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6:55 | 
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| from Yes, Yes - The Yes Album (1971) | |||||
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9:29 |
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| from Yes, Yes - The Yes Album (1971) | |||||
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6:38 |
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| from Yes, Yes - Yessongs [live] (1973) | |||||
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5:29 | 
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from Asia, Asia - Aqua (1992)
In the dead of the night
On the wings of the wind I hear the ocean bell With a flash of the light In the beat of the dark The sound I know so well I shall never forget you It? been so long I should never have left you The call so strong CHORUS It? a far cry from a wild world I want to get back to you Such a long road, to the homeland I must make my way to a far cry From the chords of the earth To the depths of the sea I will return As I look to the hill Through the eyes of the storm I touch the flame I shall never forget you It? been so long I should never have left you The call so strong CHORUS It? such a far cry |
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3:21 |
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from Yes, Yes - The Yes Album (1971)
Once a peaceful man laid his old head down by a river, Thought about his childhood life, his father and forgiver, Who couldn't hide away, hide away. He controlled the horses with a handclap or a whisper, Drink he couldn't combat but in all he was no sinner, Couldn't hide away, hide away. He told all his sons of all the antics of a venture, Then he told another one who drove himself to drink Not to hide away, hide away. Better men have realized alone is not a venture, A peaceful man would realize alone is no adventure, Just to hide away, hide away. He told all his sons of all the antics of adventure, Then he told another one who drove himself to drink Not to hide away, hide away. |
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3:15 |
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from Yes, Yes - The Yes Album (1971)
Once a peaceful man laid his old head down by a river, Thought about his childhood life, his father and forgiver, Who couldn't hide away, hide away. He controlled the horses with a handclap or a whisper, Drink he couldn't combat but in all he was no sinner, Couldn't hide away, hide away. He told all his sons of all the antics of a venture, Then he told another one who drove himself to drink Not to hide away, hide away. Better men have realized alone is not a venture, A peaceful man would realize alone is no adventure, Just to hide away, hide away. He told all his sons of all the antics of adventure, Then he told another one who drove himself to drink Not to hide away, hide away. |
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- |
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| from Yes - Don'T Kill The Whale [single] (1978) | |||||
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4:02 |
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from Yes, Yes - Tormato (1978)
Something's goin on
I don't know what it is But my phone just rang and I didn't get no call No call. Just waiting here Abilene, it's got a lot of what you don't need It's got lots of space Still nothing seems misplaced You've got a face You are spacey You got to take it as it comes to you Don't need no act of contemplation Just keep it off your wasteful way for now (? ) It's not you who has got to change It's not your way at all It's got to be you It's got to be you The look in your eyes, The feel of your body close to me It's got to be you Who tells me the world spin away without love You... Reason, oh, reason for being once more together It's got to be you. It's got to be you The look in your eyes, The feel of your body close to me It's got to be you Who tells me the world spin away without love You... Reason, oh, reason for being once more together It's got to be you. It's got to be you. It's got to be you. It's got to be you. |
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- |
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| from Steve Howe - Homebrew 1&2 (2002) | |||||
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4:37 |
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| from Asia - XXX (2012) | |||||
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5:37 |
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from Asia, Asia - Phoenix (2008)
This time, you know just what I'm saying
But you could never give a damn Or so it seems It's a fine line with this game that you're playing And you could always turn around Go running for home Chorus Alibis, little lies Procrastination Secrecy, duplicity The end of your alibis Something I could always believe in Then suddenly just disappeared It's all over now Chorus Goodbye your tiny whispers of comfort Never the victim of circumstance You had me deceived So, Jodie, maybe this is the last time That I will ever speak your name I'm going home Chorus Chorus |
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- |
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| from Steve Howe - The Steve Howe Album (2000) | |||||
 |
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2:36 |
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from Yes, Yes - Going For The One (1977)
Amazing grace! How sweet the sound
That saved a wretch like me. I once was lost, but now am found, Was blind, but now I see. 'Twas grace that taught my heart to fear, And grace my fears relieved. How precious did that grace appear The hour I first believed. Through many dangers, toils and snares I have already come; 'Tis grace has brought me safe thus far And grace will lead me home. The Lord has promised good to me His word my hope secures; He will my shield and portion be, As long as life endures. Yea, when this flesh and heart shall fail, and mortal life shall cease, I shall possess within the veil, A life of joy and peace. When we've been there ten thousand years Bright shining as the sun, We've no less days to sing God's praise Than when we've first begun. |
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10:33 |
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from Yes - Fragile (1971)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
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- |
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from Yes - Your Move [single] (1971)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
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- |
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from Yes - Your Move [single] (1971)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
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4:10 |
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from Yes - Close To The Edge (1972)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
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10:30 |
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from Yes - Saving My Heart [single] (1991)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
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10:28 |
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from Yes - America [single] (1996)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
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4:45 |
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|
from Yes - America [single] (1996)
Let us be lovers; we'll marry our fortunes together
I've got some real estate in my bag So we bought a pack of cigarettes and Mrs. Wagner's pies And we walked off, walked off, walked off to look for America "Kathy," I said, as we boarded the greyhound in Pittsburgh "Michigan seems like a dream to me now Took me four days to from Saginaw They've all gone to look for America All gone to look for America." Laughing on the bus, playing games with faces She said the man in the gabardine suit was a spy I said, "be careful, his bow-tie is really a camera." "Kathy, I'm lost," I said Though I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America "Kathy, I'm lost," I said Although I knew she was sleeping Well, I'm empty, and aching, and I don't know why I'm Counting the cars on the New Jersey Turnpike And they've all gone to look for America All gone to look for America All gone to look for America |
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4:55 |
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|
from Asia, Asia - Phoenix (2008)
A perfect day, or so I say
From where I'm standing This rollercoaster ride, fate will decide The ending Love everlasting, or lost on the way The smiles and the frowns, the ups and downs Of fortune turning The twists and turns, the lessons learned The bridges burning Nights to remember and never forget CHORUS Go, seize the day Wake up and say This is an extraordinary life, oh Enjoy today Come what may This is an extraordinary I gave it all, my cards have fallen But I'm still alive And in the end, believe my friend I will survive Glory or heartache and some of the joy CHORUS All of the good times, all of the bad Responsibility is totally mine I know I rightly stand accused But I believe that I can change Yes, I can change my world CHORUS CHORUS |
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 |
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- |
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||
| from Yes - Live 1975 At Q.P.R. Vol. 2 [video, live] (2001) | |||||
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|
9:34 |
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|
from Yes, Yes - Yessongs [live] (1973)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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 |
|
11:23 |
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|
from Yes, Yes - House Of Yes [live] (2000)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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 |
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- |
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||
|
from Yes - Symphonic Live [video, live] (2002)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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 |
|
11:23 |
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|
from Yes - Yesspeak [video, live] (2003)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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 |
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11:08 |
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|
from Yes - Songs From Tsongas Yes 35Th Anniversary Concert [video, live] (2004)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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- |
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from Yes - Live At Montreux 2003 [video, live] (2007)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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11:27 |
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from Yes - In the Present (Live From Lyon) [live] (2011)
I Cord of Life
A man conceived a moment's answer to the dream Staying the flowers daily, sensing all the themes As a foundation left to create the spiral aim A movement regained and regarded both the same All complete in the sight of seeds of life with you Changed only for a sight of sound, the space agreed Between the picture of time behind the face of need Coming quickly to terms of all expression laid Emotions revealed as the ocean maid All complete in the sight of seeds of life with you Coins and crosses (Turn round tailor, assaulting) Never know their fruitless worth (all the mornings of the interest shown, presenting one another to the cord) Cords are broken (All left dying, rediscovered Of the door that turned round) Locked inside the mother Earth (To close the cover, all the interest shown) They won't hide, hold, they won't tell you (To turn one another, to the sign at the time float your climb) Watching the world, watching all of the world Watching us go by And you and I climb over the sea to the valley And you and I reached out for reasons to call II Eclipse Coming quickly to terms of all expression laid Emotions revealed as the ocean maid As a movement regained and regarded both the same All complete in the sight of seeds of life with you III The preacher, the teacher Sad preacher nailed upon the coloured door of time Insane teacher be there reminded of the rhyme There'll be no mutant enemy we shall certify Political ends as sad remains will die Reach out as forward tastes begin to enter you Oooh, ooh I listened hard but could not see Life tempo change out and inside me The preacher trained in all to lose his name The teacher travels, asking to be shown the same In the end we'll agree, we'll accept, we'll immortalize That the truth of man maturing in his eyes All complete in the sight of seeds of life with you Coming quickly to terms of all expression laid As a moment regained and regarded both the same Emotion revealed as the ocean maid A clearer future, morning, evening, nights with you IV Apocalypse And you and I climb, crossing the shapes of the morning And you and I reach over the sun for the river And you and I climb, clearer towards the movement And you and I called over valleys of endless seas |
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- |
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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- |
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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10:08 |
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from Yes - Close To The Edge (1972)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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10:15 |
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from Yes - Close To The Edge (1972)
A man conceived a moment's answers to the dream. Staying the flowers daily, sensing all the themes. As a foundation left to create the spiral aim, A movement regained and regarded both the same, All complete in the sight of seeds of life with you. Changed only for a sight of sound, the space agreed. Between the picture of time behind the face of need, Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, All complete in the sight of seeds of life with you. Oh. Coins and crosses Turn round tailor, assaulting Never know their fruitless worth; all the mornings of the interest shown, presenting one another to the cord, Cords are broken, All left dying, rediscovered Of the door that turned round, Locked inside the mother earth. To close the cover, all the interest shown, They won't hide, hold, they won't tell you, To turn one another, to the sign at the time float your climb. Watching the world, watching all of the world, Watching us go by. And you and I climb over the sea to the valley, And you and I reached out for reasons to call. II. Eclipse Anderson/Bruford/Squire Coming quickly to terms of all expression laid, Emotion revealed as the ocean maid, As a movement regained and regarded both the same, All complete in the side of seeds of life with you. III. The Preacher the Teacher Anderson/Bruford/Howe/Squire Sad preacher nailed upon the coloured door of time; Insane teacher be there reminded of the rhyme. There'll be no mutant enemy we shall certify; Political ends, as sad remains, will die. Reach out as forward tastes begin to enter you. Ooh, ooh. I listened hard but could not see Life tempo change out and inside me. The preacher trained in all to lose his name; The teacher travels, asking to be shown the same. In the end, we'll agree, we'll accept, we'll immortalize That the truth of the man maturing in his eyes, All complete in the sight of seeds of life with you. Coming quickly to terms of all expression laid, As a moment regained and regarded both the same, Emotion revealed as the ocean maid, A clearer future, morning, evening, nights with you. IV. Apocalypse Anderson/Bruford/Howe/Squire And you and I climb, crossing the shapes of the morning. And you and I reach over the sun for the river. And you and I climb, clearer, towards the movement. And you and I called over valleys of endless seas. |
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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5:24 |
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from Yes - Union (1991)
Out of the brightest tree the moon became the morning sun,
And there again reflected on the dreams of everyone. Out of the starlight night the telling of all our lives, And racing faster than the Northwestern World. Starpoint to signal our endlessness Starpoint to signal this evermore Starpoint to compass: We look to the North To return to the centre: Angkor Wat. (Cambodian Poetry) |
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2:26 |
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| from Asia, Asia - Aqua (1992) | |||||
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2:10 |
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| from Asia, Asia - Aqua (1992) | |||||
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6:08 |
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from Yes, Yes - Tormato (1978)
I could not take it oh so seriously really When you called and said you'd seen a UFO But then it dawned on me the message in writing Spelt out a meeting never dreamed of before I looked out, in the night Strange and startling Was the voice of time just saying There's got to be a linking of everyone Got to be a centre It all comes flooding back Arriving thru the eons of times immortal power of the future to behold Vessels of a different impression, none that we could ever hope to have known So look out, in the night Once they arrive Oh that perennial light Impress a bolder Empire of Energy In the ships we see The coming of outer space You say there's no reason to conjure With the force as it has been known to be seen You say I'm a fool a believer Put your feet on the earth it is green But look out, in the night Wait for they arrive To start such sciences anew Here it is the coming of outer space Such a pure delight The coming of outer space |
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8:49 |
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from Yes - In the Present (Live From Lyon) [live] (2011)
And in the ruins of the balloon
Stood a man with glasses held high Wondering when to do it again Have another fly into the sky Somewhere flying high Astral traveller Leaving without her Wondering where lights go Leave out the body load Once in the air, people who dare Get a great respect in the end (astral traveller) Heavenly flight, wonderous night And all the sights worth seeing Just believe in Astral traveller Leaving without her Wondering where lights go Leave out the body load Once in the air, people who dare Get a great respect in the end (astral traveller) Heavenly flight, wonderous night And all the sights worth seeing Just believe in Astral traveller Leaving without her Wondering where lights go Leave out the body load |
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| from Steve Howe - Homebrew 1&2 (2002) | |||||
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| from Steve Howe - Skyline (2006) | |||||
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15:38 |
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from Yes, Yes - Going For The One (1977)
High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Be here now Here we can be AWAKEN SUNS HIGH STREAMS THRU AWAKEN GENTLE STRONG DREAMS REIGN HERE GENTLE MASS .)(. MASS TOUCH STAR, SONG, AGE, LESS TOUCHING Workings of man Set to ply out historical life Reregaining the flower of the fruit of his tree All awakening All restoring you Workings of man Crying out from the fire set aflame By his blindness to see that the warmth of his being Is promised for his seeing his reaching so clearly Workings of man Driven far from the path Rereleased in inhibitions So that all is left for you all is left for you all is left for you all this left for you NOW... Master of Images Songs cast a light on you Hark thru dark ties That tunnel us out of sane existence In challenge as direct As eyes see young stars assemble Master of Light All pure chance As exists cross divided In all encircling mode Oh closely guided plan Awaken in our heart Master of Soul Set to touch All impenetrable youth Ask away That thought be contact With all that's clear Be honest with yourself There's no doubt no doubt Master of Time Setting sail Over all our lands And as we look Forever closer Shall we now bid Farewell farewell... High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Like the time I ran away And turned around And you were standing close to me Like the time I ran away And turned around And you were standing close to me |
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19:01 |
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from Yes - The Union Tour Live [video, live] (1991)
High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Be here now Here we can be AWAKEN SUNS HIGH STREAMS THRU AWAKEN GENTLE STRONG DREAMS REIGN HERE GENTLE MASS .)(. MASS TOUCH STAR, SONG, AGE, LESS TOUCHING Workings of man Set to ply out historical life Reregaining the flower of the fruit of his tree All awakening All restoring you Workings of man Crying out from the fire set aflame By his blindness to see that the warmth of his being Is promised for his seeing his reaching so clearly Workings of man Driven far from the path Rereleased in inhibitions So that all is left for you all is left for you all is left for you all this left for you NOW... Master of Images Songs cast a light on you Hark thru dark ties That tunnel us out of sane existence In challenge as direct As eyes see young stars assemble Master of Light All pure chance As exists cross divided In all encircling mode Oh closely guided plan Awaken in our heart Master of Soul Set to touch All impenetrable youth Ask away That thought be contact With all that's clear Be honest with yourself There's no doubt no doubt Master of Time Setting sail Over all our lands And as we look Forever closer Shall we now bid Farewell farewell... High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Like the time I ran away And turned around And you were standing close to me Like the time I ran away And turned around And you were standing close to me |
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17:34 |
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from Yes, Yes - House Of Yes [live] (2000)
High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Be here now Here we can be AWAKEN SUNS HIGH STREAMS THRU AWAKEN GENTLE STRONG DREAMS REIGN HERE GENTLE MASS .)(. MASS TOUCH STAR, SONG, AGE, LESS TOUCHING Workings of man Set to ply out historical life Reregaining the flower of the fruit of his tree All awakening All restoring you Workings of man Crying out from the fire set aflame By his blindness to see that the warmth of his being Is promised for his seeing his reaching so clearly Workings of man Driven far from the path Rereleased in inhibitions So that all is left for you all is left for you all is left for you all this left for you NOW... Master of Images Songs cast a light on you Hark thru dark ties That tunnel us out of sane existence In challenge as direct As eyes see young stars assemble Master of Light All pure chance As exists cross divided In all encircling mode Oh closely guided plan Awaken in our heart Master of Soul Set to touch All impenetrable youth Ask away That thought be contact With all that's clear Be honest with yourself There's no doubt no doubt Master of Time Setting sail Over all our lands And as we look Forever closer Shall we now bid Farewell farewell... High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Like the time I ran away And turned around And you were standing close to me Like the time I ran away And turned around And you were standing close to me |
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from Yes - Yesspeak [video, live] (2003)
High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Be here now Here we can be AWAKEN SUNS HIGH STREAMS THRU AWAKEN GENTLE STRONG DREAMS REIGN HERE GENTLE MASS .)(. MASS TOUCH STAR, SONG, AGE, LESS TOUCHING Workings of man Set to ply out historical life Reregaining the flower of the fruit of his tree All awakening All restoring you Workings of man Crying out from the fire set aflame By his blindness to see that the warmth of his being Is promised for his seeing his reaching so clearly Workings of man Driven far from the path Rereleased in inhibitions So that all is left for you all is left for you all is left for you all this left for you NOW... Master of Images Songs cast a light on you Hark thru dark ties That tunnel us out of sane existence In challenge as direct As eyes see young stars assemble Master of Light All pure chance As exists cross divided In all encircling mode Oh closely guided plan Awaken in our heart Master of Soul Set to touch All impenetrable youth Ask away That thought be contact With all that's clear Be honest with yourself There's no doubt no doubt Master of Time Setting sail Over all our lands And as we look Forever closer Shall we now bid Farewell farewell... High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Like the time I ran away And turned around And you were standing close to me Like the time I ran away And turned around And you were standing close to me |
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from Yes - Live At Montreux 2003 [video, live] (2007)
High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Be here now Here we can be AWAKEN SUNS HIGH STREAMS THRU AWAKEN GENTLE STRONG DREAMS REIGN HERE GENTLE MASS .)(. MASS TOUCH STAR, SONG, AGE, LESS TOUCHING Workings of man Set to ply out historical life Reregaining the flower of the fruit of his tree All awakening All restoring you Workings of man Crying out from the fire set aflame By his blindness to see that the warmth of his being Is promised for his seeing his reaching so clearly Workings of man Driven far from the path Rereleased in inhibitions So that all is left for you all is left for you all is left for you all this left for you NOW... Master of Images Songs cast a light on you Hark thru dark ties That tunnel us out of sane existence In challenge as direct As eyes see young stars assemble Master of Light All pure chance As exists cross divided In all encircling mode Oh closely guided plan Awaken in our heart Master of Soul Set to touch All impenetrable youth Ask away That thought be contact With all that's clear Be honest with yourself There's no doubt no doubt Master of Time Setting sail Over all our lands And as we look Forever closer Shall we now bid Farewell farewell... High Vibration go on To the sun, oh let my heart dreaming Past a mortal as me Where can I be Wish the sun to stand still Reaching out to touch our own being Past all mortal as we Here we can be We can be here Like the time I ran away And turned around And you were standing close to me Like the time I ran away And turned around And you were standing close to me |
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4:08 |
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from Asia, Asia - Aqua (1992)
Wheels turn - smoke rise
Chrome wings - low ride Freeway - red line To city lights electric I glide If there? escape from your illusion You gotta break the whole constitution Concrete - touch sky Main street - dogs lie Steel bird - black tie Is this what they call the freedom you buy ? Look at him behind the delusion All you hear is the voice of confusion CHORUS The bad boy? back The bad boy? back in town The bad boy? back Don? you shoot him down Wheels spin - ace high No win - no life One world - truth lies Love? just a word on a red neon sign If there? escape from the conclusion You gotta shake the whole institution CHORUS If there? escape from your illusion You gotta break the whole constitution CHORUS |
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| from Steve Howe - Homebrew 1&2 (2002) | |||||
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| from Steve Howe - Homebrew 1&2 (2002) | |||||
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| from Yes 21집 - Heaven & Earth (2014) | |||||
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| from Steve Howe - Homebrew 1&2 (2002) | |||||
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from Jon Anderson, Bill Brufords, Rick Wakeman, Steve Howe - Anderson, Bruford, Wakeman, Howe (2003)
(Anderson / Howe / Wakeman / Bruford / Bacon)
In 1954 the British Government, in order to maintain the balance of power between East and West, exploded their first atom bomb at Woomera. They failed to contact all of the Aborigine peoples at the time. The Aborigines still call this 'the day of the cloud.' A new born land Dreaming by the sky The scent of colours In the flowers Believe it's small In many ways It holds the key That divides the super powers This road is never lonely To ENGLAND they are tied They were blasted by the Silver Cloud There were blasted to the wall alive This place, this place ain't big enough for stars and stripes Counting out the statesmen Bungling one by one Spelling out this segregation So the catchword be Looking after number one They release the fear inside Are human after all So begins our dream time They hunted like the dinosaur We the pure They the savage innocent How we crush our existence after all Come on For without them We are lonely This England we are blind Like all the Empires crumble Will surely change the tide This place ain't big enough for red and white This place ain't big enough for stars and stripes This place - This place This place is theirs, by their birthright This place The sun gives better reasons United we are blind To deliver our existence Keep it up Keep it up This human tide, give it some We can break the ties Of recent changes Know the ones who Hold the key Singing out the congregation We are them and they are we This place ain't big enough for red and white This place ain't big enough for stars and stripes This place This place This place is theirs by their birthright |
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| from Steve Howe - Pulling Strings (2005) | |||||
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| from Yes - Yes Acoustic [video, live] (2004) | |||||
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| from Steve Howe - Homebrew 1&2 (2002) | |||||
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7:22 |
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| from Jon Anderson, Bill Brufords, Rick Wakeman, Steve Howe - Anderson, Bruford, Wakeman, Howe (2003) | |||||
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| from Steve Howe - Portraits Of Bob Dylan (2000) | |||||
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6:02 |
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| from Asia - XXX (2012) | |||||
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| from Steve Howe - Quantum Guitar (1999) | |||||
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| from Steve Howe - The Steve Howe Album (2000) | |||||
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| from Steve Howe - Homebrew 1&2 (2002) | |||||
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| from Steve Howe - Skyline (2006) | |||||
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1:32 |
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| from Yes - The Ladder (1999) | |||||
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2:58 |
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from Yes - Magnification (2001)
Can you imagine what it's like seeing life
From the other side Do you imagine darkened light, starless night? You might need a guide And will the illusion confuse you, play with your thoughts And alter your mind Or become a delusion, exclude you Change your existence For another kind See what you see for yourself, 'til your heart Is open wide Wish what you wish for yourself, and you find it there And you believe it And you believe it Can you imagine what it's like, seeing life From the other side Do you imagine light darkened, starless night You might need a guide And will the illusion confuse you, play with your thoughts And alter your mind Or become a delusion, excuse you Change your existence For another kind See what you see for yourself, till your heart Is open wide Wish what you wish for yourself, and you find it here And you believe it And you believe it |
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1:35 |
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| from Yes - Fragile (1971) | |||||
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1:58 |
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| from Yes, Yes - House Of Yes [live] (2000) | |||||
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4:31 |
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from Yes, Yes - Tormato (1978)
The day the Circus of Heaven came to town Local folks lined the streets in a Midwestern town Waiting anxiously for the parade to begin all round On the very last day A Unicorn headed the Mystical way Surrounded by what seemed a thousand golden angels at play Behind were Centaurs, elves, bright fairies all in colours of Jade On the very final day For what seemed only just a moment in time Seven solemn flying silvered regal horses rode by Seven golden chariots in tow, a wonder to behold The Seven Lords of the Mountains of time There then arose where nothing really stood there before A giant tent rising one thousand feet high from the floor Towns people flocked inside with their eyes all amazed To greet the Seventh Lord of the Seventh age A fanfare rang out in an incredible sound Bringing out the strangest visions perfect harmony round Any dreams he asked would they like to have seen From historical or mythical scenes Then there above their heads just as vivid as life Each vision transported in multitudes inventing light Grecian galleons, The Sack of Troy, to the Gardens of Babylon A play of millions roared along The gigantic dreams of Alexander the Great Civil wars where brothers fought and killed their friendship in hate All seen by Zeus performing scenes of the magical way The day the circus came to town Outside great animals as tame as the trees Angels high in starlight dancing streets Tuning their colours with indigo and gold Dropping violet, red and emerald snow As the circus finally changed its invisible course A new world to be found On the dreamy ground we walked upon I turned to my son and said "Was that something beautiful, amazing, wonderful, extraordinary beautiful?" "Oh! it was OK!! But there were no clowns, no tigers, lions or bears, candy-floss, toffee apples, no clowns." |
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from Yes - Live In Philadelphia 1979 [video, live] (1979)
The day the Circus of Heaven came to town Local folks lined the streets in a Midwestern town Waiting anxiously for the parade to begin all round On the very last day A Unicorn headed the Mystical way Surrounded by what seemed a thousand golden angels at play Behind were Centaurs, elves, bright fairies all in colours of Jade On the very final day For what seemed only just a moment in time Seven solemn flying silvered regal horses rode by Seven golden chariots in tow, a wonder to behold The Seven Lords of the Mountains of time There then arose where nothing really stood there before A giant tent rising one thousand feet high from the floor Towns people flocked inside with their eyes all amazed To greet the Seventh Lord of the Seventh age A fanfare rang out in an incredible sound Bringing out the strangest visions perfect harmony round Any dreams he asked would they like to have seen From historical or mythical scenes Then there above their heads just as vivid as life Each vision transported in multitudes inventing light Grecian galleons, The Sack of Troy, to the Gardens of Babylon A play of millions roared along The gigantic dreams of Alexander the Great Civil wars where brothers fought and killed their friendship in hate All seen by Zeus performing scenes of the magical way The day the circus came to town Outside great animals as tame as the trees Angels high in starlight dancing streets Tuning their colours with indigo and gold Dropping violet, red and emerald snow As the circus finally changed its invisible course A new world to be found On the dreamy ground we walked upon I turned to my son and said "Was that something beautiful, amazing, wonderful, extraordinary beautiful?" "Oh! it was OK!! But there were no clowns, no tigers, lions or bears, candy-floss, toffee apples, no clowns." |
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6:26 |
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| from Yes - The Union Tour Live [video, live] (1991) | |||||
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| from Yes - Live At Montreux 2003 [video, live] (2007) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Steve Howe - Pulling Strings (2005) | |||||
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11:18 |
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| from Yes - Magnification (2001) | |||||
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18:14 |
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from Yes, Yes - Yessongs [live] (1973)
A seasoned witch could call you from the depths of your disgrace, And rearrange your liver to the solid mental grace, And achieve it all with music that came quickly from afar, Then taste the fruit of man recorded losing all against the hour. And assessing points to nowhere, leading ev'ry single one. A dewdrop can exalt us like the music of the sun, And take away the plain in which we move, And choose the course you're running. Down at the edge, round by the corner, Not right away, not right away. Close to the edge, down by a river, Not right away, not right away. Crossed the line around the changes of the summer, Reaching to call the color of the sky. Passed around a moment clothed in mornings faster than we see. Getting over all the time I had to worry, Leaving all the changes far from far behind. We relieve the tension only to find out the master's name. Down at the end, round by the corner. Close to the edge, just by a river. Seasons will pass you by. I get up, I get down. Now that it's all over and done, Now that you find, now that you're whole. II. Total Mass Retain Anderson/Squire My eyes convinced, eclipsed with the younger moon attained with love. It changed as almost strained amidst clear manna from above. I crucified my hate and held the word within my hand. There's you, the time, the logic, or the reasons we don't understand. Sad courage claimed the victims standing still for all to see, As armoured movers took approach to overlook the sea. There since the cord, the license, or the reasons we understood will be. Down at the edge, close by a river. Close to the edge, round by the corner. Close to the end, down by the corner. Down at the edge, round by the river. Sudden call shouldn't take away the startled memory. All in all, the journey takes you all the way. As apart from any reality that you've ever seen and known. Guessing problems only to deceive the mention, Passing paths that climb halfway into the void. As we cross from side to side, we hear the total mass retain. Down at the edge, round by the corner. Close to the end, down by a river. Seasons will pass you by. I get up, I get down. III. I Get Up, I Get Down Anderson/Howe In her white lace You can clearly see the lady sadly looking. Saying that she'd take the blame For the crucifixion of her own domain. I get up, I get down, I get up, I get down. Two million people barely satisfy. Two hundred women watch one woman cry, too late. The eyes of honesty can achieve. How many millions do we deceive each day? [Thru the duty she would coil their said amusement of her story asking only interest could be laid upon the children of her domain] I get up, I get down. I get up, I get down. In charge of who is there in charge of me. Do I look on blindly and say I see the way? The truth is written all along the page. How old will I be before I come of age for you? I get up, I get down. I get up, I get down. I get up, I get down. IV. Seasons Of Man Anderson/Howe The time between the notes relates the color to the scenes. A constant vogue of triumphs dislocate man, so it seems. And space between the focus shape ascend knowledge of love. As song and chance develop time, lost social temp'rance rules above. Ah, ah. Then according to the man who showed his outstretched arm to space, He turned around and pointed, revealing all the human race. I shook my head and smiled a whisper, knowing all about the place. On the hill we viewed the silence of the valley, Called to witness cycles only of the past. And we reach all this with movements in between the said remark. Close to the edge, down by the river. Down at the end, round by the corner. Seasons will pass you by, Now that it's all over and done, Called to the seed, right to the sun. Now that you find, now that you're whole. Seasons will pass you by, I get up, I get down. I get up, I get down. I get up, I get down. |
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from Yes - Live 1975 At Q.P.R. Vol. 1 [video, live] (2001)
A seasoned witch could call you from the depths of your disgrace, And rearrange your liver to the solid mental grace, And achieve it all with music that came quickly from afar, Then taste the fruit of man recorded losing all against the hour. And assessing points to nowhere, leading ev'ry single one. A dewdrop can exalt us like the music of the sun, And take away the plain in which we move, And choose the course you're running. Down at the edge, round by the corner, Not right away, not right away. Close to the edge, down by a river, Not right away, not right away. Crossed the line around the changes of the summer, Reaching to call the color of the sky. Passed around a moment clothed in mornings faster than we see. Getting over all the time I had to worry, Leaving all the changes far from far behind. We relieve the tension only to find out the master's name. Down at the end, round by the corner. Close to the edge, just by a river. Seasons will pass you by. I get up, I get down. Now that it's all over and done, Now that you find, now that you're whole. II. Total Mass Retain Anderson/Squire My eyes convinced, eclipsed with the younger moon attained with love. It changed as almost strained amidst clear manna from above. I crucified my hate and held the word within my hand. There's you, the time, the logic, or the reasons we don't understand. Sad courage claimed the victims standing still for all to see, As armoured movers took approach to overlook the sea. There since the cord, the license, or the reasons we understood will be. Down at the edge, close by a river. Close to the edge, round by the corner. Close to the end, down by the corner. Down at the edge, round by the river. Sudden call shouldn't take away the startled memory. All in all, the journey takes you all the way. As apart from any reality that you've ever seen and known. Guessing problems only to deceive the mention, Passing paths that climb halfway into the void. As we cross from side to side, we hear the total mass retain. Down at the edge, round by the corner. Close to the end, down by a river. Seasons will pass you by. I get up, I get down. III. I Get Up, I Get Down Anderson/Howe In her white lace You can clearly see the lady sadly looking. Saying that she'd take the blame For the crucifixion of her own domain. I get up, I get down, I get up, I get down. Two million people barely satisfy. Two hundred women watch one woman cry, too late. The eyes of honesty can achieve. How many millions do we deceive each day? [Thru the duty she would coil their said amusement of her story asking only interest could be laid upon the children of her domain] I get up, I get down. I get up, I get down. In charge of who is there in charge of me. Do I look on blindly and say I see the way? The truth is written all along the page. How old will I be before I come of age for you? I get up, I get down. I get up, I get down. I get up, I get down. IV. Seasons Of Man Anderson/Howe The time between the notes relates the color to the scenes. A constant vogue of triumphs dislocate man, so it seems. And space between the focus shape ascend knowledge of love. As song and chance develop time, lost social temp'rance rules above. Ah, ah. Then according to the man who showed his outstretched arm to space, He turned around and pointed, revealing all the human race. I shook my head and smiled a whisper, knowing all about the place. On the hill we viewed the silence of the valley, Called to witness cycles only of the past. And we reach all this with movements in between the said remark. Close to the edge, down by the river. Down at the end, round by the corner. Seasons will pass you by, Now that it's all over and done, Called to the seed, right to the sun. Now that you find, now that you're whole. Seasons will pass you by, I get up, I get down. I get up, I get down. I get up, I get down. |
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from Yes - Symphonic Live [video, live] (2002)
A seasoned witch could call you from the depths of your disgrace, And rearrange your liver to the solid mental grace, And achieve it all with music that came quickly from afar, Then taste the fruit of man recorded losing all against the hour. And assessing points to nowhere, leading ev'ry single one. A dewdrop can exalt us like the music of the sun, And take away the plain in which we move, And choose the course you're running. Down at the edge, round by the corner, Not right away, not right away. Close to the edge, down by a river, Not right away, not right away. Crossed the line around the changes of the summer, Reaching to call the color of the sky. Passed around a moment clothed in mornings faster than we see. Getting over all the time I had to worry, Leaving all the changes far from far behind. We relieve the tension only to find out the master's name. Down at the end, round by the corner. Close to the edge, just by a river. Seasons will pass you by. I get up, I get down. Now that it's all over and done, Now that you find, now that you're whole. II. Total Mass Retain Anderson/Squire My eyes convinced, eclipsed with the younger moon attained with love. It changed as almost strained amidst clear manna from above. I crucified my hate and held the word within my hand. There's you, the time, the logic, or the reasons we don't understand. Sad courage claimed the victims standing still for all to see, As armoured movers took approach to overlook the sea. There since the cord, the license, or the reasons we understood will be. Down at the edge, close by a river. Close to the edge, round by the corner. Close to the end, down by the corner. Down at the edge, round by the river. Sudden call shouldn't take away the startled memory. All in all, the journey takes you all the way. As apart from any reality that you've ever seen and known. Guessing problems only to deceive the mention, Passing paths that climb halfway into the void. As we cross from side to side, we hear the total mass retain. Down at the edge, round by the corner. Close to the end, down by a river. Seasons will pass you by. I get up, I get down. III. I Get Up, I Get Down Anderson/Howe In her white lace You can clearly see the lady sadly looking. Saying that she'd take the blame For the crucifixion of her own domain. I get up, I get down, I get up, I get down. Two million people barely satisfy. Two hundred women watch one woman cry, too late. The eyes of honesty can achieve. How many millions do we deceive each day? [Thru the duty she would coil their said amusement of her story asking only interest could be laid upon the children of her domain] I get up, I get down. I get up, I get down. In charge of who is there in charge of me. Do I look on blindly and say I see the way? The truth is written all along the page. How old will I be before I come of age for you? I get up, I get down. I get up, I get down. I get up, I get down. IV. Seasons Of Man Anderson/Howe The time between the notes relates the color to the scenes. A constant vogue of triumphs dislocate man, so it seems. And space between the focus shape ascend knowledge of love. As song and chance develop time, lost social temp'rance rules above. Ah, ah. Then according to the man who showed his outstretched arm to space, He turned around and pointed, revealing all the human race. I shook my head and smiled a whisper, knowing all about the place. On the hill we viewed the silence of the valley, Called to witness cycles only of the past. And we reach all this with movements in between the said remark. Close to the edge, down by the river. Down at the end, round by the corner. Seasons will pass you by, Now that it's all over and done, Called to the seed, right to the sun. Now that you find, now that you're whole. Seasons will pass you by, I get up, I get down. I get up, I get down. I get up, I get down. |
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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18:41 |
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from Yes - Close To The Edge (1972)
I. The Solid Time Of Change
A seasoned witch could call you from the depths of your disgrace, And rearrange your liver to the solid mental grace, And achieve it all with music that came quickly from afar, Then taste the fruit of man recorded losing all against the hour. And assessing points to nowhere, leading ev'ry single one. A dewdrop can exalt us like the music of the sun, And take away the plain in which we move, And choose the course you're running. Down at the edge, round by the corner, Not right away, not right away. Close to the edge, down by a river, Not right away, not right away. Crossed the line around the changes of the summer, Reaching out to call the color of the sky. Passed around a moment clothed in mornings faster than we see. Getting over all the time I had to worry, Leaving all the changes far from far behind. We relieve the tension only to find out the master's name. Down at the end, round by the corner. Close to the edge, just by a river. Seasons will pass you by. I get up, I get down. Now that it's all over and done, Now that you find, now that you're whole. II. Total Mass Retain My eyes convinced, eclipsed with the younger moon attained with love. It changed as almost strained amidst clear manna from above. I crucified my hate and held the word within my hand. There's you, the time, the logic, or the reasons we don't understand. Sad courage claimed the victims standing still for all to see, As armoured movers took approached to overlook the sea. There since the cord, the license, or the reasons we understood will be. Down at the edge, close by a river. Close to the edge, round by the corner. Close to the end, down by the corner. Down at the edge, round by the river. Sudden problems shouldn't take away the startled memory. All in all, the journey takes you all the way. As apart from any reality that you've ever seen and known. Guessing problems only to deceive the mention, Passing paths that climb halfway into the void. As we cross from side to side, we hear the total mass retain. Down at the edge, round by the corner. Close to the end, down by a river. Seasons will pass you by. I get up, I get down. III. I Get Up, I Get Down In her white lace, you could clearly see the lady sadly looking. Saying that she'd take the blame For the crucifixion of her own domain. I get up, I get down, I get up, I get down. Two million people barely satisfy. Two hundred women watch one woman cry, too late. The eyes of honesty can achieve. How many millions do we deceive each day? I get up, I get down. I get up, I get down. In charge of who is there in charge of me. Do I look on blindly and say I see the way? The truth is written all along the page. How old will I be before I come of age for you? I get up, I get down. I get up, I get down. I get up, I get down. IV. Seasons Of Man The time between the notes relates the color to the scenes. A constant vogue of triumphs dislocate man, so it seems. And space between the focus shape ascend knowledge of love. As song and chance develop time, lost social temp'rance rules above. Then according to the man who showed his outstretched arm to space, He turned around and pointed, revealing all the human race. I shook my head and smiled a whisper, knowing all about the place. On the hill we viewed the silence of the valley, Called to witness cycles only of the past. And we reach all this with movements in between the said remark. Close to the edge, down by the river. Down at the end, round by the corner. Seasons will pass you by, Now that it's all over and done, Called to the seed, right to the sun. Now that you find, now that you're whole. Seasons will pass you by, I get up, I get down. I get up, I get down. I get up, I get down. I get up. |
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Yes - Progeny: Seven Shows From Seventy-Two (14CD Box Set) [box, live] (2015) | |||||
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| from Steve Howe - The Steve Howe Album (2000) | |||||
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3:49 |
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| from Yes - In the Present (Live From Lyon) [live] (2011) | |||||
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| from Steve Howe - Quantum Guitar (1999) | |||||
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3:11 |
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| from Yes, Yes - Tormato (1978) | |||||
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5:56 |
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from Asia, Asia - Aqua (1992)
Dreams that have melted now frozen like statues
Under the surface here lies the unknown Love has a way of disguising it? purpose Seeing your pain my hand goes out to you You should have known better than to trust him How the pain shines through your eyes Nothing hits harder than a crime of the heart It breaks you up and it tears you apart You just want to die, you?e been so abused Now you know how it feels to be used Nothing hurts harder than a crime of the heart I? such a fool, I should have known from the start I saw it coming and I feel I? to blame But love don? give in I watch your face as you stare into distance Eyes filled with tears that look so far away Deep in your heart can you feel a resistance ? Love it just happens there? no-one to blame You should have known better than to sacrifice The stained-glass soul you hide Nothing hits harder than a crime of the heart It? the kind of feeling that pulls you apart There? nowhere to run, there? nothing to say You never knew that you could feel this way Nothing hurts harder than a crime of the heart I could have told you he was wrong from the start I? not guilty, but I feel I? too blame My love won? give in Crime of the heart |
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| from Steve Howe - Light Walls (2004) | |||||
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