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from There's Something About Mary (메리에겐 뭔가 특별한 것이 있다) by Jonathan Richman [ost] (1998)
She said don't worry baby
I'll do my own crying I'm a big girl now Now I'm gonna be okay Yes I'll find a new way of living you know I will *And you lie there without sleeping And you stare at your wall And you realize you're not weeping You don't need her anymore You say don't hate me baby It won't hurt you if you do You got no reason not to She'll kiss you on the head Says there's no easy road for leaving if it hurts you too *Repeat You walk by the old place Looks like just any other place yeah that's what you say You say I'll be okay Yes I'll find a new way of living sure I will *Repeat (2x) Guess it's over. |
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5:18 | ||||
from Bad Influence (뱃 인플루언스) by Trevor Jones [ost] (1989)
i want to take you down to the side of the city
where the sun doesn't shine and the moon isn't pretty the slow train crawls in the nights and the days are as warm as the smoke and the heat haze yes and neon here twenty-four hours of the day and you're sure looking pretty when it's hitting on your face looker on the corner take that dog for a donor well she's only doing what her mother told her i...i wanna take you down i wanna take you down i wanna take you right down i...i wanna take you down i wanna take you down i wanna take you right down i want to see a touch of evil in your eye but all that i'm getting babe is sweetness and lies i want to see something that i might desire i want to take you down babe into the mire deals going down no chance no masking one thing's for sure never get what you're asking they're coming with johnsons, they're coming with knives they're robbing your boots when they give you a shoe shine i...i wanna take you down i wanna take you down i wanna take you right down i...i wanna take you down i wanna take you down i wanna take you right downtown slow train down, babe, try twenty-nine there's no looking back when there's no sense of time 'cause it's neon here twenty-four hours of the day and you're sure looking pretty when it's hitting on your face with a touch of evil in your eye with a touch of evil in your eye i want to take you down to the side of the city i want to take you down to the blur of the city i...i wanna take you down i wanna take you down i wanna take you right down i...i wanna take you down i wanna take you down yes i wanna take you right down i...i...i...i wanna take you i |
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3:31 | ||||
from Lloyd Cole - Don'T Get Weird On Me, Babe (2003)
I've got a little piece of paper with your name written on it
I've got a head full of attitude and nowhere to put it Tell me, why don't you come down to Ruemorgue Avenue Why don't you come down Soil your pretty feet on the dirty ground of Ruemorgue Avenue Well there's a chapel on the corner where I'm doing my crying There's a limit to my patience, what do you say, Fay, let's get married down on Ruemorgue Avenue They say the world keeps on turning, and everything remains the same Well my heart's burning and I say everything must change Why don't you come down to Ruemorgue Avenue Why don't you come down Soil your pretty feet on the dirty ground of Ruemorgue Avenue Rita Mae, tell your sister she's unkind Tell your sister, well, I don't mind Tell your sister, she's got mine I got a four letter word, starts with the letter L Can't bring myself to say it because it's making my life hell Why don't you come down to rue morgue avenue Because I've been drinking all night and all day Just trying to picture your sweet face Down on Ruemorgue Avenue Rita Mae, tell your sister she's unkind Tell your sister, well, I don't mind Tell your sister, she knows where, where I lie Down on Ruemorgue Avenue |
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2:38 | ||||
from Lloyd Cole - Don'T Get Weird On Me, Babe (2003)
If every lover that you'd ever known
Could turn around would you take one? Or would you really rather be alone And fool around if and when you might please Well, I don't know babe if you ever have been told But you're a tough one to play for I tried to be what you were looking for Now I'm not sure if you ever really knew You know the world won't wait, babe, you're crying too late And you're drinking on borrowed time And the last thing you need is me and my weeping wine You sit around sticking pins in dolls What's there to fall down and die for? You're looking fine baby it's well known Why does your story have to be so short? Well, pretty soon babe you're gonna show your age Because you're drinking on borrowed time And then the last thing you need is me and my weeping wine You know the world won't wait, babe you're crying too late You're drinking on borrowed time And the last thing you need is me and my weeping wine |
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2:41 | ||||
from Lloyd Cole - Don'T Get Weird On Me, Babe (2003)
I lost my girl on Monday
Looking for some sympathy I went to church directly The lord was not there for me Didn't go to work on Tuesday Got to drinking around noon I lost my heart to a mean bartender She knocked me off my stool Now the world's spinning round too fast Lord, won't you let me off on the corner You know a man could take to sinning All he needs is a little push in that direction I lost my job on Friday Said a lack of discipline I went to church directly Peter said "He is not in." I hit the bar on Sunday Looking for some discipline I sold my soul to the mean bartender She said I'm born again Now the world's spinning round too fast Lord, won't you let me off on the corner You know a man could take to sinning All he needs a little pushing If you time it just right You could send me to the lions tonight |
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6:20 | ||||
from Lloyd Cole - Don'T Get Weird On Me, Babe (2003)
Strange to see you babe, ain't nothing down here free
Did you lose your ticket? hope you weren't looking for me I'm still wearing the scars I got from being your fool You messed me up pretty good babe I didn't mean to ruin you I remember when I first saw you babe you were looking pretty good You said you were looking for love, well then why didn't you? You just sat there taking everything you could get Never thought one day you might have to pay for it Did you ever dream baby one day you might fall And feel your back against the wall? Did you ever dream baby one day you might crawl did you ever dream? Now when you're putting on your face I guess that you feel kind of low Knowing that you past your best and you've got nothing to show Well, baby, you know just as well as I some fool is going to fall your way Only this time around you might have to pay for it Did you ever dream baby one day you might fall And feel your back against the wall? Did you ever dream baby one day you might crawl? Did you ever dream, baby? When you had no need, baby Did you ever dream That you might have to Pay for it? |
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2:30 | ||||
from Lloyd Cole - Don'T Get Weird On Me, Babe (2003)
Well I don't know but I've been told
and I've seen what you've left behind And I don't know if I like what I see When it's knocking at my door And you don't know if you're laughing or crying And I don't know if I care Because I know right here I've got me Something that you'll never have You might laugh but what are you looking at? Sending your old valentines to the one you never had Well I don't know but I've been told and I've seen what you've left behind And all those ladies you left standing on the corner They're laughing at you now So you drink all night and you sleep all day Because you see what you've left behind And standing on the corner, hey lady, got a quarter? She's passing you by And you don't know if you're laughing or crying And I don't know if I care Because I know right here I've got me Something that you'll never have You might laugh but what are you looking at? Sending your old valentines to the one you never had |
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4:17 | ||||
from Lloyd Cole - Don'T Get Weird On Me, Babe (2003)
She said she didn't understand him so she guessed he was deep
He swore he'd never been to college and was too tall to be So as she led him to the slaughter thinking she'd be laughing last Now the lady in the question is his better half She's got to be the stupidest girl I've ever seen She don't care who, why, or where I've been She's got a right to be, with all that's wrong with me But she doesn't want to understand That she's a girl and I'm a man He thought that women and drink would make a man out of him But the extent of his studies left a jaded man So as she led him to the altar he was easily led And when they asked him if he did, well then, this is what he said She's got to be the stupidest girl I've ever seen She don't care who, why, or where I've been She's got a right to be, with all that's wrong with me But she doesn't want to understand That she's a girl and I'm a man Every time she's near me She gives me a new reason to be alive To try to get right She looks right through me She says you're not cool, you're just like me You're a stupid man Get over here, hold my stupid hand She's all right... Weird On Me I didn't mean to get you mad at me, Misty Swear I'd never try and turn your brown eyes blue It's just that having got a taste for this whiskey Maybe I've been missing someone like you Maybe I've been tired Maybe I've been lonely I've been lonely and blue Maybe I've been missing someone like you But I was only trying to be your friend Don't get weird on me, babe Swear I'd never try to mix things up again Don't get weird on me, babe Billy says that you're wearing his ring, now He says he took away the sadness from your smile Guess I tried, hell, if I'd only known how I guess I'll learn when you're walking down that aisle Yes, and I'll be sad and I'll be lonely I'll be lonely and blue Yes and I'll be missing someone like you But I was only trying to be your friend Don't get weird on me, babe Swear I'd never try to mix things up again Don't get weird on me, babe |
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3:02 | ||||
from Lloyd Cole - Don'T Get Weird On Me, Babe (2003)
You were an innocent child before I laid my hands on you
And all that pain that you held inside Was just waiting to bloom in a darkened room And you just flew right into the light and came alive My little butterfly Well, you'd never known love and you'd never known pain But you found out that they were just like wine and champagne You could drink a little more, then you hurt a little less And you'd get that butterfly feeling underneath your dress And your promises would turn into lies Then you'd fly My little butterfly Now I'm lying here, babe, on your side of the bed And I've got unclean thoughts flying through my head And I'm thinking about love, yes I'm thinking about pain And I'm thinking about some way that I might feel good again Yes, I'm thinking about my little butterfly |
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4:06 | ||||
from Lloyd Cole - Don'T Get Weird On Me, Babe (2003)
Sometimes I get to thinking
I'm a hurting kind of guy Why'd that woman leave me for a lesser kind? If you don't know now, then you never will Is what she said She said I didn't listen Well I know that that's untrue She said I didn't understand her Well I guess that you do Well I guess you do Summer came around Her old blanket on the floor I woke to the slamming of the door Then the rain came And I just let it pour All over me Sometimes I get to thinking down by my own undertakings Now I'm down by the water, black water And I'm looking in She said I wouldn't miss her Well you know that that's unfair She said I wasn't there for her Well I never would have been there, no sir If not for her Summer comes around And I miss that woman more I guess I'll get me somewhere by the fall When the rain comes Well I'll just let it pour All over me Sometimes I get to thinking I'm a hurting kind of guy Why'd that woman leave me for a lesser kind If you don't know now, then you never will Is what she said Summer comes around And I miss that woman more I guess I'll get me somewhere by the fall When the rain comes Well I'll just let it pour All over me |
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4:03 | ||||
from Lloyd Cole - Don'T Get Weird On Me, Babe (2003)
She said don't worry baby
I'll do my own crying I'm a big girl now And I'm going to be okay Guess I'll find a new way of living You know I will And you lie there without sleeping And you stare at your wall And you realize you're not weeping You don't need her anymore You say don't hate me baby It won't hurt you if you do You've got no reason not to She kiss you on the head Says there's no easy road for leaving If it hurts you to And you lie there without sleeping And you stare at your wall And you realize you're not weeping You don't need her anymore You walk by the old place Looks like just any other place That's what you say You say I'll be okay Yes, I'll find a new way of living Sure I will And you lie there without sleeping And you stare at your wall And you realize you're not weeping Because you don't need her anymore You guess that it's over |
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7:03 | ||||
from Lloyd Cole - Don'T Get Weird On Me, Babe (2003)
You walk in my house with her lipstick over your face
You tell me you got news for me Well, do you think I can't see straight? Do you think I can't recognize her perfume on your clothes You tell me you got news for me Well I don't need to be told Let me guess, she's looking for a little peace of mind I don't want to cause any more pain but could I please have what's mine? She's got such a pretty please I never could say no Well, just take a half of everything and then please go Now I know right now you're thinking I'm some crazy kind of fool But the truth of the matter is I'm just like you She's some kind of voodoo woman She said she can't use me anymore That's what she said to me she said I can't use you anymore I don't need her loving, I don't need her kissing I don't need for you to tell me all that I've been missing I don't need her loving, I don't need her kissing I don't need for you to tear me down and tear me down again Every time you give a little more She could still use a little more Every time you give a little more She could still use a little more And when you can't give a little more She could still use a little more She could still use a little more She could still use a little more Tell her that she done me That she done me good Tell her that she done me Like a lady should And if I ever see her And I hope I never do I might have to show her Just what a love can do The sun ain't going to shine And the rain is gonna fall Because I put a spell on you And all the years I cried All the years that I tried To save a stillborn love I know what you're thinking Pretty soon I'll howl at the moon But you better believe me Because I was just like you Mister, read the writing on the wall Get out while you're still whole While you're still breathing I don't need her loving, I don't need her kissing I don't need for you to tell me all that I've been missing I don't need her loving, I don't need her kissing I don't need her to tear me down again |
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4:03 | ||||
from Lloyd Cole - Don'T Get Weird On Me, Babe (2003)
Now that the low life has no meaning
Because you've been there, now you're gone But your heart won't keep from cheating And stringing you along Stranger to me, well what's the lowdown Are you man enough to pray? For a better way of living I believe I've lost my way Oh Mae, could you please hold me I believe I might fall I believe that I might fall Could there be a better way of living Better than the easy way? Could the wretched be forgiven Are you man enough to pray? I wore my heart upon my sleeve To court the wretched and the free But if by chance I'd lost my way Would you help me find it, babe? Oh Mae, could you please hold me I believe I might fall I believe that I might fall I wore my heart upon my sleeve To court the wretched and the free But if by chance I'd lost my way Am I man enough to pray? |
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4:04 | ||||
from Lloyd Cole - Don'T Get Weird On Me, Babe (2003)
If I told you that I'd never really cared
And if I told you that I'd never cried you'd know that I lied You'd know lied And if I told you that I'd found somebody new It wouldn't make it any easier and what he doesn't know Won't hurt at all You know just as well as I that he's a better man than I and I know you know Guess I never got around to telling you I guess that if I told you now then I'd have nothing to lose Well, I think of you Because if I told you that I'd found another girl It wouldn't make it any easier and what he doesn't know Won't hurt at all You know just as well as I That he's a better man than I could ever be |
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3:46 | ||||
from Lloyd Cole - Lloyd Cole (1997)
when you're nothing to no one
and you're less than you can and you're looking for someone who won't cling to anything so you're stuck in some motel with the sound of her sleeping don't you feel kinda old now well ain't that a funny thing i used to wake up early i used to try to believe but life seems neverending when you're young so you're back on the highway and there's wind in her hair and you know that it's no time for thinking about somebody up there 'cause you'll turn her to drinking and you'll lead her to hell with her bible beside her she surely looks like an angel i used to wake up early i used to try to believe but faith is never easy when you're young no no no i used to wake up early now it's hard, hard enough to sleep but life seems neverending when you're young oh no no no no |
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4:09 | ||||
from Lloyd Cole - Lloyd Cole (1997)
rain on me, i'm not complaining
i'm soaking from my hat down to my shoes rain on me 'cause i'm believing love is something i get to lose what do you know about love? what do you know about love? what do you know about love? what do you know about love? take a look at my face to get my meaning mister i got scars on my knees take a look at these hands i got from praying you better believe i do believe it's raining on bleecker street from my heart down to my feet now doo doo doo doo doo doo... now i know that this blood here is for bleeding sure as jesus is up above he knows my heart is just for pleading but what do you know about love? it's raining on my main street from my heart down to my feet now doo doo doo doo doo doo... raining from my heart down to my feet now what do you know about love? what do you know about love? what do you know about love? what do you know about love? it's raining on bleecker street raining from my heart down to my feet now doo doo doo doo doo doo... raining from my heart down to my feet yessir doo doo doo doo doo doo... (should rain on me now) (falling down on me now now now now) (should rain on me) raining from my heart down to my feet now now what do you know about love? what do you know about love? what do you know about love? what do you know about love? |
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4:10 | ||||
from Lloyd Cole - Lloyd Cole (1997)
You wanna leave me baby be my guest
All i'm gonna do is cry And then i'm gonna find there's someone else And tear the stars out of the sky Looking for something when there's nothing there to be found Make it easy on yourself Go out and find your body someone else And tear the stars out of the sky Baby you're too well-read Baby you're too well-spoken Baby you're too pristine When i cry, do you feel anything? Baby you're too well-read You wanna leave me baby be my guest All i'm gonna do is cry And then i'm gonna find there's someone else And tear the stars out of the sky Baby you're too well-read Baby you're too well-spoken Baby you're far too clean When i cry, do you feel anything? Baby you're too well-read Baby you're too well-read You don't need me anymore You don't need me anymore They say storms are right for summertime Well baby i'm long gone Whatcha gonna do when you open your eyes It's a brand new day and baby No blue skies Baby you're too well-read Baby you're too well-spoken Baby you're too pristine When i cry, do you feel anything? Baby you're too well-read Baby you're too well-spoken Baby you're far too clean When i cry, do you feel anything? Baby you're too well-read |
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4:11 | ||||
from Lloyd Cole - Lloyd Cole (1997)
you lie in the heat of a summer haze
and turn it into a winter's tale you pull down the blinds and shut out the sky and do what you can to turn the whole thing grey you're crying and pleading and you're hell just to be with and you're everything that i'll ever need so why do you say you love me when you don't? you fall back into the english way of feeling only guilt 'cause you feel no pain you sit and you stare at the empty page and then you fill it with verse, make the whole thing worse you lie and you cheat your own mind to believing that you don't need anything or anyone so why do you say you love me when you don't? and why should i feel blue when i do? why? you lie in the heat of a summer haze and turn it into a winter's tale you fall back into the english way of feeling only guilt 'cause you feel no pain you're crying and pleading and you're hell just to be with and you're everything that i'll ever need so why do you say you love me when you don't? why should i feel... and who's gonna love the loveless if not you? why? why? |
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4:32 | ||||
from Lloyd Cole - Lloyd Cole (1997)
i got your letter baby the one that said
you been loving me too long maybe we should kick it in the head right on well i guess you've really got some kind of way with words maybe you could be a writer you could do worse 'cause when i saw you i just knew i always would belong to you goodbye baby, well you'll never see my smiling face sweetheart, sweet jane guess you'll find some other killing to take my place ha ha, all right i want my photographs back and my barcelino keep the cartier babe i wouldn't give you the time of day born a lady to the last perfumed stationery does it make you feel good to make me feel ordinary? 'cause when i saw you i just knew i always would belong to you goodbye baby, well you'll never see my smiling face sweetheart, my complete heart's trashed and bleeding with the sordid details in my suitcase right on |
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2:25 | ||||
from Lloyd Cole - Lloyd Cole (1997)
i'm looking for a religious girl
with child-bearing hips and a wedding veil but i'm saddened to report sir, it's not easy this town is full of those cynical girls walking two steps behind forty-five-year-olds i can't bear to hear those church bells ring again so driver can't you drive me a little more slowly i've gotta go can't you find me some george jones on your radio i've gotta go, can't say no, to the church |
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5:20 | ||||
from Lloyd Cole - Lloyd Cole (1997)
i want to take you down to the side of the city
where the sun doesn't shine and the moon isn't pretty the slow train crawls in the nights and the days are as warm as the smoke and the heat haze yes and neon here twenty-four hours of the day and you're sure looking pretty when it's hitting on your face looker on the corner take that dog for a donor well she's only doing what her mother told her i...i wanna take you down i wanna take you down i wanna take you right down i...i wanna take you down i wanna take you down i wanna take you right down i want to see a touch of evil in your eye but all that i'm getting babe is sweetness and lies i want to see something that i might desire i want to take you down babe into the mire deals going down no chance no masking one thing's for sure never get what you're asking they're coming with johnsons, they're coming with knives they're robbing your boots when they give you a shoe shine i...i wanna take you down i wanna take you down i wanna take you right down i...i wanna take you down i wanna take you down i wanna take you right downtown slow train down, babe, try twenty-nine there's no looking back when there's no sense of time 'cause it's neon here twenty-four hours of the day and you're sure looking pretty when it's hitting on your face with a touch of evil in your eye with a touch of evil in your eye i want to take you down to the side of the city i want to take you down to the blur of the city i...i wanna take you down i wanna take you down i wanna take you right down i...i wanna take you down i wanna take you down yes i wanna take you right down i...i...i...i wanna take you i |
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5:24 | ||||
from Lloyd Cole - Lloyd Cole (1997)
Didnt I hear you say your hearts made out of steel
No ones gonna get so close, No ones gonna know how you feel Now youre a punch drunk sycophant, a little s.o.b. You say your mind is made up, isnt that the way that its supposed to be And its a long way down And its a long, long way down Walking that tall your head is gonna trip your feet Walking with the devils fine, just dont call it looking for sympathy When its four a.m. and mister you cant sleep cause your bloods still rushing at cocaine speed And you know all that you needs a little baby to say Ah mister cool down wont you let me fade those blues away And its a long way down And its a long, long way down And when you hit the ground youre gonna know about it Mister lets you and me see if we cant make a deal Ill give you the world and all youve gotta do is cry for me The reason its a cliche is because its true The harder you climb, the harder you fall, and that means you So mister hard head, hard nose, hard as steel Youre just a punch drunk sycophant, a little s.o.b. And its a long, its a long way down And its a long, long way down And when you hit the ground youre gonna know about it |
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3:05 | ||||
from Lloyd Cole - Lloyd Cole (1997)
maybe i'm a little old-fashioned, maybe you're a little unkind
maybe i'm a little impatient, we'll concede that in mind you won't give me your number, you won't give me your time you said meet me on the corner, and there's still no sign maybe i'm a little outdated, maybe a little out of time to believe your heart is in the right place despite what you're doing to mine so i'm standing on the corner, looking like i don't care d'you wanna crucify my feelings with your fingernails and leave the loneliest boy in the western world cruising the streets for an ice cream girl i feel like a shady politician trying to sell a broken-down car sit home sleeping for virgin princess, you know that's not what you are do i have to feel this small before you'll play ball? maybe i lack sophistication, maybe a little unrefined so my credit ain't too good, well call a dollar a dime you won't give me your number, you won't give me your time i'm standing on the corner, and there's still no sign d'you wanna crucify my feelings with your fingernails and leave the loneliest boy in the western world cruising the streets for an ice cream girl, hey d'you wanna crucify my feelings with your fingernails and leave the loneliest boy in the western world cruising the streets for an ice cream girl |
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3:06 | ||||
from Lloyd Cole - Lloyd Cole (1997)
you look so good when you're depressed
better even in your current state of undress tears caressing me like rain and i'm not even thinking, i feel fine in your pain the coolest thing i ever saw you were sitting there smoking my cigarettes you were naked on the bare stone floor you looked at me to say don't guess i was only watching, yes i love you more undressed is it really such a sin? should i feel some kind of shame? will i truly go to hell? oh you never lock the bathroom door should i be embarrassed when i've seen a hundred times before how do married couples cope should i say excuse me darling, i don't know we could disconnect the telephone just sit around and mess around and tell your ma we went to rome, tennessee and i'm not even drinking, i feel fine, it's scary is it really such a sin? should i feel some kind of shame? will i truly go to hell? oh well the coolest thing i ever saw you were sitting there smoking my cigarettes you were naked on the bare stone floor you looked at me to say don't guess i was only watching, is it bad that i should love you best undressed |
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4:00 | ||||
from Lloyd Cole - Lloyd Cole (1997)
i love to see you in your sweater girl
i love you in your high tall boots i love to see you in your sweater girl love to see you walking that cute, you know it i love to see you in your leather skin love your lipstick on my sheets and i love to see you in your alligator shoes reciting to me my poetry, i really do but i hate to see you baby doing that stuff i hate to see you doing that stuff i hate to see you baby doing that stuff really hate to see you doing that stuff i love you baby when you bite my ear i don't worry about your uptown geek and i love you baby don't you bite your lip 'cause it's me you talk to in your sleep and i hate to see you baby doing that stuff i hate to see you doing that stuff i hate to see you baby doing that stuff really hate to see you doing that stuff i love to see you in your sweater girl love your alligator chic et je sais te vois dans ton christian la croix but i hate to see you walking my street, but i hate to see you baby doing that stuff i hate to see you doing that stuff i hate to see you baby doing that stuff really hate to see you doing that stuff, ha ha |
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3:02 | ||||
from Lloyd Cole - Lloyd Cole (1997)
well it used to be everything was fine
everything, this all was mine all i had to do was write it down you'd just be there with your perfect frown i made up my mind i traded holy water for cheap wine i ran out of time well it used to be everything was fine everything, this all was mine but one fine day, you might say that i, i threw it all away 'cause i made up my mind i traded holy water for cheap wine i ran out of time or something that i can't define i traded my whiskey for your wine leaving my river running dry and a waterline you might say i'm wasting my time you might say well, i don't mind i ran out of time or something that i can't define i traded holy water for cheap wine leaving my river running dry leaving just a waterline just a waterline |
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5:16 | ||||
from Lloyd Cole - Lloyd Cole (1997)
shirley i love you 'til i'm drunk
and on and on and never to stop the way i see it it's sad to say it but it's true you're gonna be all that i need so sad to see her looking so rusted there must be more to life than this or we'd be mercy killing us yeah, killing us baby the last train's leaving, there's nothing left 'cept to confess to love and happiness the way i see it it's sad to say it but it's true you're gonna be all that i need so sad, sad to see her looking so rusted there must be more to life than this or we'd be mercy killing us oh yeah, killing us baby we'll slip past a graveyard love me do |
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3:13 | ||||
from Lloyd Cole - Rattlesnakes (2004)
i choose my friends only far too well
i'm up on the pavement, they're all down in the cellar with their government grants and my i.q. they brought me down to size, academia blues louise is a girl, i know her well she's up on the pavement, yes she's a weather girl and i'm staying up here so i may be undone she's inappropriate, but then she's much more fun and when she smiles my way my eyes go out in vain she's got perfect skin shame on you, you've got no sense of grace, shame on me ah just in case i might come to a conclusion other than that which is absolutely necessary and that's perfect skin louise is the girl with the perfect skin she says turn on the light, otherwise it can't be seen she's got cheekbones like geometry and eyes like sin and she's sexually enlightened by cosmopolitan and when she smiles my way my eyes go out in vain for her perfect skin yeah that's perfect skin she takes me down to the basement to look at her slides of her family life, pretty weird at times at the age of ten she looked like greta garbo and i loved her then, but how was she to know that when she smiles my way my eyes go out in vain she's got perfect skin up eight flights of stairs to her basement flat pretty confused huh, being shipped around like that seems we climbed so high now we're down so low strikes me the moral of this song must be there never has been one speedboat julie said we drink far too much coffee wine and cigarettes and we never get no sleep i first met them at a riverboat party both of them were speeding i would say i lived on the edge of all this indulgence taking notes and trusting in prudence julie said to jim why don't |
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4:38 | ||||
from Lloyd Cole - Rattlesnakes (2004)
julie said we drink far too much coffee
wine and cigarettes and we never get no sleep i first met them at a riverboat party both of them were speeding i would say i lived on the edge of all this indulgence taking notes and trusting in prudence julie said to jim why don't we jump in while the water is cool and we are still friends some say that they o.d.'d on leonard cohen well i can see that river whenever i think about them the river is cruel and the water is deep and blue i was working then on my great unfinished novel |
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3:25 | ||||
from Lloyd Cole - Rattlesnakes (2004)
jodie wears a hat although it hasn't rained for six days
she says a girl needs a gun these days hey on account of all the rattlesnakes she looks like eve marie saint in on the waterfront she reads simone de beauvoir in her american circumstance she's less than sure if her heart has come to stay in san jose and her neverborn child still haunts her as she speeds down the freeway as she tries her luck with the traffic police out of boredom more than spite she never finds no trouble, she tries too hard she's obvious despite herself she looks like eve marie saint in on the waterfront she says all she needs is therapy yeah all you need is, love is all you need jodie never sleeps 'cause there are always needles in the hay she says that a girl needs a gun these days hey on account of all the rattlesnakes she looks like eve marie saint in on the waterfront as she reads simone de beauvoir in her american circumstance her heart, heart's like crazy paving upside down and back to front she says ooh, it's so hard to love when love was your great disappointment |
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3:44 | ||||
from Lloyd Cole - Rattlesnakes (2004)
some say that you may soon be leaving town
do you tire of chasing all the women around will you never be contented with your life will you always be the one who won't think twice when you go down on your knees you're so hard to please when you go down on your knees you're so hard , down on mission street god only knows how you can hurt her when you know that's what you do how does it feel to be so cruel will you never be contented with your life will you always be the one who won't look back when you go down on your knees you're so hard to please when you go down on your knees it feels like up, down on mission street julie said your eyes are blue your lips are cold as stone she picked you up and you put her down and messed her place around will you never be contented with your life will you always be the one who won't think twice when you go down on your knees you're so hard to please when you go down on your knees you're so hard , down on mission street when you go down on your knees you're so hard to please when you go down on your knees it feels like up, down on mission street |
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4:34 | ||||
from Lloyd Cole - Rattlesnakes (2004)
she crossed herself as she put on her things
she has promised once before not to live this way if she don't calm down she will burn herself out like a forest fire, well doesn't that make you smile if you don't slow down, i swear that i'll come round and mess up your place, let's go for a spin they say we shouldn't even know each other and that we'll be undone don't it make you smile like a forest fire i believe in love, i'll believe in anything that's gonna get me what i want and get me off my knees then we'll burn your house down, don't it feel so good there's a forest fire every time we get together doo doo doo, doo doo doo doo doo doo doo doo doo doo doo, doo doo doo doo doo doo hey pick you up, put you down rip you up and spin you round just like we said we would 'cause we're a forest fire believe you me, we'll tear this place down if we get caught in this wind then we could burn the ocean if we get caught in this scene we're gonna be undone it's just a simple metaphor, it's for a burning love don't it make you smile like a forest fire |
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3:52 | ||||
from Lloyd Cole - Rattlesnakes (2004)
i was looking for a rhyme for the new york times
when i sensed i was not alone she said d'you know how to spell audaciously i could tell i was in luck and so i forced a smile contrary to my style and she looked into my eyes she said d'you want to go heaven or would you rather not be saved here comes my train i'm on my way, will you not see i don't need your sympathy i won't read your poetry, oh sweetness please so she took me back to her basement flat which was down on charlotte street though it was never my intention we were not intense, not least because well if you must just take then i'm a piece of cake that is what she said to me and so i gave myself to her charity well at least that's how it seemed here comes my train i'm on my way, what got into me i don't need your sympathy i won't read your poetry, oh bittersweets i was looking for a rhyme for the new times when i was distracted yes those were precious times together that we wasted now i'm working hard for my union card i must be leaving charlotte street though it was never my intention to stay so long so long |
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2:52 | ||||
from Lloyd Cole - Rattlesnakes (2004)
it's the french 'deux cheval' not the literal 2cv. he ryhmes it with blue.
she drove her mother's car, 'twas a deux cheval i was most impressed by her casual dress i was most impressed inside her rented room colored deepest blue i suppose we found some kind of happiness she drove her mother's car, 'twas a 2cv i was most impressed by her casual dress i was most impressed inside her rented room colored deepest blue i suppose we found some kind of happiness |
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2:34 | ||||
from Lloyd Cole - Rattlesnakes (2004)
i was woken up at four a.m. by your screams and anguished cries
your mother was singing in the bathroom, she will never be my child oh baby talks in her sleep so loud we're living four flights up but i swear right now it feels like underground well you have absolutely no common sense, yes i know that's your charm you spend the whole day on the phone, you say well it helps you stay calm you cling to my arm, yes i know that's your charm and when i ask you what you want you say do you mind hey crocodile well then could you give me some peace, you say well maybe for a while sometimes you know you could almost be a child oh must you tell me all your secrets when it's hard enough to love you knowing nothing we're living four flights up but i swear right now it feels like underground you are your own worst enemy, so don't expect my sympathy oh go back to your mother's house and cry your little heart out you can drive them back to town in a beat-up grace kelly car looking like a friend of truman capote, looking exactly like you are yes, yes i know that's your charm so don't ask me if i want you, only ask me if i must i been blown around so long, don't know which senses to trust oh no, but i know that i must oh must you tell me all your secrets when it's hard enough to love you knowing nothing we're living four flights up but i swear right now it feels like underground |
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3:37 | ||||
from Lloyd Cole - Rattlesnakes (2004)
early in the morning, just by the break of day
well that's when my patience went away she took her bags but she left all her clothes she took her keys and left me out in the cold wearing a plastic coat and the pressures of life through lack of patience i get the pressures of her patience is a girl that i hate to love the way i do, but i do she wakes me up in the morning through squeaking in my dreams she took her bags but she left all her clothes she took her keys and left me out in the cold all because of patience i get the pressures of life through lack of patience i get the pressures of her she beat me up and left me out in the pouring rain without no keys, without no reason to go back again she left me empty-handed, she left me empty-hearted not no money, not nothing but the blues all because of patience i get the pressures of life through lack of patience i get the pressures of her she said the one thing that she needs is happiness i don't believe that she's happy 'til she sees that i'm in distress no, all because of patience i get the pressures of life through lack of patience i get the pressures of her and i swoon |
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3:07 | ||||
from Lloyd Cole - Rattlesnakes (2004)
looking like a born again
living like a heretic listening to arthur lee records making all your friends feel so guilty about their cynicism and the rest of their generation not even the government are gonna stop you now but are you ready to be heartbroken? are you ready to be heartbroken? pumped up full of vitamins on account of all the seriousness you say you're so happy now you can hardly stand lean over on the bookcase if you really want to get straight read norman mailer or get a new tailor are you ready to be heartbroken? are you ready to be heartbroken? are you ready to bleed? what would it take what would it take to wipe that smile off of your face? are you ready to be, are you ready to bleed? are you ready to be heartbroken? are you ready to bleed? (heartbroken) well you better get ready now baby are you ready to bleed?, ready to bleed? |
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2:08 | ||||
from Lloyd Cole - Rattlesnakes (2004)
looking like a born again
living like a heretic listening to arthur lee records making all your friends feel so guilty about their cynicism and the rest of their generation not even the government are gonna stop you now but are you ready to be heartbroken? are you ready to be heartbroken? pumped up full of vitamins on account of all the seriousness you say you're so happy now you can hardly stand lean over on the bookcase if you really want to get straight read norman mailer or get a new tailor are you ready to be heartbroken? are you ready to be heartbroken? are you ready to bleed? what would it take what would it take to wipe that smile off of your face? are you ready to be, are you ready to bleed? are you ready to be heartbroken? are you ready to bleed? (heartbroken) well you better get ready now baby are you ready to bleed?, ready to bleed? |
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3:20 | ||||
from Lloyd Cole - Rattlesnakes (2004)
i choose my friends only far too well
i'm up on the pavement, they're all down in the cellar with their government grants and my i.q. they brought me down to size, academia blues louise is a girl, i know her well she's up on the pavement, yes she's a weather girl and i'm staying up here so i may be undone she's inappropriate, but then she's much more fun and when she smiles my way my eyes go out in vain she's got perfect skin shame on you, you've got no sense of grace, shame on me ah just in case i might come to a conclusion other than that which is absolutely necessary and that's perfect skin louise is the girl with the perfect skin she says turn on the light, otherwise it can't be seen she's got cheekbones like geometry and eyes like sin and she's sexually enlightened by cosmopolitan and when she smiles my way my eyes go out in vain for her perfect skin yeah that's perfect skin she takes me down to the basement to look at her slides of her family life, pretty weird at times at the age of ten she looked like greta garbo and i loved her then, but how was she to know that when she smiles my way my eyes go out in vain she's got perfect skin up eight flights of stairs to her basement flat pretty confused huh, being shipped around like that seems we climbed so high now we're down so low strikes me the moral of this song must be there never has been one speedboat julie said we drink far too much coffee wine and cigarettes and we never get no sleep i first met them at a riverboat party both of them were speeding i would say i lived on the edge of all this indulgence taking notes and trusting in prudence julie said to jim why don't |
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2:30 | ||||
from Lloyd Cole - Rattlesnakes (2004)
I was out stumbling in the rain
Staring at your lips so red You said, "blah, blah, blah, I got a pillow stuck in my head" How could I argue with a mirror? She looked at me ¡º Yes, I hear her. When I see the glory I ain't gotta worry When I see the glory I ain't gotta worry She said, "there's a halo on that truck, "won't you please get it for me? " I said, "of course my little swan, "if ever and ever you adore me." She got mad ¡º She said, "you're too steep," Put on her boxing gloves and went to sleep When I see the glory I ain't gotta worry When I see the glory I ain't gotta worry When I see the glory... Written by tom verlaine |
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3:43 | ||||
from Lloyd Cole - Rattlesnakes (2004)
Get into the hot seat
If it hurts not to be seen Or if you want to hit back This is the place to be at Spin your partners round and round Don't think another thought Don't get caught short You might get bought You know I'd like to take you by the hand But I never get the chance Oh it's easy to be cool when you're in a trance Isn't that right? Blair's on alcohol I'm on ice cream Causing the craziest scene This is a beautiful city That's a beautiful smile Though I could never live here Could I stay for a while? I'd just packed my bags for Memphis So that I could learn the blues But this city turned out so wild I had to tell the whole crew Being no place for a boy to fall in love I naturally did Now we're dancing around your flat To Leopardskin Pillbox Hat Social climbing We were just passing through It's true I just seem to stumble into things Yes, we just settled down Mostly nobody seemed to notice This is a beautiful city Full of beautiful kids All so keen to get hip Mostly still biting their lips C and W You know I'm hopeless without you |
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3:41 | ||||
from Lloyd Cole - Rattlesnakes (2004)
i was looking for a rhyme for the new york times
when i sensed i was not alone she said d'you know how to spell audaciously i could tell i was in luck and so i forced a smile contrary to my style and she looked into my eyes she said d'you want to go heaven or would you rather not be saved here comes my train i'm on my way, will you not see i don't need your sympathy i won't read your poetry, oh sweetness please so she took me back to her basement flat which was down on charlotte street though it was never my intention we were not intense, not least because well if you must just take then i'm a piece of cake that is what she said to me and so i gave myself to her charity well at least that's how it seemed here comes my train i'm on my way, what got into me i don't need your sympathy i won't read your poetry, oh bittersweets i was looking for a rhyme for the new times when i was distracted yes those were precious times together that we wasted now i'm working hard for my union card i must be leaving charlotte street though it was never my intention to stay so long so long |
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2:43 | ||||
from Lloyd Cole - Rattlesnakes (2004)
Oh you're a precious little pearl
But tell me true now Have you ever had a care in the world? Oh, tell me what's it all about? You say - oh, you're so uptight Well you'll never be so right Oh you can cry yourself dry But I'd be surprised if you can muster up a single crocodile You'll never be a hopeless child Throw caution to the wind Forgive yourself your sins And don't you know you Really are the sweetest thing There isn't heart enough on you Do you no longer care or feel that You have nothing left to prove? Oh, tell me that it isn't true I wanted to tell you That I used to admire you Oh, you know really that I don't cared No, I never cared for you But I used to read about you And you often would Throw caution to the wind And don't you know you Really are the sweetest thing |
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2:50 | ||||
from Lloyd Cole - Rattlesnakes (2004)
it's the french 'deux cheval' not the literal 2cv. he ryhmes it with blue.
she drove her mother's car, 'twas a deux cheval i was most impressed by her casual dress i was most impressed inside her rented room colored deepest blue i suppose we found some kind of happiness she drove her mother's car, 'twas a 2cv i was most impressed by her casual dress i was most impressed inside her rented room colored deepest blue i suppose we found some kind of happiness |
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3:21 | ||||
from Lloyd Cole - Rattlesnakes (2004)
early in the morning, just by the break of day
well that's when my patience went away she took her bags but she left all her clothes she took her keys and left me out in the cold wearing a plastic coat and the pressures of life through lack of patience i get the pressures of her patience is a girl that i hate to love the way i do, but i do she wakes me up in the morning through squeaking in my dreams she took her bags but she left all her clothes she took her keys and left me out in the cold all because of patience i get the pressures of life through lack of patience i get the pressures of her she beat me up and left me out in the pouring rain without no keys, without no reason to go back again she left me empty-handed, she left me empty-hearted not no money, not nothing but the blues all because of patience i get the pressures of life through lack of patience i get the pressures of her she said the one thing that she needs is happiness i don't believe that she's happy 'til she sees that i'm in distress no, all because of patience i get the pressures of life through lack of patience i get the pressures of her and i swoon |
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4:13 | ||||
from Lloyd Cole - Rattlesnakes (2004)
she crossed herself as she put on her things
she has promised once before not to live this way if she don't calm down she will burn herself out like a forest fire, well doesn't that make you smile if you don't slow down, i swear that i'll come round and mess up your place, let's go for a spin they say we shouldn't even know each other and that we'll be undone don't it make you smile like a forest fire i believe in love, i'll believe in anything that's gonna get me what i want and get me off my knees then we'll burn your house down, don't it feel so good there's a forest fire every time we get together doo doo doo, doo doo doo doo doo doo doo doo doo doo doo, doo doo doo doo doo doo hey pick you up, put you down rip you up and spin you round just like we said we would 'cause we're a forest fire believe you me, we'll tear this place down if we get caught in this wind then we could burn the ocean if we get caught in this scene we're gonna be undone it's just a simple metaphor, it's for a burning love don't it make you smile like a forest fire |
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3:59 | ||||
from Lloyd Cole - Rattlesnakes (2004)
julie said we drink far too much coffee
wine and cigarettes and we never get no sleep i first met them at a riverboat party both of them were speeding i would say i lived on the edge of all this indulgence taking notes and trusting in prudence julie said to jim why don't we jump in while the water is cool and we are still friends some say that they o.d.'d on leonard cohen well i can see that river whenever i think about them the river is cruel and the water is deep and blue i was working then on my great unfinished novel |
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3:30 | ||||
from Lloyd Cole - Rattlesnakes (2004)
jodie wears a hat although it hasn't rained for six days
she says a girl needs a gun these days hey on account of all the rattlesnakes she looks like eve marie saint in on the waterfront she reads simone de beauvoir in her american circumstance she's less than sure if her heart has come to stay in san jose and her neverborn child still haunts her as she speeds down the freeway as she tries her luck with the traffic police out of boredom more than spite she never finds no trouble, she tries too hard she's obvious despite herself she looks like eve marie saint in on the waterfront she says all she needs is therapy yeah all you need is, love is all you need jodie never sleeps 'cause there are always needles in the hay she says that a girl needs a gun these days hey on account of all the rattlesnakes she looks like eve marie saint in on the waterfront as she reads simone de beauvoir in her american circumstance her heart, heart's like crazy paving upside down and back to front she says ooh, it's so hard to love when love was your great disappointment |
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3:03 | ||||
from Lloyd Cole - Rattlesnakes (2004)
Once there was the sea now there is sand
And no way now to wash these aching limbs We have been brothers to this land All of our boats have long been burned Lord take this weight out of my bones Your seventh sin may still yet be unlearned Though I may burn out in the sand Still I will learn to love this land But if the world is truly turned Surely then our hearts will burn again And the sand will turn to soil And the blood run in our veins again And burn again Once there was the sea now there is sand And no way now to wash these aching limbs Still you will take me by the hand Yet I will learn to love this land But if the world is truly turned Surely then our hearts will burn again And the sand will turn to soil And the blood run in our veins again And burn again |
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2:40 | ||||
from Lloyd Cole - Rattlesnakes (2004)
you will never be no good
no you will never be no good d`you know what i`d do if i could chop you up into firewood because you have sinned far too many times you have sinned far too many times and you will pay for all your crimes you will never be no good not not ever no good you know it`s hard to sympathise you know it`s hard to sympathise when you never tell nothing but lies and it`s hard to sympathise you say you`re born in the barrel of a gun some say you`re born in the barrel of a gun you were your mother`s seventh son and no excuse could be a good enough one and don`t you love her madly you want to be her daddy well that won`t do you no good you might just slip into the priesthood you will never be no good no you will never be no good d`you know what i`d do if i could and then we`d all receive a knighthood you`ll never be no good |
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2:53 | ||||
from Lloyd Cole - Rattlesnakes (2004)
Does it hurt to be polite
Or is it just cool to be unkind Must you always hurt the ones you love And then get paid back in kind? Andy is fine but his taste is not mine Let me tell you I don't mean maybe I'm getting really tired of Andy's babies Some say that children should be seen and not heard That's what I'd prefer Let's go downtown for a while I'm sure you'll be forced to smile When you see Andy's babies And the bohemian lifestyle Andy is a saint But I'm losing my patience I really don't mean maybe Don't even wanna talk about Andy's babies So when says his children will inherit the earth Isn't that absurd? In a word Trudy is in the bathroom She's trying to clean up her act And Donald has gone to mass Yes, we are thankful for that It's eight in the morning And still you can't get no sleep On account of perfect day and All this white light white heat... ...isn't that sweet? |
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2:40 | ||||
from Lloyd Cole - Rattlesnakes (2004)
I was out stumbling in the rain
Staring at your lips so red You said, "blah, blah, blah, I got a pillow stuck in my head" How could I argue with a mirror? She looked at me ¡º Yes, I hear her. When I see the glory I ain't gotta worry When I see the glory I ain't gotta worry She said, "there's a halo on that truck, "won't you please get it for me? " I said, "of course my little swan, "if ever and ever you adore me." She got mad ¡º She said, "you're too steep," Put on her boxing gloves and went to sleep When I see the glory I ain't gotta worry When I see the glory I ain't gotta worry When I see the glory... Written by tom verlaine |
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2:51 | ||||
from Lloyd Cole - Rattlesnakes (2004)
Oh you're a precious little pearl
But tell me true now Have you ever had a care in the world? Oh, tell me what's it all about? You say - oh, you're so uptight Well you'll never be so right Oh you can cry yourself dry But I'd be surprised if you can muster up a single crocodile You'll never be a hopeless child Throw caution to the wind Forgive yourself your sins And don't you know you Really are the sweetest thing There isn't heart enough on you Do you no longer care or feel that You have nothing left to prove? Oh, tell me that it isn't true I wanted to tell you That I used to admire you Oh, you know really that I don't cared No, I never cared for you But I used to read about you And you often would Throw caution to the wind And don't you know you Really are the sweetest thing |
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3:38 | ||||
from Lloyd Cole - Rattlesnakes (2004)
Get into the hot seat
If it hurts not to be seen Or if you want to hit back This is the place to be at Spin your partners round and round Don't think another thought Don't get caught short You might get bought You know I'd like to take you by the hand But I never get the chance Oh it's easy to be cool when you're in a trance Isn't that right? Blair's on alcohol I'm on ice cream Causing the craziest scene This is a beautiful city That's a beautiful smile Though I could never live here Could I stay for a while? I'd just packed my bags for Memphis So that I could learn the blues But this city turned out so wild I had to tell the whole crew Being no place for a boy to fall in love I naturally did Now we're dancing around your flat To Leopardskin Pillbox Hat Social climbing We were just passing through It's true I just seem to stumble into things Yes, we just settled down Mostly nobody seemed to notice This is a beautiful city Full of beautiful kids All so keen to get hip Mostly still biting their lips C and W You know I'm hopeless without you |
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3:14 | ||||
from Lloyd Cole - Rattlesnakes (2004)
Jesus said to Mary
Lord, the things we do for love Well, do think I seem self conscious It's only you I'm thinking of Well I was hiding in the bathroom Quite unable to cry Now I'm weeping with a vengence Since your voice came down the line I moved up from the country Though I never could have stayed I just dipped my hand in the water And got carried away Well would you put me down Just for being around At the wrong time of day? Or would you leave me while I'm sleeping Out through the fire escape? They tell me swans do fly Across a perfect sky And it's a purist's sky tonight So you'll desert me in the morning On account of your cruelty and spite I moved up from the country To wave goodbye to all that I just leapt up on that riverboat And I never will look back Jesus said to Mary Lord, the things we do for love Well, did she think he was self conscious It was only her he was thinking of Well I was hiding in the bathroom Quite unable to cry Now I'm weeping with a vengence But these are tears of joy, oh my I moved up from the country Though I never could have stayed I just dipped my hand in the water And got carried away |
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- | ||||
from Lloyd Cole - Rattlesnakes (1984)
julie said we drink far too much coffee
wine and cigarettes and we never get no sleep i first met them at a riverboat party both of them were speeding i would say i lived on the edge of all this indulgence taking notes and trusting in prudence julie said to jim why don't we jump in while the water is cool and we are still friends some say that they o.d.'d on leonard cohen well i can see that river whenever i think about them the river is cruel and the water is deep and blue i was working then on my great unfinished novel |
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- | ||||
from Lloyd Cole - Rattlesnakes (1984)
jodie wears a hat although it hasn't rained for six days
she says a girl needs a gun these days hey on account of all the rattlesnakes she looks like eve marie saint in on the waterfront she reads simone de beauvoir in her american circumstance she's less than sure if her heart has come to stay in san jose and her neverborn child still haunts her as she speeds down the freeway as she tries her luck with the traffic police out of boredom more than spite she never finds no trouble, she tries too hard she's obvious despite herself she looks like eve marie saint in on the waterfront she says all she needs is therapy yeah all you need is, love is all you need jodie never sleeps 'cause there are always needles in the hay she says that a girl needs a gun these days hey on account of all the rattlesnakes she looks like eve marie saint in on the waterfront as she reads simone de beauvoir in her american circumstance her heart, heart's like crazy paving upside down and back to front she says ooh, it's so hard to love when love was your great disappointment |
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- | ||||
from Lloyd Cole - Rattlesnakes (1984)
some say that you may soon be leaving town
do you tire of chasing all the women around will you never be contented with your life will you always be the one who won't think twice when you go down on your knees you're so hard to please when you go down on your knees you're so hard , down on mission street god only knows how you can hurt her when you know that's what you do how does it feel to be so cruel will you never be contented with your life will you always be the one who won't look back when you go down on your knees you're so hard to please when you go down on your knees it feels like up, down on mission street julie said your eyes are blue your lips are cold as stone she picked you up and you put her down and messed her place around will you never be contented with your life will you always be the one who won't think twice when you go down on your knees you're so hard to please when you go down on your knees you're so hard , down on mission street when you go down on your knees you're so hard to please when you go down on your knees it feels like up, down on mission street |
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- | ||||
from Lloyd Cole - Rattlesnakes (1984)
i choose my friends only far too well
i'm up on the pavement, they're all down in the cellar with their government grants and my i.q. they brought me down to size, academia blues louise is a girl, i know her well she's up on the pavement, yes she's a weather girl and i'm staying up here so i may be undone she's inappropriate, but then she's much more fun and when she smiles my way my eyes go out in vain she's got perfect skin shame on you, you've got no sense of grace, shame on me ah just in case i might come to a conclusion other than that which is absolutely necessary and that's perfect skin louise is the girl with the perfect skin she says turn on the light, otherwise it can't be seen she's got cheekbones like geometry and eyes like sin and she's sexually enlightened by cosmopolitan and when she smiles my way my eyes go out in vain for her perfect skin yeah that's perfect skin she takes me down to the basement to look at her slides of her family life, pretty weird at times at the age of ten she looked like greta garbo and i loved her then, but how was she to know that when she smiles my way my eyes go out in vain she's got perfect skin up eight flights of stairs to her basement flat pretty confused huh, being shipped around like that seems we climbed so high now we're down so low strikes me the moral of this song must be there never has been one speedboat julie said we drink far too much coffee wine and cigarettes and we never get no sleep i first met them at a riverboat party both of them were speeding i would say i lived on the edge of all this indulgence taking notes and trusting in prudence julie said to jim why don't |
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from Lloyd Cole - Rattlesnakes (1984)
i was looking for a rhyme for the new york times
when i sensed i was not alone she said d'you know how to spell audaciously i could tell i was in luck and so i forced a smile contrary to my style and she looked into my eyes she said d'you want to go heaven or would you rather not be saved here comes my train i'm on my way, will you not see i don't need your sympathy i won't read your poetry, oh sweetness please so she took me back to her basement flat which was down on charlotte street though it was never my intention we were not intense, not least because well if you must just take then i'm a piece of cake that is what she said to me and so i gave myself to her charity well at least that's how it seemed here comes my train i'm on my way, what got into me i don't need your sympathy i won't read your poetry, oh bittersweets i was looking for a rhyme for the new times when i was distracted yes those were precious times together that we wasted now i'm working hard for my union card i must be leaving charlotte street though it was never my intention to stay so long so long |
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from Lloyd Cole - Rattlesnakes (1984)
it's the french 'deux cheval' not the literal 2cv. he ryhmes it with blue.
she drove her mother's car, 'twas a deux cheval i was most impressed by her casual dress i was most impressed inside her rented room colored deepest blue i suppose we found some kind of happiness she drove her mother's car, 'twas a 2cv i was most impressed by her casual dress i was most impressed inside her rented room colored deepest blue i suppose we found some kind of happiness |
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from Lloyd Cole - Rattlesnakes (1984)
i was woken up at four a.m. by your screams and anguished cries
your mother was singing in the bathroom, she will never be my child oh baby talks in her sleep so loud we're living four flights up but i swear right now it feels like underground well you have absolutely no common sense, yes i know that's your charm you spend the whole day on the phone, you say well it helps you stay calm you cling to my arm, yes i know that's your charm and when i ask you what you want you say do you mind hey crocodile well then could you give me some peace, you say well maybe for a while sometimes you know you could almost be a child oh must you tell me all your secrets when it's hard enough to love you knowing nothing we're living four flights up but i swear right now it feels like underground you are your own worst enemy, so don't expect my sympathy oh go back to your mother's house and cry your little heart out you can drive them back to town in a beat-up grace kelly car looking like a friend of truman capote, looking exactly like you are yes, yes i know that's your charm so don't ask me if i want you, only ask me if i must i been blown around so long, don't know which senses to trust oh no, but i know that i must oh must you tell me all your secrets when it's hard enough to love you knowing nothing we're living four flights up but i swear right now it feels like underground |
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from Lloyd Cole - Rattlesnakes (1984)
early in the morning, just by the break of day
well that's when my patience went away she took her bags but she left all her clothes she took her keys and left me out in the cold wearing a plastic coat and the pressures of life through lack of patience i get the pressures of her patience is a girl that i hate to love the way i do, but i do she wakes me up in the morning through squeaking in my dreams she took her bags but she left all her clothes she took her keys and left me out in the cold all because of patience i get the pressures of life through lack of patience i get the pressures of her she beat me up and left me out in the pouring rain without no keys, without no reason to go back again she left me empty-handed, she left me empty-hearted not no money, not nothing but the blues all because of patience i get the pressures of life through lack of patience i get the pressures of her she said the one thing that she needs is happiness i don't believe that she's happy 'til she sees that i'm in distress no, all because of patience i get the pressures of life through lack of patience i get the pressures of her and i swoon |
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from Lloyd Cole - Rattlesnakes (1984)
looking like a born again
living like a heretic listening to arthur lee records making all your friends feel so guilty about their cynicism and the rest of their generation not even the government are gonna stop you now but are you ready to be heartbroken? are you ready to be heartbroken? pumped up full of vitamins on account of all the seriousness you say you're so happy now you can hardly stand lean over on the bookcase if you really want to get straight read norman mailer or get a new tailor are you ready to be heartbroken? are you ready to be heartbroken? are you ready to bleed? what would it take what would it take to wipe that smile off of your face? are you ready to be, are you ready to bleed? are you ready to be heartbroken? are you ready to bleed? (heartbroken) well you better get ready now baby are you ready to bleed?, ready to bleed? |
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2:44 | ||||
from Lloyd Cole - Antidepressant (2008)
Cole
I know I said I favoured peaceful resolution But that was when we were the young idealists The Young Idealists Raging through the coffee shops and bars Make believe the world was really ours Still supposing we could make a difference Then we bought into the neocon economic dream And we were trading in futures we believed in The Young Idealists Careering through the markets to the Mall Venturing that we could have it all Still supposing we could make a difference And then the markets fall And the heavens open And there's no synergy at all The synergy is broken So maybe now I'd take that wholesale revolution We were talking about Maybe now I'd take a future we can breathe in The Young Idealists Raging through the forests and the streams Breaking into your laboratories Still supposing we could make a difference I never dreamed I'd want a slogan on my people Mover But that was when we were the young idealistsTHE YOUNG IDEALISTS I know I said I favoured peaceful resolution But that was when we were the young idealists The Young Idealists Raging through the coffee shops and bars Make believe the world was really ours Still supposing we could make a difference Then we bought into the neocon economic dream And we were trading in futures we believed in The Young Idealists Careering through the markets to the Mall Venturing that we could have it all Still supposing we could make a difference And then the markets fall And the heavens open And there's no synergy at all The synergy is broken So maybe now I'd take that wholesale revolution We were talking about Maybe now I'd take a future we can breathe in The Young Idealists Raging through the forests and the streams Breaking into your laboratories Still supposing we could make a difference I never dreamed I'd want a slogan on my people Mover But that was when we were the young idealists |
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3:38 | ||||
from Lloyd Cole - Antidepressant (2008)
Cole
Idealised vision of a woman through a smokefilled twentieth century screenplay Advancing Towards protagonist with paperback and beer Manifestly failing to disappear Now that the children are asleep You want to play But you’re so lazy She walks into the bar And there you are Still life watercolour Woman In A Window Considers role of kitchen sink drama queen Stage left - protagonist with cigarette and pen Considers form of racehorses, IBM Declining issues led advancing two to one In slow trading She walks into the bar And there you are No longer angry No longer young No longer driven to distraction Not even by Scarlett Johansson A few moving parts Need to be replaced The engine starts But only on Tuesdays but look at it this way - Now that the children are asleep You want to play But you’re so lazy She walks into the bar And there you are Idealised vision of a woman through a smokefilled twentieth century screenplay Advancing Towards protagonist with paperback and beer Manifestly failing to disappear.. |
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4:21 | ||||
from Lloyd Cole - Antidepressant (2008) | |||||
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2:40 | ||||
from Lloyd Cole - Antidepressant (2008)
Cole
I’m serving 12 to 15 working the coffee machine I’ve got a licence to fly underneath the radar She’s about 50 feet north As Seen On TV store I know she’s going to tune me in sooner or later With my medication I will be fine I said I’m trying to write my novel She said Neither am I And either way I saw you reading No Depression You’re doing nothing I’ll come over We’ll watch 6 feet Under And then we’ll maybe get around to your condition With my medication I will be fine First she’s going to tire of my fixations Then she’s going to tire of my face I’m going to need a new affectation I’m going to need a new one everyday With my medication I will be fine |
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3:42 | ||||
from Lloyd Cole - Antidepressant (2008) | |||||
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4:54 | ||||
from Lloyd Cole - Antidepressant (2008)
Cole
I paid the full lip service to the repercussions Which is to say I weighed the risk reward But who can budget for a fallout of these proportions? Take your shot That’s what you pay me for Nobody said You’re getting away with murder Here, smile into the hidden camera with your friend She didn’t ask If we were on or off the record Or what that may Or what that may not mean When you went away I thought that I was free How wrong can you be? How wrong can you be? Fortune hits the wall And the whole 500 fall How wrong can you be? How wrong can you be? I didn’t see it at the time as a conflict of interests A pretty girl at the wheel of a German car It isn’t hard to surrender to market forces Take your seat Become the passenger Nobody said We’re getting away with murder No looking in the rear view mirror Foot to the floor She didn’t say I’m working for the competition A pretty girl at the wheel of a German car When you went away I thought that I was free... |
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2:22 | ||||
from Lloyd Cole - Antidepressant (2008)
Cole
Think you’re really something ,now Just because I offer you A ride in my brand new car When you know we’re nothing more than just Smoke and rhetoric And we’re barely rhyming as we are So don’t get so excited He’s not that kind of writer The chances are we’ll wind up in some godforsaken cul-de-sac Not love No use to get sad about it Can’t love everysong Well let’s not lose perspective, now Just because we spend a little time together while we’re on our way And sure I’ll hold you for a little while If you ask me I can stay At least until tomorrow But now we’re halfway through the song and I’m still tagging along Surely clouds are coming soon But as of now I can see nothing but blue No use to go second guessing Can’t cry everysong Maybe the wine is going cheap at the creative retreat Maybe our man’s smoking something Because something’s feeling scarily like love No need to complain No siree Bob Can’t cry everysong |
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3:52 | ||||
from Lloyd Cole - Antidepressant (2008)
Lewis
Never doubting Always faithful She returns She says she loves me And I could always Come to her She can’t imagine how Another lover Could turn her head And I’m so grateful That I’m still willing To have her home She says she loves me She won’t forget me And then she’s gone She thinks that later We can pick up the pieces And carry on And I’d forgive her Still not suspecting She could be wrong Now I’m so grateful I’m no longer willing To have her home Now I’m so grateful I’m no longer willing To have her home |
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2:58 | ||||
from Lloyd Cole - Antidepressant (2008)
Clark-Cole
No longer harbour To escapist design I propose an exit strategy Could you let it go? A simple loss of traction On an empty road More than likely sleeping at the wheel And then again In it’s current condition Sustainded disrepair I’d say this house is falling down Ripe for torching, then A single cigarette falls From a sleeping hand and Softly, softly, softly I will slip away And fade until I assume complete transparency Softly, softly, softly I will slip away And then into the ether where I belong |
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3:46 | ||||
from Lloyd Cole - Antidepressant (2008) | |||||
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5:14 | ||||
from Lloyd Cole - Antidepressant (2008)
Cole
Tripped on your Rolodex Brought up a cloud of dust I had to take an antihistamine Before I could move on and assess the damage done The fallout to contain The nonedescript manuscript on which you wrote In case of loss In case of loss It said return to this address So here we are except you don’t live here anymore And I guess I’m leaving I guess I’m getting around to leaving And then again Remember all I asked was just a little quiet please |
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4:26 | ||||
from Lloyd Cole - Music in A Foreign Language (2003)
I am cold, distant, increasingly resistant to your smile
And this I don't deny You are bold, beautiful, I'm always going to be in love with you Amphetamines or none You say - Give it to me straight Well I already did There isn't any more And what pale fire I ever had is gone But you don't want to hear that in a song Music in a foreign language Words that we don't understand Melodies won't come between us And even if you wanted - we can't sing along La la la... I heard a voice - resonant, born of Scandinavian descent I didn't comprehend a single word, sentence My stunted sensibility content To listen without words I'll try to give it to you straight My heart is almost full - there's not a lot of space And so forgive me if I'm less than awed By your world weary twenty-six year old Music in a foreign language Words that we don't understand Melodies won't come between us And even if you wanted - we can't sing along La la la... You say I'm dry - a scientist No mate for the lioness you are Yes - I can hear you roar |
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4:08 | ||||
from Lloyd Cole - Music in A Foreign Language (2003)
Clearly you can see that I am bleeding
Clearly you can see my clothes are torn Clearly this demands an explanation Only I can offer none My other life Witnesses have placed me at the crime scene Forensic evidence concurs Samples taken from under my fingernails Support the prosecution's case My other life Analysis has failed to find a motive Hypnotists have failed to beak the code Journalists are camped out on my doorstep Perchance that I might slip and drop the key My other life Welcome to my made for TV movie I look strangely placid on the stand You can be the judge and you the jury Consider please the allegations My other life I slip away to my other life With no regret or remorse Happy and gay in my other life No need to wake me Monday morning From my other life |
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4:07 | ||||
from Lloyd Cole - Music in A Foreign Language (2003)
Just another bunch of torn down college graduates
Trying to find a place to set down for a while Too pumped up to fake it Too belligerent to take it sitting down Early town Just another bunch of would be desperadoes Failing to pace themselves against the grain Strung out on semantics Holiday Inn vigilantes Late night, early town Oh, Los Angeles How do you sleep? You seem so full of cocaine and self belief If I could get me some I'd take it and I'd run Oh, but it's just another Late night, early town Is t too late to be post modern lovers? Is it too late to straighten out the show? The sky is turning grey and now the afterparty fades We're coming down on an early town Oh, Los Angeles How do you sleep? You seem so full of cocaine and self belief If I could get me some I'd take it and I'd run Oh, but it's just another Late night, early town Late night, early town Am I supposed to sleep Here all alone? Beneath the shadow of the minibar With the promise of a Spectravision girl A Spectravision girl Oh, those Spectravision girls... |
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3:22 | ||||
from Lloyd Cole - Music in A Foreign Language (2003)
Lying here between your progeny and your Visa card statement
Beside the coffee stained torn envelope We took your facsimile and we pinned it to the wall Here on the other side of the world You call here when it's 3 AM and we hear music playing You call here and you don't have time to talk You call in on your cell phone but you're cutting out Here on the other side of the world You send in electronic mail transmissions Dispatches from your colonies - your Commonwealth But your syntax is distracted and your sideways happy face Is not on the other side of the world from the girl with the starry eyes and the easy smile she's just sitting there Could I stay a while? Lying here between your progeny and your Visa card statement Beside the coffee stained torn envelope We took your facsimile and we pinned it to the wall Here on the other side of the world |
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3:16 | ||||
from Lloyd Cole - Music in A Foreign Language (2003)
Rather than you, she said
I prefer solitude Rather the company I prefer cigarrettes Even Los Angeles Suffers occasionally Do you have somewhere to stay? But no more love songs Not for me I gave er whisky And she gave me everything There was a boy, she said Beautiful, eloquent He went to Spain And where he went, she went No Joan of Arc She was broken discarded And that was a long time ago Still, no more love songs No more love songs stil, you might as well live I'll drink to harmony Peace and disarmament I'll dance the victory waltz But no more love songs No more |
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3:13 | ||||
from Lloyd Cole - Music in A Foreign Language (2003)
Didn't I promise always to
Shelter and protect you Didn't I answer - Yes I do Well, today I'm not so sure Didn't the stars shine awful bright then Didn't I look into your eyes and Didn't I swear I'd always be there Well, yeah, yeah, yeah Today I'm not so sure Today I'm not so sure Wasn't the world much younger then Isn't the word indifferent Wich Best describes this man in descent Caught beteween love And what I meant Didn't I promise always to Shelter and protect you Didn't I answer - Yes I do Well, today I'm not so sure Didn't the stars shine awful bright then Didn't I look into your eyes and Didn't I swear I'd always be there Well, yeah, yeah, yeah Today I'm not so sure |
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3:16 | ||||
from Lloyd Cole - Music in A Foreign Language (2003)
I'm freezing cold because I've been out all night
I guess I left without my coat I just got to walking round and round your block Very, very rock and roll Remember when you said you're my best friend If that's the best that I've got And any time I needed anything Well, I guess I need to cash that cheque I guess I had another bright idea Why don't I share it with you I went right up and knocked on Trouble's door And they said - Mister, we've been waiting for you Could you be my alibi Could you drive my getaway car? Get me out of jail free Baby, you and me? I'm freezing cold because I've been out all night I guess I left without my coat I just got to walking round and round your block Very, very rock and roll Could you be my alibi Could you drive my getaway car? Get me out of jail free Baby, you and me? |
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5:03 | ||||
from Lloyd Cole - Music in A Foreign Language (2003)
People just ain't no good
I think that's well understood You can see it everywhere you look People just ain't no good We were married under cherry trees Under blossom we made our vows All the blossoms come sailing down Through the streets and through the playgrounds The sun would stream on the sheets Woken by the morning bird We'd buy the Sunday newspapers And never read a single word People they ain't no good People they ain't no good People they ain't no good Seasons came, seasons went The winter stripped the blossoms bare A different tree now lines the streets Shaking its fists in the air The winter slammed us like a fist The windows rattling in the gales To which she drew the curtains Made out of her wedding veils People they ain't no good People they ain't no good People they ain't no good at all To our love send a dozen white lilies To our love send a coffin of wood To our love let all the pink-eyed pigeons coo That people they just ain't no good To our love send back all the letters To our love a valentine of blood To our love let all the jilted lovers cry That people they just ain't no good It ain't that in their hearts they're bad They can comfort you, some even try They nurse you when you're ill of health They bury you when you go and die It ain't that in their hearts they're bad They'd stick by you if they could But that's just bullshit, baby People just ain't no good People they ain't no good People they ain't no good People they ain't no good at all People they ain't no good People they ain't no good People they ain't no good at all |
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2:58 | ||||
from Lloyd Cole - Music in A Foreign Language (2003)
I hear they have the good drugs in Brazil
Maybe I'll take some Maybe I'll feel better if I do In Brazil I hear they're pretty laissez-faire down there But me I'm so uptight Taken unaware - well, I just might In Brazil I hear they have the good drugs in Brazil Maybe I'll take some Maybe I'll feel better if I do In Brazil |
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5:11 | ||||
from Lloyd Cole - Music in A Foreign Language (2003)
I am consumed by delusions of grandeur
I'm fallen prey to the beautiful girl I have seen romance in the obvious quarters And I have painted myself into that world I have constructed my own personal Babel But many passages remain out of print Leaving me in an unresolved sentence Without an idea of where it went I have developed an unnatural candour In contradiction to all I hold dear I think of myself as tall and silent This little voice is all that I hear Now the night's drawing in I'm your unworthy friend At the untimely end of a lifetime Thinking I might hold on to my first marriage I learned the language of the self obsessed It was only later at the post-grad parties That it rewarded me with great success No longer waiting for my prayers to be answered No longer waiting for my publisher's call No longer charming in my reminiscence Only immersed in a faint afterglow Now the night's drawing in I'm your unworthy friend At the ungodly end of a lifetime |