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3:15 | ||||
from Memory Love Songs Vol. 1 (1994)
On a cloudy day. When it's cold outside, I've got the month of May. Well, I guess you'll say What can make me feel this way? My girl. (My girl, my girl) Talkin' 'bout my girl. (My girl) I've got so much honey The bees envy me. I've got a sweeter song Than the birds in the trees. Well, I guess you'll say What can make me feel this way? My girl. (My girl, my girl) Talkin' 'bout my girl. (My girl) Ooooh, Hoooo. Hey, hey, hey. Hey, hey, hey. I don't need no money, Fortune or fame. I've got all the riches, baby, One man can claim. Well, I guess you'll say What can make me feel this way? My girl. (My girl, my girl) Talkin' 'bout my girl. (My girl) Talkin' bout my girl. I've got sushine on cloudy day With my girl. I've even got the month of May With my girl. Talkin' bout, talkin' bout my girl . . . |
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3:58 | ||||
from To Sing Somebody's Vol. 2 (1994)
Baby hair with a woman's eyes
I can feel you're watching in the night All alone with me and we're waiting for the sunlight When I feel cold, you warm me And when I feel I can't go on, you come and hold me It's you... And me forever Sara Smile Won't you smile a while for me Sara If you feel like leaving you know you can go But why don't you stay until tomorrow? If you want to be free, you know, all you got to do is say so And when you feel cold, I'll warm you And when you feel you can't go on, I'll come and hold you It's you... And me forever Sara Smile Won't you smile a while for me |
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3:15 | ||||
from Love Is Love 2 (1994)
On a cloudy day. When it's cold outside, I've got the month of May. Well, I guess you'll say What can make me feel this way? My girl. (My girl, my girl) Talkin' 'bout my girl. (My girl) I've got so much honey The bees envy me. I've got a sweeter song Than the birds in the trees. Well, I guess you'll say What can make me feel this way? My girl. (My girl, my girl) Talkin' 'bout my girl. (My girl) Ooooh, Hoooo. Hey, hey, hey. Hey, hey, hey. I don't need no money, Fortune or fame. I've got all the riches, baby, One man can claim. Well, I guess you'll say What can make me feel this way? My girl. (My girl, my girl) Talkin' 'bout my girl. (My girl) Talkin' bout my girl. I've got sushine on cloudy day With my girl. I've even got the month of May With my girl. Talkin' bout, talkin' bout my girl . . . |
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3:41 | ||||
from Hall & Oates - Voices (1980)
My Baby went to Africa
With the dirty lens photographer My Baby stayin' in jungle land With a U S body and a real light tan My Baby went to Africa With a make-up man and his love-sick lover She get a couple o' grand and a two-piece suit Let the folks back home see the native beauty My Baby went to Africa Gotta pack my bags and get to her Before the lions and tigers try to jump on her bones |
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3:42 | ||||
from Hall & Oates - Voices (1980) | |||||
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3:41 | ||||
from Hall & Oates - Voices (1980)
Got a good education now
And I'm ready for the world (yeah) We've been going together It's gonna last forever, it ain't never gonna change I'm a real hard charger (yeah) Everybody's gonna listen to me We're a winning combination, that nobody's gonna rearrange Big Kids breakin' up 'cause they're lookin' for fun Everybody's leavin', boy-girl on the run My situation's static, there's no reason to fear It's too calm around me and it can't happen here Big Kids - think they know it all Big Kids - think they've got the world up against the wall All the grown-ups show me that they're only Big Kids in disguise Who do you think your leaders are? Big Kids Who do you think your heros are? Big Kids I may never reach maturity but, baby, I'm gonna try |
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3:39 | ||||
from Hall & Oates - Voices (1980) | |||||
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3:45 | ||||
from Hall & Oates - Voices (1980)
Look at me I'm running
Ooh what have I done Oh I must have hurt someone Stalking subway station Gimme place to hide Oh I hear the Voices deep inside And oh the Voice is singing (Diddy Doo Wop oh oh oh oh oh) (Diddy Doo Wop) oh oh Well its the Voice I hear at the subway stop keep singing (diddy doo wop) yeah yeah oh (Diddy doo wop) aah ahh (oh oh oh diddy do wop) oh oh oh Well it starts in my head and it ends when I stop Keep singing Diddy Doo Wop Charlie liked the Beatles (uh uh) Sam he liked Rich Girl (bitch girl) But I'm still hung up on the Duke of Earl (Duke Duke Duke of Earl Duke Duke of Earl) Reaching for the handle I'm slicing through the air Oh the Doo Wop Voices everywhere And oh the Duke is singing (Diddy Doo Wop Oh Oh Oh Oh Oh) (Diddy Doo Wop) whoa whoa whoa Well it's the Voice that I hear at the subway stop keep singing diddy doo wop Whoa whoa whoa (diddy doo wop) oooh (Oh diddy doo wop) oh oh oh Well it starts in my head and it ends when I chop (Diddy Doo Wop) Keep-a singing (Diddy doo Wop) oh oh oh (Oh diddy doo wop) whoa whoa whoa whoa It starts in my head and it ends when I stop Keep singing (Diddy doo wop) ooh I hear the Voices (Diddy doo wop) ooh ooh (yeah) (Oh oh oh diddy doo wop) Well its the Voice that I hear at the subway stop they singing diddy doo wop I hear the Voices Voices (diddy doo wop) Oooh I hear the Voices (diddy doo wop) I can't stop can't stop the Voices (Voices) Oh they singing (diddy doo wop) whoa whoa whoa whoa whoa (Diddy doo wop) I can't stop them (diddy doo wop) Oh I can hear them singing (I hear the Voices) Hear the Voices (diddy doo wop) My right hand tried to stop my left hand (Diddy doo wop) My left hand tried to stop my right hand (Diddy doo wop) My head keep trying to stop both hands (The Voices) Oh but I can't stop but I can't stop but I can't stop I hear the Duke singing (Diddy doo wop) Oh sing Duke (oh oh diddy doo wop) Sing it Duke-a (The Voices |
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3:44 | ||||
from Hall & Oates - Voices (1980)
Look at me, I'm running
Ooh, what have I done Oh, I must have hurt someone Dark in subway station Gimme place to hide Oh, I hear the Voices deep inside And the Voice is singing Diddy Doo Wop Oh Oh Oh Oh Oh Diddy Doo Wop Well, it starts in my head and it ends when I stop Keep singing Diddy Doo Wop Charlie liked the Beatles Sam, he liked Rich Girl I'm still hung up on the Duke of Earl Reaching for the handle Slicing through the air Oh, the Doo Wop Voices everywhere Oh, the Duke is singing Diddy Doo Wop Oh Oh Oh Oh Oh Diddy Doo Wop Well, it starts in my head and it ends when I stop Diddy Doo Wop I hear the Voices |
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5:25 | ||||
from Hall & Oates - Voices (1980)
Baby, if we can't solve any problems
Why do we lose so many tears? Oh, so you go again When the leading man appears Always the same theme But can't you see we've got everything going on and Everytime you go away You take a piece of me with you Go on and go free Maybe you're too close to see I can feel your body move But does it mean that much to me I can't go on singing the same theme "Cause you can't see we've got everything Baby, even though you know that Everytime you go away You take a piece of me with you You just don't care |
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5:25 | ||||
from Hall & Oates - Voices (1980)
Baby, if we can't solve any problems
Why do we lose so many tears? Oh, so you go again When the leading man appears Always the same theme But can't you see we've got everything going on and Everytime you go away You take a piece of me with you Go on and go free Maybe you're too close to me I can feel your body move But does it mean that much to me I can't go on singing the same theme "Cause you can't see we've got everything Baby, even though you know that Everytime you go away You take a piece of me with you You just don't care |
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3:38 | ||||
from Hall & Oates - Voices (1980) | |||||
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3:38 | ||||
from Hall & Oates - Voices (1980)
Oh, no, stop bitching indiscretion
You're such an A-1 lover, since when are you perfection Never true blue to me, so why are you getting nasty Well, it's lucky for you that I'm gonna keep dancing Oh, I know Everyone you do is perfect Everyone you know is perfect Everywhere you go is perfect So on and so on But you've gotta lotta nerve when you talk about love If you've gotta lotta nerve we can talk about love Oh, you've gotta lotta nerve to be talking about love Yeah, you gotta lotta nerve 'til we talk about love Listen to you ... your roots will be showing Better watch what you say and do Or da cool you'll be blowing We're talking 16 tones of nerve-a We're talking perfect nerve |
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3:39 | ||||
from Hall & Oates - Voices (1980)
Don't want to face it but I know that it's time to go home
I cannot say what I want to say when we're alone I've got to leave but I want to stay Where you are is so far from the U.S. of A. When we're more than half a world away It's so hard to be in love with you Operator, International 011, oh Put your love on the line, put your ear to the phone Maybe it's no longer than a night and a day But where you are is so far from the U.S. of A. And it ain't so easy, easy on the heart It's so hard to be in love with you |
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3:38 | ||||
from Hall & Oates - Voices (1980) | |||||
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4:36 | ||||
from Hall & Oates - Voices (1980)
Please return, come back, I've been saving your place
Too much time has elapsed-unreality-memory erases The rules and the rights and the wrongs don't apply Far apart - So together is destiny weeded to fate I write the script, you direct my dreams We're along on the beach for the passionate scene And it's a drag to wake up with you ... saying to me How does it feel to be back in my arms again I'm bored and alone and it's weakening me One night out and I'm looking for trouble and finding it's easy You know we all make mistakes and we all need the touch of a hand In the right kind of place, in a time of need I could pick up the phone, but the talk ain't cheap I pick up on the thoughts that you're sending to me And i wait for the day I hear you saying to me How does it feel to be back in my arms again |
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4:36 | ||||
from Hall & Oates - Voices (1980)
J. Oates
Please return, come back, I've been saving your place Too much time has elapsed-unreality-memory erases The rules and the rights and the wrongs don't apply Far apart - so together is destiny weeded to fate And I write the scripts, you direct my dreams We're alone on the beach for the passionate scenes It's a drag to wake up with, without you saying to me Saying baby how does it (feel to be back) How does it (feel to be back) How does it (feel to be back in my arms again) Well I'm bored and alone and it's weakening me One night out and I'm looking for trouble And find that it is easy You know we all make mistakes and we all need the touch of a hand In the right kind of place, in a time of need I could pick up the phone, but the talk ain't cheap (I pick up on the thoughts that you're sending to me) And I wait for the day I hear you saying to me You say baby how does it (feel to be back) How does it (feel to be back) How does it (feel to be back in my arms again) How does it feel to be back in my arms again You come in my dreams I hear you saying to me Saying baby how does it (feel to be back) How does it (feel to be back) How does it (feel to be back in my arms again) How does it feel to be back in my arms again How does it (feel to be back in my arms) again How does it feel to be back in my arms (How does it feel to be back, how does it feel) (How does it feel to be back, how does it feel) (How does it feel to be back, how does it feel) Feel to back, feel to be back (How does it feel to be back, how does it feel) (How does it feel to be back) Feel to be back (how does it feel) Feel to be back, feel to be back (How does it feel to be back, how does it feel) (How does it feel to be back, how does it feel |
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4:27 | ||||
from Hall & Oates - Voices (1980)
My friends wonder why I call you all of the time
What can I say I don't feel the need to give such secrets away You think maybe I need help though I know that I'm right I'm just better off not listening to friends' advice When they insist on knowing my bliss I tell them this When they want to know what the reason is I only smile when I lie, then I tell them why (Because your kiss) your kiss is on my list (Because your kiss) your kiss is on my list Because your kiss is on my list of the best things in life (Because your kiss) your kiss is on my list (Because your kiss) your kiss I can't resist Because your kiss is what I miss when I turn out the light I go crazy wondering what there is to really see Did the night just take up your time, 'cause it means more to me Sometimes I forget what I'm doing, I don't forget what I want, what I want Regret what I've done, regret you? I couldn't go on And if you insist on knowing my bliss I'll tell you this If you want to know what the reason is I'll only smile when I lie, then I'll tell you why (Because your kiss) your kiss is on my list (Because your kiss) your kiss I can't resist Because your kiss is what I miss when I turn out the light (Because your kiss) your kiss is on my list (Because your kiss) your kiss is on my list Because your kiss is on my list of the best things in life (Because your kiss) your kiss is on my list (Because your kiss) your kiss I can't resist Because your kiss is on my list of the best things in life |
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4:26 | ||||
from Hall & Oates - Voices (1980)
My friends wonder why I call you all of the time
What can I say I don't feel the need to give such secrets away You think maybe I need help, no, I know that I'm right I'm just better off not listening to friends' advice When they insist on knowing my bliss I tell them this When they want to know what the reason is I only smile when I lie, then I tell them why CHORUS: (Because your kiss) your kiss is on my list (Because your kiss) your kiss is on my list Because your kiss is on my list of the best things in life (Because your kiss) your kiss is on my list (Because your kiss) your kiss I can't resist Because your kiss is what I miss when I turn out the light I go crazy wondering what there is to really see Did the night just take up your time, 'cause it means more to me Sometimes I forget what I'm doing, I don't forget what I want Regret what I've done, regret you? I couldn't go on And if you insist on knowing my bliss I'll tell you this If you want to know what the reason is I'll only smile when I lie, then I'll tell you this CHORUS |
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3:10 | ||||
from Hall & Oates - Voices (1980)
Make an amendment to the constitution
To preserve the state of our union I stop believing what you say to me There's a tragic gap in credibility When the light is gone from your eyes And re-entry may be denied Do I want to expatriate Or live in the united state Inflationary insecurity 'Cause a love ain't worth as much as it used to be Clean break, running away Should I work it out some way Watch the tress in the wind when it's starting to blow Is the reason to leave, is it treason to go Just appeasing you is the wrong thing, I know Break away! |
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3:12 | ||||
from Hall & Oates - Voices (1980) | |||||
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3:13 | ||||
from Hall & Oates - Voices (1980)
What I want, you've got
And it might be hard to handle But like the flame that burns the candle The candle feeds the flame What I've got's full stock of thoughts and dreams that scatter You pull them all together And how, I can't explain But You make my dreams come true On a night when bad dreams become a screamer When they're messin' with the dreamer I can laugh it in the face Twist and shout my way out And wrape yourself around me 'Cause I ain't the way that you found me I'll never be the same 'Cause You may my dreams come true I'm down on the daydream That sleepwalk should be over by now I know that You make my dreams come true" |
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3:13 | ||||
from Hall & Oates - Voices (1980)
What I want, you've got
But it might be hard to handle Like the flame that burns the candle The candle feeds the flame yeah yeah What I got -- full stock of thoughts and dreams that scatter And you pull them all together And how I can't explain oh yeah Well well you (ooh ooh ooh ooh) you make my dreams come true (you you) you (you you) Well well well you (ooh ooh ooh ooh) oh yeah you make my dreams come true (ooh oooh ooh ooh) hell yeah On a night when bad dreams become a screamer When they're messin' with a dreamer I can laugh it in the face Twist and shout my way out And wrap yourself around me 'Cause I ain't the way you found me And I'll never be the same oh yeah Well 'cause You (ooh ooh ooh ooh) hmmm hmm you make my dreams come true (you you you you) oh yeah Well well well you (ooh ooh ooh ooh) ooh you make my dreams come true (you you you you) oh yeah Listen to this I'm down on my daydream All that sleepwalk should be over by now I know Well you hell yeah you make my dreams come true (you you you you) oh yeah (you you) I've been waiting for waiting for you girl (ooh ooh ooh ooh) Oh yeah you make my dreams come true (you you you you) Me you me and you I've been waiting for waiting for you girl (ooh ooh ooh ooh) all my life You make my dreams come true (you you) whoa (you you) Whoa whoa I've been waiting for waiting for waiting for waiting for waiting for waiting for waiting for (You make my dreams) ooh ooh ooh ooh I've been waiting for you girl (you you you you) (You make my dream you you you you) |
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4:39 | ||||
from Hall & Oates - Voices (1980)
You never close your eyes anymore when I kiss your lips
And there's no tenderness like before in your finger tips You're trying hard not to show it (baby) But baby, baby I know it You've Lost That Lovin' Feeling Oh that Lovin' Feeling You've Lost That Lovin' Feeling Now it's gone gone gone oh oh oh There's no welcome look in your eyes when I reach for you And girl you're starting to criticize little things I do Ooh, it makes me just feel like crying (baby) 'Cause baby something beautiful's dying You've Lost That Lovin' Feeling Oh that Lovin' Feeling You've Lost That Lovin' Feeling Not it's gone gone gone oh oh oh Baby baby I get down on my knees for you (Get down on my knees) If you would only love me like you used to (If you would only love me love me) We had a love, a love that you don't find everyday (A love you don't find) So don't don't don't let it slip away (away) I said baby Baby Baby Baby (I'm beggin you please) I'm begging you please I need your love (I need your love) I need your love So bring it on back (bring it on back) Now bring it on back Now bring it on back You've got to bring back that lovin' feeling Oh that lovin' feeling Bring back that lovin' feeling 'cause it's gone gone gone And I can't go on oh oh oh Bring back that lovin' feeling Oh that lovin' feeling Bring back that lovin' feeling 'cause it's gone gone gone Bring back that lovin' feeling Oh that lovin' feeling Bring back that lovin' feeling 'cause it's gone gone gone Bring back that lovin' feeling Oh that lovin' feeling Bring back that lovin' feeling 'cause it's gone gone gone |
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4:38 | ||||
from Hall & Oates - Voices (1980) | |||||
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3:44 | ||||
from Hall & Oates - H2o (1982)
Try to ignore the twisted side
We kiss and we hiss at the same time Don't you know some things just don't blow away You've been this way before, but the cuts just seem to hurt me more Could be a reason for the difference... You've been practicing The art of heartbreak Practicing The art of heartbreak Anticipating what she's aching for I'm being edgy leave her wanting more Anyone might think we'd rather be alone Yeah, she's been cut before by sharp things I've been saying so long I can't believe the way she takes it I've been practicing The art of heartbreak Practicing The art of heartbreak Why do we make it hard, been hitting back and forth for so long What are we aiming at, there's no score in love I bet a million bucks she knows but won't let up on me, so I've just decided to stop Practicing the art of heartbreak Practicing The art of heartbreak We've been practicing |
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6:17 | ||||
from Hall & Oates - H2o (1982) | |||||
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4:32 | ||||
from Hall & Oates - H2o (1982) | |||||
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3:59 | ||||
from Hall & Oates - H2o (1982) | |||||
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3:25 | ||||
from Hall & Oates - H2o (1982)
She had sulky smile She took her standard pose as she presented herself She had sultry eyes, she made it perfectly plain that she was his For a price But he said "Leave me alone, I'm a family man And my bark is much worse than my bite" He said "Leave me alone, I'm a family man But if you push me too far I just might" She wore hurt surprise as she rechecked her make-up to protect herself Dropped her price and pride she made it totally clear that she was his For a night She gave him her look, it would have worked on any other man around He looked her up and down, she knew he couldn't decide if he should Hold his ground She turned, tossed her head unlike her opening move, her final exit line He waited much too long but by the time he got his courage up she was gone Then he screamed "Leave me alone, I'm a family man And my bark is much worse than my bite" He said "Leave me alone, I'm a family man But if you push me too far, I just might |
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4:35 | ||||
from Hall & Oates - H2o (1982)
Wake up my children
Wake up my children Wake up my children Your daddy is coming home Your daddy is coming home Your daddy is coming home Your daddy is on his way Wake up my children Look out your windows Wake up my children Your daddy is home from the war Your daddy is home from the war He's at the door now Coming nearer and nearer Wake up my children I said, wake up my children, yeah Wake up my children He's only a few hours away He's only a few days away He's only a few years away Only a century away, yeah Wake up my children Wake up my children Wake up my children Your daddy's never coming Your daddy's never coming Your daddy's never coming You know he's gone for good now Wake up my children Wake up my children, yeah Wake up my children Be real nice for your daddy Put away those baddies Be real nice for your daddy Do away with baddies Wake up my children, yeah You must see my children There's no more fighting, yes Your daddy is coming home Your daddy is coming home Your daddy is coming home Your daddy is coming home |
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3:16 | ||||
from Hall & Oates - H2o (1982) | |||||
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3:19 | ||||
from Hall & Oates - H2o (1982)
I see I see I see all the monumental ruinization I see I see I see the greatest works of art in western civilization Ooh but where are Tell me where are Ooh but where are the Italian girls? I drink I drink I drink too much vino rosso no more amarone I eat I eat I eat so much pasta basta I'm so full and yet so lonely Ooh but where are Tell me where are Ooh but where are the Italian girls? I see Sophia on the silver screena There must be more like her in Roma I believe I believe I believe in la donna Italiana belissima I need, I need, I need some little dream come true please tell me where They're keeping ya Faccia bella cara mia Somebody tell me where are the Italian girls |
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4:32 | ||||
from Hall & Oates - H2o (1982)
She'll only come out at night lean and hungry type nothing is new I've seen her here before Watching and waiting Oh she's sitting with you But her eyes are on the door So many have paid to see What you think you're getting For free the woman is wild A she cat tamed by the purr of a jaguar Money's the matter if you're in it for love You ain't gonna get too far Oh here she comes watch out boy She'll chew you up oh here she comes She's a maneater oh here she comes Watch out boy she'll chew you up Oh here she comes she's a maneater I wouldn't if I were you I know what she can do she's deadly man She could really rip your world apart Mind over matter oh the beauty is there But a beast is in the heart Oh here she comes watch out boy She'll chew you up oh here she comes She's a maneater oh here she comes Watch out boy she'll chew you up Oh here she comes she's a maneater~ Woo~ oh here she comes (here she comes) Watch out boy she'll chew you up Oh here she comes (watch out) She's a maneater oh here she comes (She's a maneater) oh she'll chew you up Oh here she comes (Here she comes) she's a maneater Oh here she comes (watch out) She'll only come out at night woo~ Oh here she comes (here she comes) She's a maneater oh here she comes (She's a maneater) woman is wild woo~ Oh here she comes (here she comes) Watch out boy watch out boy Oh here she comes oh watch out watch out Watch out watch out oh here she comes (Watch out) she's a maneater Oh here she comes (she's a maneater) She's watching and waiting oh~ Oh here she comes oh she's a maneater~ |
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6:00 | ||||
from Hall & Oates - H2o (1982)
She'll only come out at night lean and hungry type nothing is new I've seen her here before Watching and waiting Oh she's sitting with you But her eyes are on the door So many have paid to see What you think you're getting For free the woman is wild A she cat tamed by the purr of a jaguar Money's the matter if you're in it for love You ain't gonna get too far Oh here she comes watch out boy She'll chew you up oh here she comes She's a maneater oh here she comes Watch out boy she'll chew you up Oh here she comes she's a maneater I wouldn't if I were you I know what she can do she's deadly man She could really rip your world apart Mind over matter oh the beauty is there But a beast is in the heart Oh here she comes watch out boy She'll chew you up oh here she comes She's a maneater oh here she comes Watch out boy she'll chew you up Oh here she comes she's a maneater~ Woo~ oh here she comes (here she comes) Watch out boy she'll chew you up Oh here she comes (watch out) She's a maneater oh here she comes (She's a maneater) oh she'll chew you up Oh here she comes (Here she comes) she's a maneater Oh here she comes (watch out) She'll only come out at night woo~ Oh here she comes (here she comes) She's a maneater oh here she comes (She's a maneater) woman is wild woo~ Oh here she comes (here she comes) Watch out boy watch out boy Oh here she comes oh watch out watch out Watch out watch out oh here she comes (Watch out) she's a maneater Oh here she comes (she's a maneater) She's watching and waiting oh~ Oh here she comes oh she's a maneater~ |
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4:18 | ||||
from Hall & Oates - H2o (1982)
I'm tired of playing on the team It seems I don't get time out anymore What a change if we set the pace face to face No one even trying to score Oh oh I can feel the magic of your touch And when you move in close a little bit means so much Ooh yeah, you've got to understand baby Time out is what I'm here for One on one I wanna play that game tonight One on one I know I wanna play that One on one I wanna play that game tonight One on one so slow You can't tell me you don't miss me girl I think I might know you too well Wonder what you'd say if you knew that I was coming tonight Want to? I want you can't you tell One on one I wanna play that game tonight One on one I know I wanna play that One on one I wanna play that game tonight One on one so slow That's all you need to know now 'Cause if it's really right there's nothing else One on one I want to play that game tonight |
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5:33 | ||||
from Hall & Oates - H2o (1982)
I'm tired of playing on the team It seems I don't get time out anymore What a change if we set the pace face to face No one even trying to score Oh oh I can feel the magic of your touch And when you move in close a little bit means so much Ooh yeah, you've got to understand baby Time out is what I'm here for One on one I wanna play that game tonight One on one I know I wanna play that One on one I wanna play that game tonight One on one so slow You can't tell me you don't miss me girl I think I might know you too well Wonder what you'd say if you knew that I was coming tonight Want to? I want you can't you tell One on one I wanna play that game tonight One on one I know I wanna play that One on one I wanna play that game tonight One on one so slow That's all you need to know now 'Cause if it's really right there's nothing else One on one I want to play that game tonight |
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4:34 | ||||
from Hall & Oates - H2o (1982)
I know how you spent your time Too many people know you weren't alone Your after hours followed you home Oh I heard, he said She was open all night While I was away She was open all night Don't ask me to tell you who told me She was open all night While I was away You were open all night Don't ask me to tell you who said Gotta lotta friends I don't need They say "you'd rather hear it first from me" Maybe I don't wanna hear it at all It's too far to fall so don't say She was open all night Don't ask me to tell you who told me No I don't want to tell you |
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5:49 | ||||
from Hall & Oates - H2o (1982) | |||||
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3:42 | ||||
from Hall & Oates - Big Bam Boom (1984)
Skin tight soul delight
Changing her life for another She dreams magazines Sees herself on the cover Anything anytime anywhere It's fitting in that matters Faithfully she believes in the look he wants to know better She knows what she wants She's an all American girl She knows what she needs She's a sold American girl She knows what she knows She's an all American girl She does what she does She's an all American girl Sold American She's got a Double Bubble with a bossanova back She's a real hot pepper and I like it like that It's all right you don't have to change your way You're all right I'm hoping the best part stays She knows what she wants She's an all American girl She knows what she needs She's a sold American girl She knows what she knows She's an all American girl She does what she does She's an all American girl Sold American Street smart close to the heart gotta be real More than the clothes you wear You know what you've got look to your heart You carry your history there Submitted by Michael Hack |
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4:26 | ||||
from Hall & Oates - Big Bam Boom (1984)
Skin tight soul delight
Changing her life for another She dreams magazines Sees herself on the cover Anything anytime anywhere It's fitting in that matters Faithfully she believes in the look he wants to know better She knows what she wants She's an all American girl She knows what she needs She's a sold American girl She knows what she knows She's an all American girl She does what she does She's an all American girl Sold American She's got a Double Bubble with a bossanova back She's a real hot pepper and I like it like that It's all right you don't have to change your way You're all right I'm hoping the best part stays She knows what she wants She's an all American girl She knows what she needs She's a sold American girl She knows what she knows She's an all American girl She does what she does She's an all American girl Sold American Street smart close to the heart gotta be real More than the clothes you wear You know what you've got look to your heart You carry your history there Submitted by Michael Hack |
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4:15 | ||||
from Hall & Oates - Big Bam Boom (1984)
One lonely eye faces the Queen
How far she goes remains to be seen She can be hard and she knows it She plays her heart and doesn't show it Cold night cold like me No lov elost betting on the King And it's a hard unknown Before the hand is showing The con is out when the eagle flies If you know the hand is quicker than the eye Can I bank on your love Hands down left high and dry Games in the night are quicker than the eye That ain't love or affection The dealer changed direction Bets are high and I'm losing enough Won't anybody play fair with my love 'Cause it's hard not knowing And my heart is showing The King is out and the eagle flies Don't you know the hand is quicker than the eye Can I bank on your love Submitted by Michael Hack |
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3:42 | ||||
from Hall & Oates - Big Bam Boom (1984)
One lonely eye faces the Queen
How far she goes remains to be seen She can be hard and she knows it She plays her heart and doesn't show it Cold night cold like me No lov elost betting on the King And it's a hard unknown Before the hand is showing The con is out when the eagle flies If you know the hand is quicker than the eye Can I bank on your love Hands down left high and dry Games in the night are quicker than the eye That ain't love or affection The dealer changed direction Bets are high and I'm losing enough Won't anybody play fair with my love 'Cause it's hard not knowing And my heart is showing The King is out and the eagle flies Don't you know the hand is quicker than the eye Can I bank on your love Submitted by Michael Hack |
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4:40 | ||||
from Hall & Oates - Big Bam Boom (1984) | |||||
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4:40 | ||||
from Hall & Oates - Big Bam Boom (1984) | |||||
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1:27 | ||||
from Hall & Oates - Big Bam Boom (1984) | |||||
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1:27 | ||||
from Hall & Oates - Big Bam Boom (1984) | |||||
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6:40 | ||||
from Hall & Oates - Big Bam Boom (1984) | |||||
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5:40 | ||||
from Hall & Oates - Big Bam Boom (1984) | |||||
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5:40 | ||||
from Hall & Oates - Big Bam Boom (1984) | |||||
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5:30 | ||||
from Hall & Oates - Big Bam Boom (1984)
In the moonlite
Under startlite Songs old as the night are what I've been dreaming of Everybody's hard as iron Locked in a modern world Dreams are make of a different stuff I believe love will always be the same Ways and means are the parts subject to change M-E-T-H-O-D-O-F-L-O-V-E It's a method of modern love I can call you Got your number Share my life with you a thousand miles away If you've hurt me I haven't shown it Time's too tight to fight And we're never face to face Style is timeless and fashion's only now We've got the ways no one needs to show us how |
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5:25 | ||||
from Hall & Oates - Big Bam Boom (1984)
In the moonlite
Under startlite Songs old as the night are what I've been dreaming of Everybody's hard as iron Locked in a modern world Dreams are make of a different stuff I believe love will always be the same Ways and means are the parts subject to change M-E-T-H-O-D-O-F-L-O-V-E It's a method of modern love I can call you Got your number Share my life with you a thousand miles away If you've hurt me I haven't shown it Time's too tight to fight And we're never face to face Style is timeless and fashion's only now We've got the ways no one needs to show us how |
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7:49 | ||||
from Hall & Oates - Big Bam Boom (1984)
In the moonlite
Under startlite Songs old as the night are what I've been dreaming of Everybody's hard as iron Locked in a modern world Dreams are make of a different stuff I believe love will always be the same Ways and means are the parts subject to change M-E-T-H-O-D-O-F-L-O-V-E It's a method of modern love I can call you Got your number Share my life with you a thousand miles away If you've hurt me I haven't shown it Time's too tight to fight And we're never face to face Style is timeless and fashion's only now We've got the ways no one needs to show us how |
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4:21 | ||||
from Hall & Oates - Big Bam Boom (1984)
Shake it up is all that we know
Using the bodies up as we go Waking up to fantasy The shades all around aren't the colors we used to see Broken ice still melts in the sun And times that are broken can often be one again We're soul alone And soul really matters to me Take a look around You're out of touch I'm out of time But I'm out of my head when you're not around Reaching out for something to hold Looking for a love where the climate is cold Manic moves and drowsy dreams Or living in the middle between the two extremes Smoking guns hot to the touch Would cool down if we didn't use them so much We're soul alone And soul really matters to me Too much |
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4:20 | ||||
from Hall & Oates - Big Bam Boom (1984)
Shake it up is all that we know
Using the bodies up as we go Waking up to fantasy The shades all around aren't the colors we used to see Broken ice still melts in the sun And times that are broken can often be one again We're soul alone And soul really matters to me Take a look around You're out of touch I'm out of time But I'm out of my head when you're not around Reaching out for something to hold Looking for a love where the climate is cold Manic moves and drowsy dreams Or living in the middle between the two extremes Smoking guns hot to the touch Would cool down if we didn't use them so much We're soul alone And soul really matters to me Too much |
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7:42 | ||||
from Hall & Oates - Big Bam Boom (1984)
Shake it up is all that we know
Using the bodies up as we go Waking up to fantasy The shades all around aren't the colors we used to see Broken ice still melts in the sun And times that are broken can often be one again We're soul alone And soul really matters to me Take a look around You're out of touch I'm out of time But I'm out of my head when you're not around Reaching out for something to hold Looking for a love where the climate is cold Manic moves and drowsy dreams Or living in the middle between the two extremes Smoking guns hot to the touch Would cool down if we didn't use them so much We're soul alone And soul really matters to me Too much |
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4:35 | ||||
from Hall & Oates - Big Bam Boom (1984)
You know there's something you need Right here and now To fill the space inside of yourself Money love or power When you want to have the number one first run anyone You're crazy 'til you own them You ought to know better than that The more that you buy the less you get back It's a case of possession obsession Gimme Gimme The compulsion to count the percentage of time Spent between two lovers Can turn an hour into a crime And all the good times suffer Though you know it's only jealousy You can't help but be Haunted by your passion Don't you know it's a matter of fact The more that you take the less you give back Just a taste of possession obsession Brings a case of possession obsession Gimme GImme |
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4:35 | ||||
from Hall & Oates - Big Bam Boom (1984)
You know there's something you need Right here and now To fill the space inside of yourself Money love or power When you want to have the number one first run anyone You're crazy 'til you own them You ought to know better than that The more that you buy the less you get back It's a case of possession obsession Gimme Gimme The compulsion to count the percentage of time Spent between two lovers Can turn an hour into a crime And all the good times suffer Though you know it's only jealousy You can't help but be Haunted by your passion Don't you know it's a matter of fact The more that you take the less you give back Just a taste of possession obsession Brings a case of possession obsession Gimme GImme |
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6:31 | ||||
from Hall & Oates - Big Bam Boom (1984)
You know there's something you need Right here and now To fill the space inside of yourself Money love or power When you want to have the number one first run anyone You're crazy 'til you own them You ought to know better than that The more that you buy the less you get back It's a case of possession obsession Gimme Gimme The compulsion to count the percentage of time Spent between two lovers Can turn an hour into a crime And all the good times suffer Though you know it's only jealousy You can't help but be Haunted by your passion Don't you know it's a matter of fact The more that you take the less you give back Just a taste of possession obsession Brings a case of possession obsession Gimme GImme |
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5:26 | ||||
from Hall & Oates - Big Bam Boom (1984)
I feel like I could run away Looking at a darker day Oh I'm pulling the shades away from my eyes It's true the moody manners come and go And it's better that you never know Some things are better left unsaid Some strings are better left undone Some hearts are better left unbroken Some lives are better left untouched Some lies are better off believed Some words are better left unspoken My ideas seem to frighten you Are you really that afraid to move Oh I guess that it's your right to reason I'm still dealing with a force that's so strong The force is stringing us along |
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5:24 | ||||
from Hall & Oates - Big Bam Boom (1984)
I feel like I could run away Looking at a darker day Oh I'm pulling the shades away from my eyes It's true the moody manners come and go And it's better that you never know Some things are better left unsaid Some strings are better left undone Some hearts are better left unbroken Some lives are better left untouched Some lies are better off believed Some words are better left unspoken My ideas seem to frighten you Are you really that afraid to move Oh I guess that it's your right to reason I'm still dealing with a force that's so strong The force is stringing us along |
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2:44 | ||||
from Hall & Oates - Whole Oats (1987)
Why don't you pack I'll take you back
to the countryside Now's the time I've got a little place in mind. We don't need no neighbors making noise at night, dogs that fight You'll sleep like a child, the city steaming miles away. Never thought you'd see the good life Let me tell you how it feels We can let our hearts be open, wide, so all our love will come through. Up and gone, we'll be moving on when the morning comes This is the way, I heard that it's supposed to be. I can almost see the flowers growing there taste the air We've waited awhile, I never thought we'd see the day. |
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4:01 | ||||
from Hall & Oates - Whole Oats (1987)
There's a thunder storm 'a brewin'
And the day is turning gray There ain't much to say about the weather The shower stall is leakin' And the ceiling's fallin' in And I'm getting twenty bills to every letter I've got to move myself out to the country I'm lookin' out for any place at all I'm gonna spend another Fall In Philadelphia A roving band of youths beat up on Johnny Everybody's gettin' richer sellin' that dope Say, the stolen bikes are gathering by the thousands Along with seven million people without a hope I guess I have to face the fact as real I think I feel my back up against the wall I'm gonna spend another Fall In Philadelphia |
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2:46 | ||||
from Hall & Oates - Whole Oats (1987)
Georgie was a skinny kid
Fond of angling, fonder of dangling his feet in the cool brook water While the Reverend's daughter Sat at his side and fluttered his face with the fuzz of a dandelion. Long about noontime Floating 'cross the field, Georgie heard the peel of a bell being rung by the parson Time for his lesson As much as he hated it, the preacher was teachin' him to play the accordion. "Don't go Georgie!" said the Reverend's daughter "When Daddy comes lookin' we can duck in the water." They both went out and dipped down to hide But the girl caught her locket on an underwater branch and the next thing she knew... she died Preacher was a sorry mess He was cryin', shoutin' 'bout her dyin' and livin' the eternal life Should 'a seen his wife Sobbin' on the ground as the wind rustled round and tickled the keys Made Georgie's accordion give an awful dyin' wheeze |
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3:20 | ||||
from Hall & Oates - Whole Oats (1987)
Funny how the times can change as fast as we can run
Sad to say we had to part when the fun had just begun Now he night is over And I'm waiting for the day we can be together And we can say Goodnight and Goodmorning From the Dark to the Dawning I can't believe that I'm in love and you're the one I can hear a song of love and our song has just begun When the music's over and we finally walk away We can walk together And we can say Goodnight and Goodmorning From the Dark to the Dawning |
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3:08 | ||||
from Hall & Oates - Whole Oats (1987)
Why don't you write me
Call me on the phone Send Western Union You can find me home I say I'm sorry I said I'm sorry You know I bled you Led you on a lie You say I fooled you Who's the fool tonight I say I'm sorry I said I'm sorry High Love in motion Walking on the ocean of your sorrow Round turned the tables Lost I am a man with no tomorrow Lopsided lovin' got me in the end Looks like I'm done in Now there's no pretending Ooh I'm sorry I said I'm sorry |
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3:21 | ||||
from Hall & Oates - Whole Oats (1987)
Would you work for a reason, Lazyman
Do your thoughts have expression, Lazyman Does life pass you by while you don't even try To grab hold of a minute and use all the time that's in it, Lazyman What's your latest excuse Lazyman Is your neck botherin' you, Lazyman You're content to rely on the talented guy Then you make a short edit and take all of the credit for the song Lazyman, you really bring me down Lazyman how can you lie around Won't you stop what you're doing And start doing something Lazyman Is your ass getting sore, Lazyman Sitting there on the floor, Lazyman At least write down your feeling Though it may not be appealing, The way you say it might be worth the time You never know |
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4:11 | ||||
from Hall & Oates - Whole Oats (1987)
Lilly, laughing lady,
does your smile disguise the tears inside? Lilly, lonely lady, only silhouette your happy side. You give yourself to men who take your love. Then smile and watch them walk away... Are you tired of giving Lilly? Are you really happy? Lilly, laughing lady, are you satisfied to live a lie? Lilly, lonely lady, is it in the stars for you to try? Do you fulfill yourself with lies and dreams? You seem contented with your life? Does it only gild the lilly or does it make you happy? |
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2:34 | ||||
from Hall & Oates - Whole Oats (1987)
Riding out along the river
stopping by the pines It's nice for someone speaking, to be heard, by heart and mind Lying on the needle floor the city seems so far Moving with your eyes and smile, your words told who you are Sunday grey, one window brings the morning and your words, like dawn, have opened up my eyes I've been on a sleepy ride without much time for thinking 'til I spent one evening by your Southeast City Window side Baby hair a blowin' in the Sunday morning air Dreaming on another place and time, wish we were there In your dreams you're far away and I'm right behind You know, it's nice for someone speaking. to be heard, by heart and mind |
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4:39 | ||||
from Hall & Oates - Whole Oats (1987)
Thank you for walking
Thank you for spending one day, with a stranger Good morning. Hello! Choose a color, carnation we'll walk along. Down round the pond, up the hill bricks and steeples it's not all gone... I recall Thank you for walking Thank you for spending one day, with a stranger Thank you for talking and showing the way to a stranger Wining and dining (what a September) from bags by the river ( I should've worn a sweater) a sun, sail, song (it's cooler up here) We sat on a wall (oh my) rest our feet (just a little longer) touch our noses then slow poke on... oh, I recall One red carnation the color for April and apples and wine I suppose it was white... but I needed the rhyme. As I packed up to leave oh, I noticed the fountain, the statue's hand. There in her bronzed, moistened, palm red carnation without you there... I recall |
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4:00 | ||||
from Hall & Oates - Whole Oats (1987)
They started as children and grew to be friends
He with his sculptor's hands she with her needle They went through some bitter times alone and together They were lovers and friends, but friends more than lovers Sharing each other with their own private worlds He knew that she needed him, he couldn't come He needed her, but she could not answer his needs He sculpted he form only both of them knew He yearned to finish before she would leave him forever But before he was finished, she disappeared And seized with sadness, he crumbled the statue to bits Form and friend, gone forever Both crumbled down to memory He knew that she needed him, he couldn't come He needed her, but she could not answer his needs |
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3:56 | ||||
from Hall & Oates - Whole Oats (1987)
I hear you call me, Waterwheel
Spin round, round in a circle Gracing my child dreams on fantasy hill Spin round, round in a circle Flash! paddles sending a spray to the air Lately, my thoughts are still- With you there as you spin round, Round in a boyhood daydream Spin round My thoughts are drifting to a quieter time (Spin round, round in a circle) Green covered slippery water-rocks I used to climb (Spin round, round in a circle) Father and child walking down by the canyon Lately, my thoughts are still- With them there as they spin round, Round in a boyhood daydream Spin round |
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3:56 | ||||
from Hall & Oates - Abandoned Luncheonette (1987)
They sat in an Abandoned Luncheonette
sipping imaginary cola and drawing faces in the tabletop dust His voice was rusty from years as a sergeant on "this man's army" they were old and crusty She was twenty when the diner was a baby He was the dishwasher, busy in the back, his hands covered with gravy Hair black and wavy Brilliantine slick, a pot - cleaning dandy, He was young and randy Day to day, to day... today then they were old, their lives wasted away Month to month, year to year they all run together time measured by the peeling of paint on the luncheonette wall They sat together in the empty diner filled with cracked china Old news was blowing across the filthy floor and the sign on the door read "this way out", that's all it read that's all it said |
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7:02 | ||||
from Hall & Oates - Abandoned Luncheonette (1987)
Everytime I look at you, I can't believe what you did to me
You had me thinkin' we was all right, then you pulled your trick and walked right out on me You had me thinkin' we were in the sky today I'd like to lay down and die If you've gotta be leavin', well that's swell I think it's fine girl, you found what you want So it's goodbye girl, yes, no? Everytime I see your face, I can't believe how you lied to me so get your laundry out of my place go and live with someone else for free You had me thinkin' we was in the sky today I'd like to lay down and die Baby it's goodbye it's goodbye |
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3:22 | ||||
from Hall & Oates - Abandoned Luncheonette (1987)
Were you ever so in love
you couldn't wait to get to sleep and dream about the one you wish was there beside you In the past few days I've grown to love your giggles on the phone and how we hug so nicely Chorus: And from the first time that I saw you has I known you better then I would've said those three old words And from the first time I saw you had I known you better then Now I'm gonna move away another town another crazy day ooh I want to stay and maybe hang around you Call it luck call it fate call it a shame that we have met so late and loved so lightly Chorus: And from the first time that I saw you had I known you better then I would've said those three old words And from the first time that I saw you had I known you better then |
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3:18 | ||||
from Hall & Oates - Abandoned Luncheonette (1987)
Little girl what's your name
now don't you go looking at me like that you might see I'm ashamed - what's your name Talk with me, won't you talk with me Chorus: Ooooooh pretty girl It ain't too hip faking lines you ain't taking but your lips make me say it that way Now there's no use you resisting this is the Cradle Thief insisting I think you better let me have it my way Fool around with me, come on mess around with me Chorus: Will you survive, learn to drive I know you can't describe the dreams you want to be either stay or get away I'm not playing around, can't you tell the way I'm squeezing your hand I'm just a kid don't make me feel like a man Silly girl I'm just playing now did you think that I'd be nuts enough to try an' pick you up don't you know it's a game - it's all a game I've been playing but what'd you say your name was... Walk with me... just around the corner baby maybe you could even try to talk to me Damn you talk to me! Damn you talk to me! |
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4:25 | ||||
from Hall & Oates - Abandoned Luncheonette (1987)
Can you see my past Can you find my future Should I take it slower 'til my life is over Oh Lady Rain... is it I'll be going down in pain? Chorus: Lady Rain, lay your sobbin' hair down on my shoulder Lady Rain, do your cloudy eyes see me much older? All the days I've lost hoping and pretending that my days would flow smooth and slow toward their ending Oh Lady Rain... is it I'll be going down in pain? |
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2:57 | ||||
from Hall & Oates - Abandoned Luncheonette (1987)
Sara's off on a turnaround
flying gambling fools to the holy land, Las Vegas sometimes she's HERE and sometimes she can't be found, turnaround AND Sara's off, half hiding, far above the clouds, high she flies I know I've got to find her a place she can push her toes around in She needs a place where she can lounge and wear a gown in Sara turnaround turnaround Sara's off on a turnaround to Las Vegas, turnaround And any night she's here or half way 'round the world, oh I could cry AND So I know I've got to pray for delays and for days 'til she's besides me All alone in her room and her scattered clothes remind me Sara please Sara turnaround |
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3:30 | ||||
from Hall & Oates - Abandoned Luncheonette (1987)
Laughin' Boy, guitar Johnny's playing the blues so low
Laughin' Boy, don't it make you want to cry you know, I can't imagine you were the magic boy so long ago your life and dreams are broken, you hate the world but you can't live alone Ain't that fine? I'm your friend that knows you and I'd like to tell you that I think your laugh's a lie Laughin' Boy, that's you layin' in the meadow Laughin' Boy, memories ought to make you cry Don't let your mind surrender, 'cause I can't imagine days without you no one wants to be without you you'll find a way to help you play on You won't pass the time alone I'm your friend that knows you and I'd like to tell you that I think your laugh's a lie |
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5:13 | ||||
from Hall & Oates - Abandoned Luncheonette (1987)
Everybody's high on consolation
Everybody's trying to tell me what is right for me, yeah My daddy tried to bore me with a sermon But it's plain to see that they can't comfort me Sorry Charlie for the imposition I think I've got it, I got the strength to carry on, yeah I need a drink and a quick decision Now it's up to me, ooh what will be? Chorus: She's Gone She's Gone Oh why? Oh why? I better learn how to face it She's Gone She's Gone Oh why? Oh why? I'd pay the devil to replace her She's Gone She's Gone Oh why? Oh why? What went wrong? Get up in the morning, look in the mirror One less toothbrush hanging in the stand My face ain't looking any younger Now I can see love's taken a toll on me Chorus Think I'll spend eternity in the city Let the carbon and monoxide choke my thoughts away And pretty bodies help dissolve the memories But they can never be what she once was to me Chorus |
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3:12 | ||||
from Hall & Oates - Abandoned Luncheonette (1987)
I went downtown to see milady
she stood me up and I stood there waiting but it'll be all right when The Morning Comes Now I'm up in the air with the rain in my hair I've got nowhere to go, so I can go anywhere and it'll be all right when the Morning Comes Just in passing, I'm not asking that you can be anyone but you When you come home try to come home alone it's so much better with two Now I'm out in the cold and I'm getting old standing here waiting on you but it'll be all right when the Morning Comes |
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3:05 | ||||
from Hall & Oates - Along The Red Ledge (1996) | |||||
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3:04 | ||||
from Hall & Oates - Along The Red Ledge (1996)
I saw the sun, though it didn't shine
Gave up no shadows, gave out no way to know the time No wind to blow the silver leaves The drone of clever talk just stopped The air hangs out, hesitates to carry a thought Away from me And the sky colored heavy gray August Day Stir the dust and carve a rhyme Barefoot blues watch and wait till supper time Will a smile break through Distant thunder and the slow dance Static lightning sky daring me to take a chance And say that I love you And the sky colored heavy gray August Day |
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3:55 | ||||
from Hall & Oates - Along The Red Ledge (1996) | |||||
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4:20 | ||||
from Hall & Oates - Along The Red Ledge (1996) | |||||
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3:46 | ||||
from Hall & Oates - Along The Red Ledge (1996)
You and I have separate lives girl
You and I go different ways on roads that cross When love and loss is ruled by fate People have a tragic habit Of letting love get in the way They tend to lose their overviews and overplay Something I wanna say Something I've got to do Feels like you're drifting away And I don't wanna lose you I'll try to find a way to encourage you It's easy to convince myself Cause I can't believe you'd wanna be with somebody else People have a tragic habit Of letting love get in the way They tend to lose their overviews and overplay Something I wanna say Something I've got to do Feels like you're drifting away And I don't wanna lose you |
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3:51 | ||||
from Hall & Oates - Along The Red Ledge (1996)
You must be thinking something
But you ain't saying nothing You remember me, I used to be your boyfriend There ain't no point in reason It only gets defensive And why should we ruin the purity of the moment It's a Laugh What a laugh It's so stupid I gotta laugh And the funny thing is that everyone thought we were special Maybe I should feel guilty Is that the American way But I just look at myself As if I were above me You must be thinking something But you ain't saying nothing You remember me, I have been here always I am here forever |
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4:51 | ||||
from Hall & Oates - Along The Red Ledge (1996) | |||||
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3:09 | ||||
from Hall & Oates - Along The Red Ledge (1996) | |||||
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4:09 | ||||
from Hall & Oates - Along The Red Ledge (1996) | |||||
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2:51 | ||||
from Hall & Oates - Along The Red Ledge (1996)
There was something about the way you left tonight
That really tore my heart I remember the look in your eyes, it really ripped me apart Oh the look One last time It can't be the last time I gave so much to make you mine How can it be It?s the second time around I've had this vision And I don't like it, no When it all happened before, I knew I?d never come back All the way Oh the look one last time It can't be the last time I took so much but I gave you mine How can it be ------------- Lyrics Powered by LyricFind Written By HALL, DAVE / ADAMS, FELICIA ODESSA / JEFFERSON, FELICIA RENE / LAMANDO, <i>Lyrics © Warner/Chappell Music, Inc.</i> |
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- | ||||
from Hall & Oates - Change of Season (1997) | |||||
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from Hall & Oates - Change of Season (1997)
I know what it's like to be forgotten Left alone with your simple dreams But even dreams are fading fast No one to turn to when you can't sleep at night Waking up to another day that will soon be over And if you think that time has forgotten you Well just look into my eyes And know the times we'll change Don't hold back your love I know it's here I wanna see it come to life before my eyes Don't hold back your love Show me your heart Cause I will always be here by your side Don't be mistaken there's still some work to do Gotta get up every single day Face the judge and jury No one will notice they've got their own lives We've got something they all want It'll be their surprise And if you think there is no place to run Just hold onto my hand And face whatever comes <chorus> One more chance to find the higher ground One more chance before the curtain's down One more night to turn your life around again |
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from Hall & Oates - Change of Season (1997) | |||||
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from Hall & Oates - Change of Season (1997) | |||||
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from Hall & Oates - Change of Season (1997) | |||||
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from Hall & Oates - Change of Season (1997) | |||||
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3:54 | ||||
from Hall & Oates - Change of Season (1997)
You push my buttons hard And don't even realize what you're doing is killing my soul Do you think I'm just some prize You can win and then discard after the thrill is gone? Well, listen then I ain't gonna take it this time I ain't gonna take that from anyone I ain't gonna take it this time Guess I'm gonna break out You know I try to please I lay awake at night Trying to find the words you'll understand But when I'm nothing but sincere I know you can't be hearing Cause you say it's more of the same Well, listen then <chorus> Do you think I'd ever try to fool you There are enough lies in the world You don't need mine If I can't win your heart and move you You must be blind |
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from Hall & Oates - Change of Season (1997) | |||||
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from Hall & Oates - Change of Season (1997)
They met on the dance floor in the old high school gym,
He fell like a rock, she kinda liked him. And his heart beat like thunder, as they moved cross the floor, When the music was over, she slipped out of his arms, and out the door. Yeah a man loves a woman, but he can't understand, Why she's sad when she stares, at the ring on her hand. Or she sits in some club, where the long shadows fall. Drops a coin in the jukebox, not the phone on the wall. So close, yet so far away. So close, yet so far away. We believe in tomorrow, maybe more than today. Were so close, so close, yet so far away. Some people think, if you really believe, That's what you need to solve all the mysteries. Yea I know someone, who just heads for the sun, She says "I don't wanna be wise, I just wanna stay young". So close, yet so far away. So close, yet so far away. We believe in tomorrow, though were stuck in today. Baby were so close, so close, yet so far away. There's a restless look in your eye tonight. There's a secret hurt in my heart. And the dream that pulls us together girl, Is a dream, thats gonna tear us, tear us apart. There's a restless look in your eye tonight, Oh, are you lookinfor some way out of here. We gotta fight to keep it together girl, For the dream, that keeps us, So close, yet so far away. So close, yet so far away. Who would of thought girl that wed end up this way. Gettingso close, so close, So far away. Were living in a dream world. Yet were livintoday girl. Just you and me baby. Gotta try, gotta try, gotta try, gotta try, gotta try, gotta try, gotta try. |