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4:36 | 
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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- |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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0:32 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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- |
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| from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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2:28 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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2:26 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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- |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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1:58 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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1:31 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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1:21 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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- |
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| from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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0:59 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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2:12 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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1:10 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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4:25 | 
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from Andrew Lloyd Webber - The Greatest Songs (1995)
RAOUL
No more talk of darkness, forget these wide-eyed fears; I'm here, nothing can harm you, my words will warm and calm you. Let me be your freedom, let daylight dry your tears; I'm here, with you, beside you, to guard you and to guide you. CHRISTINE Say you love me every waking moment, turn my head with talk of summertime. Say you need me with you now and always; promise me that all you say is true, that's all I ask of you. RAOUL Let me be your shelter, let me be your light; you're safe, no one will find you, your fears are far behind you. CHRISTINE All I want is freedom, a world with no more night; and you, always beside me, to hold me and to hide me. RAOUL Then say you'll share with me one love, one lifetime; let me lead you from your solitude. Say you need me with you, here beside you, anywhere you go, let me go too, Christine, that's all I ask of you CHRISTINE Say you'll share with me one love, one lifetime; say the word and I will follow you. TOGETHER Share each day with me, each night, each morning. CHRISTINE Say you love me! RAOUL You know I do. RAOUL & CHRISTINE Love me, that's all I ask of you. (they kiss) RAOUL & CHRISTINE Anywhere you go, let me go too. Love me, that's all I ask of you. CHRISTINE I must go- They'll wonder where I am Wait fo me Raoul! RAOUL Christine I love you! CHRISTINE Order your fine horses! Be with them at the door! RAOUL And soon you'll be beside me! CHRISTINE You'll guard me and you'll guide me (they hurry off and the phantom emerges from behind the statue) |
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- |
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from Andrew Lloyd Webber - Love Songs (2001)
RAOUL
No more talk of darkness, forget these wide-eyed fears; I'm here, nothing can harm you, my words will warm and calm you. Let me be your freedom, let daylight dry your tears; I'm here, with you, beside you, to guard you and to guide you. CHRISTINE Say you love me every waking moment, turn my head with talk of summertime. Say you need me with you now and always; promise me that all you say is true, that's all I ask of you. RAOUL Let me be your shelter, let me be your light; you're safe, no one will find you, your fears are far behind you. CHRISTINE All I want is freedom, a world with no more night; and you, always beside me, to hold me and to hide me. RAOUL Then say you'll share with me one love, one lifetime; let me lead you from your solitude. Say you need me with you, here beside you, anywhere you go, let me go too, Christine, that's all I ask of you CHRISTINE Say you'll share with me one love, one lifetime; say the word and I will follow you. TOGETHER Share each day with me, each night, each morning. CHRISTINE Say you love me! RAOUL You know I do. RAOUL & CHRISTINE Love me, that's all I ask of you. (they kiss) RAOUL & CHRISTINE Anywhere you go, let me go too. Love me, that's all I ask of you. CHRISTINE I must go- They'll wonder where I am Wait fo me Raoul! RAOUL Christine I love you! CHRISTINE Order your fine horses! Be with them at the door! RAOUL And soon you'll be beside me! CHRISTINE You'll guard me and you'll guide me (they hurry off and the phantom emerges from behind the statue) |
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4:53 |
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from The Phantom Of The Opera (오페라의 유령) by Andrew Lloyd Webber [ost] (2004)
RAOUL : No more talk of darkness, forget these wide-eyed fears. I'm here, nothing can harm you, my words will warm and calm you. Let me be your freedom, let daylight dry your tears. I'm here, with you, beside you, to guard you and to guide you. CHRISTINE : Say you love me every waking moment, turn my head with talk of summertime. Say you need me with you now and always, promise me that all you say is true, that's all I ask of you. RAOUL : Let me be your shelter, let me be your light; you're safe, no one will find you, your fears are far behind you. CHRISTINE : All I want is freedom, a world with no more night, and you, always beside me, to hold me and to hide me. RAOUL : Then say you'll share with me one love, one lifetime, let me lead you from your solitude. Say you need me with you, here beside you, anywhere you go, let me go too, Christine, that's all I ask of you CHRISTINE : Say you'll share with me one love, one lifetime. say the word and I will follow you. Share each day with me, each night, each morning. Say you love me! RAOUL : You know I do. RAOUL & CHRISTINE : Love me, that's all I ask of you. Anywhere you go, let me go too, Love me, that's all I ask of you. |
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2:15 |
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from The Phantom Of The Opera (오페라의 유령) by Andrew Lloyd Webber [ost] (2004)
RAOUL
No more talk of darkness, forget these wide-eyed fears; I'm here, nothing can harm you, my words will warm and calm you. Let me be your freedom, let daylight dry your tears; I'm here, with you, beside you, to guard you and to guide you. CHRISTINE Say you love me every waking moment, turn my head with talk of summertime. Say you need me with you now and always; promise me that all you say is true, that's all I ask of you. RAOUL Let me be your shelter, let me be your light; you're safe, no one will find you, your fears are far behind you. CHRISTINE All I want is freedom, a world with no more night; and you, always beside me, to hold me and to hide me. RAOUL Then say you'll share with me one love, one lifetime; let me lead you from your solitude. Say you need me with you, here beside you, anywhere you go, let me go too, Christine, that's all I ask of you CHRISTINE Say you'll share with me one love, one lifetime; say the word and I will follow you. TOGETHER Share each day with me, each night, each morning. CHRISTINE Say you love me! RAOUL You know I do. RAOUL & CHRISTINE Love me, that's all I ask of you. (they kiss) RAOUL & CHRISTINE Anywhere you go, let me go too. Love me, that's all I ask of you. CHRISTINE I must go- They'll wonder where I am Wait fo me Raoul! RAOUL Christine I love you! CHRISTINE Order your fine horses! Be with them at the door! RAOUL And soon you'll be beside me! CHRISTINE You'll guard me and you'll guide me (they hurry off and the phantom emerges from behind the statue) |
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4:14 |
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from The Phantom Of The Opera [Special Edition] (오페라의 유령) by Andrew Lloyd Webber [ost] (2005)
No more talk of darkness
Forget these wide-eyed fears. I'm here, nothing can harm you my words will warm and calm you. Let me be your freedom, let daylight dry your tears. I'm here, with you, beside you, to guard you and to guide you. Say you love me every waking moment, turn my head with talk of summertime. Say you need me with you, now and always. promise me that all you say is true that's all I ask of you. Let me be your shelter, let me be your light. You're safe: No-one will find you your fears are far behind you. All I want is freedom, a world with no more night. and you, always beside me, to hold me and to hide me. Then say you'll share with me one love, one lifetime. let me lead you from your solitude.. Say you need me with you here, beside you... anywhere you go, let me go too Christine, that's all I ask of you. Say you'll share with me one love, one lifetime. say the word and I will follow you. Share each day with me, each night, each morning. Say you love me. You know I do. Love me that's all I ask of you. Anywhere you go let me go too. Love me that's all I ask of you. |
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1:56 |
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| from The Phantom Of The Opera [Special Edition] (오페라의 유령) by Andrew Lloyd Webber [ost] (2005) | |||||
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4:52 |
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from The Phantom Of The Opera (오페라의 유령) by Andrew Lloyd Webber [ost] (2005)
No more talk of darkness, forget these wide-eyed fears. I'm here, nothing can harm you, my words will warm and calm you. Let me be your freedom, let daylight dry your tears. I'm here, with you, deside you, to guard you and to guide you. Say you love me every waking moment, turn my head with talk of summertime. Say you need me with you now and always, promise me that all you say is true, that's all I ask of you. Let me be your shelter, let me be your light you're safe, no one will find you, your fears are far behind you. All I want in freedom, a world with no more night, and you, always beside me, to hold me and to hide me. Then say you'll share with me one love, one lifetime, let me lead you from your solitude. Say you need me with you, here beside you, anywhere you go, let me go too, Christine, that's all I ask of you Say you'll share with me one love, one lifetime. Say the word and I will follow you. Share each day with me, each night, each morning. Say you love me! You know I do. Love me, that's all I ask of you. Anywhere you go, let me go too, Love me, that's all I ask of you. |
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2:55 |
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from The Phantom Of The Opera (오페라의 유령) by Andrew Lloyd Webber [ost] (2005)
PHANTOM I gave you my music . . . made your song take wing . . . and now, how you've repaid me: denied me and betrayed me . . . He was bound to love you when he heard you sing . . . Christine ... Christine ... RAOUL/CHRISTINE (offstage) Say you'll share with me one love, one lifetime . . . say the word and I will follow you . . . Share each day with me, each night, each morning . . . PHANTOM You will curse the day you did not do all that the Phantom asked of you . . .! (As the roof of the opera house disappears, the opera curtain closes and the PRINCIPALS in 'Il Muto' appear through it for their bows, CHRISTINE conspicuously dressed in CARLOTTA'S costume. simultaneously, we hear the maniacal laughter of the PHANTOM and see him high above the stage, perilously rocking the chandelier. The lights of the chandelier begin flickering and, at a great cry from him, it descends, swinging more and more madly over the orchestra pit) PHANTOM Go! ! |
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- |
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from The Best Of... by Andrew Lloyd Webber [ost] (2005)
RAOUL
No more talk of darkness, forget these wide-eyed fears; I'm here, nothing can harm you, my words will warm and calm you. Let me be your freedom, let daylight dry your tears; I'm here, with you, beside you, to guard you and to guide you. CHRISTINE Say you love me every waking moment, turn my head with talk of summertime. Say you need me with you now and always; promise me that all you say is true, that's all I ask of you. RAOUL Let me be your shelter, let me be your light; you're safe, no one will find you, your fears are far behind you. CHRISTINE All I want is freedom, a world with no more night; and you, always beside me, to hold me and to hide me. RAOUL Then say you'll share with me one love, one lifetime; let me lead you from your solitude. Say you need me with you, here beside you, anywhere you go, let me go too, Christine, that's all I ask of you CHRISTINE Say you'll share with me one love, one lifetime; say the word and I will follow you. TOGETHER Share each day with me, each night, each morning. CHRISTINE Say you love me! RAOUL You know I do. RAOUL & CHRISTINE Love me, that's all I ask of you. (they kiss) RAOUL & CHRISTINE Anywhere you go, let me go too. Love me, that's all I ask of you. CHRISTINE I must go- They'll wonder where I am Wait fo me Raoul! RAOUL Christine I love you! CHRISTINE Order your fine horses! Be with them at the door! RAOUL And soon you'll be beside me! CHRISTINE You'll guard me and you'll guide me (they hurry off and the phantom emerges from behind the statue) |
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4:10 |
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| from Andrew Lloyd Webber - Andrew Lloyd Webber - Gold / 2006 Package Reissue - International Version (2006) | |||||
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3:25 |
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| from The Beautiful Game (뷰티풀 게임) [ost] (2003) | |||||
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1:19 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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- |
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| from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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- |
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| from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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2:43 |
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from The Phantom Of The Opera (오페라의 유령) by Andrew Lloyd Webber [ost] (2004)
Bravi, bravi, bravissimi ... Christine ... Christine ... where in the world have you been hiding really, you were perfect i only wish i knew your secret who is your great tutor father once spoke of an angel ... i used to dream he'd appear ... now as i sing i can sense him ... and i know he's here ... here in this room he calls me softly ... somewhere inside ... hiding ... somehow i know he's always with me ... he - the unseen genius ... Christine, you must have been dreaming ... stories like this can't come true ... Christine, you're talking in riddles ... and it's not like you ... Angel of Music guide and guardian grant to me your glory who is this angel this ... Angel of Music hide no looger secret and strange angel ... he's with me even now ... your hands are cold ... all around me ... your face, Christine it's white ... It frightens me don't be frightened |
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2:20 |
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from The Phantom Of The Opera [Special Edition] (오페라의 유령) by Andrew Lloyd Webber [ost] (2005)
Where in the world
have you been hiding? Really, you were perfect! I only wish I knew your secret! Who is this new tutor? Father once spoke of an angel . . . I used to dream he'd appear . . . Now as I sing, I can sense him . . . And I know he's here . . . Here in this room he calls me softly . . . somewhere inside . . . hiding . . . Somehow I know he's always with me . . . he's ... the unseen genius . . . Christine, you must have been dreaming . . . stories like this can't come true . . . Chiristine, you're talking in riddles . . . and it's not like you . . . Angel of Music! Guide and guardian! Grant to me your glory! Who is this angel? This . . . Angel of Music! Hide no longer! Secret and strange angel . . . He's with me, even now . . . Your hands are cold . . . All around me . . . Your face, it's white . . . It frightens me . . . Don't be frightened . . . |
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3:00 |
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from The Phantom Of The Opera (오페라의 유령) by Andrew Lloyd Webber [ost] (2005)
PHANTOM
Brava, brava, bravissima... MEG: Christine, Christine... (Phantom: Christine...) Where in the world have you been hiding? Really, you were perfect! I only wish I knew your secret! Who is your great tutor? CHRISTINE: Father once spoke of an angel I used to dream he'd appear Now as I sing, I can sense him And I know he's here Here in this room he calls me softly somewhere inside, hiding Somehow I know he's always with me he - the unseen genius MEG: Christine, you must have been dreaming, stories like this can't come true Christine, you're talking in riddles, and it's not like you! CHRISTINE: Angel of Music! Guide and guardian! Grant to me your glory! MEG(to herself): Who is this angel? This... BOTH: Angel of Music! Hide no longer! Secret and strange angel CHRISTINE: He's with me, even now... MEG: Your hands are cold... CHRISTINE: All around me... MEG: Your face, Christine, it's white... CHRISTINE: It frightens me... MEG: Don't be frightened... |
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9:17 |
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| from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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3:03 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
I don't expect my love affairs to last for long.
Never fool myself that my dreams will come true. Being used to trouble, I anticipate it, But all the same, I hate it... Wouldn't you? So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? Time and time again I said that I don't care. That I'm immune to gloom, that I'm hard through and through. But every time it matters all my words desert me, So anyone can hurt me, and they do. So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? Call in three months time and I'll be fine, I know. Well maybe not that fine, but I'll survive anyhow. I won't recall the names and faces of each sad occasion, But that's no consilation here and now. So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? (Don't ask anymore) |
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- |
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| from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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- |
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from Andrew Lloyd Webber - Love Songs (2001)
I don't expect my love affairs to last for long.
Never fool myself that my dreams will come true. Being used to trouble, I anticipate it, But all the same, I hate it... Wouldn't you? So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? Time and time again I said that I don't care. That I'm immune to gloom, that I'm hard through and through. But every time it matters all my words desert me, So anyone can hurt me, and they do. So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? Call in three months time and I'll be fine, I know. Well maybe not that fine, but I'll survive anyhow. I won't recall the names and faces of each sad occasion, But that's no consilation here and now. So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? (Don't ask anymore) |
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- |
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||
|
from The Best Of... by Andrew Lloyd Webber [ost] (2005)
I don't expect my love affairs to last for long.
Never fool myself that my dreams will come true. Being used to trouble, I anticipate it, But all the same, I hate it... Wouldn't you? So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? Time and time again I said that I don't care. That I'm immune to gloom, that I'm hard through and through. But every time it matters all my words desert me, So anyone can hurt me, and they do. So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? Call in three months time and I'll be fine, I know. Well maybe not that fine, but I'll survive anyhow. I won't recall the names and faces of each sad occasion, But that's no consilation here and now. So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? (Don't ask anymore) |
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3:00 |
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| from Andrew Lloyd Webber - Andrew Lloyd Webber - Gold / 2006 Package Reissue - International Version (2006) | |||||
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3:54 |
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from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
I closed my eyes drew the curtain. to see for certain what I thought I knew 나는 눈을 감고 커튼을 쳤네. 내가 안다고 생각한 것을 확실히 보기 위해 Far far away someone was weeping But the world was sleeping any dream will do 머나먼 곳에서 어떤이가 울고 있었지만 세상은 자고 있었네. 어떤 꿈도 괜찮아 I wore my coat with golden lining bright color shining wonderful and new 난 금빛 안감을 댄 코드를 입었지 밝은 색깔이 멋지고 신선하게 반짝이는 And in the east the dawn was breaking And the world was waking any dream will do 그리고 동녁에서 동이 터왔네 그리고 세상은 잠을 깨고 있었지. 어떤 꿈도 괜찮아 A crash of drum, a flash of light my golden coat flew out of sight 요란한 북소리, 빛의 반짝임 내 금빛 코트는 시야에서 사라졌네. The color faded into darkness. I was left alone. may I return to the begining. 그 색깔은 어둠속에 사라지고, 나는 홀로 남았네 나 처음으로 돌아갈 수만 있다면 The light is dimming and the dream is too the world and I, we are still waiting still hesitating,any dream will do 빛은 희미해져 가고 꿈 또한 그렇다네 세상과 나. 우리는 아직도 기다리고 있네 아직도 머뭇거리며, 어떤 꿈도 괜찮아 |
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- |
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from The Best Of... by Andrew Lloyd Webber [ost] (2005)
I close my eyes
Drew back the curtain To see for certain What I thought I knew Far, far away Someone was weeping But the world was sleeping Any dream will do I wore my coat With golden lining Bright colors shining Wonderful and new And in the east The dawn was breaking And the world was waking Any dream will do A crash of drums A flash of light My golden coat Flew out of sight Colors faded into darkness I was left alone May I return To the beginning The light is dimming And the dream is too The world and I We are still waiting Still hesitating Any dream will do Any dream will Any dream will Any dream will do Give me my colored coat My amazing colored coat Give me my colored coat My amazing colored coat |
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3:56 |
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| from Andrew Lloyd Webber - Andrew Lloyd Webber - Gold / 2006 Package Reissue - International Version (2006) | |||||
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5:18 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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5:14 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
I dont know why I'm frightened
I know my way around here The cardboard trees, the painted seas, the sound here Yes, a world to rediscover, But I'm not in any hurry, And I need a moment. The whispered conversations In overcrowded hallways. The atmosphere as thrilling here as always. Feel the early morning madness, Feel the magic in the making, Why, everythings as if we never said goodbye. I've spent so many mornings Just trying to resist you. I'm trembling now, you cant know how I've missed you. Missed the fairy tale adventures In this ever spinning playground. We were young together. I'm coming out of makeup, The lights already burning. Not long until the cameras will start turning. And the early morning madness, And the magic in the making, Yes, everythings as if we never said goodbye. I dont want to be alone, That's all in the past. This world's waited long enough, I've come home at last. And this time will be bigger And brighter than we knew it. So watch me fly, we all know I can do it. Could I stop my hand from shaking, Has there ever been a moment With so much to live for? The whispered conversations In overcrowded hallways. So much to say, not just today, but always. We'll have early morning madness, We'll have magic in the making, Yes, everythings as if we never said goodbye. Yes, everythings as if we never said goodbye, We taught the world new ways to dream. |
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- |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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|
1:39 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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2:28 |
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|
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
Oh no -- not he How you can accuse him is a mystery Save him -- take me Benjamin is straighter dan de tall palm tree I hear de steel drums sing dere song Dey singing man you know you got it wrong I hear de voice of de yellow bird Singing in de tree dis is quite absurd Oh yes -- it's true Benjamin is straighter dan de big bamboo No ifs, no buts Benjamin is honest as coconuts Sure as de tide wash de golden sand Benjamin is an innocent man Sure as bananas need de sun We are de criminal guilty ones Oh no -- not he How you can accuse him is a mystery Save him -- take me Benjamin is straighter dan de tall palm tree |
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- |
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| from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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- |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Bustopher Jones is not skin and bones
In fact, he's remarkably fat He doesn't haunt pubs, he has eight or nine clubs For he's the St. James's Street cat! He's the cat we all greet as he walks down the street In his coat is fastidious black No common - place mousers have such well cut trousers Or such an impeccable black In the whole of St. James the smartest of names is The name of this Brummell of cats And we're all of up proud to be nodded or bowed to By Bustopher Jones in white spats My visits are occasional to The Senior Educational And it is the against the rules For any one cat to belong both to that And The Joint Superior Schools When I'm seen in a hurry there's probably curry At The Siamese or at The Glutton When I look full of gloom then I've lunched at The Tomb On cabbage, rice pudding and mutton In the whole of St. Jame's the smartest of names is The name of this Brummel of cats And we're all of us proud to be nodded or bowed to By Bustopher Jones in white, Bustopher Jones in white Bustopher Jones in white spats So much in this way passes Bustopher's day At one club or another he's found It can be no surprise that under our eyes He has grown unmistakably round He's a twenty - five pounder Or I am a bounder And he's putting on weight every day But I'm so well preserved because I've observed All my life a routine, and I'd say I am still in my prime, I shall last out my time That's the word from the stoutest of cats It must and it shall be spring in Pall Mall While Bustopher Jones wears white, Bustopher Jones wears white Bustopher Jones wears white spats |
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| from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994) | |||||
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| from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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| from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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3:03 |
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| from The Beautiful Game (뷰티풀 게임) [ost] (2003) | |||||
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3:44 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Close every door to me, hide all the world from me
Bar all the windows and shut out the light Do what you want with me, hate me and laugh at me Darken my daytime and torture my night If my life were important I would ask will I live or die But I know the answers lie far from this world Close every door to me, keep those I love from me Children of Israel are never alone For I know I shall find my own peace of mind For I have been promised a land of my own Just give me a number instead of my name Forget all about me and let me decay I do not matter, I'm only one person Destroy me completely then throw me away If my life were important I would ask will I live or die But I know the answers lie far from this world Close every door to me, keep those I love from me Children of Israel are never alone For we know we shall find our own peace of mind For we have been promised a land of our own |
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3:48 |
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from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
Close every door to me Hide all the world from me Bar all the windows and shut out the light Do what you want with me Hate me and laugh at me Darken my daytime and torture my night If my life were important I Would ask will I live or die But I know the answers lie far from this world Close every door to me Keep those I love from me Children of Israel are never alone For I know I shall find My own peace of mind For I have been promised a land of my own Just give me a number Instead of my name Forget all about me and let me decay I do not matter I'm only one person Destroy me completely then throw me away If my life were important I Would ask will I live or die But I know the answers lie far from this world Close every door to me Keep those I love from me Children of Israel are never alone For we know we shall find Our own peace of mind For we have been promised a land of our own |
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from The Best Of... by Andrew Lloyd Webber [ost] (2005)
- Could We Start Again Please? -
# MARY MAGDALENE ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? I've been very hopeful so far. Now for the first time I think we're going wrong. Hurry up and tell me this is just a dream. Could we start again please? # PETER ; I think you've made your point now. # MARY MAGDALENE AND PETER ; You've even gone a bit too far to get the message home. # PETER ; Before it gets too frightening, we ought to call a halt. So could we start again please? # MARY MAGDALENE ; Could we start again, please? # PETER ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? # MARY MAGDALENE ; Could we start again, please? # PETER ; I think you've made your point now. # CHORUS ; You've even gone a bit too far to get the message home. Before it gets too frightening, we ought to call a halt. So could we start again please? # MARY MAGDALENE ; Could we start again, please? # CHORUS ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? # PETER ; Could we start again, please? # CHORUS ; Could we start again, please? # MARY MAGDALENE ; Could we start again, please? # CHORUS ; Could we start again, please? # ALL ; Could we start again? |
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2:47 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- Could We Start Again Please? -
# MARY MAGDALENE ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? I've been very hopeful so far. Now for the first time I think we're going wrong. Hurry up and tell me this is just a dream. Could we start again please? # PETER ; I think you've made your point now. # MARY MAGDALENE AND PETER ; You've even gone a bit too far to get the message home. # PETER ; Before it gets too frightening, we ought to call a halt. So could we start again please? # MARY MAGDALENE ; Could we start again, please? # PETER ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? # MARY MAGDALENE ; Could we start again, please? # PETER ; I think you've made your point now. # CHORUS ; You've even gone a bit too far to get the message home. Before it gets too frightening, we ought to call a halt. So could we start again please? # MARY MAGDALENE ; Could we start again, please? # CHORUS ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? # PETER ; Could we start again, please? # CHORUS ; Could we start again, please? # MARY MAGDALENE ; Could we start again, please? # CHORUS ; Could we start again, please? # ALL ; Could we start again? |
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2:46 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (2003)
- Could We Start Again Please? - # MARY MAGDALENE ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? I've been very hopeful so far. Now for the first time I think we're going wrong. Hurry up and tell me this is just a dream. Could we start again please? # PETER ; I think you've made your point now. # MARY MAGDALENE AND PETER ; You've even gone a bit too far to get the message home. # PETER ; Before it gets too frightening, we ought to call a halt. So could we start again please? # MARY MAGDALENE ; Could we start again, please? # PETER ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? # MARY MAGDALENE ; Could we start again, please? # PETER ; I think you've made your point now. # CHORUS ; You've even gone a bit too far to get the message home. Before it gets too frightening, we ought to call a halt. So could we start again please? # MARY MAGDALENE ; Could we start again, please? # CHORUS ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? # PETER ; Could we start again, please? # CHORUS ; Could we start again, please? # MARY MAGDALENE ; Could we start again, please? # CHORUS ; Could we start again, please? # ALL ; Could we start again? |
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2:27 |
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| from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (2003) | |||||
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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3:24 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (2003)
- The Crucifixion - # JESUS ; God, forgive them, for they don't know what they're doing. Who is my mother? Where is my mother? My God! My God, why have you forgotten me? I am thirsty It is finished. Father, into your hands I commend my spirit. |
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4:38 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- Damned for All Time -
# JUDAS ; Now if I help you, it matters that you see These sordid kinda things are coming hard to me. It's taken me some time to work out what to do. I weighed the whole thing out before I came to you. I had no thought of my own reward. I really didn't come here of my own accord. Just don't say I'm damned for all time. I came because I had to; I'm the one who saw. Jesus can't control me like he did before. And furthermore I know that Jesus thinks so too. Jesus wouldn't mind that I was here with you. I had no thought at all about my own reward. I really didn't come here of my own accord. Just don't say I'm damned for all time. Annas, you're a friend, a worldly man and wise. Caiaphas, my friend, I know you sympathize. Why are we the prophets? Why are we the ones Who see the sad solution - know what must be done? I had no thought at all about my own reward. I really didn't come here of my own accord. Just don't say I'm damned for all time. # ANNAS ; Cut the protesting, forget the excuses. We want information. Get up off the floor. # CAIAPHAS ; We have the papers we need to arrest him. You know his movements. We know the law. # ANNAS ; Your help in the matter won't go unrewarded. # CAIAPHAS ; We'll pay you in silver, cash on the nail. We just need to know where the soldiers can find him... # ANNAS ; With no crowd around him.... # CAIAPHAS ; Then we can't fail. - Blood Money - # JUDAS ; I don't need your blood money! # CAIAPHAS ; Oh, that doesn't matter, our expenses are good. # JUDAS ; I don't want your blood money! # ANNAS ; But you might as well take it. We think that you should. # CAIAPHAS ; Think of the things you could do with that money, Choose any charity - give to the poor. We've noted your motives. We've noted your feelings. This isn't blood money - it's a ... # ANNAS ; a fee...... # CAIAPHAS ; A fee nothing more. # JUDAS ; On Thursday night you'll find him where you want him: Far from the crowd, in the Garden of Gethsemane. # TEMPTRESSES ; Well done Judas. Good old Judas. |
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5:11 |
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| from Jesus Christ Superstar - A Rock Opera [ost] (1999) | |||||
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5:39 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (2003)
- Damned for All Time - # JUDAS ; Now if I help you, it matters that you see These sordid kinda things are coming hard to me. It's taken me some time to work out what to do. I weighed the whole thing out before I came to you. I had no thought of my own reward. I really didn't come here of my own accord. Just don't say I'm damned for all time. I came because I had to; I'm the one who saw. Jesus can't control me like he did before. And furthermore I know that Jesus thinks so too. Jesus wouldn't mind that I was here with you. I had no thought at all about my own reward. I really didn't come here of my own accord. Just don't say I'm damned for all time. Annas, you're a friend, a worldly man and wise. Caiaphas, my friend, I know you sympathize. Why are we the prophets? Why are we the ones Who see the sad solution - know what must be done? I had no thought at all about my own reward. I really didn't come here of my own accord. Just don't say I'm damned for all time. # ANNAS ; Cut the protesting, forget the excuses. We want information. Get up off the floor. # CAIAPHAS ; We have the papers we need to arrest him. You know his movements. We know the law. # ANNAS ; Your help in the matter won't go unrewarded. # CAIAPHAS ; We'll pay you in silver, cash on the nail. We just need to know where the soldiers can find him... # ANNAS ; With no crowd around him.... # CAIAPHAS ; Then we can't fail. - Blood Money - # JUDAS ; I don't need your blood money! # CAIAPHAS ; Oh, that doesn't matter, our expenses are good. # JUDAS ; I don't want your blood money! # ANNAS ; But you might as well take it. We think that you should. # CAIAPHAS ; Think of the things you could do with that money, Choose any charity - give to the poor. We've noted your motives. We've noted your feelings. This isn't blood money - it's a ... # ANNAS ; a fee...... # CAIAPHAS ; A fee nothing more. # JUDAS ; On Thursday night you'll find him where you want him: Far from the crowd, in the Garden of Gethsemane. # TEMPTRESSES ; Well done Judas. Good old Judas. |
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| from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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5:14 |
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| from The Beautiful Game (뷰티풀 게임) [ost] (2003) | |||||
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| from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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| from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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| from The Phantom Of The Opera [Special Edition] (오페라의 유령) by Andrew Lloyd Webber [ost] (2005) | |||||
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4:00 |
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from The Phantom Of The Opera (오페라의 유령) by Andrew Lloyd Webber [ost] (2005)
CHORUS:
Here the sire may serve the dam, here the master takes his meat! here the sacrifical lamb utters one dispairing bleat. CARLOTTA AND CHORUS poor young maiden! for the thrill on your tongue of stolen sweets, you will have to pay the bill- tangled in the winding sheets! serve the meal and serve the maid! serve the master so that, when tables, plans and maids are laid Don Juan triumphs once again! DON JUAN (PIANGI) Passarino faithful friend, once again recite the plan PASSARINO your young guest believes I'm you- I, the master, you the man, DON JUAN(PIANGI) when you met, you wore my cloak, she could not have seen your face. she believes she dines with me in her master's borrowed place! Furtively, we'll scoff and quaff, stealing what in truth is mine. when it's late and modesty starts to mellow with the wine. PASSARINO you come home! I use your voice- slam the door like crack of doom! DON JUAN (PIANGI) i shall say, "come hide with me! where oh where? of course my room" PASSARINO poor thing hasn't got a chance DON JUAN(PIANGI) here's my hat, my cloak and sword. comquest is assured, if i do not forget myself and laugh *laughs* AMINTA(CHRISTINE) "...no thoughts within her head but thoughts of joy. no dreams within her heart, but dreams of love." PASSARINO master? DON JUAN(PHANTOM) (spoken-ish)passarino- go away! for the trap is set and waits for his prey You have come here In pursuit of your deepest urge In pursuit of that wish which till now Has been (suddenly gets soft)silent Silent. (suddenly loud)I have brought you That our passions may fuse and merge In your mind you've already succumbed to me, dropped all defenses Completely succumbed to me Now you are here with me No second thoughts (softer)You've decided Decided. |
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5:19 |
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| from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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| from Andrew Lloyd Webber - Love Songs (2001) | |||||
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| from The Best Of... by Andrew Lloyd Webber [ost] (2005) | |||||
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5:25 |
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| from Andrew Lloyd Webber - Andrew Lloyd Webber - Gold / 2006 Package Reissue - International Version (2006) | |||||
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| from 60 by Andrew Lloyd Webber [ost] (2008) | |||||
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0:54 |
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| from The Beautiful Game (뷰티풀 게임) [ost] (2003) | |||||
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12:45 |
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from The Phantom Of The Opera (오페라의 유령) by Andrew Lloyd Webber [ost] (2004)
{Phantom} Down once more to the dungeons of my black despair Down we plunge to the prison of my mind Down that path into darkness deep as hell ! Why, you ask Was I bound and chained in this cold and dismal place ? Not for any mortal sin, but the Wickedness of my abhorrent face ! Track down this murderer He must be found Hounded out by everyone Met with hatred everywhere No kind word from anyone No compassion anywhere Christine ... Why, why ... [Giry] Your hand at the level of your eyes [Raoul] ... at the level of your eyes ... [Christine] Have you gorged yourself At last in your lust for blood ? Am I now to be prey to your lust for flesh ? {Phantom - Coldly} That fate, which condemns me To wallow in blood Has also denied me the joys of the flesh ... This face - the infection which poisons our love ... This face, which earned a mother's fear and loathing ... A mask My first Unfeeling scrap of clothing ... Pity comes too late - Turn around and face your fate An eternity of this ! Before your eyes ... [Christine] This haunted face holds no horror for me now ... It's in your soul that the true distortion lies ... {Phantom} Wait ! I think, my dear We have a guest ! Sir, this is indeed an unparalleled delight ! I had rather hoped that you would come And now my wish comes true - You have truly made my night [Raoul] Free her ! Do what you like only free her ! Have you no pity ? {Phantom - to Christine, dryly} Your lover makes a passionate plea [Christine] Please Raoul, it's useless ... [Raoul] I love her ! Does that mean nothing I love her ! Show some compassion ... {Phantom - snarls furiously at Raoul} The world showed no compassion to me ! [Raoul] Christine ... Christine ... (to Phantom) Let me see her ... {Phantom - drily} Be my guest, sir ... Monsieur, I bid you welcome Did you think that I would harm her Why would I make her pay for the sins which are yours ? Order your fine horses now ! Raise up your hand to the level of your eyes Nothing can save you now - except perhaps Christine ... Start a new life with me - Buy his freedom with your love Refuse me, and you send your lover to his death This is the choice - This is the point of no return ! [Christine to the Phantom] The tears I might have shed for your dark fate Grow cold, and turn to tears of hate ! [Raoul] Christine, forgive me please forgive me ... I did it all for you, and all for nothing [Christine] Farewell my fallen idol and false friend ... One by one I've watched illusions shattered ... {Phantom} Too late for turning back Too late for prayers and useless pity [Raoul] Say you love him and my life is over {Phantom} All of the cries for help - no point in fighting [Raoul] Either way you choose, he has to win {Phantom} For either way you choose You cannot win ! So do you end your days with me Or do you send him to his grave ? [Raoul] Why make her lie to you to save ... me ... [Christine] Angel of Music ... {Past the point of no return - } [Raoul] Christine, say no ! Don't throw your life away for my sake [Christine] ... why this torment ? { ... the final threshold - } [Christine] When will you see reason ... {Phantom} His life is not the prize which you must earn [Raoul] I fought so hard to free you [Christine] Angel of Music ... {Phantom} You've passed the point of no return ... [Christine] ... You deceived me - I gave you my mind blindly ... {Phantom} You try my patience ... make your choice ! [Christine] Pitiful creature of darkness ... What kind of life have you known ... God, give me courage to show you You are not alone ... {Phantom} Take her - forget me - forget all of this ... Leave me alone - forget all you've seen ... Go now - don't get them find you ! Take the boat - right from me - never to tell The secret you know of the angel in hell Go now - go now and leave me ! Masquerade ... Paper faces on parade ... Masquerade ... Hide your face So the world will never find you ... Christine, I love you ... [Christine to Raoul] Say you'll share with me, one love, one life time ... [Raoul] Say the word and I will follow you ... [Christine] Share each day with me each night ... each morning {Phantom} You alone can make my song take flight - It's over now, the music of the night - |
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11:53 |
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| from The Phantom Of The Opera [Special Edition] (오페라의 유령) by Andrew Lloyd Webber [ost] (2005) | |||||
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14:32 |
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| from The Phantom Of The Opera (오페라의 유령) by Andrew Lloyd Webber [ost] (2005) | |||||
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3:03 |
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| from The Phantom Of The Opera [Special Edition] (오페라의 유령) by Andrew Lloyd Webber [ost] (2005) | |||||
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| from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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3:35 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
MARY MAGDALENE
Try not to get worried, try not to turn on to Problems that upset you oh don't you know Everything's alright yes everything's fine And we want you to sleep well tonight Let the world turn without you tonight If we try we'll get by so forget all about us tonight APOSTLES' WOMEN Everything's alright yes everything's alright yes MARY MAGDALENE Sleep and I shall soothe you, calm you and anoint you Myrrh for your hot forehead oh then you'll feel Everything's alright yes everything's fine And it's cool and the ointment's sweet For the fire in your head and feet Close your eyes close your eyes And relex think of nothing tonight APOSTLES' WOMEN Everything's alright yes everything's alright yes JUDAS Hey-hey-hey Woman your fine oinment-brand new and expensive Shoud have been saved for the poor Why has it been wasted? We could have raised maybe Three hundred silver pieces or more People who are hungry, people who starving They matter more than your feet and hair MARY MAGDALENE Try not to get worried, try not to turn on to Problems that upset you oh don't you know MARY MAGDALENE, APOSTLES' WOMEN Everything's alright yes everything's alright yes JESUS Surely you're not saying we have the resources To save the poor from their lot? There will be poor always, pathetically struggling- Look at the good things you've got! Think! while you still have me Move! while you still see me You'll be lost and you'll be sorry When I'm gone MARY MAGDALENE Sleep and I shall soothe you, calm you and anoint you Myrrh for your hot forehead oh then you'll feel Everything's alright yes everything's fine And it's cool and the oinment's sweet For the fire in your head and feet Close your eyes close your eyes And relax think of nothing tonight |
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4:15 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Try not to get worried, try not to turn on to
Problems that upset you, oh. Don't you know Everything's alright, yes, everything's fine. And we want you to sleep well tonight. Let the world turn without you tonight. If we try, we'll get by, so forget all about us tonight APOSTLES' WIVES Everything's alright, yes, everything's alright, yes. MARY MAGDALENE Sleep and I shall soothe you, calm you, and anoint you. Myrrh for your hot forehead, oh. Then you'll feel Everything's alright, yes, everything's fine. And it's cool, and the ointment's sweet For the fire in your head and feet. Close your eyes, close your eyes And relax, think of nothing tonight. APOSTLES' WIVES Everything's alright, yes, everything's alright, yes. JUDAS Woman your fine ointment, brand new and expensive Should have been saved for the poor. Why has it been wasted? We could have raised maybe Three hundred silver pieces or more. People who are hungry, people who are starving They matter more than your feet and hair! MARY MAGDALENE Try not to get worried, try not to turn on to Problems that upset you, oh. Don't you know APOSTLES' WIVES and MARY Everything's alright, yes, everything's alright, yes. JESUS Surely you're not saying we have the resources To save the poor from their lot? There will be poor always, pathetically struggling. Look at the good things you've got. Think while you still have me! Move while you still see me! You'll be lost, and you'll be sorry when I'm gone. MARY MAGDALENE Sleep and I shall soothe you, calm you and anoint you. Myrrh for your hot forehead/ Then you'll feel Everything's alright, yes, everything's fine. And it's cool and the ointment's sweet For the fire in your head and feet. Close your eyes, close your eyes, and relax Think of nothing tonight. APOSTLES' WIVES Everything's alright, yes, everything's alright, yes. MARY MAGDALENE Close your eyes, close your eyes, and relax |
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5:15 |
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| from Jesus Christ Superstar - A Rock Opera [ost] (1999) | |||||
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0:29 |
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| from Jesus Christ Superstar - A Rock Opera [ost] (1999) | |||||
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3:54 |
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| from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (2003) | |||||
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4:34 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (2003)
- Everything's Alright - # MARY MAGDALENE ; Try not to get worried, try not to turn on to Problems that upset you, oh. Don't you know Everything's alright, yes, everything's fine, And we want you to sleep well tonight. Let the world turn without you tonight. If we try, we'll get by, so forget all about us tonight. # APOSTLES' WIVES ; Everything's alright, yes, everything's alright, yes. # MARY MAGDALENE ; Sleep and I shall soothe you, calm you, and anoint you... Myrrh for your hot forehead, oh. Then you'll feel Everything's alright, yes, everything's fine. And it's cool, and the ointment's sweet For the fire in your head and feet. Close your eyes, close your eyes And relax, think of nothing tonight. # APOSTLES' WIVES ; Everything's alright, yes, everything's alright, yes. # JUDAS ; Woman your fine ointment, brand new and expensive Could have been saved for the poor. Why has it been wasted? We could have raised maybe Three hundred silver pieces or more. People who are hungry, people who are starving They matter more than your feet and hair. # MARY MAGDALENE ; Try not to get worried, try not to turn on to Problems that upset you, oh. Don't you know Everything's alright, yes, everything's fine, And we want you to sleep well tonight. Let the world turn without you tonight. If we try, we?l get by, so forget all about us tonight. # APOSTLES' WIVES ; Everything's alright, yes, everything's alright, yes. # JESUS ; Surely you're not saying we have the resources To save the poor from their lot? There will be poor always, pathetically struggling Look at the good things you've got. Think while you still have me! Move while you still see me! You'll be lost, you'll be so sorry when I'm gone. # MARY MAGDALENE ; Sleep and I shall soothe you, calm you and anoint you... Myrrh for your hot forehead, oh. Then you'll feel Everything's alright, yes, everything's fine. And it's cool and the ointment's sweet For the fire in your head and feet. Close your eyes, close your eyes, and relax.... # APOSTLES' WIVES ; Everything's alright, yes, everything's alright, yes...... |
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0:30 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (2003)
- Everything's Alright - # MARY MAGDALENE ; Try not to get worried. Try not to turn on to Problems that upset you, oh. Don't you know Everything's alright, yes, everything's fine. # JESUS ; And I think I shall sleep well tonight. Let the world turn without me tonight. # MARY MAGDALENE ; Close your eyes. Close your eyes, And forget all about us tonight. |
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3:57 |
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| from The Beautiful Game (뷰티풀 게임) [ost] (2003) | |||||
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3:29 |
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| from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003) | |||||
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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2:31 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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3:29 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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1:27 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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2:04 |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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5:41 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
I only want to say,
If there is a way, Take this cup away from me. For I don't want to taste its poison. Feel it burn me, I have changed. I'm not as sure, as when we started. Then, I was inspired. Now, I'm sad and tired. Listen, surely I've exceeded expectations, Tried for three years, seems like thirty. Could you ask as much from any other man? But if I die, See the saga through and do the things you ask of me, Let them hate me, hit me, hurt me, nail me to their tree. I'd want to know, I'd want to know, My God, I'd want to know, I'd want to know, My God, I'd want to see, I'd want to see, My God, I'd want to see, I'd want to see, My God, Why I should die. Would I be more noticed than I ever was before? Would the things I've said and done matter any more? I'd have to know, I'd have to know, my Lord, I'd have to know, I'd have to know, my Lord, I'd have to see, I'd have to see, my Lord, I'd have to see, I'd have to see, my Lord, If I die what will be my reward? If I die what will be my reward? Have to know, have to know, my Lord, Have to know, have to know, my Lord, Why should I die? Why why should I die? Can you show me now that I would not be killed in vain? Show me just a little of your omnipresent brain. Show me there's a reason for you wanting me to die. You're far to keen and where and how, but not so hot on why. Alright, I'll die! Just watch me die! See, see, see how I die! Oh, see, see how I die! Then I was inspired. Now, I'm sad and tired. After all, I've tried for three years, seems like ninety. Why then am I scared to finish what I started, What you started - I didn't start it. God, thy will is hard, But you hold every card. I will drink your cup of poison. Nail me to your cross and break me. Bleed me, beat me. Kill me. Take me, now! Before I change my mind. |
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5:34 |
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| from Jesus Christ Superstar - A Rock Opera [ost] (1999) | |||||
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4:48 |
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| from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (2003) | |||||
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5:26 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (2003)
- Gethsemane - # JESUS ; I only want to say, If there is a way, Take this cup away from me. For I don't want to taste its poison, Feel it burn me. I have changed. I'm not as sure, as when we started. Then, I was inspired. Now, I'm sad and tired. Listen, surely, I've exceeded expectations, Tried for three years, seems like thirty. Could you ask as much from any other man? But if I die, See the saga through and do the things you ask of me, Let them hate me, hit me, hurt me, nail me to their tree. I'd want to know, I'd want to know, My God, I'd want to know, I'd want to know, My God. I'd want to see, I'd want to see, My God, I'd want to see, I'd want to see, My God Why I should die. Would I be more noticed that I ever was before? Would the things that I've said and done matter any more? I have to know, I have to know my Lord, I have to know, I have to know my Lord I'd have to see, I'd have to see, my Lord, I'd have to see, I'd have to see, my Lord If I die what will be my reward? If I die what will be my reward? I'd have to know, I'd have to know my Lord I'd have to know, I'd have to know my Lord Why should I die? Can you show me now that I would not be killed in vain? Show me just a little of your omnipresent brain. Show me there's a reason for you wanting me to die You're far to keen and where and how, and not so hot on why. Alright, I'll die! Just watch me die! See how I die! See how I die! Then, I was inspired. Now, I'm sad and tired. After all, I've tried for three years, seems like ninety. Why then am I scared to finish, what I've started.... What you started - I didn't start it! God, thy will is hard, But you hold every card. I will drink your cup of poison. Nail me to the cross and break me. Bleed me, Beat me, Kill me Take me now..before I change my mind. Now...before I change my mind. |
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| from Aspects Of Love by Michael Reed [ost] (2006) | |||||
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5:18 |
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from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
Go, Go, Go Joseph Joseph's luck was really out His spirit and his fortune low Alone he sat, alone he thought Of happy times he used to know Hey dreamer, don't be so upset Hey Joseph, you're not beaten yet Go, go go Joseph you know what they say Hang on now Joseph you'll make it some day Don't give up Joseph fight till you drop We've read the book and you come out on top Now into Joseph's prison cell Were flung two very frightened men We don't think that we will ever See the light of day again Hey Joseph, help us if you can We've had dreams that we don't understand Both men were servants of Pharaoh the King Both in the doghouse for doing their thing One was a baker, a cook in his prime One was a butler, the Jeeves of his time Tell me of your dreams my friends And I will tell you what they show Though I cannot guarantee To get it right, I'll have a go First the butler, trembling took the floor Nervously he spoke of what he saw There I was standing in front of a vine I picked some grapes and I crushed them to wine I gave some to Pharaoh who drank from ny cup I tried to interpret but I had to give up You will soon be free, my friend So do not worry any more The king will let you out of here You'll buttle as you did before Next the baker rose to tell his dream Hoping it would have a similar theme There I was standing with baskets of bread High in the sky I saw birds overhead Who flew to my baskets and ate every slice Give me the message, like his would be nice Sad to say your dream is not The kind of dream I'd like to get Pharaoh has it in for you Your execution date is set Don't rely on all I said I saw It's just that I have not been wrong before Go, go, go Joseph you know what they say Hang on now Joseph you'll make it some day Sha la la Joseph you're doing fine You and your dream coat ahead of your time Go, go, go Joseph you know what they say Hang on now Joseph you'll make it some day Sha la la Joseph you're doing fine You and your dream coat ahead of your time Go, go, go, go Go, go, go, go Go, go, go, go Go, go, go, go Go, go, go, go Go, go, go, go, go, go, go, go Joseph you know what they say Hang on now Joseph you'll make it some day Sha la la Joseph you're doing fine You and your dreamcoat ahead of your time Go, go, go, go, go, go, go Joseph you know what they say Hang on now Joseph you'll make it some day Sha la la Joseph you're doing fine You and your dreamcoat ahead of your time Ahead of your time Ahead of my time Ahead of your time Ahead of my Time |
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