Scene 3 - Coro: "Trionfi Amore" (Live)   Accentus Chamber Choir, Emmanuelle De Negri, Franco Fagioli, Insula Orchestra
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from Gluck: Orfeo ed Euridice (2015)

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