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남성그룹
Accentus
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MAJOR ALBUMS
all (8)
|
regular (7)
|
omnibus (1)
|
va (5)
Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022, Deutsche Grammophon (DG)/Universal Music Group)
Accentus, Orchestre National De France - Sacred Voices (2017, naive classique/플럭서스)
Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016, naive classique/M&P International)
Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016, naive classique/플럭서스)
Bernard Haitink, Arditti Quartet - Vienne 1900 (2016, naive classique/플럭서스)
Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano, 2016, naive classique/플럭서스)
Anne Gastinel, Accentus - Melancolie (2014, naive classique/플럭서스)
Accentus - Transcriptions/ Laurence Equilbey (2004, Naive)
MAJOR SONGS
AGNUS DEI - ADAGIO OPUS11 (SAMUEL BARBER) (SAMUEL BARBER)
Accentus
-
from
Accentus - Transcriptions/ Laurence Equilbey (2004)
KEIN DEUTSCHER HIMMEL - ADAGIETTO, SYMPHONIE (GERARD PESSON) (GUSTAV MAHLER)
Accentus
-
from
Accentus - Transcriptions/ Laurence Equilbey (2004)
IMMORTAL BACH - KOMM, SUSSER TOD BWV478 (KNUT NYSTEDT/ ACCENTUS) (JOHANN SEBASTIAN BACH)
Accentus
-
from
Accentus - Transcriptions/ Laurence Equilbey (2004)
LACRIMOSA - ETUDE OPUS10, NO.6 (FRANCK KRAWCZYK) (FREDERIC CHOPIN)
Accentus
-
from
Accentus - Transcriptions/ Laurence Equilbey (2004)
SOUPIR (CLYTUS GOTTWALD) (MAURICE RAVEL)
Accentus
-
from
Accentus - Transcriptions/ Laurence Equilbey (2004)
DAS VERLASSENE MAGDLEIN (CLYTUS GOTTWALD) (HUGO WOLF)
Accentus
-
from
Accentus - Transcriptions/ Laurence Equilbey (2004)
AUF EIN ALTES BILD (CLYTUS GOTTWALD) (HUGO WOLF)
Accentus
-
from
Accentus - Transcriptions/ Laurence Equilbey (2004)
DIE NACHTIGALL (CLYTUS GOTTWALD) (ALBAN BERG)
Accentus
-
from
Accentus - Transcriptions/ Laurence Equilbey (2004)
ICH BIN DER WELT ABHANDEN GEKOMMEN (CLYTUS GOTTWALD) (GUSTAV MAHLER)
Accentus
-
from
Accentus - Transcriptions/ Laurence Equilbey (2004)
LES ANGELUS (CLYTUS GOTTWALD) (CLAUDE DEBUSSY)
Accentus
-
from
Accentus - Transcriptions/ Laurence Equilbey (2004)
LULAJZE, JEZUNIU - LARGO, SONATE OPUS58 (FRANCK KRAWCZYK) (FREDERIC CHOPIN)
Accentus
-
from
Accentus - Transcriptions/ Laurence Equilbey (2004)
Adagio for Strings, Op. 11 `Agnus Dei` (Arr. for Choir)
Accentus
,
Laurence Equilbey
-
from
Relaxing christmas (2017)
7 Chansons, for Chorus a cappella, FP. 081: No. 5, Belle et ressemblante
Accentus
,
Laurence Equilbey
-
from
Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Arr. for choir and piano)
Accentus
,
Boris Berezovsky
,
Brigitte Engerer
,
Laurence Equilbey
-
from
Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras (Arr. for choir and piano)
Accentus
,
Boris Berezovsky
,
Brigitte Engerer
,
Laurence Equilbey
-
from
Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen (Arr. for choir and piano)
Accentus
,
Boris Berezovsky
,
Brigitte Engerer
,
Laurence Equilbey
-
from
Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit (Arr. for choir and piano)
Accentus
,
Boris Berezovsky
,
Brigitte Engerer
,
Laurence Equilbey
외
-
from
Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt (Arr. for choir and piano)
Accentus
,
Boris Berezovsky
,
Brigitte Engerer
,
Laurence Equilbey
외
-
from
Brahms: Un requiem allemand, Op. 45 (2016)
Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten, die in dem Herren sterben (Arr. for choir and piano)
Accentus
,
Boris Berezovsky
,
Brigitte Engerer
,
Laurence Equilbey
-
from
Brahms: Un requiem allemand, Op. 45 (2016)
Saint Francois d'Assise, CG. 34: La mort
Accentus
,
Laurence Equilbey
,
Orchestre de chambre de Paris
,
Stanislas De Barbeyrac
-
from
Gounod: Saint Francois d'Assise - Liszt: Legende de Sainte Cecile (2018)
REVIEW
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