 |
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11:53 | 
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| from David Sylvian - The First Day (1993) | |||||
 |
|
3:27 |
|
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| from David Sylvian - Camphor (2002) | |||||
 |
|
3:27 |
|
||
| from David Sylvian - Alchemy - An Index Of Possibilities (1985) | |||||
 |
|
- |
|
||
| from 누벨바그 - Late Night Tales: Nouvelle Vague (Remastered) (2012) | |||||
 |
|
3:11 |
|
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| from Japan - Quiet Life (1979) | |||||
 |
|
4:13 | 
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||
|
from Japan - Assemblage (1992)
The sidewalk's trading love
As subway lights grow brighter We're just another hype But the pressure's getting harder Get on up, get on up Take it much higher Get on up, get on up Take it much higher A lovers' etiquette Make love on first impression And adolescent sex with juvenile intentions Get on up, get on up Take it much higher Get on up, get on up Take it much higher Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Get on up, get on up Take it much higher Get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Well, the lady buys a thrill Excitement in succession But a heartache won't partake In articulate obsession Get on up, get on up, get on up Take it much higher Oh yeah! Get on up, get on up, get on up Take it much higher Oh, well, pretty things at rest No courtesy surprising For love is heaven blessed All catastrophies denying Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Aw, when you're out on the street With your lovers infections Counting possibilities by elimination And your body's still damp From your one-room apartment And your heartache remains, when Love's not the antidote You'll submerge again Emerge again Just get off the street! Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher |
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 |
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- |
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from Japan - In Vogue (1999)
The sidewalk's trading love
As subway lights grow brighter We're just another hype But the pressure's getting harder Get on up, get on up Take it much higher Get on up, get on up Take it much higher A lovers' etiquette Make love on first impression And adolescent sex with juvenile intentions Get on up, get on up Take it much higher Get on up, get on up Take it much higher Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Get on up, get on up Take it much higher Get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Well, the lady buys a thrill Excitement in succession But a heartache won't partake In articulate obsession Get on up, get on up, get on up Take it much higher Oh yeah! Get on up, get on up, get on up Take it much higher Oh, well, pretty things at rest No courtesy surprising For love is heaven blessed All catastrophies denying Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Aw, when you're out on the street With your lovers infections Counting possibilities by elimination And your body's still damp From your one-room apartment And your heartache remains, when Love's not the antidote You'll submerge again Emerge again Just get off the street! Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher |
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 |
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- |
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|
from Japan - Adolescent Sex (2004)
The sidewalk's trading love
As subway lights grow brighter We're just another hype But the pressure's getting harder Get on up, get on up Take it much higher Get on up, get on up Take it much higher A lovers' etiquette Make love on first impression And adolescent sex with juvenile intentions Get on up, get on up Take it much higher Get on up, get on up Take it much higher Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Get on up, get on up Take it much higher Get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Well, the lady buys a thrill Excitement in succession But a heartache won't partake In articulate obsession Get on up, get on up, get on up Take it much higher Oh yeah! Get on up, get on up, get on up Take it much higher Oh, well, pretty things at rest No courtesy surprising For love is heaven blessed All catastrophies denying Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Aw, when you're out on the street With your lovers infections Counting possibilities by elimination And your body's still damp From your one-room apartment And your heartache remains, when Love's not the antidote You'll submerge again Emerge again Just get off the street! Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher |
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|
- |
|
||
|
from Japan - Adolescent Sex (2004)
The sidewalk's trading love
As subway lights grow brighter We're just another hype But the pressure's getting harder Get on up, get on up Take it much higher Get on up, get on up Take it much higher A lovers' etiquette Make love on first impression And adolescent sex with juvenile intentions Get on up, get on up Take it much higher Get on up, get on up Take it much higher Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Get on up, get on up Take it much higher Get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Well, the lady buys a thrill Excitement in succession But a heartache won't partake In articulate obsession Get on up, get on up, get on up Take it much higher Oh yeah! Get on up, get on up, get on up Take it much higher Oh, well, pretty things at rest No courtesy surprising For love is heaven blessed All catastrophies denying Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Aw, when you're out on the street With your lovers infections Counting possibilities by elimination And your body's still damp From your one-room apartment And your heartache remains, when Love's not the antidote You'll submerge again Emerge again Just get off the street! Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher |
|||||
|
|
- |
|
||
|
from Japan - Adolescent Sex (2004)
The sidewalk's trading love
As subway lights grow brighter We're just another hype But the pressure's getting harder Get on up, get on up Take it much higher Get on up, get on up Take it much higher A lovers' etiquette Make love on first impression And adolescent sex with juvenile intentions Get on up, get on up Take it much higher Get on up, get on up Take it much higher Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Get on up, get on up Take it much higher Get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Well, the lady buys a thrill Excitement in succession But a heartache won't partake In articulate obsession Get on up, get on up, get on up Take it much higher Oh yeah! Get on up, get on up, get on up Take it much higher Oh, well, pretty things at rest No courtesy surprising For love is heaven blessed All catastrophies denying Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Aw, when you're out on the street With your lovers infections Counting possibilities by elimination And your body's still damp From your one-room apartment And your heartache remains, when Love's not the antidote You'll submerge again Emerge again Just get off the street! Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Just keep on dancing Whatever gets you through the night Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher Get on up, get on up, get on up Take it much higher |
|||||
 |
|
4:34 |
|
||
|
from Japan - Gentlemen Take Polaroids (1980)
You do me wrong but I'm still crazy 'bout you
Stay away too long and I can't live without you Every chance you get you seem to hurt me more and more But each hurt just makes my love stronger than before I know that flowers grow to rain But how can love grow to pain? Ain't that peculiar, a peculiarity Ain't that peculiar, peculiar as can be You tell me lies that you'll be honest to me But I'm so much in love that I don't see that The things you do and say are designed to make me blue It's a doggone shame my love that your lies seem true If the truth makes love last longer Why do lies make love last stronger? Ain't that peculiar, a peculiarity Ain't that peculiar, peculiar as can be Oh I've cried so much just like a child that's lost his toy Maybe baby you think these tears I cry are tears of joy A child can cry so much and still do anything you say Well, I'm like a child my tears don't help me get my way I know that love can last through years But how can love last through tears? Ain't that peculiar, a peculiarity Ain't that peculiar, peculiar as can be |
|||||
 |
|
1:22 |
|
||
| from David Sylvian - Everything And Nothing (2000) | |||||
|
|
4:59 |
|
||
|
from Japan - Quiet Life (1979)
Everything's neat and compact
There's not much to shout about But winter is breaking inside of me Now life is so incomplete But you're one of the boys again But is that all you want to be? Now that you feel the weather Was it all in vain? Now that we're together We seem so alien Slowly descend from heaven Anyway we turn we win But how can you always be so sure? Nightporters sleep on weekdays Living a lifetime too Walking away without a cure Now that you feel the weather Was it all in vain? Now that we're together We seem so alien The noise on the stairs disturbs me Somebody walks my way But can you rely on everything I feel? Driving through endless buildings The desert is so serene But Mondays were never really my ideal Now that you feel the weather Was it all in vain? Now that we're together We seem so alien |
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|
|
- |
|
||
|
from Japan - In Vogue (1999)
Everything's neat and compact
There's not much to shout about But winter is breaking inside of me Now life is so incomplete But you're one of the boys again But is that all you want to be? Now that you feel the weather Was it all in vain? Now that we're together We seem so alien Slowly descend from heaven Anyway we turn we win But how can you always be so sure? Nightporters sleep on weekdays Living a lifetime too Walking away without a cure Now that you feel the weather Was it all in vain? Now that we're together We seem so alien The noise on the stairs disturbs me Somebody walks my way But can you rely on everything I feel? Driving through endless buildings The desert is so serene But Mondays were never really my ideal Now that you feel the weather Was it all in vain? Now that we're together We seem so alien |
|||||
 |
|
6:10 |
|
||
| from David Sylvian - Dead Bees On A Cake (1999) | |||||
|
|
6:06 |
|
||
| from David Sylvian - Camphor (2002) | |||||
|
|
5:15 |
|
||
|
from Japan - Quiet Life (1979)
And what costume shall the poor girl wear
To all tomorrow's parties A hand-me-down dress from who knows where To all tomorrow's parties Where will she go What shall she do When midnight comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties The silken trimmings of yesterday's gown To all tomorrow's parties What shall she do With Thursday's rags When Monday comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties Thursday's child is Sunday's clown From whom no-one ever borrows A blackened shroud A hand-me-down gown of rags and silks her costume Fit for one who sits and cries For all tomorrow's parties |
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|
|
4:13 |
|
||
|
from Japan - Assemblage (1992)
And what costume shall the poor girl wear
To all tomorrow's parties A hand-me-down dress from who knows where To all tomorrow's parties Where will she go What shall she do When midnight comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties The silken trimmings of yesterday's gown To all tomorrow's parties What shall she do With Thursday's rags When Monday comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties Thursday's child is Sunday's clown From whom no-one ever borrows A blackened shroud A hand-me-down gown of rags and silks her costume Fit for one who sits and cries For all tomorrow's parties |
|||||
|
|
- |
|
||
|
from Japan - In Vogue (1999)
And what costume shall the poor girl wear
To all tomorrow's parties A hand-me-down dress from who knows where To all tomorrow's parties Where will she go What shall she do When midnight comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties The silken trimmings of yesterday's gown To all tomorrow's parties What shall she do With Thursday's rags When Monday comes around She'll turn once more to Sunday's clown And cry behind the door And what costume shall the poor girl wear To all tomorrow's parties Thursday's child is Sunday's clown From whom no-one ever borrows A blackened shroud A hand-me-down gown of rags and silks her costume Fit for one who sits and cries For all tomorrow's parties |
|||||
|
|
5:43 |
|
||
| from Japan - Quiet Life (1979) | |||||
|
|
2:07 |
|
||
| from David Sylvian - Dead Bees On A Cake (1999) | |||||
 |
|
3:09 |
|
||
| from David Sylvian - Gone To Earth (1986) | |||||
|
|
2:45 |
|
||
| from David Sylvian - Camphor (2002) | |||||
|
|
0:57 |
|
||
| from David Sylvian - Everything And Nothing (2000) | |||||
 |
|
38:17 |
|
||
| from David Sylvian - Approaching Silence (1999) | |||||
 |
|
4:49 |
|
||
| from David Sylvian - Brilliant Trees (1984) | |||||
|
|
5:21 |
|
||
| from David Sylvian - Everything And Nothing (2000) | |||||
 |
|
- |
|
||
| from Sakamoto, Sylvian - Forbidden Colours (2003) | |||||
|
|
- |
|
||
| from Sakamoto, Sylvian - Forbidden Colours (2003) | |||||
|
|
9:45 |
|
||
| from David Sylvian - Gone To Earth (1986) | |||||
|
|
6:56 |
|
||
| from David Sylvian - Camphor (2002) | |||||
|
|
4:23 |
|
||
| from David Sylvian - Everything And Nothing (2000) | |||||
 |
|
- |
|
||
| from David Sylvian - Blemish (2005) | |||||
 |
|
- |
|
||
| from David Sylvian - The Good Son Vs The Only Daughter/ The Blemish Remixes (2005) | |||||
|
|
- |
|
||
| from David Sylvian - The Good Son Vs The Only Daughter/ The Blemish Remixes (2005) | |||||
|
|
6:07 |
|
||
| from David Sylvian - The First Day (1993) | |||||
|
|
8:34 |
|
||
| from David Sylvian - Brilliant Trees (1984) | |||||
|
|
8:31 |
|
||
| from David Sylvian - The First Day (1993) | |||||
|
|
5:16 |
|
||
| from David Sylvian - Everything And Nothing (2000) | |||||
|
|
5:17 |
|
||
| from Japan - Gentlemen Take Polaroids (1980) | |||||
|
|
7:01 |
|
||
| from David Sylvian - Dead Bees On A Cake (1999) | |||||
|
|
3:10 |
|
||
| from David Sylvian - Camphor (2002) | |||||
 |
|
5:28 |
|
||
| from Japan - Tin Drum (1981) | |||||
 |
|
5:43 |
|
||
| from Japan - Oil On Canvas (1983) | |||||
|
|
3:50 |
|
||
|
from Japan - Tin Drum (1981)
We're pushing through these farming towns
We worked hard ploughing over ground Red army calls you the call of the crowd Red army needs you they call you now Cantonese boy Bang your tin drum Cantonese boy Civilian soldier Cantonese boy Bang your tin drum Cantonese boy Red army calls you home We're singing marching through the hills We're changing the lives we've led for years Red army calls you the call of the crowd Red army needs you they call you now Cantonese boy Bang your tin drum Cantonese boy Civilian soldier Cantonese boy Bang your tin drum Cantonese boy Red army calls you home Red army calls you Red army needs you Gentlemen you heard us call Raised your glass and called for more Only young men broke the wall |
|||||
|
|
5:43 |
|
||
|
from Japan - Oil On Canvas (1983)
We're pushing through these farming towns
We worked hard ploughing over ground Red army calls you the call of the crowd Red army needs you they call you now Cantonese boy Bang your tin drum Cantonese boy Civilian soldier Cantonese boy Bang your tin drum Cantonese boy Red army calls you home We're singing marching through the hills We're changing the lives we've led for years Red army calls you the call of the crowd Red army needs you they call you now Cantonese boy Bang your tin drum Cantonese boy Civilian soldier Cantonese boy Bang your tin drum Cantonese boy Red army calls you home Red army calls you Red army needs you Gentlemen you heard us call Raised your glass and called for more Only young men broke the wall |
|||||
|
|
3:57 |
|
||
| from David Sylvian - Everything And Nothing (2000) | |||||
|
|
2:44 |
|
||
|
from Japan - Assemblage (1992)
Your skin a white stained sensation
Clinical bodies won't do And as we're pumping, pumping and resisting Inserting love into you Communist China Take me to heaven Somebody wrong We'll throw glass in your face Call it new propaganda Still, we've been waiting for so long I'll take you out in the moonlight Oblique horizons won't do The knife in your fist Is breaking up the white walls Here's penetration for you Face-to-face confrontation Personal problems for you And conversation's getting far too vicious Impersonation won't do |
|||||
|
|
- |
|
||
|
from Japan - Adolescent Sex (2004)
Your skin a white stained sensation
Clinical bodies won't do And as we're pumping, pumping and resisting Inserting love into you Communist China Take me to heaven Somebody wrong We'll throw glass in your face Call it new propaganda Still, we've been waiting for so long I'll take you out in the moonlight Oblique horizons won't do The knife in your fist Is breaking up the white walls Here's penetration for you Face-to-face confrontation Personal problems for you And conversation's getting far too vicious Impersonation won't do |
|||||
|
|
- |
|
||
|
from Japan - Adolescent Sex (2004)
Your skin a white stained sensation
Clinical bodies won't do And as we're pumping, pumping and resisting Inserting love into you Communist China Take me to heaven Somebody wrong We'll throw glass in your face Call it new propaganda Still, we've been waiting for so long I'll take you out in the moonlight Oblique horizons won't do The knife in your fist Is breaking up the white walls Here's penetration for you Face-to-face confrontation Personal problems for you And conversation's getting far too vicious Impersonation won't do |
|||||
|
|
6:33 |
|
||
| from David Sylvian - Everything And Nothing (2000) | |||||
|
|
2:34 |
|
||
| from David Sylvian - Everything And Nothing (2000) | |||||
|
|
4:00 |
|
||
| from David Sylvian - Dead Bees On A Cake (1999) | |||||
|
|
3:30 |
|
||
| from David Sylvian - The First Day (1993) | |||||
|
|
5:54 |
|
||
|
from Japan - Quiet Life (1979)
Doucement, ne les derangez pas
Il y a des gens qui vivent comme ca Les artistes de demain En desespoir agreable (Translation) Quietly, now, don't disturb them There are people who live like that The artists of tomorrow In pleasant despair |
|||||
|
|
1:29 |
|
||
| from David Sylvian - Dead Bees On A Cake (1999) | |||||
|
|
- |
|
||
| from Japan - Adolescent Sex (2004) | |||||
|
|
2:12 |
|
||
| from David Sylvian - Approaching Silence (1999) | |||||
|
|
3:38 |
|
||
|
from Japan - Assemblage (1992)
Scurrying across the broadwalk
Some places I tend to forget Echoings deep in my throat It's so cold in this luncheonette, well Somebody wants to know you An ordinary boy Somebody wants to know you A standard polaroid, well Here I am European son Sometimes the passenger European son Here I am Suffragettes in Washington Disposable serviettes Searching for the quiet life There's no love in this luncheonette, well |
|||||
|
|
- |
|
||
|
from Japan - In Vogue (1999)
Scurrying across the broadwalk
Some places I tend to forget Echoings deep in my throat It's so cold in this luncheonette, well Somebody wants to know you An ordinary boy Somebody wants to know you A standard polaroid, well Here I am European son Sometimes the passenger European son Here I am Suffragettes in Washington Disposable serviettes Searching for the quiet life There's no love in this luncheonette, well |
|||||
|
|
4:47 |
|
||
| from David Sylvian - Everything And Nothing (2000) | |||||
|
|
4:29 |
|
||
|
from Japan - Quiet Life (1979)
A summerhouse in Texas
Searching for Siberia Pioneering underground We looked a lot like you Now work is done, the table set Deliver insufficient sound Oh my, fall in love with me Oh my, fall in love with me Cross military lines Nobody would believe us now The weather working with us We looked a lot like you Now every boy's a refugee Living for the moment Through the shrieking wails Trans-European overseas Silently leaving Amsterdam We looked a lot like you Shy away from standard life Each bitter moment lingers on |
|||||
|
|
- |
|
||
|
from Japan - In Vogue (1999)
A summerhouse in Texas
Searching for Siberia Pioneering underground We looked a lot like you Now work is done, the table set Deliver insufficient sound Oh my, fall in love with me Oh my, fall in love with me Cross military lines Nobody would believe us now The weather working with us We looked a lot like you Now every boy's a refugee Living for the moment Through the shrieking wails Trans-European overseas Silently leaving Amsterdam We looked a lot like you Shy away from standard life Each bitter moment lingers on |
|||||
|
|
- |
|
||
| from David Sylvian - Blemish (2005) | |||||
|
|
- |
|
||
| from David Sylvian - The Good Son Vs The Only Daughter/ The Blemish Remixes (2005) | |||||
|
|
10:28 |
|
||
| from David Sylvian - The First Day (1993) | |||||
 |
|
- |
|
||
| from David Sylvian - Flux And Mutability (1994) | |||||
 |
|
- |
|
||
| from David Sylvian - Secrets Of The Beehive (1999) | |||||
|
|
- |
|
||
| from Sakamoto, Sylvian - Forbidden Colours (2003) | |||||
 |
|
- |
|
||
| from The Piano And The Song (2004) | |||||
|
|
- |
|
||
| from Sakamoto, Sylvian - Forbidden Colours (2003) | |||||
|
|
7:04 |
|
||
|
from Japan - Gentlemen Take Polaroids (1980)
Now there's a girl about town I'd like to know
I'd like to slip away with you And if you said you love me how could I mind? Is there another side to everything you do? Take in the country air You'll never win Gentlemen take polaroids They fall in love they fall in love Gentlemen take polaroids They fall in love they fall in love Breathe life into me Spin me round And I'll just sit and wonder why Just a foreign town with a foreign mind Why is everything so cut and dried? The taste of country air you'll never know Gentlemen take polaroids They fall in love they fall in love Gentlemen take polaroids They fall in love they fall in love Take in the country, ah you'll never win Gentlemen take polaroids They fall in love they fall in love Gentlemen take polaroids They fall in love they fall in love |
|||||
|
|
- |
|
||
|
from Japan - Oil On Canvas (1983)
Now there's a girl about town I'd like to know
I'd like to slip away with you And if you said you love me how could I mind? Is there another side to everything you do? Take in the country air You'll never win Gentlemen take polaroids They fall in love they fall in love Gentlemen take polaroids They fall in love they fall in love Breathe life into me Spin me round And I'll just sit and wonder why Just a foreign town with a foreign mind Why is everything so cut and dried? The taste of country air you'll never know Gentlemen take polaroids They fall in love they fall in love Gentlemen take polaroids They fall in love they fall in love Take in the country, ah you'll never win Gentlemen take polaroids They fall in love they fall in love Gentlemen take polaroids They fall in love they fall in love |
|||||
 |
|
7:04 |
|
||
|
from Japan - Exorcising Ghosts (1994)
Now there's a girl about town I'd like to know
I'd like to slip away with you And if you said you love me how could I mind? Is there another side to everything you do? Take in the country air You'll never win Gentlemen take polaroids They fall in love they fall in love Gentlemen take polaroids They fall in love they fall in love Breathe life into me Spin me round And I'll just sit and wonder why Just a foreign town with a foreign mind Why is everything so cut and dried? The taste of country air you'll never know Gentlemen take polaroids They fall in love they fall in love Gentlemen take polaroids They fall in love they fall in love Take in the country, ah you'll never win Gentlemen take polaroids They fall in love they fall in love Gentlemen take polaroids They fall in love they fall in love |
|||||
|
|
4:35 |
|
||
|
from Japan - Tin Drum (1981)
When the room is quiet
The daylight almost gone It seems there's something I should know Well I ought to leave but The rain it never stops And I have no particular place to go Just when I think I'm winning When I've broken every door The ghosts of my life Blow wilder than before Just when I thought I could not be stopped When my chance came to be king The ghosts of my life Blew wilder than the wind Well I'm feeling nervous And I find myself alone The simple life's no longer there Once I was so sure Now the doubt inside my mind Comes and goes but leads nowhere Just when I think I'm winning When I've broken every door The ghosts of my life Blow wilder than before Just when I thought I could not be stopped When my chance came to be king The ghosts of my life Blew wilder than the wind |
|||||
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from Japan - Oil On Canvas (1983)
When the room is quiet
The daylight almost gone It seems there's something I should know Well I ought to leave but The rain it never stops And I have no particular place to go Just when I think I'm winning When I've broken every door The ghosts of my life Blow wilder than before Just when I thought I could not be stopped When my chance came to be king The ghosts of my life Blew wilder than the wind Well I'm feeling nervous And I find myself alone The simple life's no longer there Once I was so sure Now the doubt inside my mind Comes and goes but leads nowhere Just when I think I'm winning When I've broken every door The ghosts of my life Blow wilder than before Just when I thought I could not be stopped When my chance came to be king The ghosts of my life Blew wilder than the wind |
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4:33 |
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from Japan - Exorcising Ghosts (1994)
When the room is quiet
The daylight almost gone It seems there's something I should know Well I ought to leave but The rain it never stops And I have no particular place to go Just when I think I'm winning When I've broken every door The ghosts of my life Blow wilder than before Just when I thought I could not be stopped When my chance came to be king The ghosts of my life Blew wilder than the wind Well I'm feeling nervous And I find myself alone The simple life's no longer there Once I was so sure Now the doubt inside my mind Comes and goes but leads nowhere Just when I think I'm winning When I've broken every door The ghosts of my life Blow wilder than before Just when I thought I could not be stopped When my chance came to be king The ghosts of my life Blew wilder than the wind |
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3:48 |
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| from David Sylvian - Everything And Nothing (2000) | |||||
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4:02 |
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| from David Sylvian - Dead Bees On A Cake (1999) | |||||
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| from David Sylvian - Godman (1999) | |||||
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| from David Sylvian - Godman (1999) | |||||
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| from David Sylvian - Godman (1999) | |||||
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5:02 |
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| from David Sylvian - The First Day (1993) | |||||
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5:02 |
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| from David Sylvian - Everything And Nothing (2000) | |||||
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| from David Sylvian - Godman (1999) | |||||
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3:58 |
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| from David Sylvian - Everything And Nothing (2000) | |||||
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3:01 |
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| from David Sylvian - Gone To Earth (1986) | |||||
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| from David Sylvian - Blemish (2005) | |||||
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| from David Sylvian - The Good Son Vs The Only Daughter/ The Blemish Remixes (2005) | |||||
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| from Ryuichi Sakamoto - A Tribute to Ryuichi Sakamoto - To the Moon and Back [tribute] (2022) | |||||
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4:22 |
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from Japan - Quiet Life (1979)
The cottage is windswept
Now there's only sorrow here Follow evacuation signs You're detached and broken and so sentimental now Remembering how we passed our time Somebody waits for me Far beyond our halloween Germanic forces marching on concrete squares Our love is just defenceless sound And could we believe that all you said was true We would be so determined now Slowly emerging Dividing Germany Everyone's lost in East Berlin Only believing just what you want to hear We're waiting at stations once again |
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from Japan - In Vogue (1999)
The cottage is windswept
Now there's only sorrow here Follow evacuation signs You're detached and broken and so sentimental now Remembering how we passed our time Somebody waits for me Far beyond our halloween Germanic forces marching on concrete squares Our love is just defenceless sound And could we believe that all you said was true We would be so determined now Slowly emerging Dividing Germany Everyone's lost in East Berlin Only believing just what you want to hear We're waiting at stations once again |
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| from David Sylvian - Blemish (2005) | |||||
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| from David Sylvian - The Good Son Vs The Only Daughter/ The Blemish Remixes (2005) | |||||
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5:17 |
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| from David Sylvian - Everything And Nothing (2000) | |||||
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4:30 |
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| from David Sylvian - Gone To Earth (1986) | |||||
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| from David Sylvian - Blemish (2005) | |||||
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| from David Sylvian - The Good Son Vs The Only Daughter/ The Blemish Remixes (2005) | |||||
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3:46 |
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from Japan - Assemblage (1992)
Maybe you want to give me kisses sweet
But only for one night with no repeat Maybe you'll go away and never call And a taste of honey is worse than none at all Oh little girl In that case I don't want no part I do believe that would only break my heart So if you feel like loving me If you've got that notion I second that emotion So if you feel like giving me A life-time of devotion I second that emotion Maybe you think that love will tie you down And you don't seem to like to hang around Or maybe you think thot love was made for fools So it makes you wise to break the rules I second that emotion I second that emotion I second that emotion (Oh little girl) |
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from Japan - In Vogue (1999)
Maybe you want to give me kisses sweet
But only for one night with no repeat Maybe you'll go away and never call And a taste of honey is worse than none at all Oh little girl In that case I don't want no part I do believe that would only break my heart So if you feel like loving me If you've got that notion I second that emotion So if you feel like giving me A life-time of devotion I second that emotion Maybe you think that love will tie you down And you don't seem to like to hang around Or maybe you think thot love was made for fools So it makes you wise to break the rules I second that emotion I second that emotion I second that emotion (Oh little girl) |
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