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from Pink Floyd 12집 - The Final Cut (1983)
They flutter behind you your possible pasts
Some brighteyed and crazy, some frightened and lost A warning to anyone still in command Of their possible future to take care In derelict sidings the poppies entwine With cattle trucks lying in wait for the next time Do you remember me? How we used to be? Do you think we should be closer? She stood in the doorway the ghost of a smile Haunting her face like a cheap hotel sign Her cold eyes imploring the men in their macs For the gold in their bags or the knives in their backs Stepping up boldly one put out his hand He said, "I was just a child then now I'm only a man." Do you remember me? How we used to be? Do you think we should be closer? By the cold and religious we were taken in hand Shown how to feel good and told to feel bad And strung out behind us the banners and flags Of our possible pasts lie in tatters and rags Do you remember me? How we used to be? Do you think we should be closer? |
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3:41 |
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from Syd Barrett - Barrett (2003)
Howling the pack in formation appears
diamonds and clubs, light misted fog, the dead waving us back in formation, the pack in formation bowling they bat as a group and the leader is seen - so early... the pack on their backs, the fighters through misty the waving - the pack in formation far reaching waves on sight, shone right I lay as if in surround... all enmeshing, hovering... the milder I gaze all the animals laying trail beyond the bough winds mild the reflecting electricity eyes... tears, the life that was ours grows sharper and stronger away and beyond short wheeling - fresh spring gripped with blanched bones - moaned magnesium, proverbs and sobs... howling the pack in formation appears diamonds and clubs, light misted fog, the dead waving us back in formation, the pack in formation... |
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from Pink Floyd 9집 - Wish You Were Here (1975)
So,so you think you can tell
Heaven from Hell,blue skies from pain. Can you tell a green field from a cold steel rail? A smile from a veil? Do you think you can tell? And did they get you to trade your heroes for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? And did you exchange a walk on part in the war for a lead role in a cage? How I wish,how I wish you were here. We're just two lost souls swimming in a fish bowl, year after year. Running over the same old ground. What have we found? The same old fears. wish you were here. |
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6:35 |
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from Pink Floyd - Pulse [live] (1995)
So so you think you can tell
Heaven from Hell Blue skies from pain Can you tell a green field From a cold steel rail A smile from a veil Do you think you can tell Did they get you to trade Your heros for ghosts Hot ashes for trees Hot air for a cool breeze Cold comfort for change And did you exchange walk on part in the war For a lead role in a cage How I wish how I wish you were here We're just two lost souls Swimming in a fish bowl Year after year Running over the same old ground What have we found The same old fears Wish you were here |
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2:59 |
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from Syd Barrett - Barrett (2003)
Wined and dined, oh it seemed just like a dream!
Girl was so kind. kind of love I'd never seen only last summer, it's not so long ago... just last summer, now musk winds blow... Wined and dined, oh it seemed just like a dream! Girl was so kind. kind of love I'd never seen Wined and dined, oh it seemed just like a dream! Girl was so kind. kind of love I'd never seen Chalk underfoot, life I should prove dancing in heat, our love and you... Wined and dined, oh it seemed just like a dream! Girl was so kind. kind of love I'd never seen |
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4:09 |
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from Pink Floyd - Pulse [live] (1995)
What do you want from me
As you look around this room tonight Settle in your seat and dim the lights Do you want my blood, do you want my tears What do you want What do you want from me Should I sing until I can't sing any more Play these strings until my fingers are raw You're so hard to please What do you want from me Do you think I know something you don't know What do you want from me If I don't promise you the answers would you go What do you want from me Should I stand out in the rain Do you want me to make a daisy chain for you I'm not the one you need What do you want from me You can have anything you want You can drift, you can dream, even walk on water Anything you want You can own everything you see Sell your soul for complete control Is that really what you need You can lose yourself this night See inside there is nothing to hide Turn and face the light What do you want from me |
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from Pink Floyd 9집 - Wish You Were Here (1975)
Welcome my son, welcome to the machine.
Where have you been? It's alright we know where you've been. YOu've been in the pipeline, filling in time, provided with toys and Scouting for Boys'. You bought a guitar to punish your ma, And you didn't like school, and you know you're nobody's So welcome to the machine. Welcome my son, welcome to the machine. What did you dream? It's alright we told you what to dream. You dreamed of a big star. he played a mean guitar, He always ate in the SteakBar. He love to drive in his Jaguar. So welcome to the machine. |
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2:13 |
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from Syd Barrett - Barrett (2003)
Waving my arms in the air
love, my love, got no care no care, no, no, pressing my feet to the ground stand up right where you stand call to you and what do you do laying back in a chair? she's so high on the air she's so high on the air half and half, half and half all you have to do to call is hold her hand, stand a while and then smile and we'll understand yes we do - yes, yes we do! Oh what a girl I've got too! Oh what a girl I've got too! with her slinky look she held her tie to her hair (and I) could see everywhere no-one in the land, no-one no-one in the land, no-one but it rains on Saturday - cats and dogs in the way stormy day, hey, hey and you shouldn't try to be what you can't be and you shouldn't try to be what you can't be call to you and what do you do |
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2:07 |
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from Syd Barrett - Barrett (2003)
Waving my arms in the air
love, my love, got no care no care, no, no, pressing my feet to the ground stand up right where you stand call to you and what do you do laying back in a chair? she's so high on the air she's so high on the air half and half, half and half all you have to do to call is hold her hand, stand a while and then smile and we'll understand yes we do - yes, yes we do! Oh what a girl I've got too! Oh what a girl I've got too! with her slinky look she held her tie to her hair (and I) could see everywhere no-one in the land, no-one no-one in the land, no-one but it rains on Saturday - cats and dogs in the way stormy day, hey, hey and you shouldn't try to be what you can't be and you shouldn't try to be what you can't be call to you and what do you do |
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from Pink Floyd - Is There Anybody Out There?: The Wall Live 1980-81 [live] (2000)
Oooooh
You cannot reach me now. Oooooh No matter how you try. Goodbye cruel world, its over Walk on by. Sitting in a bunker Here behind my wall. Waiting for the worms... to come. In perfect isolation Here behind my wall. Waiting for the worms... to come. Waiting, to cut off the dead wood. Waiting, to clean up the city. Waiting, to follow, the worms. Waiting, to put on a black tail. Waiting, to weed out the weaklings. Waiting, to smash in there windows and kick in there doors. Waiting, for the final solution of destruction that reins. Waiting, to follow the worms. Waiting, to turn on the showers and fire the ovens. Waiting, for the queers and the coons and the reds and the jews. Waiting, to follow the worms. (Would?) Would you like to see (would you like to see) Britannia rule again? My friend? All ya have to do, is follow, the worms. (Hahaha!) (Would?) Would you like to see (would you like to see) our colored cousins, home again. My friend? All you need to do is follow, the worms. |
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from Pink Floyd - Is There Anybody Out There?: The Wall Live 1980-81 [live] (2000)
Does anybody here remember Vera Lynn?
Remember how she said that We would meet again Some sunny day? Vera! Vera! What has become of you? Does anybody else here Feel the way I do? |
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6:58 |
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from Pink Floyd - Pulse [live] (1995)
Us, and them
And after all we're only ordinary men. Me, and you. God only knows it's noz what we would choose to do. Forward he cried from the rear and the front rank died. And the general sat and the lines on the map moved from side to side. Black and blue And who knows which is which and who is who. Up and down. But in the end it's only round and round. Haven't you heard it's a battle of words The poster bearer cried. Listen son, said the man with the gun There's room for you inside. "I mean, they're not gunna kill ya, so if you give 'em a quick short, sharp, shock, they won't do it again. Dig it? I mean he get off lightly, 'cos I would've given him a thrashing - I only hit him once! It was only a difference of opinion, but really...I mean good manners don't cost nothing do they, eh?" Down and out It can't be helped but there's a lot of it about. With, without. And who'll deny it's what the fighting's all about? Out of the way, it's a busy day I've got things on my mind. For the want of the price of tea and a slice The old man died. |
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| from Pink Floyd 3집 - Soundtrack From The Film 'More' (1969) | |||||
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from Pink Floyd 12집 - The Final Cut (1983)
In my rear view mirror the sun is going down
Sinking behind bridges in the road And I think of all the good things that we have left undone And I suffer premonitions Confirm suspicions of the holocaust to come The wire that holds the cork that keeps the anger in Gives way and suddenly it's day again The sun is in the east even though the day is done Two suns in the sunset hmm... Could be the human race is run Like the moment when the brakes lock And you slide towards the big truck You stretch the frozen moments with your fear And you'll never hear their voices And you'll never see their faces You have no recourse to the law anymore And as the windshield melts my tears evaporate Leaving only charcoal to defend Finally I understand the feelings of the few Ashes and diamonds Foe and friend We were all equal in the end |
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6:46 |
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from Pink Floyd - Pulse [live] (1995)
Ticking away the moments that
make up a dull day You fritter and waste the hours in an off hand way Kicking around on a piece of ground in your home town Waiting for someone or something to show you the way Tired of lying in the sunshine staying home to watch the rain You are young and life is long and there is time to kill today And then the one day you find ten years have got behind you No one told you when to run you missed the starting gun And you run and you run to catch up with the sun but it's sinking And racing around to come up behind you again The sun is the same in the relative way but you're older And shorter of breath and one day closer to death Every year is getting shorter never seem to find the time Plans that either come to naught or half a page of scribbled lines Hanging on in quiet desparation in the English way The time is gone the song is over thought I'd something more to say Home home again I like to be there when I can When I come home cold and tired It's good to warm my bones beside the fire Far away across the field The tolling of the iron bell Calls the faithful to their knees To hear the softly spoken magic spells |
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from Pink Floyd - Is There Anybody Out There?: The Wall Live 1980-81 [live] (2000)
Good morning, The Worm, Your Honour,
The Crown will plainly show, The prisoner who now stands before you, Was caught red-handed showing feelings. Showing feelings of an almost human nature. This will not do. Call the schoolmaster! I always said he'd come to no good, In the end, Your Honour. If they'd let me have my way, I could have flayed him into shape. But my hands were tied. The bleeding hearts and artists, Let him get away with murder. Let me hammer him today. Crazy. Toys in the attic, I am crazy. Truly gone fishing. They must have taken my marbles away. (Crazy. Toys in the attic, he is crazy.) You little shit, you're in it now. I hope they throw away the key. You should've talked to me more often than you did. But no! You had to go your own way. Have you broken any homes up lately? Just five minutes, Worm, Your Honour, Him and me alone. Baaaaaabe! Come to Mother, baby. Let me hold you in my arms. M'Lord, I never meant for him to get in any trouble. Why'd he ever have to leave me? Worm, Your Honour, let me take him home. Crazy. Over the rainbow, I am crazy. Bars in the window. There must have been a door there in the wall. For when I came in. . . (Crazy. Over the rainbow, he is crazy.) The evidence before the court is incontravertible. There's no need for the jury to retire. In all my years of judging I have never heard before, Of someone more deserving of the full penalty of the law. The way you made them suffer, Your exquisite wife and mother, Fills me with the urge to deficate! -- No, Judge, the jury! Since, my friend, you have revealed your deepest fear, I sentence you to be exposed before your peers. Tear down the wall! |
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from Pink Floyd - Is There Anybody Out There?: The Wall Live 1980-81 [live] (2000)
Must the show go on?
Oooooo Pa, (Let me go, let me go, let me go.) Oooooo Ma, (Take me home, take me home, take me home.) There must be some mistake, I never meant to let them take, Away my soul. Am I too old? Is it too late? Where has the feeling gone? Will I remember this song? The show must go on. |
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2:11 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
The black and green scarecrow as ev'ryone knows
Stood with a bird on his hat and straw everywhere He didn't care... He stood in a field where barley grows His head did no thinking his arms didn't move Except when the wind cut up rough And mice ran around on the ground He stood in a field where barley grows The black and green scarecrow is sadder than me But now he's resigned to his fate 'Cause life's not unkind He doesn't mind He stood in a field where barley grows |
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2:10 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
The black and green scarecrow as ev'ryone knows
Stood with a bird on his hat and straw everywhere He didn't care... He stood in a field where barley grows His head did no thinking his arms didn't move Except when the wind cut up rough And mice ran around on the ground He stood in a field where barley grows The black and green scarecrow is sadder than me But now he's resigned to his fate 'Cause life's not unkind He doesn't mind He stood in a field where barley grows |
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from Pink Floyd 3집 - Soundtrack From The Film 'More' (1969)
I was standing by the Nile
Whe I saw the lady smile. I would take her out for a while, For a while. Light tears wept like a child. How her golden hair was blowing wild. Then she spread her wings to fly, For to fly. Soaring high above the breezes, Going always where she pleases. She will make it to the island in the sun. I will follw in her shadow As I watch her from my window. One day I will catch her eye. She is calling from the deep, Summoning my soul to endless sleep. She is bound to drag me down, Drag me down. |
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| from Pink Floyd 4집 - Ummagumma (1969) | |||||
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from Pink Floyd 4집 - Ummagumma (1969)
Following the path as it leads
towards the Darkness in the North Weary strangers' faces show their sympathy They've seen that hope before And if you want to stay for a little bit Rest your aching limbs for a little bit Before you the night is beckoning And you know you can't delay You hear the night birds calling you But you can't touch the restless sky Close your aching eyes beyond your name Mist is swelling, creatures crawling, Hear the roar get louder in your ears You know the folly was your own But the force behind can't conquer all your fears And if you want to stay for a little bit Rest your aching limbs for a little bit Before you the night is beckoning And you know you can't delay You hear the night birds calling you But you can't touch the restless sky Close your aching eyes beyond your name Throw your thoughts back many years To the time when there was life in every morning Perhaps a day will come When the nights will be as on that morning And if you want to stay for a little bit Rest your aching limbs for a little bit Before you the night is beckoning And you know you can't delay You hear the night birds calling you But you can't touch the restless sky Close your aching eyes beyond your name Rest your weary head, be on your way. |
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| from Pink Floyd 4집 - Ummagumma (1969) | |||||
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| from Pink Floyd - Is There Anybody Out There?: The Wall Live 1980-81 [live] (2000) | |||||
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from Pink Floyd 12집 - The Final Cut (1983)
Jesus, Jesus, what's it all about
Trying to clout these little ingrates into shape When I was their age all the lights went out There was no time to whine and mope about And even now part of me flies Over Dresden at angels one five Though they'll never fathom it behind my sarcasm Desperate memories lie Sweetharet, sweetheart, are you fast asleep, good 'Cos that's the only time that I can really talk to you And there is something that I've locked away A memory that is too paintful to withstand the light of day When we came back from the war The banners and flags hung on everyone's door We danced and we sang in the street And the church bells rang But burning in my heart The memory smoulders on Of the gunners dying words on the intercom |
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from Pink Floyd 12집 - The Final Cut (1983)
Floating down through the clouds
Memories come rushing up to meet me now In the space between the heavens And in the corner of some foreign field I had a dream I had a dream Goodbye max, goodbye ma After the service when you're walking slowly to the car And the silver in her hair shines in the cold november air You hear the tolling bell And touch the silk in your lapel And as the tear drops rise to meet the comfort of the band You take her frail hand And hold on to the dream A place to stay enough to eat Somewhere old heroes shuffle safely down the street Where you can speak out loud About your doubts and fears And what's more no-one ever disappears You never hear their standard issue kicking in your door You can relax on both sides of the tracks And maniacs don't blow holes in bandsmen by remote control And everyone has recourse to the law And no-one kills the children anymore And no-one kills the children anymore Night after night Going round and round my brain His dream is driving me insane In the corner of some foreign field The gunner sleeps tonight What's done is done We cannot just write off his final scene Take heed of his dream Take heed |
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5:52 |
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from Pink Floyd - Pulse [live] (1995)
The Great Gig In The Sky
'And I am not frightened of dying any time will do I don't mind. Why should I be frightened of dying? There's no reason for it you've gotta go sometime.' 'If you can hear this whispering you are dying.' 'I never said I was frightened of dying.' (Instrumental) |
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| from Pink Floyd 4집 - Ummagumma (1969) | |||||
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| from Pink Floyd 4집 - Ummagumma (1969) | |||||
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| from Pink Floyd 4집 - Ummagumma (1969) | |||||
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2:13 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
I want to tell you a story
About a little man If I can. A gnome named Grimble Grumble. And little gnomes stay in their homes. Eating, sleeping, drinking their wine. He wore a scarlet tunic, A blue green hood, It looked quite good. He had a big adventure Amidst the grass Fresh air at last. Wining, dining, biding his time. And then one day - hooray! Another way for gnomes to say Hoooooooooray. Look at the sky, look at the river Isn't it good? Look at the sky, look at the river Isn't it good? Winding, finding places to go. And then one day - hooray! Another way for gnomes to say Hoooooooooray. Hooooooooooooooray. |
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2:14 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
I want to tell you a story
About a little man If I can. A gnome named Grimble Grumble. And little gnomes stay in their homes. Eating, sleeping, drinking their wine. He wore a scarlet tunic, A blue green hood, It looked quite good. He had a big adventure Amidst the grass Fresh air at last. Wining, dining, biding his time. And then one day - hooray! Another way for gnomes to say Hoooooooooray. Look at the sky, look at the river Isn't it good? Look at the sky, look at the river Isn't it good? Winding, finding places to go. And then one day - hooray! Another way for gnomes to say Hoooooooooray. Hooooooooooooooray. |
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2:14 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
I WANT to tell
You a story 'Bout a little Man if I can A gnome named Grimble Gromble And little gnomes stay in their homes Eating, sleeping, drinking their wine He wore a scarlet tunic A blue-green hood, it looked quite good He had a big adventure Amidst the grass, fresh air at last Wining, dining, biding his time... And then one day Hooray, another way for gnomes to say Ooh my... Look at the sky, look at the river Isn't it good? Look at the sky, look at the river Isn't it good? winding, finding places to go And then one day Hooray, another way for gnomes to say Ooh my ooh my |
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from Pink Floyd 12집 - The Final Cut (1983)
Take all your overgrown infants away somewhere
And build them a home A little place of their own The Fletcher memorial home for incurable tyrants and kings And they can appear to themselves every day On closed circuit TV To make sure they're still real It's the only connection they feel "Ladies and gentlemaen, please welcome Reagan and Haig, Mr. Begin and Friend, Mrs. Thatcher and Paisley, Mr. Brezhnev and Party, The Ghost of McCarthy, the Memories of Nixon And now adding colour a group of anonymous Latin American Meat packing glitterati." Did they expect us to treat them with any respect They can polish their medals and sharpen their smiles And amuse themselves playing games for a while Boom boom, bang bang, lie down, you're dead Safe in the permanent gaze of a cold glass eye With their favourite toys They'll be good girls and boys In the Fletcher memorial home For colonial wasters of life and limb Is everyone in? Are you having a nice time? Now the final solution can be applied |
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from Pink Floyd 12집 - The Final Cut (1983)
Through the fish eyed lens of tear stained eyes
I can barely define the shape of this moment in time And far from flying high in clear blue skies I'm spiralling down to the hole in the ground where I hide If you negotiate the minefield in the drive And beat the dogs and cheat the cold electronic eyes And if you make it past the shoutgun in the hall Dial the combination open the priesthole And if I'm in I'll tell you what's behind the wall There's a kid who had a big hallucination Making love to girls in magazines He wonders if you're sleeping with your new found faith Could anybody love him? Or is it just a crazy dream? And if I show you my dark side Will you still hold me tonight? And if I open my heart to you And show you my weak side What would you do? Would you sell your story to rolling stone? Would you take the children away And leave me alone And smile in reassurance As you shisper down the phone? Would you send me packing? Or Would you take me home? Thought I oughta bare my naked feelings Thought I oughta tear the curtain down I held the blade in trembling hands Prepared to make it but just then the phone rang I never had the nerve to make the final cut |
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5:04 |
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from Syd Barrett - The Madcap Laughs (1970)
I really love you and I mean you the star above you, crystal blue Well, oh baby, my hairs on end about you... I wouldn't see you and I love to I fly above you, yes I do well, oh baby, my hairs on end about you... Floating, bumping, noses dodge a tooth the fins aluminous fangs all 'round the clam is dark below the boulders hiding all the sunlight's good for us 'Cause we're the fishes and all we do the move about is all we do well, oh baby, my hairs on end about you... Floating, bumping, noses dodge a tooth the fins aluminous fangs all 'round the clam is dark below the boulders hiding all the sunlight's good for us 'Cause we're the fishes and all we do the move about is all we do well, oh baby, my hairs on end about you... I really love you and I mean you the star above you, crystal blue Well, oh baby, my hairs on end about you... |
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3:05 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
Doctor doctor
I'm in bed Achin' head Gold is lead Choke on bread Underfed Gold is lead Jesus bled Pain is red Are goon Grow go Greasy spoon You swoon June bloom Music seems to help the pain Seems to cultivate the brain Doctor kindly tell your wife that I'm alive Flowers thrive Realize, realize Realize |
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3:07 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
Doctor doctor
I'm in bed Achin' head Gold is lead Choke on bread Underfed Gold is lead Jesus bled Pain is red Are goon Grow go Greasy spoon You swoon June bloom Music seems to help the pain Seems to cultivate the brain Doctor kindly tell your wife that I'm alive Flowers thrive Realize, realize Realize |
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3:06 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
DOCTOR Doctor
I'm in bed Doctor Doctor Aching head Doctor Doctor gold is lead Doctor Doctor choke on bread Doctor Doctor underfed Doctor Doctor gold is lead Doctor Doctor Jesus bled Doctor Doctor pain is red Doctor Doctor dark doom Gruel ghoul greasy spoon Used spoon dark doom Music seems to help the pain Seems to motivate the brain Doctor kindly tell your wife That I'm alive Flowers thrive Realise Realise Realise |
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| from Pink Floyd 4집 - Ummagumma (1969) | |||||
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| from Pink Floyd 4집 - Ummagumma (1969) | |||||
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| from Pink Floyd 4집 - Ummagumma (1969) | |||||
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| from Pink Floyd 4집 - Ummagumma (1969) | |||||
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from Pink Floyd 5집 - Atom Heart Mother (1970)
Would you like to say something before you leave
Perhaps you'd care to state exactly how you feel We say goodbye before we've said hello I hardly even like you, I shouldn't care at all We met just six hours ago, the music was too loud From your bed I came today and lost a bloody year And I would like to know how do you feel How do you feel Not a single word was said, the night still hid our fears Occaisionally you showed a smile but what was the need I felt the cold far too soon in a room of ninety-five My friends are lying in the sun, I wish that I was there Tomorrow brings another town, another girl like you Have you time before you leave to greet another man Just you let me know how do you feel How do you feel Goodbye to you... Charlotte Pringle's due I've had enough for one day |
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from Pink Floyd - Is There Anybody Out There?: The Wall Live 1980-81 [live] (2000)
Stop
I wanna go home Take off this uniform And leave the show And I'm waiting here in this cell Because I have to know Have I been guilty all this time |
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2:30 |
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from Pink Floyd - Pulse [live] (1995)
"I've been mad for fucking years,
absolutely years, been over the edge for yonks, been working me buns off for bands..." "I've always been mad, I know I've been mad, like the most of us... very hard to explain why you're mad, even if you're not mad..." |
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from Pink Floyd 12집 - The Final Cut (1983)
They disembarked in 45
And no one spoke and no one smiled There were too many spaces in the line Gathered at the cenotaph All agreed with the hand on heart To sheath the sacrificial knifes But now She stands upon Southampton dock With her handkerchief And her summer frock clings To her wet body in the rain In quiet desperation knuckles White upon the slippery reins She bravely waves the boys goodbye again Ooo.. And still the dark stain spreads between his shoulder blades A mute reminder of the poppy fields and graves And when the fight was over We spent what they had made But in the bottom of our hearts We felt the final cut |
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10:48 |
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from Pink Floyd - Pulse [live] (1995)
The sweet smell of a great sorrow lies over the land Plumes of smoke rise and merge into the leaden sky: A man lies and dreams of green fields and rivers, But awakes to a morning with no reason for waking He's haunted by the memory of a lost paradise In his youth or a dream, he can't be precise He's chained forever to a world that's departed It's not enough, it's not enough His blood has frozen & curdled with fright His knees have trembled & given way in the night His hand has weakened at the moment of truth His step has faltered One world, one soul Time pass, the river rolls And he talks to the river of lost love and dedication And silent replies that swirl invitation Flow dark and troubled to an oily sea A grim intimation of what is to be There's an unceasing wind that blows through this night And there's dust in my eyes, that blinds my sight And silence that speaks so much louder that words, Of promises broken. |
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from Pink Floyd 9집 - Wish You Were Here (1975)
Remember when you were young, you shone like the sun.
Shine on you crazy diamond. Now there's a look in your eyes, like black holes in the sky. shine on you crazy diamond. You were caught on the cross fire of childhood and stardom, blown on the steel breeze. Come on you target for faraway laughter, come on you stranger, you legend, you martyr, and shine! You reached for the secret too soon, you cried for the moon . Shine on you crazy diamond. Threatened by shadows at night, and exposed in the light. Shine on you crazy diamond. Well you wore out your welcome with rendom precision, rode on the steel breeze. Come on you raver, you seer of visions, come on you painter , you piper, you prisoner, and shine! |
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from Pink Floyd 9집 - Wish You Were Here (1975)
Nobody knows where you are, how near or how far.
Shine on you crazy diamond. Pile on many more layers and I'll be joining you there. Shine on you crazy diamond. And we'll bask in the shadow of yesterday's triumph, and sail on the steel breeze. Come on you boy child, you winner and loser, come on you miner for truth and delusion, and shine! |
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13:34 |
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from Pink Floyd - Pulse [live] (1995)
Remember when you were young,
You shone like the sun. Shine on you crazy diamond. Now there's a look in your eyes, Like black holes in the sky. Shine on you crazy diamond. You were caught on the crossfire Of childhood and stardom, Blown on the steel breeze. Come on you target for faraway laughter, Come on you stranger, you legend, you martyr, and shine! You reached for the secret too soon, You cried for the moon. Shine on you crazy diamond. Threatened by shadows at night, And exposed in the light. Shine on you crazy diamond. Well you wore out your welcome With random percision, Rode on the steel breeze. Come on you raver, you seer of visions, Come on you painter, you piper, you prisoner, and shine! |
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| from Syd Barrett - The Madcap Laughs (1970) | |||||
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2:06 |
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from Syd Barrett - The Madcap Laughs (1970)
She took a long cold look at me
and smiled and gazed all over my arm she loves to see me get down to ground she hasn't time just to be with me her face between all she means to be to be extreme, just to be extreme a broken pier on the wavy sea she wonders why for all she wants to see... But I got up and I stomped around and hid the piece where the trees touch the ground... The end of truth that lay out the time spent lazing here on a painting dream a mile or more in a foreign clime to see farther inside of me. And looking high up into the sky I breathe as the water streams over me... |
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from Pink Floyd 4집 - Ummagumma (1969)
Aye an' a bit of Mackeral settler rack and ruin
ran it doon by the haim, 'ma place well I slapped me and I slapped it doon in the side and I cried, cried, cried. The fear a fallen down taken never back the raize and then Craig Marion, get out wi' ye Claymore out mi pocket a' ran doon, doon the middin stain picking the fiery horde that was fallen around ma feet. Never he cried, never shall it ye get me alive ye rotten hound of the burnie crew. Well I snatched fer the blade O my Claymore cut and thrust and I fell doon before him round his feet. Aye! A roar he cried frae the bottom of his heart that I would nay fall but as dead, dead as 'a can be by his feet; de ya ken? ...and the wind cried back |
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from Pink Floyd 2집 - A Saucerful Of Secrets (1968)
Little by little the night turns around
Counting the leaves which tremble at dawn Lotus's lean on each other in yearning Set the controls for the heart of the sun Over the mountain watching the watcher Breaking the darkness waking the grapevine Knowledge of love is knowledge of shadow Love is the shadow that ripens the wine Set the controls for the heart of the sun Witness the man who waves at the wall Making the shape of his question to heaven Whether the wun will fall in the evening Will he remember the lesson of giving? Set the controls for the heart of the sun |
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from Pink Floyd 4집 - Ummagumma (1969)
Little by little the night turns around
Counting the leaves which tremble at dawn Lotus's lean on each other in yearning Over the hills a swallow is resting Set the controls for the heart of the sun Over the mountain watching the watcher Breaking the darkness waking the grapevine Knowledge of love is knowledge of shadow Love is the shadow that ripens the wine Set the controls for the heart of the sun The heart of the sun The heart of the sun (...) Witness the man who waves at the wall Making the shape of his questions to heaven Whether the sun will fall in the evening Will he remember the lesson of giving? Set the controls for the heart of the sun The heart of the sun The heart of the sun (...) |
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from Pink Floyd 2집 - A Saucerful Of Secrets (1968)
Marigolds are very much in love
But he doesn't mind Picking up sister He makes his way in to the see-saw land All the way up she smiles She goes up as he goes down, down Sits on g stick in the river Laughter in his sleep Sister's throwing stones hoping for a hit He doesn't know, so then She goes up while he goes down, down *Another time, another day A brother's way to leave Another time, another day Selling plastic flowers on a Sunday afternoon Picking up weeds She hasn't got time to care All can see he's not there She grows up for another man, and he's down |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
Emily tries but misunderstands, ah ooh She often inclined to borrow somebody's dreams till tomorrow There is no other day Let's try it another way You'll lose your mind and play Free games for may See Emily play Soon after dark Emily cries, ah ooh Gazing through trees in sorrow hardly a sound till tomorrow There is no other day Let's try it another way You'll lose your mind and play Free games for may See Emily play Put on a gown that touches the ground, ah ooh Float on a river forever and ever, Emily There is no other day Let's try it another way You'll lose your mind and play Free games for may See Emily play |
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2:11 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
The black and green scarecrow As ev'ryone knows
Stood with a bird on his hat and straw everywhere He didn't care He stood in a field where barley grows His head did no thinking his arms didn't move Except when the wind cut up rough And mice ran around on the ground He stood in a field where barley grows The black and green scarecrow is sadder than me But now he's resigned to his fate 'Cause life's not unkind He doesn't mind He stood in a field where barley grows. |
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8:39 |
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from Pink Floyd - Pulse [live] (1995)
Run, Run, Run, Run, Run, Run, Run, Run, Run, Run, Run, Run, Run, Run, Run, Run. You better make your face up in Your favorite disguise. With your button down lips and your Roller blind eyes. With your empty smile And your hungry heart. Feel the bile rising from your guilty past. With your nerves in tatters When the conchshell shatters And the hammers batter Down the door. You'd better run. Run, Run, Run, Run, Run, Run, Run, Run, Run, Run, Run, Run, Run, Run, Run, Run. You better sleep all day And run all night. Keep your dirty feelings Deep inside. And if you're taking your girlfriend Out tonight You'd better park the car Well out of sight. Cause if they catch you in the back seat Trying to pick her locks, They're gonna send you back to mother In a cardboard box. You better run. |
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from Pink Floyd - Is There Anybody Out There?: The Wall Live 1980-81 [live] (2000)
You better run like hell
You better make your face up in Your favourite disguise With your button down lips and your Roller blind eyes With your empty smile And your hungry heart Feel the bile rising from your guilty past With your nerves in tatters When the cockleshell shatters And the hammers batter Down the door You better fun like hell You better dun all day And run all night And keep your dirty feelings Deep inside And if you take your girlfriend Out tonight, You better park the car Well out of sight Cos if they catch you in the back seat Trying to pick her locks They're gonna send you back to mother In a cardboard box You better run |
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from Pink Floyd 2집 - A Saucerful Of Secrets (1968)
Remember a day before today
A day when you were young Free to play along with time Evening never comes Sing a song that can't be sung Without the morning's kiss Queen you shall be if you wish Look for your king Why can't we play today? Why can't we stay that way? Climb your favourite apple tree Try to catch the sun Hide from your little brother's gun Dream yourself away Why can't we reach the sun? Why can't we blow the years away? Blow away Blow away |
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3:02 |
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from Syd Barrett - Barrett (2003)
Got it hit down
Spot knock inside a spider Says: "That's love yeah, yeah, yeah, yeah, yeah, yeah!" "That's love yeah, yeah, yeah, yeah, yeah, yeah!" Says: "That's love, all know it TV, teeth, feet, peace, feel it "That's love yeah, yeah, yeah, yeah, yeah, yeah!" "That's love yeah, yeah, yeah, yeah, yeah, yeah!" Like the fall that brings me to I like the fall that brings me to I like the cord around sinew I make a cord around sinew Duck, the way to least is less Tea craving of the metal west 'ell tomorrow's rain and test 'ell tomorrow's rain and test Love an empty son and guess Love an empty son and guess Pimples dangerous and blessed Heaving, arriving, tinkling Mingling jets and statuettes Seething wet we meeting fleck Seething wet we meeting fleck Lines and winds and crib and half Each fair day I give you half Of each fair day I give you half I look into your eyes and you, Flathe in the sun for you Bam, spastic, tactile engine Heaving, crackle, slinky, dormy, roofy, wham I'll have them, fried bloke Broken jardy, cardy, smoocho, moocho, paki, pufftle Sploshette moxy, very smelly, Cable, gable, splintra, channel Top the seam he's taken off Rats, rats lay down flat We don't need you, we act like that And if you think you're un-loved Then we know about that Rats, rats, lay down flat! Yes, yes, yes, yes, lay down flat! |
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| from Pink Floyd 3집 - Soundtrack From The Film 'More' (1969) | |||||
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4:27 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
Artist:Pink Floyd
Composed by Syd Barrette Album:The Piper At The Gates Of Dawn (1967) The Lyrics:(Instrumental) All rights reserved |
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4:26 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
Artist:Pink Floyd
Composed by Syd Barrette Album:The Piper At The Gates Of Dawn (1967) The Lyrics:(Instrumental) All rights reserved |
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4:24 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
Artist:Pink Floyd
Composed by Syd Barrette Album:The Piper At The Gates Of Dawn (1967) The Lyrics:(Instrumental) All rights reserved |
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| from Pink Floyd 3집 - Soundtrack From The Film 'More' (1969) | |||||
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from Pink Floyd 12집 - The Final Cut (1983)
Button your lip
Don't let the shield slip Take a fresh grip on your bullet proof mask And if they try to break down your disguise with their questions You can hide, hide, hide Behind paranoid eyes You put on your brave face and slip over the road for a jar Fixing your grin as you casually lean on the bar Laughing too loud at the rest of the world With the boys in the crowd You can hide, hide, hide Behind petrified eyes You believed in their stories of fame fortune and glory Now you're lost in a haze of alchohol soft middle age The pie in the sky turned out to be miles too high And you hide, hide, hide Behind brown and mild eyes |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
Last night I had too much to drink Sitting in a club with so many fools Playing to rules Trying to impress but feeling rather empty I had another drink Drink - a - drink - a - drink - a - drink What a way to spend that evening They all turn up with their friends Playing the game But in the scene I should have been Far away Away - away - away - away - away Getting up, I feel as if I'm remembering this scene before I open the door to an empty room Then I forget The telephone rings and someone speaks She would very much like to go out to a show So what can I do - I can't think what to say She sees through anyway Away - away - away - away - away Out of the front door I go Traffic's moving rather slow Arriving late, there she waits Looking very angry, as cross as she can be Be - a - be - a - be - a - be - a - be Getting up, I feel as if I'm remembering this scene before I open the door to an empty room Then I forget |
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from Pink Floyd - Is There Anybody Out There?: The Wall Live 1980-81 [live] (2000)
All alone, or in twos,
The ones who really know you, Walk up and down outside the wall. Some hand in hand, Some gather together in bands, The bleeding hearts and artists, Make their stand. And when they've given you their all, Some stagger and fall. After all it's not easy, Banging your heart against some mad bugger's wall. |
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from Pink Floyd 12집 - The Final Cut (1983)
When you're one of the few to land on your feet
What do you do to make ends meet? Make them mad, make them sad, make them add two and two Oh, make them me, make them you, make them do what you want them to Make them laugh, make them cry, make them lie down and die |
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3:48 |
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from Pink Floyd - Pulse [live] (1995)
[female announcer, announcing flights at airport, including 'Rome']
"Live for today, gone tomorrow, that's me, HaHaHaaaaaa!" (Instrumental) |
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3:48 |
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from Syd Barrett - The Madcap Laughs (1970)
Trip to heave and ho, up down, to and fro
You have no word Trip, trip to a dream dragon Hide your wings in a ghost tower Sails crackiling at ev'ry plate we break Cracked by scattered needles Little minute gong Coughs and clears his throat Madam you see before you stand Hey ho, never be still The old original favourite gran Grasshoppers green herbarian band And the tune they play in us confide... So trip to heave and ho, up down, to and fro' You have no word Please leave us here Close our eyes to the octopus ride! Isn't it good to be lost in the wood Isn't it bad so quiet there, in the wood Twenty even less to me than I thought With a honey plough of yellow prickly seeds Clover honey pots and mystic shining feed... Well, the madcap laughed at the man on the border Hey ho, huff the talbot Cheetah he cried shouted kangaroo So through their tree they cried Please leave us here Close our eyes to the octopus ride! The madcap laughed at the man on the border Hey ho, huff the talbot The winds they blew and the leaves did wag And they'll never put me in their bag The seas will reach and always see So high you go, so low you creep The winds it blows in tropical heat The drones they throng on mossy seats The squeaking door will always creep Two up, two down we'll never meet So merrily trip for good my side Please leave us here Close our eyes to the octopus ride! |
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from Syd Barrett - The Madcap Laughs (1970)
Trip to heave and ho, up down, to and fro
You have no word Trip, trip to a dream dragon Hide your wings in a ghost tower Sails crackiling at ev'ry plate we break Cracked by scattered needles Little minute gong Coughs and clears his throat Madam you see before you stand Hey ho, never be still The old original favourite gran Grasshoppers green herbarian band And the tune they play in us confide... So trip to heave and ho, up down, to and fro' You have no word Please leave us here Close our eyes to the octopus ride! Isn't it good to be lost in the wood Isn't it bad so quiet there, in the wood Twenty even less to me than I thought With a honey plough of yellow prickly seeds Clover honey pots and mystic shining feed... Well, the madcap laughed at the man on the border Hey ho, huff the talbot Cheetah he cried shouted kangaroo So through their tree they cried Please leave us here Close our eyes to the octopus ride! The madcap laughed at the man on the border Hey ho, huff the talbot The winds they blew and the leaves did wag And they'll never put me in their bag The seas will reach and always see So high you go, so low you creep The winds it blows in tropical heat The drones they throng on mossy seats The squeaking door will always creep Two up, two down we'll never meet So merrily trip for good my side Please leave us here Close our eyes to the octopus ride! |
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from Pink Floyd 12집 - The Final Cut (1983)
Fuck all that we've got to get on with these
Got to compete with the wily Japanese There's too many home fires burning and not enough trees So fuck all that we've got to get on with these Can't stop, lose job, mind gone, silicon What bomb, get away, pay day, make hay Break down, need fix, big six Clickity click, hold on, oh no brrrrrrrrrring bingo! Make 'em laugh, make 'em cry, make 'em dance in the aisles Make 'em pay, make 'em stay, make 'em feel, OK Not now John we've got to get on with the film show Hollywood waits at the end of the rainbow Who cares what it's about as long as the kids go So not now John got to get on with the show Hang on John I've got to get on with this I don't know what it is but it fits on here like Come at the end of the shift we'll go and get pissed But not now John I've got to get on with this Hold on John I think there's something good on I used to read books But it could be the news or some other abuse Or it could be reusable shows Fuck all that we've got to get on with these Got to compare with the wily Japanese No need to worry about the Vietnamese Got to bring the Russian Bear to his knees Well, maybe not the Russian Bear, maybe the Swedes We showed Argentina, now let's go and show these Make us feel tough and wouldn't maggie be pleased Nah nah nah nah nah nah s'cusi dove il bar se para collo pou eine toe bar s'il vous plait ou est le bar oi' where's the fucking bar John |
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from Pink Floyd - Is There Anybody Out There?: The Wall Live 1980-81 [live] (2000)
I got a little black book with my poems in.
Got a bag, got a toothbrush and a comb. When I'm a good dog they sometimes throw me a bone. I got elastic bands keeping my shoes on. Got those swollen hands blues. Got thirteen channels of shit on the TV to choose from. I got electric light, And I got second sight. Got amazing powers of observation. And that is how I know, When I try to get through, On the telephone to you, There'll be nobody home. I got the obligatory Hendrix perm, And the inevitable pinhole burns, All down the front of my favorite satin shirt. I got nicotine stains on my fingers. I got a silver spoon on a chain. Got a grand piano to prop up my mortal remains. I've got wild, staring eyes. And I got a strong urge to fly, But I got nowhere to fly to (-- fly to... fly to... fly to...). Ooooo Babe, When I pick up the phone, There's still nobody home. I got a pair of Gohill boots, And I got fading roots. |
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3:03 |
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from Syd Barrett - The Madcap Laughs (1970)
You would hold your head up high
You even try You would hold another hand: Oh understand! They even see me under call We under all, We awful, awful, crawl To hear my hour Come see me cry... Just searching you even try I can make you smile If it's there will you go there too? When I live I die! They even see me under call We under all, we awful, awful, crawl Because of you, to see me be. |
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3:27 |
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from Syd Barrett - The Madcap Laughs (1970)
It's no good trying to place your hand
where I can't see because I understand that you're different from me yes I can tell that you can't be what you pretend and you're rocking me backwards and you're rocking towards the red and yellow mane of a stallion horse. It's no good trying to hold your love where I can't see because I understand that you're different from me yes I can tell that you can't be what you pretend the caterpillar hood won't cover the head of you know you should be home in bed. It's no good holding your sequin fan where I can't see because I understand that you're different from me yes I can tell that you can't be what you pretend yes you're spinning around and around in a car with electric lights flashing very fast... |
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| from Pink Floyd 3집 - Soundtrack From The Film 'More' (1969) | |||||
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8:54 |
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from Pink Floyd - Pulse [live] (1995)
Money
Get away You get a good job with good pay and you're okay Money It's a gas Grab that cash with both hands and make a stash New car, caviar four star daydream Think I'll buy me a football team Money Well, get back I'm all right Jack Keep your hands off of my stack Money It's a hit Don't give me that do goody good bullshit I'm in the high fidelity first class travelling set I think I need a Lear jet Money It's a crime Share it fairly But don't take a slice of my pie Money So they say Is the root of all evil today But if you ask for a raise It's no surprise that they're giving none away |
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3:08 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
There was a king who ruled the land.
His majesty was in command. With silver eyes the scarlet eagle Showers silver on the people. Oh Mother, tell me more. Why'd'ya have to leave me there Hanging in my infant air Waiting? You only have to read the lines They're scribbly black and everything shines. Across the stream with wooden shoes With bells to tell the king the news A thousand misty riders climb up Higher once upon a time. Wandering and dreaming The words have different meaning. Yes they did. For all the time spent in that room The doll's house, darkness, old perfume And fairy sories held me high on Clouds of sunlight floating by. Oh Mother, tell me more Tell me more. Aaaaaaaah Aaaaaaaah Aaaaaaaah |
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3:05 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
There was a king who ruled the land.
His majesty was in command. With silver eyes the scarlet eagle Showers silver on the people. Oh Mother, tell me more. Why'd'ya have to leave me there Hanging in my infant air Waiting? You only have to read the lines They're scribbly black and everything shines. Across the stream with wooden shoes With bells to tell the king the news A thousand misty riders climb up Higher once upon a time. Wandering and dreaming The words have different meaning. Yes they did. For all the time spent in that room The doll's house, darkness, old perfume And fairy sories held me high on Clouds of sunlight floating by. Oh Mother, tell me more Tell me more. Aaaaaaaah Aaaaaaaah Aaaaaaaah |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
There was a king who ruled the land.
His majesty was in command. With silver eyes the scarlet eagle Showers silver on the people. Oh Mother, tell me more. Why'd'ya have to leave me there Hanging in my infant air Waiting? You only have to read the lines They're scribbly black and everything shines. Across the stream with wooden shoes With bells to tell the king the news A thousand misty riders climb up Higher once upon a time. Wandering and dreaming The words have different meaning. Yes they did. For all the time spent in that room The doll's house, darkness, old perfume And fairy sories held me high on Clouds of sunlight floating by. Oh Mother, tell me more Tell me more. Aaaaaaaah Aaaaaaaah Aaaaaaaah |
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3:09 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
There was a king Who ruled the land His majesty Was in
command With silver eyes The scarlet eagle Showered silver on the people Oh Mother tell me more Why'd you have to leave me there Hanging in my infant air waiting You only have to read the lines of Scribbly black and everything shines Across the stream with wooden shoes Bells to tell the King the news A thousand misty riders Climb up higher once upon a time Wondering and dreaming The words have different meanings Yes they did... Far all the time spent in that room The doll's house darkness old perfume And fairy stories held me high On clouds of sunlight floating by Oh Mother tell me more Tell me more... |
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| from Pink Floyd - Is There Anybody Out There?: The Wall Live 1980-81 [live] (2000) | |||||
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2:51 |
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from Syd Barrett - Barrett (2003)
Maisie, Maisie, Maisie, Maisie...
bad luck, bride of a bull strode out to meet Maisie in the evening light Maisie, his illuminous grin put her in a spin Maisie, lay in the hall with diamonds and emeralds Maisie, Maisie... bad luck - the bride of a bull Maisie lay in the wall with her emeralds and diamond brooch, beyond reproach bad luck - bride of a bull strode out to meet Maisie in the evening light... Maisie! |
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| from Pink Floyd 3집 - Soundtrack From The Film 'More' (1969) | |||||
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3:07 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
Lucifer Sam, siam cat.
Always sitting by your side Always by your side. That cat's something I can't explain. Ginger, ginger you're a witch. You're the left side He's the right side. Oh, no! That cat's something I can't explain. Lucifer go to sea. Be a hip cat, be a ship's cat. Somewhere, anywhere. That cat's something I can't explain. At night prowling sifting sand. Hiding around on the ground. He'll be found when you're around. That cat's something I can't explain |
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3:09 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
Lucifer Sam, siam cat.
Always sitting by your side Always by your side. That cat's something I can't explain. Ginger, ginger you're a witch. You're the left side He's the right side. Oh, no! That cat's something I can't explain. Lucifer go to sea. Be a hip cat, be a ship's cat. Somewhere, anywhere. That cat's something I can't explain. At night prowling sifting sand. Hiding around on the ground. He'll be found when you're around. That cat's something I can't explain |
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3:08 |
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from Pink Floyd 1집 - The Piper At The Gates Of Dawn (1967)
LUCIFER Sam Siam cat
Always sitting by your side Always by your side That cat's something I can't explain jennifer Gentle you're a witch You're the left side He's the right side oh no That cat's something I can't explain Lucifer go to sea Be a hip cat Be a ship's cat Somewhere anywhere That cat's something I can't explain NIght prowling sifting sand Padding around on the ground He'll be found When you're around That cat's something I can't explain |
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2:29 |
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from Syd Barrett - The Madcap Laughs (1970)
Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening Oh, you dig it, had to smile just an hour or so (are) we in love like I think we be? It Ain't a long rhyme. It took ages to think I think I love it in the water, baby... Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening Flaking you are an nice little one to put it all around, its just good I like it, hey hey hey S'pose some time that day we'll be swinging along over across to me Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening Goodtime rocker woman we'll stray our pieces little creepy we shine so sleepy, so whoopee! That's how you look... Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening |
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from Syd Barrett - The Madcap Laughs (1970)
Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening Oh, you dig it, had to smile just an hour or so (are) we in love like I think we be? It Ain't a long rhyme. It took ages to think I think I love it in the water, baby... Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening Flaking you are an nice little one to put it all around, its just good I like it, hey hey hey S'pose some time that day we'll be swinging along over across to me Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening Goodtime rocker woman we'll stray our pieces little creepy we shine so sleepy, so whoopee! That's how you look... Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening |
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from Syd Barrett - The Madcap Laughs (1970)
Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening Oh, you dig it, had to smile just an hour or so (are) we in love like I think we be? It Ain't a long rhyme. It took ages to think I think I love it in the water, baby... Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening Flaking you are an nice little one to put it all around, its just good I like it, hey hey hey S'pose some time that day we'll be swinging along over across to me Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening Goodtime rocker woman we'll stray our pieces little creepy we shine so sleepy, so whoopee! That's how you look... Honey love you, honey little, honey funny sunny morning love you more funny love in the skyline baby ice-cream 'scuse me, I've seen you looking good the other evening |
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2:32 |
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from Syd Barrett - Barrett (2003)
I knew a girl and I like her still
she said she knew she would trust me and I her will... I said: OK baby, tell me what you'll be and I'll lay my head down and see what I see. By the time she was back by her open eyes I knew that I was in for a big surprise. I knew a girl and I like her still she said she knew she would trust me and I her will... I said: OK baby, tell me what you'll be and I'll lay my head down and see what I see. By the time she was back by her open eyes I knew that I was in for a big surprise. |
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3:05 |
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from Syd Barrett - Barrett (2003)
I knew a girl and I like her still
she said she knew she would trust me and I her will... I said: OK baby, tell me what you'll be and I'll lay my head down and see what I see. By the time she was back by her open eyes I knew that I was in for a big surprise. I knew a girl and I like her still she said she knew she would trust me and I her will... I said: OK baby, tell me what you'll be and I'll lay my head down and see what I see. By the time she was back by her open eyes I knew that I was in for a big surprise. |
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2:50 |
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from Syd Barrett - The Madcap Laughs (1970)
She was long gone, long, long gone
She was gone, gone, the bigger they come The larger her hand 'till no one understands Why for so long she'd been gone. And I stood very still by the window sill And I wondered for those I love still I cried in my mind where I stand behind The beauty of love's in her eyes... She was long gone, long, long gone She was gone, gone, the bigger they come The larger her hand 'till no one understands Why for so long she'd been gone. And I borrowed the page From a leopard's cage And I prowled in the evening sun's glaze Her head lifted high to the light in the sky The opening dawn on her face... She was long gone long, long gone She was gone, gone, the bigger they come The larger her hand 'till no one understands Why for so long she'd been gone. And I stood very still by the window sill And I wondered for those I love still I cried in my mind where I stand behind The beauty of love's in her eyes... She was long gone long, long gone She was gone, gone, the bigger they come The larger her hand 'till no one understands Why for so long she'd been gone. She was long gone long, long gone. |
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5:16 |
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from Pink Floyd - Pulse [live] (1995)
Learning to Fly (Gilmour/Moore/Ezrin/Carin)
Into the distance, a ribbon of black Stretched to the point of no turning back A flight of fancy on a windswept field Standing alone my senses reeled A fatal attraction holding me fast, how Can I escape this irresistible grasp? Can't keep my eyes from the circling skies Tongue-tied and twisted Just an earth-bound misfit, I Ice is forming on the tips of my wings Unheeded warnings, I thought I thought of everything No navigator to guide my way home Unladened, empty and turned to stone A soul in tension that's learning to fly Condition grounded but determined to try Can't keep my eyes from the circling skies Tongue-tied and twisted just an earth-bound misfit, I Above the planet on a wing and a prayer, My grubby halo, a vapour trail in the empty air, Across the clouds I see my shadow fly Out of the corner of my watering eye A dream unthreatened by the morning light Could blow this soul right through the roof of the night There's no sensation to compare with this Suspended animation, A state of bliss Can't keep my eyes from the circling skies Tongue-tied and twisted just an earth-bound misfit, I |
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3:17 |
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from Syd Barrett - The Madcap Laughs (1970)
When I woke up today
and you weren't there to play then I wanted to be with you when you showed me your eyes whispered love at the skies then I wanted to stay with you inside me I feel alone and unreal and the way you kiss will always be a very special thing to me... When I lay still at night seeing stars high and light then I wanted to be with you when the rooftops shone dark all alone (I) saw a spark spark of love just to stay with you inside me I feel alone and unreal and the way you kiss will always be a very special thing to me... If I mention your name turn around on a chain then the sky opens for you when we grew very tall when I saw you so small then I wanted to stay with you inside me I feel alone and unreal and the way you kiss will always be a very special thing to me... |
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5:31 |
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| from Space Daze: The History & Mystery Of Electronic Ambient Space (1994) | |||||





