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6:02 |
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from Genesis, Genesis - Seconds Out [live] (1977)
The streets were deserted though the police were alerted,
They considered the phone call a hoax. Furtively glancing then jauntily prancing The youth caught the guards unaware. Slipping between them he ought to have seen then The eyes and their owner so near. With torch shining bright he strode on in the night Till he came to the room with the safe. "Hello son, I hope you're having fun." "You've got it wrong Sir, I'm only the cleaner." With that he fired, the other saying as he died, "You've done me wrong," it's the same old song forever. Robbery, assault and battery, The felon and his felony. Robbery, assault and battery, The felon and his felony. He picked up the diamonds and bundles of fivers He pushed them well down in his sack. But the alarm had been sounded, he was completely surrounded But he had some more tricks up his sleeve. "Come outside with your hands held high." "You'll not get me alive Sir, I promise you that Sir. With that he fired, the other saying as he died "You've done me wrong," it's the same old song forever. Robbery, assault and battery, The felon and his felony. Robbery, assault and battery, The felon and his felony. "He's leaving via the roof, the bastard's got away. God always fights on the side of the bad man. Bad man. Bad man" "I've got clean away but I'll be back some day, Just the combination will have changed. Some day they'll catch me, to a chain they'll attach me, But until that day I'll ride the old crime wave. If they try to hold me for trial I'll stay out of gaol by paying my bail And after I'll go to the court of appeal saying "You've done me wrong," it's the same old song forever." Done me wrong - same old song - done me wrong Done me wrong - same old song - done me wrong Done me wrong - same old song - done me wrong |
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9:34 |
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from Genesis - Never A Time [ep] (1992)
I'm coming down
Coming down like a monkey But it's all right It's like a load on your back That you can't see Oh but it's all right Try to shake it loose, cut it free Let it go Just get it away from me 'Cos tonight, tonight, tonight I'm gonna make it right Tonight, tonight, tonight I'm going down Going down like a monkey But it's all right It's like a helter skelter Going down and down Round and round But just get it away from me Because tonight, tonight, tonight We're gonna make it right Tonight, tonight, tonight I've got some money in my pocket I don't remember where I got it I gotta give it to you So please answer the phone 'Cause I keep calling But you're never home What am I gonna do Tonight, tonight, tonight I'm gonna make it right Tonight, tonight, tonight You keep telling me I've got everything You say I've got everything I want You keep telling me you're gonna help me You're gonna help me but you don't But now I'm in too deep It's got me so that I just can't sleep Get me out of here Please get me out of here Just help me I'll do anything Anything if you'll just help Get me out of here I'm coming down Coming down like a monkey But it's all right Like a load on your back That you can't see But it's all right Try to shake it loose, cut it free Let it go But just get it away from me 'Cause tonight, tonight, tonight May be we'll make it right Tonight, tonight, tonight Please get me out of here Someone get me out of here Just help me I'll do anything Anything if you'll just help Get me out of here Tonight I'm gonna make it right Tonight, tonight, tonight |
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4:49 |
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from Genesis - Wind And Wuthering (1977)
(Written by Tony Banks/Phil Collins/Mike Rutherford/Steve Hackett)
< Instrumental > |
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| from Genesis - Visible Touch [video, live] (1987) | |||||
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| from Genesis - Visible Touch [video, live] (1987) | |||||
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4:34 |
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from Genesis - A Trick Of The Tail (1976)
Bored of the life in the city of gold
He'd left and let nobody know. Gone were the towers he had known from a child, Alone with the dream of a life He travelled the wide open road, The blinkered arcade, In search of another to share in his life. Nowhere. Everyone looked so strange to him. They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried And wept as they led him away to a cage 'Beast that can talk' read the sign. The creatures they pushed and they proddes his frame And questioned his story again. But soon they grew bored of their prey Beast that can talk? More like a freak or publicity stunt. Oh No. They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried And broke down the door of the cage and marched on out. He grabbed a creature by the scruff of his neck, pointing out: There, beyond the bounds of your weak imagination Lie the noble towers of my city, bright and gold. Let me take you there and show you a living story Let me show you others such as me Why did I ever leave? They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried And wept. And so we set out with the beast and his horns And his crazy description of home. After many days journey we cam to a peak Where the beast gazed abroad and cried out. We followed his gaze and we thought maybe we saw A spire of gold ~ no, a trick of the eye that's all. But the beast was gone and a voice was heard: They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried Hello friend, welcome home. |
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from Genesis - The VIdeo Show [video] (2004)
Bored of the life in the city of gold
He'd left and let nobody know. Gone were the towers he had known from a child, Alone with the dream of a life He travelled the wide open road, The blinkered arcade, In search of another to share in his life. Nowhere. Everyone looked so strange to him. They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried And wept as they led him away to a cage 'Beast that can talk' read the sign. The creatures they pushed and they proddes his frame And questioned his story again. But soon they grew bored of their prey Beast that can talk? More like a freak or publicity stunt. Oh No. They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried And broke down the door of the cage and marched on out. He grabbed a creature by the scruff of his neck, pointing out: There, beyond the bounds of your weak imagination Lie the noble towers of my city, bright and gold. Let me take you there and show you a living story Let me show you others such as me Why did I ever leave? They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried And wept. And so we set out with the beast and his horns And his crazy description of home. After many days journey we cam to a peak Where the beast gazed abroad and cried out. We followed his gaze and we thought maybe we saw A spire of gold ~ no, a trick of the eye that's all. But the beast was gone and a voice was heard: They've got no horns and they've got no tail They don't even know of our existence. Am I wrong to believe in a city of gold That lies in the deep distance, he cried Hello friend, welcome home. |
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5:18 |
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| from Tarzan (타잔) by Phil Collins [ost] (1999) | |||||
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7:04 |
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from Genesis, Genesis - Abacab (1981)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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7:04 |
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from Genesis, Genesis - Abacab (1981)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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4:12 |
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from Genesis - Abacab [single] (1981)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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4:12 |
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from Genesis - Abacab [single] (1981)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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from Genesis - Three Sides Live [video, live] (1982)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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from Genesis - The Mama Tour [video, live] (1985)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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from Genesis - Invisible Touch [video, live] (1991)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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from Genesis - The VIdeo Show [video] (2004)
Look up on the wall
There on the floor Under the pillow Behind the door There's a crack in the mirror Somewhere there's a hole in the window pane Do you think I'm to blame Tell me do you think I'm to blame (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) If you're wrapping up the world Cause you've taken someone else's girl When they turn on the pillow Even when they answer the telephone Don't you think that by now Tell me don't you think that by now (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) Doesn't really care You want it You've got it Now you know You want it You've got it Now you know It's an illusion It's a game Or reflection Of someone else's name When you wake in the morning Wake and find you're covered in cellophane Well there's a hole in the somewhere Yeah there's a hole in the somewhere Baby there's a hole in the somewhere Now there's a hole in the somewhere (When we do it) You're never there (When you show it) You stop and stare (Abacab) He's in anywhere (Abacab) |
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4:15 |
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| from Genesis - Selling England By The Pound (1973) | |||||
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4:25 |
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from Genesis, Genesis - Seconds Out [live] (1977)
(Written by Tony Banks)
Like the dust that settles all around me, I must find a new home The ways and holes that used to give me shelter Are all as one to me now. But I, I would search everywhere Just to hear your call, And walk upon stranger roads than this one In a world I used to know before I miss you more. Then the sun reflecting off my pillow, Bringing the warmth of new life. And the sounds that echoed all around me, I caught a glimpse of in the night But now, now I've lost everything, I give to you my soul, The meaning of all that I believed before Escapes me in this world of none, no thing, no one. And I would search everywhere Just to hear your call, And walk upon stranger roads than this one, In a world I used to know before For now I've lost everything, I give to you my soul. The meaning of all that I believed before Escapes me in this world of none, I miss you more. |
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4:24 |
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from Genesis, Genesis - Seconds Out [live] (1977)
(Written by Tony Banks)
Like the dust that settles all around me, I must find a new home The ways and holes that used to give me shelter Are all as one to me now. But I, I would search everywhere Just to hear your call, And walk upon stranger roads than this one In a world I used to know before I miss you more. Then the sun reflecting off my pillow, Bringing the warmth of new life. And the sounds that echoed all around me, I caught a glimpse of in the night But now, now I've lost everything, I give to you my soul, The meaning of all that I believed before Escapes me in this world of none, no thing, no one. And I would search everywhere Just to hear your call, And walk upon stranger roads than this one, In a world I used to know before For now I've lost everything, I give to you my soul. The meaning of all that I believed before Escapes me in this world of none, I miss you more. |
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4:12 |
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from Genesis - Wind And Wuthering (1977)
(Written by Tony Banks)
Like the dust that settles all around me, I must find a new home The ways and holes that used to give me shelter Are all as one to me now. But I, I would search everywhere Just to hear your call, And walk upon stranger roads than this one In a world I used to know before I miss you more. Then the sun reflecting off my pillow, Bringing the warmth of new life. And the sounds that echoed all around me, I caught a glimpse of in the night But now, now I've lost everything, I give to you my soul, The meaning of all that I believed before Escapes me in this world of none, no thing, no one. And I would search everywhere Just to hear your call, And walk upon stranger roads than this one, In a world I used to know before For now I've lost everything, I give to you my soul. The meaning of all that I believed before Escapes me in this world of none, I miss you more. |
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from Genesis - Three Sides Live [video, live] (1982)
(Written by Tony Banks)
Like the dust that settles all around me, I must find a new home The ways and holes that used to give me shelter Are all as one to me now. But I, I would search everywhere Just to hear your call, And walk upon stranger roads than this one In a world I used to know before I miss you more. Then the sun reflecting off my pillow, Bringing the warmth of new life. And the sounds that echoed all around me, I caught a glimpse of in the night But now, now I've lost everything, I give to you my soul, The meaning of all that I believed before Escapes me in this world of none, no thing, no one. And I would search everywhere Just to hear your call, And walk upon stranger roads than this one, In a world I used to know before For now I've lost everything, I give to you my soul. The meaning of all that I believed before Escapes me in this world of none, I miss you more. |
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1:32 |
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from Genesis - Selling England By The Pound (1973)
"I don't belong here," said old Tessa out loud.
"Easy, love, there's the Safe Way Home." - And, thankful for her Fine Fair discount, Tess Co-operates Still alone in o-hell-o - See the deadly nightshade grow ENGLISH RIBS OF BEEF CUT DOWN TO 47P. LB PEEK FREANS FAMILY ASSORTED FROM 17 1/2 P to 12P FAIRY LIQUID GIANT-SLASHED FROM 20P. TO 17% 1/2 P TABLE JELLYS AT 4P EACH ANCHOR BUTTER DOWN TO 11P. FOR A 1/2 LB BIRDS EYE DAIRY CREAM SPONG ON OFFER THIS WEEK. It's Scrambled Eggs |
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6:37 |
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from Genesis - Wind And Wuthering (1977)
Loving Couple:
I can't see you but I know you're there. Got to get beside you cos it's really cold out here. Come up close to me you'll soon be warm. Hold me tightly like we're sheltering from a storm. Mouse: Think I might go out for a stroll Into the night, and out of this hole. Maybe find me a meal. Walking along this new shag pile Presents a problem all the while. Nearly the door. Suddenly he bumps into wood, the door is closed. A voice from the bed, he'll be exposed. Which way to run, must make for the hole, The light's been turned on, he's blind as a mole in coal. Now I can see they're coming at me, They've blocked off my door, I haven't a chance in hell. Couple: Come on baby let the poor thing go. I'm not sleeping with that thing around here, no. Alright then, I'll fetch a box from below, Guard him carefully, they're very quick you know. Mouse: The door's been opened, my chance to escape. Must run out quick, better sorry than late. I'm out on the stairs. They won't catch me now, I've the run of the house now. I'll make it downstairs and into the breadbin. That would be nice. Suddenly he bumps into fur, that's very unwise, A cat is much quicker than men and their eyes. The chase that ensues can have only one end, Unless outside help steps in for our friend in need. But now the cat comes in for the kill, His paw is raised, soon blood will spill, yes it will. Cat: Hard luck mouse, this is the end of your road. The signpost says inside me, let me bear your heavy load. But it's not to be, that final pounce Knocks a jar upon his head, and lays him out. But it's all in a mouse's night To take on all those who would fight. Cat's Story: There I was with my back to the wall, Then comes this monster mouse, he's ten feet tall, With teeth and claws to match. It only took one blow. |
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3:57 |
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from Genesis, Genesis - Duke (1980)
There's nothing here that I can understand
And no one cares I'm a lonely man I touch your face and I don't know why I call your name but you're going by Now I'm alone again. I have no name for each and every day Until the year is done and fades away There's a time in between the two The old years gone by but it's not the new And I, I know that'll be all Alone again, alone again tonight oh I'm Alone again, alone again tonight oh I'm Alone again, it seems to me that every time I try to change Say that you're say that you'll Help me reach the other side When the morning comes the sun is out And warms me up again What a funny world it is for me And all I'll never be It's not enough, it's not enough This feeling I'm feeling inside Oh I know it I know tonight that I'll be On my own again, alone again tonight Oh I'm alone again, alone again tonight Oh I'm alone again, it seems to me that everytime I try to change Say that you'll, say that you'll Help me reach the other side Help me please cos I know I'm gonna be On my own again alone again tonight |
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3:57 |
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from Genesis, Genesis - Duke (1980)
There's nothing here that I can understand
And no one cares I'm a lonely man I touch your face and I don't know why I call your name but you're going by Now I'm alone again. I have no name for each and every day Until the year is done and fades away There's a time in between the two The old years gone by but it's not the new And I, I know that'll be all Alone again, alone again tonight oh I'm Alone again, alone again tonight oh I'm Alone again, it seems to me that every time I try to change Say that you're say that you'll Help me reach the other side When the morning comes the sun is out And warms me up again What a funny world it is for me And all I'll never be It's not enough, it's not enough This feeling I'm feeling inside Oh I know it I know tonight that I'll be On my own again, alone again tonight Oh I'm alone again, alone again tonight Oh I'm alone again, it seems to me that everytime I try to change Say that you'll, say that you'll Help me reach the other side Help me please cos I know I'm gonna be On my own again alone again tonight |
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4:29 |
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from Genesis, Genesis - Abacab (1981)
It's funny, you know,
'Cause there's an old rock 'n' roller. He's got nowhere to go. Did you ever think of takin' him in? Somebody help him, somebody please. Put another record on, 'Cause he likes that song. It's funny, you know, He never done nothin', done nobody wrong. Didn't thing about changin' his name, But I'm gonna tell him it's the same old game. Put another record on. Round, round, round and around, oh. Oh, see him smile. Well, lately I've seen him Walkin' down the street, kinda movin' his feet. Everyone I know looks the other way. Somebody help him, somebody say: Put another record on. Round, round, round and around, oh. Oh, see him smile. Just put another record on |
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4:29 |
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from Genesis, Genesis - Abacab (1981)
It's funny, you know,
'Cause there's an old rock 'n' roller. He's got nowhere to go. Did you ever think of takin' him in? Somebody help him, somebody please. Put another record on, 'Cause he likes that song. It's funny, you know, He never done nothin', done nobody wrong. Didn't thing about changin' his name, But I'm gonna tell him it's the same old game. Put another record on. Round, round, round and around, oh. Oh, see him smile. Well, lately I've seen him Walkin' down the street, kinda movin' his feet. Everyone I know looks the other way. Somebody help him, somebody say: Put another record on. Round, round, round and around, oh. Oh, see him smile. Just put another record on |
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3:58 |
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from Genesis - Abacab [single] (1981)
It's funny, you know,
'Cause there's an old rock 'n' roller. He's got nowhere to go. Did you ever think of takin' him in? Somebody help him, somebody please. Put another record on, 'Cause he likes that song. It's funny, you know, He never done nothin', done nobody wrong. Didn't thing about changin' his name, But I'm gonna tell him it's the same old game. Put another record on. Round, round, round and around, oh. Oh, see him smile. Well, lately I've seen him Walkin' down the street, kinda movin' his feet. Everyone I know looks the other way. Somebody help him, somebody say: Put another record on. Round, round, round and around, oh. Oh, see him smile. Just put another record on |
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3:58 |
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from Genesis - Abacab [single] (1981)
It's funny, you know,
'Cause there's an old rock 'n' roller. He's got nowhere to go. Did you ever think of takin' him in? Somebody help him, somebody please. Put another record on, 'Cause he likes that song. It's funny, you know, He never done nothin', done nobody wrong. Didn't thing about changin' his name, But I'm gonna tell him it's the same old game. Put another record on. Round, round, round and around, oh. Oh, see him smile. Well, lately I've seen him Walkin' down the street, kinda movin' his feet. Everyone I know looks the other way. Somebody help him, somebody say: Put another record on. Round, round, round and around, oh. Oh, see him smile. Just put another record on |
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4:09 |
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from Genesis, Genesis - Invisible Touch (1986)
You know
You decorate the garage wall Hang in people's halls Live in secret drawers If you could look around you Wonder what you'd see Fiction That's all you really are I know Editorial dreams They can't make you real Tell me where you came from And where you're going to I won't ever no I'll never get to know her Or be the cause of anything she does I won't ever no I'll never get to know her Do you think this aching could be love? You know You've figured in some fantasies You would not believe What you've had to do Life goes on around you All because of you I won't ever no I'll never... You know That in twenty years or more You still look the same As you do today You'll still be a young girl When I'm old and grey I won't ever no I'll never |
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from Genesis - Visible Touch [video, live] (1987)
You know
You decorate the garage wall Hang in people's halls Live in secret drawers If you could look around you Wonder what you'd see Fiction That's all you really are I know Editorial dreams They can't make you real Tell me where you came from And where you're going to I won't ever no I'll never get to know her Or be the cause of anything she does I won't ever no I'll never get to know her Do you think this aching could be love? You know You've figured in some fantasies You would not believe What you've had to do Life goes on around you All because of you I won't ever no I'll never... You know That in twenty years or more You still look the same As you do today You'll still be a young girl When I'm old and grey I won't ever no I'll never |
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from Genesis - The VIdeo Show [video] (2004)
You know
You decorate the garage wall Hang in people's halls Live in secret drawers If you could look around you Wonder what you'd see Fiction That's all you really are I know Editorial dreams They can't make you real Tell me where you came from And where you're going to I won't ever no I'll never get to know her Or be the cause of anything she does I won't ever no I'll never get to know her Do you think this aching could be love? You know You've figured in some fantasies You would not believe What you've had to do Life goes on around you All because of you I won't ever no I'll never... You know That in twenty years or more You still look the same As you do today You'll still be a young girl When I'm old and grey I won't ever no I'll never |
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3:08 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
All the pumping's nearly over for my sweet heart,
This is the one for me. Time to meet the chef, O boy! running man is out of death. Feel cold and old, it's getting hard to catch my breath. It's back to ash, 'now you've had your flash boy' The rocks, in time, compress Your blood to oil, Your flesh to coal, Enrich the soil, Not everbody's goal. Anyway, they say she comes on a pale horse, But I'm sure I hear a train. O boy! I don't even feel no pain - I guess I must be driving myself insane. Damn it all! Does earth plug a hole in heaven, Or heaven plug a hole in earth - 'how wonderful to be so Profound, When everything you are is dying underground.' I feel the pull on the rope, let me off at the rainbow, I could have been exploded in space Different orbits for my bones Not me, just quietly buried in stones. Keep the deadline open with my maker! See me stretch; for God's elastic acre The doorbell rings and it's "Good morning Rael So sorry you had to wait, It won't be long, yeh! She's very rarely late." |
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5:43 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
I see faces and traces of home back in New York City -
So you think I'm a tough kid? Is that what you heard? And well I like to see some action and it gets into my blood. They call me the trail blazer - Rael - electric razor I'm the pitcher in the chain gang, we don't believe in pain 'Cos we're only as strong, as we're only as strong, as the weakest link in the chain. Let me out of Pontiac when I was just seventeen, I had to get it out of me, if you know what I mean, what I mean. You say I must be crazy, 'cos I don't care who I hit, who I hit. But I know it's me that's hitting out and I'm not full of shit. I don't care who I hurt, I don't care who I do wrong. This is your mess I'm stuck in, I really don't belong. When I take out my bottle, filled up high with gasoline, You can tell by the night fires where Rael has been, has been. As I cuddled the porcupine He said I had none to blame, but me. Held my heart, deep in hair, Time to shave, shave it off, it off. No time for romantic escape, When your fluffy heart is ready for rape. No! No time for romantic escape, When your fluffy heart is ready for rape. No! No time for romantic escape, When your fluffy heart is ready for rape. No! Off we go. Off we go. Off we go. Off we go. You're sitting in your comfort you don't believe I'm real, You cannot buy protection from the way that I feel. Your progressive hypocrites hand out their trash, But it was mine in the first place, so I'll burn it to ash. And I've tasted all the strongest meats, And laid them down in coloured sheets. Laid them down in coloured sheets. Who needs illusion of love and affection When you're out walking in the streets with your mainline Connection? connection. As I cuddled the porcupine He said I had none to blame, but me. Held my heart, deep in hair, Time to shave, shave it off, it off. No time for romantic escape, When your fluffy heart is ready for rape. No! No time for romantic escape, When your fluffy heart is ready for rape. No! No time for romantic escape, When your fluffy heart is ready for rape. No! |
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4:50 |
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from Genesis, Genesis - And Then There Were Three (1978)
Big Jim Cooley commanded respect,
Whatever he wanted he could get. The badge on his waistcoat shone in the sun. It ain't no lie, Big Jim was feared by everyone. In the saloon one evening Big took a bet With a rancher whose name I forget. He wanted a herd taken over the plain, And he called Jim "yellow," He'll never do that again. He got mad! He threw his badge on the floor and walked out, He's gonna give it a try, he left no doubt. "Must be mad, must be mad!" The people wished him well, and good luck. "Hell, I don't need it!" he laughed, got on His horse and rode away. Over on the trail Jim 'n' his crew of five Were trying their best to keep the cattle alive. The weather was hard, but so were the men. Though I don't think even Jim will try this trip again. His horses were edgy, sensing trouble ahead. But the trouble didn't start till the men were in bed A-whooping and a-hollering and flashing their knives, Big Jim and his men were jumped By an all-star Indian tribe. He was scared, Big Jim was scared. Alive, they called him lucky, but not today. Cos he died like all good cowboys With his boots on next to his men. Big Jim, he still won't lie down, For him the bet is still on. Some say he rides there, cursing still. Some say they've seen him. |
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4:51 |
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from Genesis, Genesis - And Then There Were Three (1978)
Big Jim Cooley commanded respect,
Whatever he wanted he could get. The badge on his waistcoat shone in the sun. It ain't no lie, Big Jim was feared by everyone. In the saloon one evening Big took a bet With a rancher whose name I forget. He wanted a herd taken over the plain, And he called Jim "yellow," He'll never do that again. He got mad! He threw his badge on the floor and walked out, He's gonna give it a try, he left no doubt. "Must be mad, must be mad!" The people wished him well, and good luck. "Hell, I don't need it!" he laughed, got on His horse and rode away. Over on the trail Jim 'n' his crew of five Were trying their best to keep the cattle alive. The weather was hard, but so were the men. Though I don't think even Jim will try this trip again. His horses were edgy, sensing trouble ahead. But the trouble didn't start till the men were in bed A-whooping and a-hollering and flashing their knives, Big Jim and his men were jumped By an all-star Indian tribe. He was scared, Big Jim was scared. Alive, they called him lucky, but not today. Cos he died like all good cowboys With his boots on next to his men. Big Jim, he still won't lie down, For him the bet is still on. Some say he rides there, cursing still. Some say they've seen him. |
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5:33 |
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from Genesis, Genesis - Duke (1980)
I held the book so tightly in my hands
I saw your picture, heard you call my name There was something strange, I could not look away I wanted to be there, I wanted to go You gave me no warning, you gave no reason But I was with you, right by your side Just give me the strength and I can help you They can try their hardest, they don't frighten me It's written in the book It's hotter than I've known before But I feel so cold and I don't know why But if the fire within your heart can beat the storm Then I really believe you could make it right The time has come now, we must show our feelings But I'm looking right through you and your heart is empty Whatever happened to you, it's too late to change now There's nowhere you can run to, no place to hide Ah, you let me down ...but wait a minute, I don't understand It's getting stronger, so grab my hand Don't wanna leave you, don't wanna go But I'm losing all control Can't you see me, I'm slipping away I can only stay if you've the will to keep me here It's written in the book Oh, so many times since hten I've read those words Just waiting to see you, can you see me |
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5:31 |
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from Genesis, Genesis - Duke (1980)
I held the book so tightly in my hands
I saw your picture, heard you call my name There was something strange, I could not look away I wanted to be there, I wanted to go You gave me no warning, you gave no reason But I was with you, right by your side Just give me the strength and I can help you They can try their hardest, they don't frighten me It's written in the book It's hotter than I've known before But I feel so cold and I don't know why But if the fire within your heart can beat the storm Then I really believe you could make it right The time has come now, we must show our feelings But I'm looking right through you and your heart is empty Whatever happened to you, it's too late to change now There's nowhere you can run to, no place to hide Ah, you let me down ...but wait a minute, I don't understand It's getting stronger, so grab my hand Don't wanna leave you, don't wanna go But I'm losing all control Can't you see me, I'm slipping away I can only stay if you've the will to keep me here It's written in the book Oh, so many times since hten I've read those words Just waiting to see you, can you see me |
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from Genesis - Three Sides Live [video, live] (1982)
I held the book so tightly in my hands
I saw your picture, heard you call my name There was something strange, I could not look away I wanted to be there, I wanted to go You gave me no warning, you gave no reason But I was with you, right by your side Just give me the strength and I can help you They can try their hardest, they don't frighten me It's written in the book It's hotter than I've known before But I feel so cold and I don't know why But if the fire within your heart can beat the storm Then I really believe you could make it right The time has come now, we must show our feelings But I'm looking right through you and your heart is empty Whatever happened to you, it's too late to change now There's nowhere you can run to, no place to hide Ah, you let me down ...but wait a minute, I don't understand It's getting stronger, so grab my hand Don't wanna leave you, don't wanna go But I'm losing all control Can't you see me, I'm slipping away I can only stay if you've the will to keep me here It's written in the book Oh, so many times since hten I've read those words Just waiting to see you, can you see me |
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5:27 |
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from Genesis - Wind And Wuthering (1977)
(Written by Phil Collins/Steve Hackett)
Dark and grey, an English film, the Wednesday Play We always watch the Queen on Christmas Day, Won't you stay? Though your eyes see shipwrecked sailors you're still dry The outlook's fine though Wales might have some rain Saved again. Let's skip the news boy (I'll make some tea) Arabs and Jews boy (too much for me) They get me confused boy (puts me off to sleep) And the thing I hate - Oh Lord! Is staying up late, to watch some debate, on some nation's fate. Hypnotised by Batman, Tarzan, still surprised! You've won the West in time to be our guest Name your prize! Drop of wine, a glass of beer dear what's the time? The grime on the Tyne is mine, all mine, all mine. Five past nine. Blood on the rooftops - Venice in the Spring The Streets of San Francisco - a word from Peking The trouble was started - by a young Errol Flynn Better in my day - Oh Lord! For when we got bored, we'd have a world war, happy but poor So let's skip the news boy (I'll go make that tea) Blood on the rooftops (too much for me) When old Mother Goose stops - and they're out for 23 Then the rain at Lords stopped play Seems Helen of Troy has found a new face again. |
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| from Genesis - Invisible Touch [video, live] (1991) | |||||
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0:33 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
Echoes of the Broadway Everglades,
With her mythical madonnas still walking in their shades; Lenny Bruce, declares a truce and plays his other hand. Marshall Mcluhan, casual viewin' ead buried in the sand. Sirens on the rooftops wailing, but there's no ship sailing. Groucho, with his movies trailing, stands alone with his punchline failing. Klu Klux Klan serve hot soul food as the band plays 'In the Mood' The cheerleader waves her cyanide wand, there's a smell of peach blossom and bitter almonde. Caryl Chessman sniffs the air and leads the parade, he knows In a scent, you can bottle all you made. There's Howard Hughes in blue suede shoes, smiling at the Majorettes smoking Winston Cigarettes. And as the song and dance begins, the children play at home with needles; needles and pins. |
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7:09 |
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from Genesis, Genesis - And Then There Were Three (1978)
The warming sun, the cooling rain
The snowflake drifting on the breath of the breeze, The lightning bolt that frees the sky for you Yet only eagles seem to pass on through The words of love, the cries of hate. And the man in the moon who seduced you Then finally loosed you. You climbed upon a burning rope to escape the Mob below, But you had put the flaming out so That others could now follow, To be out of the bounds and the barks Of those who do not wish you well. You must blaze a train of your own, unknown, alone, But keep in mind Don't live today for tomorrow like you were immortal. The onl survivors of this world of ours are The warming sun, the cooling rain The snowflake drifting on the breath of the breeze, The lightning bolt that clears the sky for you Yet only eagles seem to pass on through The words of love, the cries of hate. And the man in the moon who seduced you Then finally loosed you. You're old and disillusioned now As you realize that at last, That all you have accomplished here Will have soon all turned to dust. You dream of a future after life, Well that's as maybe, I don't know But you can't take what you left behind, You're all alone. So keep in mind Don't live today for tomorrow Like you were immortal The only survivors of this world of ours are The warming sun, the cooling rain The snowflake drifting on the breath of the breeze, The lightning bolt that clears the sky for you Yet only eagles seem to pass on through The words of love, the cries of hate. And the man in the moon who seduced you Then finally loosed you. |
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7:10 |
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from Genesis, Genesis - And Then There Were Three (1978)
The warming sun, the cooling rain
The snowflake drifting on the breath of the breeze, The lightning bolt that frees the sky for you Yet only eagles seem to pass on through The words of love, the cries of hate. And the man in the moon who seduced you Then finally loosed you. You climbed upon a burning rope to escape the Mob below, But you had put the flaming out so That others could now follow, To be out of the bounds and the barks Of those who do not wish you well. You must blaze a train of your own, unknown, alone, But keep in mind Don't live today for tomorrow like you were immortal. The onl survivors of this world of ours are The warming sun, the cooling rain The snowflake drifting on the breath of the breeze, The lightning bolt that clears the sky for you Yet only eagles seem to pass on through The words of love, the cries of hate. And the man in the moon who seduced you Then finally loosed you. You're old and disillusioned now As you realize that at last, That all you have accomplished here Will have soon all turned to dust. You dream of a future after life, Well that's as maybe, I don't know But you can't take what you left behind, You're all alone. So keep in mind Don't live today for tomorrow Like you were immortal The only survivors of this world of ours are The warming sun, the cooling rain The snowflake drifting on the breath of the breeze, The lightning bolt that clears the sky for you Yet only eagles seem to pass on through The words of love, the cries of hate. And the man in the moon who seduced you Then finally loosed you. |
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4:16 |
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from Phil Collins 7집 - Testify (2002)
So you're leaving In the morning On the early train Well I could say everything's alright And I could pretend and say good bye Got your ticket Got your suitcase Got your leaving smile I could say that's the way it goes And I could pretend and you won't know That I was lying Cause I can't stop loving you No I can't stop loving you No I won't stop loving you Why should I We took a taxi to the station Not a word was said I saw you walk across the road For maybe the last time, I don't know Feeling humble Heard the rumble On the railway track And when I hear the whistle blow I walk away and you won't know That I'll be crying Cause I can't stop loving you No, I can't stop loving you No I won't stop loving you Why should I (Even try) I'll always be here by your side (why why why) I never wanted to say goodbye (why even try) I'm always here if your change, change your mind So you're leaving In the morning On the early train Well I could say everything's alright And I could pretend and say good bye The guy would be lying Because I can't stop loving you No I can't stop loving you No I won't stop loving you Why should I Even try Because I can't stop loving you No I can't stop loving you No I won't stop loving you Why should I Why should I Why should I Tell me why Why should I Even try
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5:45 |
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from Genesis, Genesis - Foxtrot (1972)
The scattered pages of a book by the sea
Held by the sand, washed by the waves A shadow forms cast by a cloud, Skimming by as eyes of the past, but the rising tide Absorbs them effortlessly claiming. They told of one who tired of all singing, "Praise him, praise him." "We heed not flatterers," he cried, "By our command, waters retreat, Show my power, halt at my feet," But the cause was lost, Now cold winds blow. For from the north overcast ranks advance Fear of the storm accusing with rage and scorn. The waves surround the sinking throne Singing "Crown him, crown him," "Those who love our majesty show themselves!" All bent their knees. But he forced a smile even though His hopes lay dashed where offerings fell (where they fell). "Nothing can my peace destroy as long as none smile." More opened ears and opened eyes, And soon they dared to laugh. See a little man with his face turning red Though his story's often told you can tell he's dead. |
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5:15 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
There is lambswool under my naked feet,
The wool is soft and warm, - 'Gives off some kind of heat. A salamander scurries into flame to be destroyed. Imaginary creatures are trapped in birth on celluloid. The fleas cling to the golden fleece, Hoping they'll find peace. Each thought and gesture are caught in celluloid. There's no hiding in my memory. There's no room to avoid. The crawlers cover the floor in the red ochre corridor. For my second sight of people, they've more lifeblood than before. They're moving in time to a heavy wooden door, Where the needle's eye is winking, closing on the poor. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." There's only one direction in the faces that I see; It's upward to the ceiling, where the chamber's said to be. Like the forest fight for sunlight, that takes root in every tree, There are pulled up by the magnet, believeing they're free. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." Mild mannered supermen are held in kryptonite, And the wise and foolish virgins giggle with their bodies glowing bright. Through the door a harvest feast is lit by candlelight; It's the bottom of a staircase that spirals out of sight. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." The porcelain mannikin with shattered skin fears attack. The eager pack lit up their pitchers - they carry all they lack. The liquid has congealed, which has seeped out through the crack. And the tickler takes his sticleback. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." |
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5:20 |
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from Genesis, Genesis - Seconds Out [live] (1977)
There is lambswool under my naked feet,
The wool is soft and warm, - 'Gives off some kind of heat. A salamander scurries into flame to be destroyed. Imaginary creatures are trapped in birth on celluloid. The fleas cling to the golden fleece, Hoping they'll find peace. Each thought and gesture are caught in celluloid. There's no hiding in my memory. There's no room to avoid. The crawlers cover the floor in the red ochre corridor. For my second sight of people, they've more lifeblood than before. They're moving in time to a heavy wooden door, Where the needle's eye is winking, closing on the poor. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." There's only one direction in the faces that I see; It's upward to the ceiling, where the chamber's said to be. Like the forest fight for sunlight, that takes root in every tree, There are pulled up by the magnet, believeing they're free. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." Mild mannered supermen are held in kryptonite, And the wise and foolish virgins giggle with their bodies glowing bright. Through the door a harvest feast is lit by candlelight; It's the bottom of a staircase that spirals out of sight. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." The porcelain mannikin with shattered skin fears attack. The eager pack lit up their pitchers - they carry all they lack. The liquid has congealed, which has seeped out through the crack. And the tickler takes his sticleback. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." |
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from Genesis - The VIdeo Show [video] (2004)
There is lambswool under my naked feet,
The wool is soft and warm, - 'Gives off some kind of heat. A salamander scurries into flame to be destroyed. Imaginary creatures are trapped in birth on celluloid. The fleas cling to the golden fleece, Hoping they'll find peace. Each thought and gesture are caught in celluloid. There's no hiding in my memory. There's no room to avoid. The crawlers cover the floor in the red ochre corridor. For my second sight of people, they've more lifeblood than before. They're moving in time to a heavy wooden door, Where the needle's eye is winking, closing on the poor. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." There's only one direction in the faces that I see; It's upward to the ceiling, where the chamber's said to be. Like the forest fight for sunlight, that takes root in every tree, There are pulled up by the magnet, believeing they're free. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." Mild mannered supermen are held in kryptonite, And the wise and foolish virgins giggle with their bodies glowing bright. Through the door a harvest feast is lit by candlelight; It's the bottom of a staircase that spirals out of sight. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." The porcelain mannikin with shattered skin fears attack. The eager pack lit up their pitchers - they carry all they lack. The liquid has congealed, which has seeped out through the crack. And the tickler takes his sticleback. The carpet crawlers heed their callers; "We've got to get in to get out We've got to get in to get out We've got to get in to get out." |
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10:58 |
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| from Genesis, Genesis - Seconds Out [live] (1977) | |||||
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8:13 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
i) The Arrival
Rael: I wandered lonely as a cloud Till I came upon this dirty street I've never seen a stranger crowd Slubberdegullions on squeaky feet Continually pacing With nonchalant embracing Each orifice disgracing And one facing me Moves to say "hellay" Your skin's all covered in slimy lumps With lips that slide across each chin His twisted limbs like rubber stumps Are waved in welcome Say "Please join in:" My grip must be flipping 'Cause his handshake keeps slipping My hopes keep on dipping And his lips keep on Smiling all the time Slipperman: "We, like you Have tasted love Don't be alarmed At what you see You yourself Are just the same As what you see in me" Rael: Me Like you? Like that!? Slipperman: "You better watch it, son Your sentence has only just begun You better run and join your brother John" ii) A Visit to the Doktor Slipperman: "You're in the colony of slippermen There's no who, why What or when You can get out If you've got the gripe To see, Doktor Dyper Reformed sniper He'll whip off Your windscreenwiper" Rael: John and I are able To face the Doktor And his marble table He said... The Doktor: Understand, Rael That's the end of your tail Rael: "Don't delay Dock the dick!" I watch his countdown Timer tick... iii) The Raven He places the number into a tube It's a yellow plastic Shoobedoobe It says: "Though your fingers may tickle You'll be safe in our pickle" Suddenly, black cloud Come down from the sky Its a supersized black bird That sure can fly The raven brings on Darkness and night He flies right down Gives me one hell of a fright He takes the tube Right out of my hands Man, I've got to find Where that black bird lands "Look here, John I've got to run I need you now You're going to come?" He says to me... John: "Now can't you see Where the raven flies There's jeopardy? We've been cured on the couch Now you're sick with your grouch I'll not risk my honey pouch Which my slouch Will wear slung very low" Rael: He walks away And leaves me once again Even though I never learn I'd hoped he'd show Just some concern Some concern Ah... Some concern I'm in the agony of Slipperpain I pray my undercarriage will sustain The chase is on The pace is hot But I'm running so very hard With everything That I've got He leads me down an underpass Though it narrows He still flies very fast When the tunnel stops Catch sight of the tube Just as it drops I'm on top of a bank Too steep to climb I see it hit the water Just in time To watch it float away Watch it float away Watch it float away... |
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4:32 |
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from Phil Collins 7집 - Testify (2002)
I'll try to make the sunshine
Brighter for you Now we're leaving beautiful There's a tear in your eyes After all is said After all is done I'll do anything for you Come with me Close your eyes Hold my hands and feel alright Don't be scared Don't be shy Lift your head It's gonna be alright I'll try to make the star shine Brighter for you and I'll take you in the shoulder Holding you way up high I even chase the rainbow Handed it in the sky After all is said After all is done I'll do anything for you Come with me Close your eyes Hold my hands It'll be alright Don't be scared Don't be shy Lift your head It's gonna be alright Through the eyes of innocence You will find You will see They'll come in time all make sense And you won't know That it will show inside Deep inside Come with me Close your eyes Hold my hands It'll be alright Don't be scared Don't be shy Lift your head It's gonna be alright I'll try to make the days last longer for you From the daybreak to the sunset to the end of time I'll keep you safe away from the hurting Cause when all is said When all is done I'll do anything for you Come with me Close your eyes Hold my hands It'll be alright Don't be scared Don't be shy Lift your head It's gonna be alright Come with me Close your eyes Hold my hands It'll be alright Don't be scared Don't be shy Lift your head It's gonna be alright |
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from Genesis - The VIdeo Show [video] (2004)
You say that I put chains on you
But I don't think that's really true But if you want to be free from me You gotta lose me in another world Send me to the Congo I'm free to leave There's always somewhere anybody can lead Send me to the Congo you have to believe You can do it if you wanna just do what you please Like a soldier ant I will wait for the signal to act To take a walk right through the door If you don't want me here any more Send me to the Congo I'm free to leave There's always somewhere anybody can lead Send me to the Congo you have to believe You can do it if you wanna just do what you please Into my heart you came And gave a whole new meaning to my life Into my world you brought a light I thought it never would go out Send me to the Congo I'm free to leave There's always somewhere anybody can lead Send me to the Congo you have to believe You can do it if you wanna just do what you please You can send me to the Congo I'm free to leave There's always somewhere anybody can lead Yes you can send me to the Congo, you have to believe You can do it if you wanna just do what you please I would never be the one to say you had no reason To want me somewhere else far far away But someday you may understand, someday you will see That someone who would die for you is all I've ever been Congo the Congo, if that's how it's got to be Congo the Congo, if that's what you want from me I would never be the one to say you had no reason To want me somewhere else far far away Someday you may understand someday you will see |
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3:42 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
I'm counting out time,
Got the whole thing down by numbers, All those numbers! Give me guidance! O Lord I need that now. That day of judgement's come, And you can bet that I've been resting, For this testing. Digesting every word the experts say. Erogenous zones I love you. Without you, what would a poor boy do? Found a girl I wanted to date, Thought I'd better get it straight. Went to buy a book before's too late. Don't leave nothing to fate. And I have studied every line, every page in the book, And now I've got the real thing here, I'm gonna take a look, Take a look. This is it Rael! I'm counting out time, hoping it goes like I planned it, 'Cos I understand it. Look! I've found the hotspots, Figures 1-9. - Still counting out time, i've got my finger on the button, "Don't say nuttin - just lie there still And I'll get you turned on just fine." Erogenous zones I love you, Without you, what would a poor boy do? Touch and go with 1-6. Bit of trouble in zone No. 7. Gotta remember all of my tricks. There's heaven ahead in No. 11! Getting crucial responses with dilation of the pupils. "Honey get hip! It's time to unzip, to unzip. Whipee! - Move over Casanova - I'm counting out time, reaction none too happy, Please don't slap me, I'm a red blooded male and the book said I could not fail. I'm counting out time, I got unexpected distress from my Mistress. I'll get my money back from the bookstore right away. Erogenous zones I question you - Without you, what would a poor boy do? Without you, what would a poor boy do? Without you, mankind handkinds thru' the blues. |
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2:12 |
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from Genesis - The Lamb Lies Down On Broadway (1974)
Wrapped up in some powdered wool - I guess I'm losing touch.
Don't tell me this is dying, 'cos I ain't changed that much. The only sound is water drops, I wonder where the hell I am, Some kind of jam? Cuckoo cocoon have I come to, too soon for you! There's nothing I can recognise; this is nowhere that I've known. With no sign of life at all, I guess that I'm alone, And I feel so secure that I know this can't be real But I feel good. Cuckoo cocoon have I come to, too soon for you? I wonder if I'm a prisoner locked in some Brooklyn jail - Or some sort of Jonah shut up inside the whale. No - I'm still Rael and I'm stuck in some kind of cave. What could have saved me? Cuckoo cocoon have I come to, too soon for you? |
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5:05 |
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from Genesis, Genesis - Duke (1980)
Wake up now, this is the time you've waited for.
Far below, where shadown fester as they grow, An army thousands strong, obsessed by right and wrong, Sense their time is coming near. So they turn towards the light from their region of the night, Marching on and on, They near the air, it won't be long. You know you're on the way out, It's just a matter of time. You thought you'd rule the world forever, Long live the king, don't spare the loser. After all, you're not what you thought you were at all. You're just a natural fact, another cul-de-sac On nature's hard unfeeling trail. And all those dreams of old will be stories left untold, Cut off in your prime, extinct until the end of time. Now the host emerges, a shadow starts to fall. Not one knows what hit them, none can see at all. Even as the end approaches still they're not aware, How can you fight a foe so deadly When you don't even know it's there? And now that the job is almost done Maybe some escape, no, not even one |
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5:06 |
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from Genesis, Genesis - Duke (1980)
Wake up now, this is the time you've waited for.
Far below, where shadown fester as they grow, An army thousands strong, obsessed by right and wrong, Sense their time is coming near. So they turn towards the light from their region of the night, Marching on and on, They near the air, it won't be long. You know you're on the way out, It's just a matter of time. You thought you'd rule the world forever, Long live the king, don't spare the loser. After all, you're not what you thought you were at all. You're just a natural fact, another cul-de-sac On nature's hard unfeeling trail. And all those dreams of old will be stories left untold, Cut off in your prime, extinct until the end of time. Now the host emerges, a shadow starts to fall. Not one knows what hit them, none can see at all. Even as the end approaches still they're not aware, How can you fight a foe so deadly When you don't even know it's there? And now that the job is almost done Maybe some escape, no, not even one |
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5:56 |
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from Genesis - A Trick Of The Tail (1976)
Holy Mother of God
You've got to go faster than that to get to the top, Dirty old mountain All covered in smoke, she can turn you to stone So you better start doing it right Better start doing it right. You're halfway up and you're halfway down And the pack on your back is turning you around. Throw it away, you won't need it up there, and remember You don't look back whatever you do. Better start doing it right. On your left and on your right Crosses are green and crosses are blue Your friends didn't make it through. Out of the night and out of the dark Into the fire and into the fight Well that's the way the heroes go, Ho! Ho! Ho! Through a crack in Mother Earth, Blazing hot, the molten rock Spills out over the land. And the lava's the lover who licks your boots away, Hey! Hey! Hey! If you don't want to boil as well, B-B-Better start the dance D-D-Do you want to dance with me. You better start doing it right. The music's playing, the notes are right Put your left foot first and move into the light. The edge of this hill is the edge of the world And if you're going to cross you better start doing it right Better start doing it right. You better start doing it right. Let the dance begin ~ |
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8:25 |
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from Genesis, Genesis - Seconds Out [live] (1977)
Holy Mother of God
You've got to go faster than that to get to the top, Dirty old mountain All covered in smoke, she can turn you to stone So you better start doing it right Better start doing it right. You're halfway up and you're halfway down And the pack on your back is turning you around. Throw it away, you won't need it up there, and remember You don't look back whatever you do. Better start doing it right. On your left and on your right Crosses are green and crosses are blue Your friends didn't make it through. Out of the night and out of the dark Into the fire and into the fight Well that's the way the heroes go, Ho! Ho! Ho! Through a crack in Mother Earth, Blazing hot, the molten rock Spills out over the land. And the lava's the lover who licks your boots away, Hey! Hey! Hey! If you don't want to boil as well, B-B-Better start the dance D-D-Do you want to dance with me. You better start doing it right. The music's playing, the notes are right Put your left foot first and move into the light. The edge of this hill is the edge of the world And if you're going to cross you better start doing it right Better start doing it right. You better start doing it right. Let the dance begin ~ |
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5:09 |
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from Genesis, Genesis - Seconds Out [live] (1977)
Holy Mother of God
You've got to go faster than that to get to the top, Dirty old mountain All covered in smoke, she can turn you to stone So you better start doing it right Better start doing it right. You're halfway up and you're halfway down And the pack on your back is turning you around. Throw it away, you won't need it up there, and remember You don't look back whatever you do. Better start doing it right. On your left and on your right Crosses are green and crosses are blue Your friends didn't make it through. Out of the night and out of the dark Into the fire and into the fight Well that's the way the heroes go, Ho! Ho! Ho! Through a crack in Mother Earth, Blazing hot, the molten rock Spills out over the land. And the lava's the lover who licks your boots away, Hey! Hey! Hey! If you don't want to boil as well, B-B-Better start the dance D-D-Do you want to dance with me. You better start doing it right. The music's playing, the notes are right Put your left foot first and move into the light. The edge of this hill is the edge of the world And if you're going to cross you better start doing it right Better start doing it right. You better start doing it right. Let the dance begin ~ |
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8:03 |
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from Genesis - Selling England By The Pound (1973)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
"Can you tell me where my country lies?" said the unifaun to his true love's eyes. "It lies with me!" cried the Queen of Maybe - for her merchandise, he traded in his prize. "Paper late!" cried a voice in the crowd. "Old man dies!" The note he left was signed "Old Father Thames" - it seems he's drowned; selling England by the pound. Citizens of Hope & Glory, Time goes by - it's 'the time of your life'. Easy now, sit you down. Chewing through your Wimpey dreams, They eat, without a sound Digesting England by the pound. Young man says, "you are what you eat" - eat well. Old man says "you are what you wear" - wear well. You know what you are, you don't give a damn; bursting your belt that is your homemade sham. The Captain leads his dance right on through the night - join the dance . . . Follow on! Till the Grail sun sets in the mould. Follow on! Till the gold is cold. Dancing out with the moonlit knight, Knights of the Green Shield stamp and shout. There's a fat old lady outside the saloon; laying out the credit cards she plays Fortune. The deck is uneven right from the start; and all of their hands are playing a part. Captain leads his dance right on through the night - join the dance . . . Follow on! A Round Table-talking down we go. You're the show! Off we go with: You play the hobbyhorse, I'll play the fool. We'll tease the bull ringing round & loud, loud & round. Follow on! With a twist of the world we go. Follow on! Till the gold is cold. Dancing out with the moonlit knight, Knights of the Green Shield stamp and shout. |
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from Genesis - Genesis Live [video, live] (2004)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
"Can you tell me where my country lies?" said the unifaun to his true love's eyes. "It lies with me!" cried the Queen of Maybe - for her merchandise, he traded in his prize. "Paper late!" cried a voice in the crowd. "Old man dies!" The note he left was signed "Old Father Thames" - it seems he's drowned; selling England by the pound. Citizens of Hope & Glory, Time goes by - it's 'the time of your life'. Easy now, sit you down. Chewing through your Wimpey dreams, They eat, without a sound Digesting England by the pound. Young man says, "you are what you eat" - eat well. Old man says "you are what you wear" - wear well. You know what you are, you don't give a damn; bursting your belt that is your homemade sham. The Captain leads his dance right on through the night - join the dance . . . Follow on! Till the Grail sun sets in the mould. Follow on! Till the gold is cold. Dancing out with the moonlit knight, Knights of the Green Shield stamp and shout. There's a fat old lady outside the saloon; laying out the credit cards she plays Fortune. The deck is uneven right from the start; and all of their hands are playing a part. Captain leads his dance right on through the night - join the dance . . . Follow on! A Round Table-talking down we go. You're the show! Off we go with: You play the hobbyhorse, I'll play the fool. We'll tease the bull ringing round & loud, loud & round. Follow on! With a twist of the world we go. Follow on! Till the gold is cold. Dancing out with the moonlit knight, Knights of the Green Shield stamp and shout. |
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5:12 |
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from Genesis, Genesis - And Then There Were Three (1978)
Get out of the way, fat man
You got something to do Go fill up your hands Till they're shining up at you You gotta get out while There's gold in the air It's falling like water Coming down from the hills Go West, young man Earn a dollar a day Just like your family said. You're rolling your days Right on into the night The head of the line's Going way out of sight Go West, young man Like your family said All along the wagons All along the dusty trail Seventeen years Not over a day Like children in the wild Your mother's milk Still wet on your face And no one to pray for Your safe journey home Out beyond the desert Across the mountains by the fall Servants who leave their masters house Are walking all the way The golden fields that beckoned you Are darkened by the years Go West, Young Man If you knew then What you know today You'd be back where you started A happier man And leave all the glory To those who have remained So Go West, Young Man Go West, Young Man Like your family said |
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5:16 |
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from Genesis, Genesis - And Then There Were Three (1978)
Get out of the way, fat man
You got something to do Go fill up your hands Till they're shining up at you You gotta get out while There's gold in the air It's falling like water Coming down from the hills Go West, young man Earn a dollar a day Just like your family said. You're rolling your days Right on into the night The head of the line's Going way out of sight Go West, young man Like your family said All along the wagons All along the dusty trail Seventeen years Not over a day Like children in the wild Your mother's milk Still wet on your face And no one to pray for Your safe journey home Out beyond the desert Across the mountains by the fall Servants who leave their masters house Are walking all the way The golden fields that beckoned you Are darkened by the years Go West, Young Man If you knew then What you know today You'd be back where you started A happier man And leave all the glory To those who have remained So Go West, Young Man Go West, Young Man Like your family said |
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5:21 |
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| from Genesis - Throwing It All Away [single] (1986) | |||||
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from Genesis - Three Sides Live [video, live] (1982)
Too big to fly, dodo ugly so dodo must die
Doggo with fear on its side can't change, can't change the tide Dog baiter, agitator, asking questions say he wants to know why Ain't no reason that money can't buy Mink, he pretty so mink he must die, must die Sun he giving life in his light Part of the system Friend to man and friend to the trees No friend to the snowman Where does he go, what does he do? Does he meet with the mole, the stream, the cloud And end up at the bottom of the sea Fish he got hook in his throat Fish he got problems Where does he go, what does he do? Does he hope he's too small, too poor a haul And end up being thrown back in the sea I'm back in the sea Caretaker, horror movie Only one eye, only needs one boot Sweet lady, she knows she looks good Vacuum coming for the bright and the brute Big noise, black smoke So pig headed couldn't see the joke But it ain't funny Ask the fly on the wall It's only living It don't matter at all, at all Pimp he make you drool and grunt He got an answer One he got a dream of love Deep as the ocean Where does he go? What does he do? Will the siren team with Davy Jones And trap him at the bottom of the sea I'm back in the sea |
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7:32 |
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from Genesis, Genesis - Abacab (1981)
Too big to fly, dodo ugly so dodo must die
Doggo with fear on its side can't change, can't change the tide Dog baiter, agitator, asking questions say he wants to know why Ain't no reason that money can't buy Mink, he pretty so mink he must die, must die Sun he giving life in his light Part of the system Friend to man and friend to the trees No friend to the snowman Where does he go, what does he do? Does he meet with the mole, the stream, the cloud And end up at the bottom of the sea Fish he got hook in his throat Fish he got problems Where does he go, what does he do? Does he hope he's too small, too poor a haul And end up being thrown back in the sea I'm back in the sea Caretaker, horror movie Only one eye, only needs one boot Sweet lady, she knows she looks good Vacuum coming for the bright and the brute Big noise, black smoke So pig headed couldn't see the joke But it ain't funny Ask the fly on the wall It's only living It don't matter at all, at all Pimp he make you drool and grunt He got an answer One he got a dream of love Deep as the ocean Where does he go? What does he do? Will the siren team with Davy Jones And trap him at the bottom of the sea I'm back in the sea |
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7:31 |
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from Genesis, Genesis - Abacab (1981)
Too big to fly, dodo ugly so dodo must die
Doggo with fear on its side can't change, can't change the tide Dog baiter, agitator, asking questions say he wants to know why Ain't no reason that money can't buy Mink, he pretty so mink he must die, must die Sun he giving life in his light Part of the system Friend to man and friend to the trees No friend to the snowman Where does he go, what does he do? Does he meet with the mole, the stream, the cloud And end up at the bottom of the sea Fish he got hook in his throat Fish he got problems Where does he go, what does he do? Does he hope he's too small, too poor a haul And end up being thrown back in the sea I'm back in the sea Caretaker, horror movie Only one eye, only needs one boot Sweet lady, she knows she looks good Vacuum coming for the bright and the brute Big noise, black smoke So pig headed couldn't see the joke But it ain't funny Ask the fly on the wall It's only living It don't matter at all, at all Pimp he make you drool and grunt He got an answer One he got a dream of love Deep as the ocean Where does he go? What does he do? Will the siren team with Davy Jones And trap him at the bottom of the sea I'm back in the sea |
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10:41 |
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from Genesis, Genesis - Invisible Touch (1986)
Part 1: In the Glow of the Night
The grey of evening fills the room, There's no need to look outside, To see or feel the rain. Then I reach across to touch her, But I know that she's not there. Rain keeps running down the window pane. Time is running out for me. Can't you see what you are doing to me? Can't you see what you have done? As I try to pass another long and sleepless night, A hundred crazy voices call my name, As I try to pass them by, I almost can believe that she is here, Here in the glow of the night. Do you know what you have done? Do you know what you've begun? Do you see we shall never be together again? All of my life. Lonely people, empty rooms, Pointless violence, silent tombs. Could it be that we shall be together again? Sheets of double glazing help to keep outside the night, Only foreign city sirens can cut through, Nylon sheets and blankets help to minimize the cold. But they can't keep out the chilling sounds. Will the nightmare soon give way to dreaming That she is here with me? Here in the glow of the night. Do you know what you have done? Do you know what you've begun? Do you see we shall never be together again? All of my life. Lonely people, empty rooms, Pointless violence, silent tombs. Could it be that we shall be together again? Could it be that we shall be together again? In silence and darkness We held each other near that night We prayed it would last forever. Part 2: The Last Domino Blood on the windows Millions of ordinary people are there They gaze at the scenery They act as if it is perfectly clear Take a look at the mountains Take a look at the beautiful river of blood. The liquid surrounds me I fight to rise from this river of hell I stare round about me Children are swimming and playing with boats Their features are changing Their bodies dissolve and I am alone. Now see what you've gone and done. Now see what you've gone and done. Well now you never did see such a terrible thing As was seen last night on T.V. Maybe if we're lucky, they will show it again Such a terrible thing to see - oh But there's nothing you can do when you're next in line You've got to go domino. Now I'm one with the living and I'm feeling just fine I know just what I gotta do Play the game of happiness and never let on That it only lives on in a song - oh Well there's nothing you can do when you're next in line You've got to go domino. Do you know what you have done? Do you know what you've begun? In silence and darkness Hold each other near tonight For will it last forever? Will it last forever - forever... There's nothing you can do when you're the next in line You've got to go domino. Do you know, do you know, do you know what you have done Do you see what you've begun? Cos there's nothing, nothing, nothing There's nothing you can do, there's nothing you can do Do you see, do you see what you have done? |
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from Genesis - Invisible Touch [video, live] (1991)
Part 1: In the Glow of the Night
The grey of evening fills the room, There's no need to look outside, To see or feel the rain. Then I reach across to touch her, But I know that she's not there. Rain keeps running down the window pane. Time is running out for me. Can't you see what you are doing to me? Can't you see what you have done? As I try to pass another long and sleepless night, A hundred crazy voices call my name, As I try to pass them by, I almost can believe that she is here, Here in the glow of the night. Do you know what you have done? Do you know what you've begun? Do you see we shall never be together again? All of my life. Lonely people, empty rooms, Pointless violence, silent tombs. Could it be that we shall be together again? Sheets of double glazing help to keep outside the night, Only foreign city sirens can cut through, Nylon sheets and blankets help to minimize the cold. But they can't keep out the chilling sounds. Will the nightmare soon give way to dreaming That she is here with me? Here in the glow of the night. Do you know what you have done? Do you know what you've begun? Do you see we shall never be together again? All of my life. Lonely people, empty rooms, Pointless violence, silent tombs. Could it be that we shall be together again? Could it be that we shall be together again? In silence and darkness We held each other near that night We prayed it would last forever. Part 2: The Last Domino Blood on the windows Millions of ordinary people are there They gaze at the scenery They act as if it is perfectly clear Take a look at the mountains Take a look at the beautiful river of blood. The liquid surrounds me I fight to rise from this river of hell I stare round about me Children are swimming and playing with boats Their features are changing Their bodies dissolve and I am alone. Now see what you've gone and done. Now see what you've gone and done. Well now you never did see such a terrible thing As was seen last night on T.V. Maybe if we're lucky, they will show it again Such a terrible thing to see - oh But there's nothing you can do when you're next in line You've got to go domino. Now I'm one with the living and I'm feeling just fine I know just what I gotta do Play the game of happiness and never let on That it only lives on in a song - oh Well there's nothing you can do when you're next in line You've got to go domino. Do you know what you have done? Do you know what you've begun? In silence and darkness Hold each other near tonight For will it last forever? Will it last forever - forever... There's nothing you can do when you're the next in line You've got to go domino. Do you know, do you know, do you know what you have done Do you see what you've begun? Cos there's nothing, nothing, nothing There's nothing you can do, there's nothing you can do Do you see, do you see what you have done? |
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from Genesis - Invisible Touch [video, live] (1991)
Part 1: In the Glow of the Night
The grey of evening fills the room, There's no need to look outside, To see or feel the rain. Then I reach across to touch her, But I know that she's not there. Rain keeps running down the window pane. Time is running out for me. Can't you see what you are doing to me? Can't you see what you have done? As I try to pass another long and sleepless night, A hundred crazy voices call my name, As I try to pass them by, I almost can believe that she is here, Here in the glow of the night. Do you know what you have done? Do you know what you've begun? Do you see we shall never be together again? All of my life. Lonely people, empty rooms, Pointless violence, silent tombs. Could it be that we shall be together again? Sheets of double glazing help to keep outside the night, Only foreign city sirens can cut through, Nylon sheets and blankets help to minimize the cold. But they can't keep out the chilling sounds. Will the nightmare soon give way to dreaming That she is here with me? Here in the glow of the night. Do you know what you have done? Do you know what you've begun? Do you see we shall never be together again? All of my life. Lonely people, empty rooms, Pointless violence, silent tombs. Could it be that we shall be together again? Could it be that we shall be together again? In silence and darkness We held each other near that night We prayed it would last forever. Part 2: The Last Domino Blood on the windows Millions of ordinary people are there They gaze at the scenery They act as if it is perfectly clear Take a look at the mountains Take a look at the beautiful river of blood. The liquid surrounds me I fight to rise from this river of hell I stare round about me Children are swimming and playing with boats Their features are changing Their bodies dissolve and I am alone. Now see what you've gone and done. Now see what you've gone and done. Well now you never did see such a terrible thing As was seen last night on T.V. Maybe if we're lucky, they will show it again Such a terrible thing to see - oh But there's nothing you can do when you're next in line You've got to go domino. Now I'm one with the living and I'm feeling just fine I know just what I gotta do Play the game of happiness and never let on That it only lives on in a song - oh Well there's nothing you can do when you're next in line You've got to go domino. Do you know what you have done? Do you know what you've begun? In silence and darkness Hold each other near tonight For will it last forever? Will it last forever - forever... There's nothing you can do when you're the next in line You've got to go domino. Do you know, do you know, do you know what you have done Do you see what you've begun? Cos there's nothing, nothing, nothing There's nothing you can do, there's nothing you can do Do you see, do you see what you have done? |
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from Genesis - The Way We Walk [video, live] (1993)
Part 1: In the Glow of the Night
The grey of evening fills the room, There's no need to look outside, To see or feel the rain. Then I reach across to touch her, But I know that she's not there. Rain keeps running down the window pane. Time is running out for me. Can't you see what you are doing to me? Can't you see what you have done? As I try to pass another long and sleepless night, A hundred crazy voices call my name, As I try to pass them by, I almost can believe that she is here, Here in the glow of the night. Do you know what you have done? Do you know what you've begun? Do you see we shall never be together again? All of my life. Lonely people, empty rooms, Pointless violence, silent tombs. Could it be that we shall be together again? Sheets of double glazing help to keep outside the night, Only foreign city sirens can cut through, Nylon sheets and blankets help to minimize the cold. But they can't keep out the chilling sounds. Will the nightmare soon give way to dreaming That she is here with me? Here in the glow of the night. Do you know what you have done? Do you know what you've begun? Do you see we shall never be together again? All of my life. Lonely people, empty rooms, Pointless violence, silent tombs. Could it be that we shall be together again? Could it be that we shall be together again? In silence and darkness We held each other near that night We prayed it would last forever. Part 2: The Last Domino Blood on the windows Millions of ordinary people are there They gaze at the scenery They act as if it is perfectly clear Take a look at the mountains Take a look at the beautiful river of blood. The liquid surrounds me I fight to rise from this river of hell I stare round about me Children are swimming and playing with boats Their features are changing Their bodies dissolve and I am alone. Now see what you've gone and done. Now see what you've gone and done. Well now you never did see such a terrible thing As was seen last night on T.V. Maybe if we're lucky, they will show it again Such a terrible thing to see - oh But there's nothing you can do when you're next in line You've got to go domino. Now I'm one with the living and I'm feeling just fine I know just what I gotta do Play the game of happiness and never let on That it only lives on in a song - oh Well there's nothing you can do when you're next in line You've got to go domino. Do you know what you have done? Do you know what you've begun? In silence and darkness Hold each other near tonight For will it last forever? Will it last forever - forever... There's nothing you can do when you're the next in line You've got to go domino. Do you know, do you know, do you know what you have done Do you see what you've begun? Cos there's nothing, nothing, nothing There's nothing you can do, there's nothing you can do Do you see, do you see what you have done? |
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10:45 |
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| from Genesis, Genesis - Invisible Touch (1986) | |||||
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4:40 |
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from Phil Collins 7집 - Testify (2002)
Don't get me started on politicians
And the lies they spread Don't even mention sex and religion And who they take to bed But if you see me running down the street Know where I'm running to I'm tired of honesty being denied us I'm coming looking for you Don't hold me down, I'm on my way And nothing's gonna turn me round Don't turn around, give it to me straight I'm on my way and nothing's gonna shake me I'll hold my ground Wild horses won't make me Don't get me started on information Magazines and T.V. There's one man under his big umbrella While it's raining on you and me Everyday it's getting harder to judge Fiction from fact I'm tired of truth being denied me It's mine and I want it back Don't hold me down, I'm on my way And nothing's gonna turn me round Don't turn around, give it to me straight I'm on my way and nothing's gonna shake me I'll hold my ground Wild horses won't make me Business as usual in our pressure steamer Where reality slips from view They say that we can't take it I think I can, can you? Don't get me started on blood and thunder with people flying blind Not caring what or who they take with them Or what they leave behind It's one mans god against another While the river of tears roll by The things they do in the name of their father Can someone tell me why Don't hold me down, I'm on my way And nothing's gonna turn me round Don't turn around, give it to me straight I'm on my way and nothing's gonna shake me I'll hold my ground Don't get me started |
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5:26 |
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from Genesis, Genesis - And Then There Were Three (1978)
It's good to be here! How've you been?
Check my bags boy! Where's my room? Gotta sit on the phone, that's my game. Keep up the pressure all the way! I don't want to beat about the bush But none of us are getting any younger. There's people out there who could take your place. A more commerical view! A fresher face! I need a shower, take a nap I'll meet you in the bar, must have a rap. There's a lot on the line, a lot to say. And there's something I must tell you today. You and I both knew the score, You can't go on like this forever. So it's with regret I tell you now That from this moment on, You're on your own! I don't talk round corners, right between the eyes. If you're slow they'll run past you. Stand tall, see them falling over. I walk a straight line, right between the eyes. But just show me the door; show me Someone who'll do it better The drinks are on me, be my guest. Smoke a cigar? Take the best. Don't hedge your bets, we can make a deal, Got it in your pocket, how do you feel? So glad that's over, now you know. But I'm only acting under orders. And looking down on you from way up here. You've gotta sink or swim, get off the floor! I don't talk round corners, right between the eyes. If you're slow they'll run past you. Stand tall, see them falling over. I walk a straight line, right between the eyes. But just show me the door, show me Someone who'll do it better |
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5:26 |
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from Genesis, Genesis - And Then There Were Three (1978)
It's good to be here! How've you been?
Check my bags boy! Where's my room? Gotta sit on the phone, that's my game. Keep up the pressure all the way! I don't want to beat about the bush But none of us are getting any younger. There's people out there who could take your place. A more commerical view! A fresher face! I need a shower, take a nap I'll meet you in the bar, must have a rap. There's a lot on the line, a lot to say. And there's something I must tell you today. You and I both knew the score, You can't go on like this forever. So it's with regret I tell you now That from this moment on, You're on your own! I don't talk round corners, right between the eyes. If you're slow they'll run past you. Stand tall, see them falling over. I walk a straight line, right between the eyes. But just show me the door; show me Someone who'll do it better The drinks are on me, be my guest. Smoke a cigar? Take the best. Don't hedge your bets, we can make a deal, Got it in your pocket, how do you feel? So glad that's over, now you know. But I'm only acting under orders. And looking down on you from way up here. You've gotta sink or swim, get off the floor! I don't talk round corners, right between the eyes. If you're slow they'll run past you. Stand tall, see them falling over. I walk a straight line, right between the eyes. But just show me the door, show me Someone who'll do it better |
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from Genesis, Genesis - We Can'T Dance (1991)
In and out of darkness, in and out of sleep
trying to keep my hands upon the wheel. Never saw the corner in the driving rain. I never saw her step into the street. Dreaming while you sleep dreaming while you sleep memories to keep dreaming while you sleep I can never understand what went thru my mind I didn't stop to see what I had done. Had to keep on driving deep into the night the miles between would somehow put it right Dreaming while you sleep dreaming while you sleep memories to keep dreaming while you sleep All my life you lie silently there All my life in a world so unfair All my life and only I'll know why and it will live inside of me, I will never be free all my life, trapped in her memory all my life Till the day that you open your eyes, please open your eyes Dreaming while you sleep dreaming while you sleep Heard it on the radio, saw it on TV, but could I take my secret to the grave. If I had another chance, would I do the same. Would I still deny that it was me. Dreaming while you sleep dreaming while you sleep Dreaming while you sleep, Are you dreaming while you sleep? All my life I'll be haunted by all my life just one moment in time all my life until the day I die and it will live inside of me Oh I will never be free all my life trapped in her memory all my life Till the day that you open your eyes All of my life - you lie silently there All my life - in a world so unfair All my life - and only I know why And it will live inside of me I will never be free all my life Trapped in her memory - all my life Till the day that you open your eyes. All of my life. Just one moment of time, all my life. |
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7:56 |
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from Genesis - Never A Time [ep] (1992)
In and out of darkness, in and out of sleep
trying to keep my hands upon the wheel. Never saw the corner in the driving rain. I never saw her step into the street. Dreaming while you sleep dreaming while you sleep memories to keep dreaming while you sleep I can never understand what went thru my mind I didn't stop to see what I had done. I had to keep on driving deep into the night the miles between would somehow put it right Dreaming while you sleep dreaming while you sleep memories to keep dreaming while you sleep All my life you lie silently there All my life in a world so unfair All my life and only I'll know why and it will live inside of me, I will never be free all my life, trapped in her memory all my life Till the day that you open your eyes, please open your eyes Dreaming while you sleep dreaming while you sleep Heard it on the radio, saw it on TV, but coud I take my secret to the grave. If I had another chance, would I do the same. Dreaming while you sleep dreaming while you sleep Dreaming while you sleep, Are you dreaming while you sleep? All my life I'll be haunted by all my life just one moment in time all my life until the day I die and it will live inside of me I will never be free all my life trapped in her memory all my life Till the day that you open your eyes All of my life - you lie silently there All my life - in a world so unfair All my life - and only I know why And it will live inside of me I will never be free all my life Trapped in her memory - all my life Till the day that you open your eyes |
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from Genesis - The Way We Walk [video, live] (1993)
In and out of darkness, in and out of sleep
trying to keep my hands upon the wheel. Never saw the corner in the driving rain. I never saw her step into the street. Dreaming while you sleep dreaming while you sleep memories to keep dreaming while you sleep I can never understand what went thru my mind I didn't stop to see what I had done. I had to keep on driving deep into the night the miles between would somehow put it right Dreaming while you sleep dreaming while you sleep memories to keep dreaming while you sleep All my life you lie silently there All my life in a world so unfair All my life and only I'll know why and it will live inside of me, I will never be free all my life, trapped in her memory all my life Till the day that you open your eyes, please open your eyes Dreaming while you sleep dreaming while you sleep Heard it on the radio, saw it on TV, but coud I take my secret to the grave. If I had another chance, would I do the same. Dreaming while you sleep dreaming while you sleep Dreaming while you sleep, Are you dreaming while you sleep? All my life I'll be haunted by all my life just one moment in time all my life until the day I die and it will live inside of me I will never be free all my life trapped in her memory all my life Till the day that you open your eyes All of my life - you lie silently there All my life - in a world so unfair All my life - and only I know why And it will live inside of me I will never be free all my life Trapped in her memory - all my life Till the day that you open your eyes |
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4:36 |
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from Phil Collins 7집 - Testify (2002)
No matter where you go I'll be there
No matter where you hide I'll find you I'll be there looking through the window watching everything you do There's no escaping me I'll be like your worst enemy I'm right behind you every place you run to I'll be there with you 'cos being without you is driving me crazy Oh I just don't know what to do Yes being without you is driving me crazy 'cos all I want is you And I like it If all the world's a stage and we are, We're only just two crazy players Please understand why I just can't go on without you anymore There's no escaping me I want you back, can't you see I'm losing all control and cannot guarantee my sanity 'cos being without you is driving me crazy And I don't know what to do Yes being without you is driving me crazy 'cos all I want is you Being without you is driving me crazy I don't know how long I'll last Being without you is driving me crazy Feel my pulse it's going so fast You, you're driving me crazy Me, I'm out of my mind You, you're making me crazy Me, I'm running out of time I am your conscience, I'm your guide I know just what you feel inside I share your darkest thoughts with you but share no consequences for them There's no escaping me I'm with you while you sleep I hear your lies, I hear your truth I hear you speak before you do But being without you is driving me crazy and I don't know what to do Yes being without you is driving me crazy 'cos all I want is you Being without you is driving me crazy I don't know how long I'll last Being without you is driving me crazy Feel my pulse it's going so fast |
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from Genesis, Genesis - We Can'T Dance (1991)
In the early 1800's, large groups of mainly unskilled labourers built England's Railways. The cost in human terms alone was very high...
Leaving my family behind me not knowing what lay ahead waving goodbye, as I left them in tears remembering all we'd said I looked to the sky, I offered my prayers I asked Him for guidance and strength but the simple beliefs of a simple man lay in His hands, and on my head I gave everything that they wanted but still they wanted more we sweat and we toiled good men lost their lives I don't think they knew what for I sold them my heart I sold them my soul I gave everything I had ah but they couldn't break my spirit my dignity fought back, fightback can you hear me can you see Don't you hear me don't you see We worked in gangs for all we were worth the young boys pulling the wagons we were digging the tunnel, shifting the earth it was then that it happened. No-one knew how the cracks appeared but as it fell they all disappeared stone fell like rain Can you hear me, Can you see Don't you hear me Can you breathe The smoke cleared, the dust it settled No one knew how many had died all around there were broken men they'd said it was safe, they'd lied you could hear the cries, you could smell the fear but good fortune that day was mine and it occurred to me the heart of a good man it seems is hard to find. Can you hear me, can you see Don't you hear me don't you see We worked, how we worked like the devil for our pay through the wind, through the snow, and through the rain Blasting and cutting through Gods country like a knife sweat stinging my eyes, there has to be a better life Ah but I can hear my childrens' cry I can see the tears in their eyes memories of those I've left behind still ringing in my ears Will I ever go back again Will I ever see her face again I'll never forget that night As they waved goodbye to their fathers We came from the North, and we came from the South with picks and with spades and a new kind of order showing no fear of what lies up ahead They'll never see the likes of us again Driving the last spike, lifting and laying the track with blistering hands, the sun burning your back Oh but I can hear my childrens' cry I can see the tears in their eyes memories of those I've left behind still ringing in my ears Well I'll always remember that night, As they waved goodbye to their fathers We followed the rail, we slept under the stars digging in darkness, and living with danger showing no fear of what lies up ahead they'll never see the likes of us again can you hear me can you see Don't you hear me don't you see |
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from Genesis - The Way We Walk [video, live] (1993)
(In the early 1800's, large groups of mainly unskilled labourers built
England's Railways. The cost in human terms alone was very high ... ) Leaving my family behind me not knowing what lay ahead waving goodbye, as I left them in tears remembering all we'd said I looked to the sky, I offered my prayers I asked Him for guidance and strength but the simple beliefs of a simple man lay in His hands, and on my head I gave everything that they wanted but still they wanted more we sweat and we toiled good men lost their lives I don't think they knew what for I sold them my heart I sold them my soul I gave everything I had but they couldn't break my spirit my dignity fought back, fightback can you hear me can you see Don't you hear me don't you see We worked in gangs for all we were worth the young boys pulling the wagons we were digging the tunnel, shifting the earth it was then that it happened. No-one knew how the cracks appeared but as it fell they all disappeared stone fell like rain Can an you hear me, Can you see Don't you hear me Can you breathe The smoke cleared, the dust it settled No one knew how many had died all around there were broken men they'd said it was safe, they'd lied you could hear the cries, you could smell the fear but good fortune that day was mine and it occurred to me that the heart of a good man it seems is hard to find. Can you hear me, can you see Don't you hear me don't you see We worked, how we worked like the devil for our pay through the wind, through the snow, through the rain Blasting, cutting through Gods country like a knife sweat stinging my eyes, there has to be a better life But I can hear my children cry I can see the tears in their eyes memories of those I've lft behind still ringing in my ears Will I ever go back again Will I ever see her face again I'll never forget the night As they waved goodbye to their fathers We came from the South, we came from the North with picks and with spades and a new kind of order showing no fear of what lies up ahead They'll never see the likes of us again Driving the last spike, lifting and laying the track with blistering hands, the sun burning your back But I can hear my children cry I can see the tears in their eyes memories of those I've lft behind still ringing in my ears I will always remember that night, As they waved goodbye to their fathers We followed the rail, we slept under the stars digging in darkness, living with danger showing no fear of what lies up ahead they'll never see the likes of us again |
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| from Genesis - Invisible Touch [video, live] (1991) | |||||
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6:25 |
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from Genesis, Genesis - Duke (1980)
Times were good
She never thought about the future, she just did what she would Oh, but she really cared About her music, it all seemed so important then And she dreamed that everytime that she performed Everyone would cry for more That all she had to do was step into the light And everyone would start to roar And on the road Where all but a few fall by the wayside, on the grassier verge She battled through Against the others in her world, and the sleep, and the odds But now everytime that she performed Everybody cried for more Soon all she had to do was step into the light For everyone to start to roar And all the people cried: "You're the one we've waited for!" But time went by It wasn't so easy now, all uphill and not feeling so strong Yes, times were hard Too much thinking about the future and what the people might want And then there was the time that she performed When NOBODY called for more And soon everytime she stepped into the light They really let her know the score But she dreamed of the times when she sang her songs And everybody cried for more When all she had to do was step into the light For everyone to start to roar And all the people cried: "You're the one we've waited for!" |
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6:25 |
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from Genesis, Genesis - Duke (1980)
Times were good
She never thought about the future, she just did what she would Oh, but she really cared About her music, it all seemed so important then And she dreamed that everytime that she performed Everyone would cry for more That all she had to do was step into the light And everyone would start to roar And on the road Where all but a few fall by the wayside, on the grassier verge She battled through Against the others in her world, and the sleep, and the odds But now everytime that she performed Everybody cried for more Soon all she had to do was step into the light For everyone to start to roar And all the people cried: "You're the one we've waited for!" But time went by It wasn't so easy now, all uphill and not feeling so strong Yes, times were hard Too much thinking about the future and what the people might want And then there was the time that she performed When NOBODY called for more And soon everytime she stepped into the light They really let her know the score But she dreamed of the times when she sang her songs And everybody cried for more When all she had to do was step into the light For everyone to start to roar And all the people cried: "You're the one we've waited for!" |
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from Genesis - Three Sides Live [video, live] (1982)
Times were good
She never thought about the future, she just did what she would Oh, but she really cared About her music, it all seemed so important then And she dreamed that everytime that she performed Everyone would cry for more That all she had to do was step into the light And everyone would start to roar And on the road Where all but a few fall by the wayside, on the grassier verge She battled through Against the others in her world, and the sleep, and the odds But now everytime that she performed Everybody cried for more Soon all she had to do was step into the light For everyone to start to roar And all the people cried: "You're the one we've waited for!" But time went by It wasn't so easy now, all uphill and not feeling so strong Yes, times were hard Too much thinking about the future and what the people might want And then there was the time that she performed When NOBODY called for more And soon everytime she stepped into the light They really let her know the score But she dreamed of the times when she sang her songs And everybody cried for more When all she had to do was step into the light For everyone to start to roar And all the people cried: "You're the one we've waited for!" |
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from Genesis - The VIdeo Show [video] (2004)
Times were good
She never thought about the future, she just did what she would Oh, but she really cared About her music, it all seemed so important then And she dreamed that everytime that she performed Everyone would cry for more That all she had to do was step into the light And everyone would start to roar And on the road Where all but a few fall by the wayside, on the grassier verge She battled through Against the others in her world, and the sleep, and the odds But now everytime that she performed Everybody cried for more Soon all she had to do was step into the light For everyone to start to roar And all the people cried: "You're the one we've waited for!" But time went by It wasn't so easy now, all uphill and not feeling so strong Yes, times were hard Too much thinking about the future and what the people might want And then there was the time that she performed When NOBODY called for more And soon everytime she stepped into the light They really let her know the score But she dreamed of the times when she sang her songs And everybody cried for more When all she had to do was step into the light For everyone to start to roar And all the people cried: "You're the one we've waited for!" |
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2:07 |
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| from Genesis, Genesis - Duke (1980) | |||||
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2:07 |
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8:41 |
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from Genesis, Genesis - Duke (1980)
I am the one who guided you this far
All you know and all you feel Nobody must know my name For nobody would understand And you kill what you fear And you fear what you don't understand I call you, for I must leave You're on your own until the end There was a choice, but now it's gone I said you wouldn't understand Take what's yours and be damned |
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8:39 |
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from Genesis, Genesis - Duke (1980)
I am the one who guided you this far
All you know and all you feel Nobody must know my name For nobody would understand And you kill what you fear And you fear what you don't understand I call you, for I must leave You're on your own until the end There was a choice, but now it's gone I said you wouldn't understand Take what's yours and be damned |
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7:41 |
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from Genesis - Wind And Wuthering (1977)
The sun had been up for a couple of hours,
It covered the ground with a layer of gold. Spirits were high and the raining had stopped. The larder was low, but boy that wasn't all. Eleventh Earl of Mar Couldn't get them very far. Daddy! Oh Daddy, You Promised. Out on the road in the direction of Perth, Backwards and forwards in a circle they went. Found a city half open and ready to greet, The conquering heroes, with blisters on their feet. Eleventh Earl of Mar Somehow got them all this far. Daddy! You Promised, You Promised. See the Stewart all dressed up He's got eyes in the back of his head. Who came in a cockleshell boat That could only just float Couldn't even lift a sword. Dressed too fine and smelling of wine. Daddy you've got to go! Here comes the bishop all dressed up He's gonna bless you if you're to pay One wave of his funny old stick. There's a band of light across your eyes Waited a week still they hadn't appeared, That glorious timing that everyone feared. So they're riding along on the crest of a wave, They're headed for London, and that will be their grave Eleventh Earl of Mar Well he couldn't get them down that far Daddy! I'm waiting, I'm waiting. Time to go to bed now Never seems too keen To be a guest now In a house of dreams Flying from a hillside Beckoning the trees A sailboat's awning Mimicking the breeze I'm fighting gravity falling My Daddy won't let them get me A voice screams seems to be calling The face turns features are burning Daddy, you've got to go! See the fifteen going by, Tell the Lairds and the Lords They're running backwards today And once again, you stand alone Bury your memories, bury your friends Leave it alone for a year or two. Till the stories go hazy, and the legends come true, Then do it again. Some Things never end. Eleventh Earl of Mar Won't be going very far You Promised, You Promised, You Promised. DADDY! |
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6:27 |
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from Genesis - A Trick Of The Tail (1976)
When you're asleep they may show you
Aerial views of the ground Freudian slumber empty of sound. Over the rooftops and houses, Lost as it tries to be seen, Fields of incentive covered with green. Mesmerised children are playing. Meant to be seen but not heard. "Stop me from dreaming!" "Don't be absurd!" "Well, if we can help you we will, You're looking tired and ill. As I count backwards Your eyes become heavier still. Sleep, won't you allow yourself fall? Nothing can hurt you at all. With your consent I can experiment further still." Madrigal music is playing. Voices can faintly be heard. "Please leave this patient undisturbed." Sentenced to drift far away now. Nothing is quite what it seems, Sometimes entangled in your own dreams. "Well, if we can help you we will. Soon as you're tired and ill. With your consent We can experiment further still. Well, thanks to our kindness and skill You'll have no trouble until You catch your breath And the nurse will present you the bill!" ~ |
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from Genesis, Genesis - We Can'T Dance (1991)
Another time it might have been so different
oh if only we could do it all again but now it's just another fading memory out of focus, though the outline still remains Far away, away, fading distant lights leaving us all behind, lost in a changing world and you know that these are the days of our lives remember Like the story that we wish was never ending We know sometime we must reach the final page still we carry on just pretending that there'll always be one more day to go Far away, away, fading distant lights leaving us all behind, lost in a changing world and you know that these are the days of our lives so remember... Another chance hello, another goodbye and so many things we'll never see again days of life that seemed so unimportant they seem to matter but to count much later on Far away, away, fading distant lights leaving us all behind, lost in a changing world and you know that these are the days of our lives remember |
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from Genesis - The Way We Walk [video, live] (1993)
Another time it might have been so different
Oh, if only we could do it all again But now it's just another fading memory Out of focus, though the out line still remains Far away, away, fading distant lights Leaving us all behind, lost in a changing world And you know that these are the days of our lives, remember Like the story that we wish was never ending We know some time we must reach the final page Still we carry on just pretending That there'll always be one more day to go Far away, away, fading distant lights Leaving us all behind, lost in a changing world And you know that these are the days of our lives, remember Another chance hello, another goodbye And so many things we'll never see again Days of lives that seem so unimportant They seem to matter and to count much later on Far away, away, fading distant lights Leaving us all behind, lost in a changing world And you know that these are the days of our lives, remember |
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5:54 |
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from Genesis - Land Of Confusion [single] (1986)
You are terrified by the smallest sound
Because you live your life in such a sheltered world As do those who surround you Well I have seen you stung by poisonous flies And you suffer much too much from their bites There you sit in your comfort watching other people get caught by the storm Many a thing that used to be a secret Has become so talked about Not worth a second thought There's different kinds of secrets now Times change, it's not enough to say It seemed a good idea a hundred years ago You think it's not your problem It really doesn't matter at all Every stone that's thrown must fall to the ground But you don't give a thought to where they might come down You are feeding the fire over which you'll be roasted Anywhere that they don't speak the same In any place that they don't think the same You think it's not your problem No no You think it's not your problem It really doesn't matter at all Oh... Maybe it's not your fate to be a leader of men But you just leave it all to someone else and complain You could be so much stronger, but it really doesn't matter any longer Cos you're feeding the fire over which you'll be roasted Cos you're feeding the fire over which you'll be roasted |
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9:37 |
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from Genesis - Selling England By The Pound (1973)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
The path is clear, though no eyes can see The course laid down long before And so with gods and men, the sheep remain inside their pen Though many times they've seen the way to leave He rides majestic, past homes of men Who care not or gaze with joy To see reflected there, the trees, the sky, the lily fair The scene of death is lying just below The mountains cut off the town from view Like a cancer growth is removed by skill Let it be revealed A waterfall, his madrigal An inland sea, his symphony Undinal songs urge the sailors on 'Till lured by the siren's cry... Now as the river dissolve in sea So Neptune has claimed another soul And so with gods and men, the sheep remain inside their pen Until the shepherd leads his flock away The sands of time were eroded by The river of constant change |
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8:55 |
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from Genesis, Genesis - Seconds Out [live] (1977)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
The path is clear, though no eyes can see The course laid down long before And so with gods and men, the sheep remain inside their pen Though many times they've seen the way to leave He rides majestic, past homes of men Who care not or gaze with joy To see reflected there, the trees, the sky, the lily fair The scene of death is lying just below The mountains cut off the town from view Like a cancer growth is removed by skill Let it be revealed A waterfall, his madrigal An inland sea, his symphony Undinal songs urge the sailors on 'Till lured by the siren's cry... Now as the river dissolve in sea So Neptune has claimed another soul And so with gods and men, the sheep remain inside their pen Until the shepherd leads his flock away The sands of time were eroded by The river of constant change |
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8:55 |
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from Genesis, Genesis - Seconds Out [live] (1977)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
The path is clear, though no eyes can see The course laid down long before And so with gods and men, the sheep remain inside their pen Though many times they've seen the way to leave He rides majestic, past homes of men Who care not or gaze with joy To see reflected there, the trees, the sky, the lily fair The scene of death is lying just below The mountains cut off the town from view Like a cancer growth is removed by skill Let it be revealed A waterfall, his madrigal An inland sea, his symphony Undinal songs urge the sailors on 'Till lured by the siren's cry... Now as the river dissolve in sea So Neptune has claimed another soul And so with gods and men, the sheep remain inside their pen Until the shepherd leads his flock away The sands of time were eroded by The river of constant change |
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from Genesis - Genesis Live [video, live] (2004)
(Written by Banks,Collins,Gabriel,Hackett,Rutherford)
The path is clear, though no eyes can see The course laid down long before And so with gods and men, the sheep remain inside their pen Though many times they've seen the way to leave He rides majestic, past homes of men Who care not or gaze with joy To see reflected there, the trees, the sky, the lily fair The scene of death is lying just below The mountains cut off the town from view Like a cancer growth is removed by skill Let it be revealed A waterfall, his madrigal An inland sea, his symphony Undinal songs urge the sailors on 'Till lured by the siren's cry... Now as the river dissolve in sea So Neptune has claimed another soul And so with gods and men, the sheep remain inside their pen Until the shepherd leads his flock away The sands of time were eroded by The river of constant change |
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