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3:49 | ||||
from Jethro Tull - Benefit (1970) | |||||
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3:42 | ||||
from Jethro Tull - Catfish Rising (1991) | |||||
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3:13 | ||||
from Jethro Tull - Heavy Horses (1978)
Muscled, black with steel-green eye
swishing through the rye grass with thoughts of mouse-and-apple pie. Tail balancing at half-mast. ...And the mouse police never sleeps --- lying in the cherry tree. Savage bed foot-warmer of purest feline ancestry. Look out, little furry folk! He's the all-night working cat. Eats but one in every ten --- leaves the others on the mat. ...And the mouse police never sleeps --- waiting by the cellar door. Window-box town crier; birth and death registrar. With claws that rake a furrow red --- licensed to mutilate. From warm milk on a lazy day to dawn patrol on hungry hate. ...No, the mouse police never sleeps --- climbing on the ivy. Windy roof-top weathercock. Warm-blooded night on a cold tile. |
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3:06 | ||||
from Jethro Tull - Stand Up (1969)
I remember when we had a lot of things to do ---
impressed by all the words we read and the heroes that we knew. Climb on your your dream --- a dream of our own making to find a place that we could later lose to whatever time would bring. We were seventeen and the cakeman was affecting you --- moving you to greater things (in a lesser way) you had to prove. The clock struck summertime. You were going round in circles now. Wishing you were seventeen. At twenty-one, it was a long time gone. And now here you are. You're locked in your own excuse. The circle's getting smaller every day. You're busy planning the next fifty years. So stay the way you are and keep your head down to the same old ground. Just paint your picture boy until you find a closed circle's better than an open line. Yes stay the way you are. I got a circle that's the same as yours. It may be bigger, but I've more to lose. Who is the luckier man --- me or you? |
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3:48 | ||||
from Ian Anderson - The Secret Language Of Birds (2000)
I see you better now, shaded in deeper blue.
Hardly needing to carry the find-your-way lamp Down to the river. Tonight flies a better moon. Sad water buffalo lie fast near the shallows; A splash revealing the fly-catching fishes. Dark gods silently watching. Tonight flies a better moon. I guess you've known lovers here, compliant in passion; Softly laid in the old reed bed, harshly Lit in the noon sun. Tonight flies a better moon. Now cloaked in this milky light, new as the virgin dawn, Shrouded sweetly in all kinds of mystery, You turn, smile and then are gone. Tonight flies a better moon. |
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9:37 | ||||
from Jethro Tull - J-Tull Dot Com (1999)
I count the hours: you count the days.
Together, we count the minutes in this Passion Play. Walk dusty miles. And I ride that train on a first class ticket, just to be with you again. Picking up tired feet. Back from a far horizon. Cleaned up and brushed down. Dressed to look the part. Fresh from God's garden, I bring a gift of roses: To stand in sweet spring water and press them to your heart. Like the Kipling cat, I walk alone - Never inviting trouble, never casting the stone. But this badge of honour is of tarnished tin. Light your guiding beacon to bring this fisher in. |
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4:03 | ||||
from Ian Anderson - Rupi'S Dance (2004)
My hand of thumbs is shaking
I am so glad to meet you All tongue-tied and twisted My lips stuck like glue More than a lifetime to say, "How are you?" More than an ocean to cross becalmed. Less than a second to sink in silence. Yours truly, I remain disarmed. Saw you peeping from the corner. Your eyes seemed to call hello. I'm all too easily mistaken, My feet unsteady as they go. Was I a suave and confident trickster I would sweep you up and carry you down To raspberry meadows under diamond skies and just mess around. Just mess around. |
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4:07 | ||||
from Jethro Tull - Stand Up (1969)
My first and last time with you
And we had some fun. Went walking through the trees, yeah! And then I kissed you once. Oh I want to see you soon But I wonder how. It was a new day yesterday But it's an old day now. Spent a long time looking For a game to play. My luck should be so bad now To turn out this way. Oh I had to leave today Just when I thought I'd found you. It was a new day yesterday But it's an old day now. |
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- | ||||
from Jethro Tull - Bursting Out [live] (1978)
My first and last time with you
And we had some fun. Went walking through the trees, yeah! And then I kissed you once. Oh I want to see you soon But I wonder how. It was a new day yesterday But it's an old day now. Spent a long time looking For a game to play. My luck should be so bad now To turn out this way. Oh I had to leave today Just when I thought I'd found you. It was a new day yesterday But it's an old day now. |
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1:55 | ||||
from Jethro Tull - Living With The Past [video] (2008)
My first and last time with you
And we had some fun. Went walking through the trees, yeah! And then I kissed you once. Oh I want to see you soon But I wonder how. It was a new day yesterday But it's an old day now. Spent a long time looking For a game to play. My luck should be so bad now To turn out this way. Oh I had to leave today Just when I thought I'd found you. It was a new day yesterday But it's an old day now. |
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21:35 | ||||
from Jethro Tull, Jethro Tull - A Passion Play (1973) | |||||
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21:36 | ||||
from Jethro Tull, Jethro Tull - A Passion Play (1973) | |||||
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23:32 | ||||
from Jethro Tull, Jethro Tull - A Passion Play (1973) | |||||
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- | ||||
from Jethro Tull - A Passion Play (1973) | |||||
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3:35 | ||||
from Ian Anderson - Rupi'S Dance (2004)
A raft of penguins on a frozen sea.
Expectant faces look down on me. Shuffle uneasy. The whistler plays. Counting eleven, they begin to pray. Tenuous but clinging, the missing link Joins us, closer than we might think. Some half remembered coarse jungle drum ? A naked heart-beat, trill and hum. This world's no stage for the faint at heart. Each symphony, a sum of parts. Each overture, a sweet foreplay. Let's crash and burn some other day. Bonded in terror or suspicion deep Tentative tiptoe or giant leap Call down the angels to guide them in A raft of penguins take to the wing. |
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3:37 | ||||
from Jethro Tull - Too Old To Rock 'N' Roll (1976)
A small cigar can change the world
I know, I've done it frequently at parties Where I've won all the guests' attention With my generosity and suave gentlemanly bearing A little flat tin case is all you need Breast-pocket conversation opener And one of those ciggie lighters that look rather good You can throw away when empty Must be declared a great success My small cigars all vanish within minutes Excuse me, mine host, that I may visit A nearby tobacconist To replenish my supply of small cigars And make the party swing again I know my clothes seem shabby And don't fit this Hampstead soiree Where unread copies of Rolling Stone Well-thumbed Playboys Decorate the hi-fi stereo record shelves If you ask me they're on their way To upper-middle-class oblivion The stupid twits, they roll their only One cigarette between them My small cigar's redundant now In the haze of smoking pleasure Call it a day Get the hell away Go down the cafe For a cup of real tea By the tube station, there's a drunk old fool Who sells papers in the rush hour I hand to him ten small cigars He smiles, says, Son, God bless you A small cigar Has changed his world, my friend A small cigar Has changed the world again A small cigar . . . |
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3:26 | ||||
from Jethro Tull, Jethro Tull - This Was (1968)
Gonna lose my way tomorrow,
Gonna give away my car. I'd take you along with me, But you would not go so far. Don't see what I do not want to see, You don't hear what I don't say. Won't be what I don't want to be, I continue in my way. Don't see, see, see where I'm goin', Don't see, see, see where I'm goin', Don't see, see, see where I'm goin' to, I don't want to. Everyday I see the mornin' come on in the same old way. I tell myself tomorrow brings me things I would not dream today. Gonna lose my way tomorrow, Gonna give away my car. I'd take you along with me, But you would not go so far. Don't see what I do not want to see, You don't hear what I don't say. Won't be what I don't want to be, I continue in my way. Don't see, see, see where I'm goin', Don't see, see, see where I'm goin', Don't see, see, see where I'm goin' to, I don't want to. |
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3:26 | ||||
from Jethro Tull, Jethro Tull - This Was (1968)
Gonna lose my way tomorrow,
Gonna give away my car. I'd take you along with me, But you would not go so far. Don't see what I do not want to see, You don't hear what I don't say. Won't be what I don't want to be, I continue in my way. Don't see, see, see where I'm goin', Don't see, see, see where I'm goin', Don't see, see, see where I'm goin' to, I don't want to. Everyday I see the mornin' come on in the same old way. I tell myself tomorrow brings me things I would not dream today. Gonna lose my way tomorrow, Gonna give away my car. I'd take you along with me, But you would not go so far. Don't see what I do not want to see, You don't hear what I don't say. Won't be what I don't want to be, I continue in my way. Don't see, see, see where I'm goin', Don't see, see, see where I'm goin', Don't see, see, see where I'm goin' to, I don't want to. |
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1:02 | ||||
from Jethro Tull - Living With The Past [video] (2008)
Gonna lose my way tomorrow,
Gonna give away my car. I'd take you along with me, But you would not go so far. Don't see what I do not want to see, You don't hear what I don't say. Won't be what I don't want to be, I continue in my way. Don't see, see, see where I'm goin', Don't see, see, see where I'm goin', Don't see, see, see where I'm goin' to, I don't want to. Everyday I see the mornin' come on in the same old way. I tell myself tomorrow brings me things I would not dream today. Gonna lose my way tomorrow, Gonna give away my car. I'd take you along with me, But you would not go so far. Don't see what I do not want to see, You don't hear what I don't say. Won't be what I don't want to be, I continue in my way. Don't see, see, see where I'm goin', Don't see, see, see where I'm goin', Don't see, see, see where I'm goin' to, I don't want to. |
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2:45 | ||||
from Jethro Tull - Benefit (1970)
Once it seemed there would always be
A time for everything. Ages passed I knew at last My life had never been. I'd been missing what time could bring. Fifty years and I'm filled with tears and joys I never cried. Burn the wagon and chain the mule. The past is all denied. There's no time for everything. No time for everything. |
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4:28 | ||||
from Ian Anderson - Rupi'S Dance (2004)
A week of moments ? a clutch of days ?
Ten thousand minutes of a Passion Play. Medley of quavers informs the tune. It's all too much: over all too soon. Sweet condensation on chilling wine Traveler's palm, flamboyant tree Fast photos ripped and lost consign A week of moments to faint memory. A week of moments plucked from the page Found far horizons, a sunset stage. Suitcases bulge, in silence packed A chapter closed: no looking back. The lightest touch upon my arm No fierce restraint, no call to stay. Hushed room maids glide like pawns to king With pool attendants in chess piece array. |
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3:26 | ||||
from Jethro Tull - Heavy Horses (1978)
I'll make love to you in all good places -
Under black mountains, in open spaces. By deep brown rivers that slither darkly, Through far marches where the blue hare races. Come with me to the Winged Isle - Northern father's western child. Where the dance of ages is playing still Through far marches of acres wild. I'll make love to you in narrow side streets, With shuttered windows, and crumbling chimneys. Come with me to the weary town - Discos silent under tiles That slide from roof-tops, scatter softly On concrete marches of acres wild. By red bricks pointed with cement fingers Flaking damply from sagging shoulders. Come with me to the Winged Isle - Northern father's western child. Where the dance of ages is playing still Through far marches of acres wild |
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2:48 | ||||
from Jethro Tull - Benefit (1970)
Nobody sees her here, her eyes are slowly closing.
If she should want some peace she sits there, without moving, And puts a pillow over the phone. And if she feels like dancing, no one will know it. Giving herself a chance there's no need to show her how it should be. She can't remember now when she was all in pieces, She's quite content to sit there listening to what he says, How he didn't like to be alone. And if he feels like crying she's there to hear him, No reason to complain and nothing to fear, they always will be. |
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4:21 | ||||
from Jethro Tull - A + Slipstream (2004)
We saw the heavens break and all the world go down to sleep
and rocks on mossy banks drip acid rain from craggy steeps Saw fiery angels kiss the dawn Wish you goodbye till further on Will you still be there further on? And troubled dynasties, like legions lost, have blown away Hounds hard upon their heels call to their quarry --- wait and play Before the last faint light has gone Wish you goodbye till further on Will you still be there further on? The angry waves grow high --- cut icy teeth on northern shores Brave fires that flicker, cough --- give way to winds through broken doors And with the last line almost drawn --- wish you goodbye till further on Will you still be there further on? |
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3:32 | ||||
from Jethro Tull - Rock Island (1989)
Hope everybody's ringing on their own bell this fine morning
Hope everyone's connected to that long distance phone Old man he's a mountain Old man he's an island Old man he's a-waking says "I'm going to call, call all my children home" Hope everybody's dancing to their own drum this fine morning The beat of distant Africa or a Polish factory town Old man he's calling for his supper Calling for his whisky Calling for his sons and daughters, yeah Calling, calling all his children round Sharp ears are tuned in to the drones and chanters warming Mist blowing round some headland, somewhere in your memory Everyone is from somewhere Even if you've never been there So take a minute to remember the part of you That might be the old man calling me How many wars you fighting out there this winter's morning? Maybe there's always time for another christmas song Old man is asleep now Got appointments to keep now Dreaming of his sons and daughters, and proving Proving that the blood is strong |
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- | ||||
from Jethro Tull - Christmas Album (2003)
Hope everybody's ringing on their own bell this fine morning
Hope everyone's connected to that long distance phone Old man he's a mountain Old man he's an island Old man he's a-waking says "I'm going to call, call all my children home" Hope everybody's dancing to their own drum this fine morning The beat of distant Africa or a Polish factory town Old man he's calling for his supper Calling for his whisky Calling for his sons and daughters, yeah Calling, calling all his children round Sharp ears are tuned in to the drones and chanters warming Mist blowing round some headland, somewhere in your memory Everyone is from somewhere Even if you've never been there So take a minute to remember the part of you That might be the old man calling me How many wars you fighting out there this winter's morning? Maybe there's always time for another christmas song Old man is asleep now Got appointments to keep now Dreaming of his sons and daughters, and proving Proving that the blood is strong |
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- | ||||
from Jethro Tull - Christmas Album (2003)
Hope everybody's ringing on their own bell this fine morning
Hope everyone's connected to that long distance phone Old man he's a mountain Old man he's an island Old man he's a-waking says "I'm going to call, call all my children home" Hope everybody's dancing to their own drum this fine morning The beat of distant Africa or a Polish factory town Old man he's calling for his supper Calling for his whisky Calling for his sons and daughters, yeah Calling, calling all his children round Sharp ears are tuned in to the drones and chanters warming Mist blowing round some headland, somewhere in your memory Everyone is from somewhere Even if you've never been there So take a minute to remember the part of you That might be the old man calling me How many wars you fighting out there this winter's morning? Maybe there's always time for another christmas song Old man is asleep now Got appointments to keep now Dreaming of his sons and daughters, and proving Proving that the blood is strong |
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6:24 | ||||
from Jethro Tull - Roots To Branches (1995)
Wet wind on the sidewalk: I'm staring at the rain.
Walking up the street, yeah, and walking down again. And my feet are tired and my brain is numb. See that broken neon sign saying, hey, in you come. Got the scent of stale beer hanging, hanging round my head. Old dog in the corner sleeping like he could be dead. A book of matches and a full ashtray. Cigarette left smoking its life away. Another Harry's bar -- or that's the tale they tell. But Harry's long gone now, and the customers as well. Me and the dog and the ghost of Harry will make this world turn right. It'll all turn right. God's tears on the sidewalk: it's the mother of all rain. But in the thick blue haze of Harry's, you will feel no pain. And you will feel no soft hand slipping on your knee. You don't have to pay for memories, they will all come free. Another Harry's bar -- or that's the tale they tell. But Harry's long gone now, and the customers as well. Me and the dog and the ghost of Harry will make this world turn right. It'll all turn right. Now when Harry was a young man, Harry was so debonair. He walked a bouncy step in his shiny shoes. And when Harry was a young man, well, Harry could walk on air. He mixed a mean cocktail and he talked you through the late news. You want to hear some great news? Harry's still here. Wet wind on the sidewalk: I'm still staring at the rain. Walking up the street, and I'm walking down again. And my feet are tired and my brain is numb. See that broken neon sign saying, hey, in you come. Another Harry's bar -- or that's the tale they tell. But Harry's long gone now, and the customers as well. Me and the dog and the ghost of Harry will make this world turn right. It'll all turn right. Another Harry's bar. And another Harry's bar. And another, and another Harry's bar. |
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5:29 | ||||
from Jethro Tull - Under Wraps (1984)
Sailing round the true-blue sphere---
is it too late to bale out of here? Well, there has to be some better way to turn back the night, spin on to yesterday. The old man and his crew--- after all these years, it's apogee. Pilot training and remorse--- spirit friends fly too, at apogee. Apogee --- solar bright. Apogee --- through the night. Apogee --- overground. Don't think I'll be coming down. Screened for a stable mate with nerves of ice we flew, at apogee. No creativity allowed to pass through stainless veins of steel, at apogee. Apogee --- put the kettle on. Tight-lipped --- soldier on. High point --- communicate. Don't forget to urinate. So glad they put this window in. How to explain, how to begin? See! Tennyson and Wordsworth there waiting for me in the cold, thin air. Beware a host of unearthly daffodils drifting golden, turned up loud. Tell the boys back home, I'm gonna get some. The Wrong Stuff's loose in here --- I'm climbing up the walls, at apogee. So hoist the skull and bones --- death and glory's free, at apogee. A stranger wind, a solar breeze --- I'm walking out upon the starry seas. See pyramids, see standing stones --- pink cotton undies and blue telephones. Goodbye, cruel world that was my home --- there's a cleaner space out there to roam. Put my feet up on the moons of Mars --- sit back, relax and count the stars. |
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6:31 | ||||
from Jethro Tull - Aqualung (1971)
Sitting on a park bench
Eyeing little girls with bad intent Snot running down his nose Greasy fingers smearing shabby clothes Hey, Aqualung Drying in the cold sun Watching as the frilly panties run Hey, Aqualung Feeling like a dead duck Spitting out pieces of his broken luck Whoa, Aqualung Sun streaking cold An old man wandering lonely Taking time the only way he knows Leg hurting bad As he bends to pick a dog-end He goes down to the bog and warms his feet Feeling alone The army's up the road Salvation a la mode and a cup of tea Aqualung, my friend Don't you start away uneasy You poor old sod, you see, it's only me Do you still remember December's foggy freeze When the ice that Clings onto your beard was Screaming agony? Hey! And you snatch your rattling last breaths With deep-sea diver sounds And the flowers bloom like Madness in the spring Sun streaking cold An old man wandering lonely Taking time the only way he knows Leg hurting bad As he bends to pick a dog-end He goes down to the bog and warms his feet Ohh Feeling alone The army's up the road Salvation a la mode and a cup of tea Aqualung, my friend Don't you start away uneasy You poor old sod, you see, it's only me Ohh Dee dee dee dee dee... Aqualung, my friend Don't you start away uneasy You poor old sod, you see, it's only me Sitting on a park bench Eyeing little girls with bad intent Snot running down his nose Greasy fingers smearing shabby clothes Hey, Aqualung Drying in the cold sun Watching as the frilly panties run Hey, Aqualung Feeling like a dead duck Spitting out pieces of his broken luck Hey, Aqualung Whoa, Aqualung |
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6:25 | ||||
from The London Symphony Orchestra, Jethro Tull - A Classic Case : The Music Of Jethro Tull (1985) | |||||
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1:58 | ||||
from Jethro Tull - Living With The Past [live] (2002)
Sitting on a park bench
Eyeing little girls with bad intent Snot running down his nose Greasy fingers smearing shabby clothes Hey, Aqualung Drying in the cold sun Watching as the frilly panties run Hey, Aqualung Feeling like a dead duck Spitting out pieces of his broken luck Whoa, Aqualung Sun streaking cold An old man wandering lonely Taking time the only way he knows Leg hurting bad As he bends to pick a dog-end He goes down to the bog and warms his feet Feeling alone The army's up the road Salvation a la mode and a cup of tea Aqualung, my friend Don't you start away uneasy You poor old sod, you see, it's only me Do you still remember December's foggy freeze When the ice that Clings onto your beard was Screaming agony? Hey! And you snatch your rattling last breaths With deep-sea diver sounds And the flowers bloom like Madness in the spring Sun streaking cold An old man wandering lonely Taking time the only way he knows Leg hurting bad As he bends to pick a dog-end He goes down to the bog and warms his feet Ohh Feeling alone The army's up the road Salvation a la mode and a cup of tea Aqualung, my friend Don't you start away uneasy You poor old sod, you see, it's only me Ohh Dee dee dee dee dee... Aqualung, my friend Don't you start away uneasy You poor old sod, you see, it's only me Sitting on a park bench Eyeing little girls with bad intent Snot running down his nose Greasy fingers smearing shabby clothes Hey, Aqualung Drying in the cold sun Watching as the frilly panties run Hey, Aqualung Feeling like a dead duck Spitting out pieces of his broken luck Hey, Aqualung Whoa, Aqualung |
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1:58 | ||||
from Jethro Tull - Living With The Past [video] (2008)
Sitting on a park bench
Eyeing little girls with bad intent Snot running down his nose Greasy fingers smearing shabby clothes Hey, Aqualung Drying in the cold sun Watching as the frilly panties run Hey, Aqualung Feeling like a dead duck Spitting out pieces of his broken luck Whoa, Aqualung Sun streaking cold An old man wandering lonely Taking time the only way he knows Leg hurting bad As he bends to pick a dog-end He goes down to the bog and warms his feet Feeling alone The army's up the road Salvation a la mode and a cup of tea Aqualung, my friend Don't you start away uneasy You poor old sod, you see, it's only me Do you still remember December's foggy freeze When the ice that Clings onto your beard was Screaming agony? Hey! And you snatch your rattling last breaths With deep-sea diver sounds And the flowers bloom like Madness in the spring Sun streaking cold An old man wandering lonely Taking time the only way he knows Leg hurting bad As he bends to pick a dog-end He goes down to the bog and warms his feet Ohh Feeling alone The army's up the road Salvation a la mode and a cup of tea Aqualung, my friend Don't you start away uneasy You poor old sod, you see, it's only me Ohh Dee dee dee dee dee... Aqualung, my friend Don't you start away uneasy You poor old sod, you see, it's only me Sitting on a park bench Eyeing little girls with bad intent Snot running down his nose Greasy fingers smearing shabby clothes Hey, Aqualung Drying in the cold sun Watching as the frilly panties run Hey, Aqualung Feeling like a dead duck Spitting out pieces of his broken luck Hey, Aqualung Whoa, Aqualung |
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3:38 | ||||
from Jethro Tull - Under Wraps (1984)
The middle lane has trapped my car
in red-light claustrophobia. I slip the shackles, cut the rope --- stand naked with a telescope as the cat walks alone under a big sky. Against the dark so thin and white --- gonna be a big sky night. Miss Galileo, come with me and view the new Astronomy. Black hole dressing on salad plate --- quasar at the kissing gate. Now the cat, he walks alone under a big sky. Umbrella dome pin-pricked in lights --- gonna be a big sky night. My spectacles, my white lab coat --- my coffee, thermos and my notes. I pat my pockets. I got the keys to the secrets of the observatory. And closing the door, I feel a new dawn as the darker slides align --- you to yours and me to mine. And now you stand, assisting me --- I can touch what I can see, see, see. I look in wonder, I feel no shame --- see the consequences of the game. Expand the universe. Head for the Big Bang. Reach for my switch and shout --- gonna turn the big sky out. There's got to be astronomy. Astronomy. |
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7:56 | ||||
from Jethro Tull - Roots To Branches (1995) | |||||
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5:43 | ||||
from Ian Anderson - Divinities: Twelve Dances With God (2003) | |||||
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- | ||||
from Jethro Tull - A + Slipstream (2004) | |||||
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4:05 | ||||
from Jethro Tull - Under Wraps (1984)
In the hands of science ---
the complete appliance. We're moved to motor. Do you fly a Spitfire? Do you slide on a tea-tray? Or walk on a short trip (Sundays). Or drive come what may (enjoy). Automotive science and engineering. When big was better --- and fast was chic, the oil was cheaper --- now we're up the creek. But the Japs are coming and everyone's turbo'd and carbon fibre is the way to go, go. Down at the robot factory things are humming. New radical suspension --- no humans testing. (Wind it up, wind it up.) Take a trip in your Freudian slip. Doctor Ferdinand (Ferdie) has you in his grip. |
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5:21 | ||||
from Jethro Tull - J-Tull Dot Com (1999)
Stormy-eyed on the edge of dawn:
Nose pressed against the triple glaze. Floor to ceiling, wall to wall, Silent traffic streams both ways. Along the fussy freeway drivers Dream of sunday barbecues. Of a sudden, seems I can barely Face my self: no face to lose. Call the bosses. call supervisors. Won't be in today to work for you. E-mail that girl who's working nights. She can dress down for this wind and rain. Leave her new korean compact: Let some cabbie take the strain. Take a shower. take big espresso. Take to the hills, and take a view. Little black dress stretching over Hard crystal peaks: soft valleys too. Call the bosses. call for nurses. Unfit today to work for you. No wet excuses. absent without leave. I'll be her dayshift driver: exotic engineer. Stormy-eyed on the edge of night: (december, eastern time: late afternoon.) Atlantic city tight behind. Trump casina calls pontoon. Gristle-burger, frazzled fries End this romantic interlude. Tomorrow morning's sweet awakening Could hardly prove to be as rude. Make the journey. make amends. Work some hasty overtime in lieu. No wet excuses. absent without leave. I'll be her dayshift driver: exotic engineer. |
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3:47 | ||||
from Jethro Tull - Stand Up (1969)
My telephone wakes me in the morning --
Have to get up to answer the call. So I think I'll go back to the family Where no one can ring me at all. Living this life has its problems So I think that I'll give it a break. Oh, I'm going back to the family 'cos I've had about all I can take. Master's in the counting house Counting all his money. Sister's sitting by the mirror -- She thinks her hair looks funny. And here am I thinking to myself Just wond'ring what things to do. I think I enjoyed all my problems Where I did not get nothing for free. Oh, I'm going back to the family -- Doing nothing is bothering me. I'll get a train back to the city That soft life is getting me down. There's more fun away from the family Get some action when I pull into town. Everything I do is wrong, What the hell was I thinking? Phone keeps ringing all day long I got no time for thinking. And every day has the same old way Of giving me too much to do. |
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4:26 | ||||
from Jethro Tull, Jethro Tull - Warchild (1974)
In and out of the front door,
Ran twelve back-door angels. Their hair was a golden-brown They didn't see me wink my eye. 'Tis said they put we men to sleep With just a whisper, And touch the heads of dying dogs And make them linger. They carry their candles high And they light the dark hours. And sweep all the country clean With pressed and scented wild-flowers. They grow all their roses red, And paint our skies blue Drop one penny in every second bowl Make half the beggars lose, Why do the faithful have such a will To believe in something? And call it the name they choose, Having chosen nothing. Think I'll sit down and invent some fool Some Grand Court Jester. And next time the die is cast, He'll throw a six or two. In and out of the back-door ran One front-door angel, Her hair was a golden-brown She smiled and I think she winked her eye. |
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2:12 | ||||
from Jethro Tull - Too Old To Rock 'N' Roll (1976)
Yes'n she's bad-eyed and she's loveless.
A young man's fancy and an old man's dream. I'm self raising and I flower in her company. Give me no sugar without her cream. She's a warm fart at Christmas. She's a breath of champagne on sparkling night. Yes'n she's bad-eyed and she's loveless. Turns other women to envious green. Yes'n she's bad-eyed and she's loveless. She's a young man's vision in my old man's dream. |
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16:39 | ||||
from Jethro Tull, Jethro Tull - Ministrel In The Gallery (1975)
Windy bus-stop. Click. Shop-window. Heel.
Shady gentleman. Fly-button. Feel. In the underpass, the blind man stands. With cold flute hands. Symphony match-seller, breath out of time. You can call me on another line. Indian restaurants that curry my brain. Newspaper warriors changing the names they advertise from the station stand. With cold print hands. Symphony word-player, I'll be your headline. If you catch me another time. Didn't make her --- with my Baker Street Ruse. Couldn't shake her --- with my Baker Street Bruise. Like to take her --- but I'm just a Baker Street Muse. Ale-spew, puddle-brew --- boys, throw it up clean. Coke and Bacardi colours them green. From the typing pool goes the mini-skirted princess with great finesse. Fertile earth-mother, your burial mound is fifty feet down in the Baker Street underground. (What the hell!) Walking down the gutter thinking, ``How the hell am I today?'' Well, I didn't really ask you but thanks all the same. |
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- | ||||
from Jethro Tull - Christmas Album (2003) | |||||
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3:53 | ||||
from Jethro Tull - A + Slipstream (2004) | |||||
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3:58 | ||||
from Jethro Tull - Broadsword And The Beast (1982)
From early days of infancy, through trembling years
of youth, long murky middle-age and final hours long in the tooth, he is the hundred names of terror --- creature you love the least. Picture his name before you and exorcise the beast. He roved up and down through history --- spectre with tales to tell. In the darkness when the campfire's dead --- to each his private hell. If you look behind your shoulder as you feel his eyes to feast, you can witness now the everchanging nature of the beast. Beastie If you wear a warmer sporran, you can keep the foe at bay. You can pop those pills and visit some psychiatrist who'll say --- There's nothing I can do for you, everywhere's a danger zone. I'd love to help get rid of it, but I've got one of my own. There's a beast upon my shoulder and a fiend upon my back. Feel his burning breath a heaving, smoke oozing from his stack. And he moves beneath the covers or he lies below the bed. He's the beast upon your shoulder. He's the price upon your head. He's the lonely fear of dying, and for some, of living too. He's your private nightmare pricking. He'd just love to turn the screw. So stand as one defiant --- yes, and let your voices swell. Stare that beastie in the face and really give him hell. |
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4:23 | ||||
from Jethro Tull, Jethro Tull - This Was (1968)
You're taking chances.
And your reputation's going down. Going out in the night-time. You think you make no sound. But you don't fool me. 'Cos I know what you feel. If you ignore the things I say -- Someday soon's gonna find you 'way down on Beggar's Farm. I pay my money for no returns. I think I need you. Going to find someone. Oh, you don't fool me. 'Cos I know what you feel. When you go out I ask you why. And I won't worry when I see you lying Down on Beggar's Farm. When you run to me, going to turn away. Won't even listen when you try to say That you were only fooling around -- 'Cos I know what you feel. But if you ask me nicely, woman -- I'll wake up early one day soon and I'll visit you down on Beggar's Farm. |
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4:23 | ||||
from Jethro Tull, Jethro Tull - This Was (1968)
You're taking chances.
And your reputation's going down. Going out in the night-time. You think you make no sound. But you don't fool me. 'Cos I know what you feel. If you ignore the things I say -- Someday soon's gonna find you 'way down on Beggar's Farm. I pay my money for no returns. I think I need you. Going to find someone. Oh, you don't fool me. 'Cos I know what you feel. When you go out I ask you why. And I won't worry when I see you lying Down on Beggar's Farm. When you run to me, going to turn away. Won't even listen when you try to say That you were only fooling around -- 'Cos I know what you feel. But if you ask me nicely, woman -- I'll wake up early one day soon and I'll visit you down on Beggar's Farm. |
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4:54 | ||||
from Jethro Tull - J-Tull Dot Com (1999)
She's catching the wind: the gentlest of breezes.
It's a sensitive passage she's sailing - Through stormy straits, navigates my unfathomable failings. She rises before me, reading me clearly. Empty nest left pressed in the pillow. She can shift, she can sway and bend like a willow. I'm swept in the riptide, caught in a fish trap. Gift-wrapped in my soft self centre. Summer sun leaves me as one who can only taste winter. She's a good, a good God-send: she can bend like a willow. With a fully armed angel to cover me quickly. I'm cool under enemy fire. If I fall, she can crawl right under the wire. When I'm caustic and cold, she might dare to be bold - ease me round to her warm way of thinking: fill me up from the cup of love that she's drinking. And I find, given time. I can bend like a willow. She bends like a willow. |
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5:50 | ||||
from Jethro Tull - Roots To Branches (1995)
Small child messing down, messing down.
in the streets of Bombay. Cities like this have no shame, no shame; indeed, why should they? Out in the middle distance, several tragedies are playing. I'm beside myself. Big sister, can you hear him, can you hear him? I'm beside myself. Big sister, can you see him cry, see him cry? I'm beside myself. I saw you taking money in the shadows -- in the shadows by the station there. I'll wish you up a silver train to carry you to school, bring you home again. Strip off that work paint and put a cleaner face on. I'm beside myself. Hollow faced mother with her babe in arms, babe in arms-looks through me. Behind forgotten charms, forgotten charms to soothe me. Between the guilt and charity -- I feel the wimp inside of me. I'm beside myself. Out in the middle distance, still more tragedies are playing. I'm beside myself. I'm so proud of you -- Swimming up from the deep blue. Which one of me do you run to? I'm beside myself. Small child messing down, messing down. in the streets of Bombay. Cities like this have no shame, have no shame; indeed, why should they? Out in the middle distance, several tragedies are playing. I'm beside myself. |
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3:34 | ||||
from Jethro Tull - Too Old To Rock 'N' Roll (1976)
The mist rolls off the beaches:
the train rolls into the station. Uh-Huh! Weekend happiness seekers pent-up saturation. Uh-Huh! Well, we don't mean anyone any harm, we weren't on the Glasgow train. See you at the Pleasure Beach: roller-coasting heroes. Uh-Huh! Big Dipper riding we'll give the local lads a hiding if they keep us from the ladies hanging out in the penny arcades. Shaking up the Tower Ballroom throwing up in the bathroom. Landlady's in the backroom I'm the Big Dipper it's the weekend rage. Rich widowed landlady give me your spare front door key Uh-Huh! If you're 39 or over, I'll make love to you next Thursday Uh-Huh! I may stay over for a week or two drop a postcard to my mum. I'll see you at the waltzer we'll go big-dipping daily. Uh-Huh! |
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5:59 | ||||
from Jethro Tull - Rock Island (1989)
Marty loved the sound of the stolen mandolin.
Somebody took it on a dare in the night-time. Run up to the radio, calling out to the wind. Now, bring it, bring it back at least an hour before flight time. It was a souvenir, but it was a right arm missing. Swap a woodwork rhythm for a humbucking top line. Big Riff, rough boy, wants to be a singer in a band. A little slow in the brain box, but he had a quick right hand. Run left, run right --- everywhere he look --- nobody watching, no, but that was all he took last night. Running on the power of a stolen mandolin. Steal a little inspiration. Steal a little muscle. Will he wake in the morning, wondering --- was it really worth it? So make a little deal, Yeah, make a little hustle. Ringing on the radio --- got a proposition for those English boys. I'll make the sing-song --- you can make the background noise. One, two, three, four --- one bar and in. Give you back the mando, if you'll let this singer sing tonight. Marty loved the sound of the stolen mandolin. Big Riff took it on a dare in the night-time. Now it's four o'clock, and we're waiting at the sound-check. Looking for a face staring in from the sunshine. We got two strong lawmen from the sheriff's office. They're going to lift Big Riff before he plays the first line. Big Riff, rough boy, wants to be a singer in a band. Yeah, help him on the stage now, put that microphone in his hand. Think hard, think right --- nothing in his mind --- So Riff did a runner, but he left the mandolin behind. |
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- | ||||
from Jethro Tull - Christmas Album (2003)
Got a birthday card at Christmas... it made me think of Jesus Christ.
It said, "I love you" in small letters. I simply had to read it twice. Wood smoke curled from blackened chimneys. The smell of frost was in the air. Pole star hovered in the blackness. I looked again... it wasn't there. People have showered me with presents. While their minds were fixed on other things. Sleigh bells, bearded red suit uncles. Pointy trees and angel wings. I am the shadow in your Christmas. I am the corner of your smile. Perfunctory in celebration. You offer content but no style. That little baby Jesus... he got a birthday card or three. Gold trinkets and cheap frankincense. Some penny baubles for his tree. Have some time off for good behaviour. Forty days, give or take a few. Hey there, sweet baby Jesus... Let's share a birthday card with you. |
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3:38 | ||||
from Ian Anderson - Rupi'S Dance (2004)
Got a birthday card at Christmas
It made me think of Jesus Christ. It said, "I love you" in small letters. I simply had to read it twice. Wood smoke curled from blackened chimneys. The smell of frost was in the air. Pole star hovered in the blackness. I looked again: it wasn't there. People have showered me with presents. While their minds were fixed on other things. Sleigh bells, bearded red suit uncles. Pointy trees and angel wings. I am the shadow in your Christmas. I am the corner of your smile. Perfunctory in celebration. You offer content but no style. That little baby Jesus. He got a birthday card or three. Gold trinkets and cheap frankincense. Some penny baubles for his tree. Have some time off for good behaviour. Forty days, give or take a few. Hey there, sweet baby Jesus Let's share a birthday card with you. |
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4:59 | ||||
from Jethro Tull - J-Tull Dot Com (1999)
Hand in the snake pit - black mamba chase.
Head through the lion's cage - head on a plate. Two feet on the hot coals - last dance at the ball. Blindfold on the tightrope - whenever you call. Be my slippery slider, Black Mamba crawl over me. Dark thoughts of the sleepless - hung out to dry. Slip through the bedclothes - unblinking eye. Long tongue flickering - fixed stare grip. Sweet venomous potion, held to my lip. Be my slippery slider, Black Mamba crawl over me. A tropical whisper. A sibilant kiss. Soft strike teasing. Dangerous bliss. |
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6:52 | ||||
from Jethro Tull, Jethro Tull - Ministrel In The Gallery (1975)
Come, let me play with you, Black Satin Dancer.
In all your giving, given is the answer. Tearing life from limb and looking sweeter than the brightest flower in my garden. Begging your pardon - shedding right unreason. Over sensation fly the fleeting seasons. Thin wind whispering on broken mandolin. Bending the minutes - the hours ever turning on that old gold story of mercy. Desperate breathing. Tongue nipple-teasing. Your fast river flowing - your Northern fire fed. Come, Black Satin Dancer, come softly to bed. Black Satin Dancer, given is the answer. Tearing life from limb and looking sweeter than the brightest flower in my garden. Come, let me play with you; Come, Black Satin Dancer. In all your giving, given is the answer. Your fast river flowing - your Northern fire fed. Come, Black Satin Dancer, come softly to bed. |
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6:39 | ||||
from Jethro Tull - A + Slipstream (2004)
Tomorrow is the one day I would change for a Monday
with freezing rains melting and no trains running and sad eyes passing in windows flimsy and my seat rocking from legs not quite matching Got passport, credit cards, a plane that I'm catching Black Sunday falls one day too soon The taxi that takes me will be moving too quickly My suitcases simply too full for the closing of pants, shirts and kisses all packed in a hurry Two best-selling paper backs chosen at random --- no sign of sales-persons to whom I might hand them Black Sunday falls one day too soon And down at the airport are probably waiting a few thousand passengers, overbooked seating Time long suspended in transit-lounge traumas --- connections broken and Special Branch waiting conspicuously standing in holiday clothing Black Sunday falls one day too soon Pick up my feet and kick off my lethargy Down to the gate with the old mood upon me Get out and chase the small immortality born in the minute of my next returning Impatient feet tapping and cigarette burning Homecoming one day too soon And back at the house there's a grey sky a-tumbling Milk bottles piling on door steps a-crumbling Curtains all drawn and cold water plumbing Notepaper scribbles I read unbelieving Saying how sorry, how sad was the leaving ...one day too soon |
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- | ||||
from Jethro Tull - A + Slipstream (2004)
Tomorrow is the one day I would change for a Monday
with freezing rains melting and no trains running and sad eyes passing in windows flimsy and my seat rocking from legs not quite matching Got passport, credit cards, a plane that I'm catching Black Sunday falls one day too soon The taxi that takes me will be moving too quickly My suitcases simply too full for the closing of pants, shirts and kisses all packed in a hurry Two best-selling paper backs chosen at random --- no sign of sales-persons to whom I might hand them Black Sunday falls one day too soon And down at the airport are probably waiting a few thousand passengers, overbooked seating Time long suspended in transit-lounge traumas --- connections broken and Special Branch waiting conspicuously standing in holiday clothing Black Sunday falls one day too soon Pick up my feet and kick off my lethargy Down to the gate with the old mood upon me Get out and chase the small immortality born in the minute of my next returning Impatient feet tapping and cigarette burning Homecoming one day too soon And back at the house there's a grey sky a-tumbling Milk bottles piling on door steps a-crumbling Curtains all drawn and cold water plumbing Notepaper scribbles I read unbelieving Saying how sorry, how sad was the leaving ...one day too soon |
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3:08 | ||||
from Ian Anderson - The Secret Language Of Birds (2000) | |||||
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3:43 | ||||
from Jethro Tull - Stand Up (1969) | |||||
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3:57 | ||||
from Jethro Tull - Aqualung (1971) | |||||
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- | ||||
from Jethro Tull - Christmas Album (2003) | |||||
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3:28 | ||||
from Jethro Tull - Living With The Past [video] (2008) | |||||
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4:22 | ||||
from P.F.M. - Live In Roma [live] (2012) | |||||
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3:14 | ||||
from The London Symphony Orchestra, Jethro Tull - A Classic Case : The Music Of Jethro Tull (1985) | |||||
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3:40 | ||||
from Jethro Tull - Heavy Horses (1978) | |||||
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5:02 | ||||
from Jethro Tull - Broadsword And The Beast (1982)
I see a dark sail on the horizon
set under a black cloud that hides the sun Bring me my broadsword and clear understanding, bring me my cross of gold as a talisman Get up to the roundhouse on the cliff-top standing, take women and children and bed them down Bring me my broadsword and clear understanding, bring me my cross of gold as a talisman Bless with a hard heart those who surround me, bless the women and children who firm our hands Put our backs to the north wind, hold fast by the river sweet memories to drive us on for the motherland I see a dark sail on the horizon set under a black cloud that hides the sun so bring me my broadsword and clear understanding bring me my cross of gold as a talisman so bring me my broadsword and a cross of gold as a talisman (Broadsword) |
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10:02 | ||||
from Jethro Tull, Jethro Tull - Crest Of A Knave (1987)
I think she was a middle-distance runner...
(the translation wasn't clear). Could be a budding stately hero. International competition in a year. She was a good enough reason for a party... (well, you couldn't keep up on a hard track mile) while she ran a perfect circle. And she wore a perfect smile in Budapest... hot night in Budapest. We had to cozzy up in the old gymnasium... dusting off the mandolins and checking on the gear. She was helping out at the back-stage... stopping hearts and chilling beer. Yes, and her legs went on for ever. Like staring up at infinity through a wisp of cotton panty along a skin of satin sea. Hot night in Budapest. You could cut the heat, peel it back with the wrong side of a knife. Feel it blowing from the sidefills. Feel like you were playing for your life (if not the money). Hot night in Budapest. She bent down to fill the ice box and stuffed some more warm white wine in like some weird unearthly vision wearing only T-shirt, pants and skin. You know, it rippled, just a hint of muscle. But the boys and me were heading west so we left her to the late crew and a hot night in Budapest. It was a hot night in Budapest. She didn't speak much English language... (she didn't speak much anyway). She wouldn't make love, but she could make good sandwich and she poured sweet wine before we played. Hey, Budapest, cha, cha, cha. Let's watch her now. I thought I saw her at the late night restaurant. She would have sent blue shivers down the wall. But she didn't grace our table. In fact, she wasn't there at all. Yes, and her legs went on forever. Like staring up at infinity. Her heart was spinning to the west-lands and she didn't care to be that night in Budapest. Hot night in Budapest. |
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- | ||||
from Jethro Tull, Jethro Tull - Crest Of A Knave (1987)
I think she was a middle-distance runner...
(the translation wasn't clear). Could be a budding stately hero. International competition in a year. She was a good enough reason for a party... (well, you couldn't keep up on a hard track mile) while she ran a perfect circle. And she wore a perfect smile in Budapest... hot night in Budapest. We had to cozzy up in the old gymnasium... dusting off the mandolins and checking on the gear. She was helping out at the back-stage... stopping hearts and chilling beer. Yes, and her legs went on for ever. Like staring up at infinity through a wisp of cotton panty along a skin of satin sea. Hot night in Budapest. You could cut the heat, peel it back with the wrong side of a knife. Feel it blowing from the sidefills. Feel like you were playing for your life (if not the money). Hot night in Budapest. She bent down to fill the ice box and stuffed some more warm white wine in like some weird unearthly vision wearing only T-shirt, pants and skin. You know, it rippled, just a hint of muscle. But the boys and me were heading west so we left her to the late crew and a hot night in Budapest. It was a hot night in Budapest. She didn't speak much English language... (she didn't speak much anyway). She wouldn't make love, but she could make good sandwich and she poured sweet wine before we played. Hey, Budapest, cha, cha, cha. Let's watch her now. I thought I saw her at the late night restaurant. She would have sent blue shivers down the wall. But she didn't grace our table. In fact, she wasn't there at all. Yes, and her legs went on forever. Like staring up at infinity. Her heart was spinning to the west-lands and she didn't care to be that night in Budapest. Hot night in Budapest. |
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3:06 | ||||
from Jethro Tull - Living With The Past [video] (2008)
I think she was a middle-distance runner...
(the translation wasn't clear). Could be a budding stately hero. International competition in a year. She was a good enough reason for a party... (well, you couldn't keep up on a hard track mile) while she ran a perfect circle. And she wore a perfect smile in Budapest... hot night in Budapest. We had to cozzy up in the old gymnasium... dusting off the mandolins and checking on the gear. She was helping out at the back-stage... stopping hearts and chilling beer. Yes, and her legs went on for ever. Like staring up at infinity through a wisp of cotton panty along a skin of satin sea. Hot night in Budapest. You could cut the heat, peel it back with the wrong side of a knife. Feel it blowing from the sidefills. Feel like you were playing for your life (if not the money). Hot night in Budapest. She bent down to fill the ice box and stuffed some more warm white wine in like some weird unearthly vision wearing only T-shirt, pants and skin. You know, it rippled, just a hint of muscle. But the boys and me were heading west so we left her to the late crew and a hot night in Budapest. It was a hot night in Budapest. She didn't speak much English language... (she didn't speak much anyway). She wouldn't make love, but she could make good sandwich and she poured sweet wine before we played. Hey, Budapest, cha, cha, cha. Let's watch her now. I thought I saw her at the late night restaurant. She would have sent blue shivers down the wall. But she didn't grace our table. In fact, she wasn't there at all. Yes, and her legs went on forever. Like staring up at infinity. Her heart was spinning to the west-lands and she didn't care to be that night in Budapest. Hot night in Budapest. |
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3:36 | ||||
from Jethro Tull, Jethro Tull - Warchild (1974)
Walking through forests of palm tree apartments
Scoff at the monkeys who live in their dark tents Down by the waterhole, drunk every Friday Eating their nuts, saving their raisins for Sunday Lions and tigers who wait in the shadows They're fast but they're lazy, and sleep in green meadows Well, let's bungle in the jungle Well, that's all right by me, yes Well, I'm a tiger when I want love And I'm a snake if we disagree Just say a word and the boys will be right there With claws at your back to send a chill through the night air Is it so frightening to have me at your shoulder? Thunder and lightning couldn't be bolder I'll write on your tombstone, I thank you for dinner This game that we animals play is a winner Well, let's bungle in the jungle Well, that's all right by me, yes I'm a tiger when I want love I'm a snake if we disagree The rivers are full of crocodile nasties And he who made kittens put snakes in the grass, he's A lover of life, but a player of pawns Yes, the king on his sunset lies waiting for dawn To light up his jungle as play is resumed The monkeys seem willing to strike up the tune Well, let's bungle in the jungle Well, that's all right by me, yes I'm a tiger when I want love And I'm a snake when we disagree Yes, let's bungle in the jungle Well, that's all right by me, yes Well, I'm a tiger when I want love I'm a snake when we disagree Well, let's bungle in the jungle Well, that's all right by me, yes I'm a tiger when I want love |
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5:03 | ||||
from Ian Anderson - Rupi'S Dance (2004) | |||||
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5:40 | ||||
from Jethro Tull, Jethro Tull - This Was (1968) | |||||
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5:40 | ||||
from Jethro Tull, Jethro Tull - This Was (1968) | |||||
|
1:23 | ||||
from Jethro Tull - Aqualung (1971)
On Preston Platform
Do your soft shoe shuffle dance Brush away the cigarette ash That's falling down your pants And then you sadly wonder Does the nurse treat your old man The way she should? She made you tea Asked for your autograph-- What a laugh |
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- | ||||
from Jethro Tull - Living With The Past [live] (2002)
On Preston Platform
Do your soft shoe shuffle dance Brush away the cigarette ash That's falling down your pants And then you sadly wonder Does the nurse treat your old man The way she should? She made you tea Asked for your autograph-- What a laugh |
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3:10 | ||||
from Jethro Tull - Rock Island (1989) | |||||
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1:37 | ||||
from Jethro Tull - Living With The Past [live] (2002) | |||||
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1:00 | ||||
from Jethro Tull - Broadsword And The Beast (1982)
along the costroad, by the headland
the early lights of winter glow i'll pour a cup to you my darling raise it up - say cheerio |
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1:37 | ||||
from Jethro Tull - Living With The Past [video] (2008)
along the costroad, by the headland
the early lights of winter glow i'll pour a cup to you my darling raise it up - say cheerio |
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- | ||||
from Jethro Tull - Christmas Album (2003) | |||||
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3:05 | ||||
from Jethro Tull, Jethro Tull - This Was (1968)
Once in Royal David's City
Stood a lonely cattle shed, Where a mother held her baby. You'd do well to remember the things he later said. When you're stuffing yourselves at the Christmas parties, You'll just laugh when I tell you to take a running jump. You're missing the point I'm sure does not need making That Christmas spirit is not what you drink. So how can you laugh when your own mother's hungry, And how can you smile when the reasons for smiling are wrong? And if I just messed up your thoughtless pleasures, Remember, if you wish, this is just a Christmas song. (Hey! Santa! Pass us that bottle, will you?) |
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3:06 | ||||
from Jethro Tull - Rock Island (1989)
Once in Royal David's City
Stood a lonely cattle shed, Where a mother held her baby. You'd do well to remember the things he later said. When you're stuffing yourselves at the Christmas parties, You'll just laugh when I tell you to take a running jump. You're missing the point I'm sure does not need making That Christmas spirit is not what you drink. So how can you laugh when your own mother's hungry, And how can you smile when the reasons for smiling are wrong? And if I just messed up your thoughtless pleasures, Remember, if you wish, this is just a Christmas song. (Hey! Santa! Pass us that bottle, will you?) |
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|
- | ||||
from Jethro Tull - Living With The Past [live] (2002)
Once in Royal David's City
Stood a lonely cattle shed, Where a mother held her baby. You'd do well to remember the things he later said. When you're stuffing yourselves at the Christmas parties, You'll just laugh when I tell you to take a running jump. You're missing the point I'm sure does not need making That Christmas spirit is not what you drink. So how can you laugh when your own mother's hungry, And how can you smile when the reasons for smiling are wrong? And if I just messed up your thoughtless pleasures, Remember, if you wish, this is just a Christmas song. (Hey! Santa! Pass us that bottle, will you?) |
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|
- | ||||
from Jethro Tull - Christmas Album (2003) | |||||
|
- | ||||
from Jethro Tull - Christmas Album (2003) | |||||
|
3:45 | ||||
from Ian Anderson - The Secret Language Of Birds (2000)
Pick up my wings and fly
Into a constable sky. Look down on the world and try To make you out on the distant ground. Lonely toy in a lost toy-town. Suspended in spiral sounds--- Sounds of circular breathing. I'm a kite on a silver thread. Daring lightning to strike me dead. Harsh echoes of things you said Banished me to a thinner space With unholy ghosts of your bedroom face. Hands cupped to my ears to place The sound of circular breathing. Matchbox cityscape below---- I watch lowry matchstick figures go. Caught in the timeless flow of discreet silence. |
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4:17 | ||||
from Jethro Tull - Broadsword And The Beast (1982)
We travellers on the endless wastes in single orbits,
gliding cold-eyed march towards the dawn behind hard-weather hoods a-hiding. Meeting as the tall ships do, passing in the channel afraid to chance a gentle touch --- afraid to make the clasp. In high-rise city canyons dwells the discontent of ages. On ring roads, nose to bumper crawl commuters in their cages. Cryptic signals flash across from pilots in the fast lane. Double-locked and belted in --- too late to make the clasp. Let's break the journey now on some lonely road. Sit down as strangers will, let the stress unload. Talk in confidential terms, share a dark unspoken fear. Refill the cup and drink it up. Say goodnight and wish good luck. Synthetic chiefs with frozen smiles holding unsteady courses. Grip the reins of history, high on their battle horses. And meeting as good statesmen do before the T.V. eyes of millions, hand to hand exchange the lie --- pretend to make the clasp. |
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4:20 | ||||
from Jethro Tull, Jethro Tull - Ministrel In The Gallery (1975)
And ride with us young bonny lass - with the angels of the night.
Crack wind clatter - flesh rein bite on an out-size unicorn. Rough-shod winging sky blue flight on a Cold Wind to Valhalla. And join with us please - Valkyrie maidens cry above the Cold Wind to Valhalla. Break fast with the Gods. Night angels serve with ice-bound majesty. Frozen flaking fish raw nerve - in a cup of silver liquid fire. Moon jet brave beam split ceiling swerve and light the old Valhalla. Come join with us please - Valkyrie maidens cry above the Cold Wind to Valhalla. The heroes rest upon the sighs of Thor's trusty hand-maidens. Midnight lonely whisper cries, "We're getting a bit short on heroes lately." Sword snap fright white pale good-byes in the desolation of Valhalla. And join with us please - Valkyrie maidens ride empty-handed on the Cold Wind to Valhalla. |
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4:19 | ||||
from Jethro Tull, Jethro Tull - Ministrel In The Gallery (1975)
And ride with us young bonny lass ---
with the angels of the night. Crack wind clatter --- flesh rein bite on an out-size unicorn. Rough-shod winging sky blue flight on a cold wind to Valhalla. And join with us please --- Valkyrie maidens cry above the cold wind to Valhalla. Break fast with the gods. Night angels serve with ice-bound majesty. Frozen flaking fish raw nerve --- in a cup of silver liquid fire. Moon jet brave beam split ceiling swerve and light the old Valhalla. Come join with us please --- Valkyrie maidens cry above the cold wind to Valhalla. The heroes rest upon the sighs of Thor's trusty hand maidens. Midnight lonely whisper cries, We're getting a bit short on heroes lately. Sword snap fright white pale goodbyes in the desolation of Valhalla. And join with us please --- Valkyrie maidens ride empty-handed on the cold wind to Valhalla. |
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4:45 | ||||
from Jethro Tull - Too Old To Rock 'N' Roll (1976)
Just a little touch of make-up; just a little touch of bull;
just a little 3-chord trick embedded in your platform soul; you can wear a gold Piaget on your Semaphore wrist; you can dance the old adage with a dapper new twist. And you can ring a crown of roses round your cranium, live and die upon your cross of platinum. Join the crazed institution of the stars. Be the man that you think (know) you really are. Crawl inside your major triad, curl up and laugh as your agent scores another front page photograph. Is it them or is it you throwing dice inside the loo awaiting someone else to pull the chain. Well grab the old bog-handle, hold your breath and light a candle. Clear your throat and pray for rain to irrigate the corridors that echo in your brain filled with empty nothingness, empty hunger pains. And you can ring a crown of roses round your cranium, live and die upon your cross of platinum. Join the crazed institution of the stars. Be the man that you think (know) you really are. |
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4:00 | ||||
from Jethro Tull - Living With The Past [video] (2008)
Who would be a poor man, a beggar man, a thief
If he had a rich man in his hand And who would steal the candy From a laughing baby's mouth If he could take it from the money man Cross eyed Mary Goes jumping in again She signs no contract But she always plays the game She dines in Hamstead village On expense accounted gruel And her jacknife father Drops her off at school Laughing in the playground Gets no kicks from little boys Who'd rather make it with electric trains Or maybe her attention, is drawn by Aqualung Who watches through the railings as they play Cross eyed Mary Finds it hard to get along She's a poor man's rich girl And she'll do it for a song She's a rich man's stealer But her favor's good and strong She's the Robin Hood of Highgate Help the poor man get along Laughing in the playground Gets no kicks from little boys Who'd rather make it with electric trains Or maybe her attention, is drawn by Aqualung Who watches through the railings as they play Cross eyed Mary Goes jumping in again She signs no contract But she always plays the game She dines in Hamstead village On expense accounted gruel And jacknife father Drops her off at school Cross eyed Mary Oh Mary Oh cross eyed Mary |
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from Jethro Tull - Aqualung (1971)
Who would be a poor man, a beggarman, a thief
If he had a rich man in his hand? And who would steal the candy from a laughing baby's mouth If he could take it from the money man? Cross-eyed Mary goes jumping in again She signs no contract, but she always plays the game She dines in Hampstead village on expense accounted gruel And the jack-knife barber drops her off at school Laughing in the playground, gets no kicks from little boys Would rather make it with a letching grey Or maybe her attention is drawn by Aqualung Who watches through the railings as they play Cross-eyed Mary finds it hard to get along She's a poor man's rich girl and she'll do it for a song. She's a rich man stealer, but her favour's good and strong: She's the Robin Hood of Highgate, helps the poor man get along. Laughing in the playground, gets no kicks from little boys Would rather make it with a letching grey Or maybe her attention is drawn by Aqualung Who watches through the railings as they play Cross-eyed Mary goes jumping in again She signs no contract, but she always plays the game She dines in Hampstead village on expense accounted gruel And the jack-knife barber drops her off at school Cross-eyed Mary Oh, Mary Oh, cross-eyed Mary |
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from Jethro Tull - Stormwatch (1979)
Walking on air
Shoulder and head above you Down in the street Black canyons walking through Hooded sad eyes Fixed on your shuffle shoes Life is a clue in your crossword Typewriter turk Telephone terror takes Time to wind down Push-button finger shakes City of dreams Back to your quiet nightmare Your life is a clue in the crossword Working to rule in your own time Drag yourself home to your star sign page Staying awake on cold yesterday's steak and warm beer Ladder of string Climbing to sweet success Homework aside Your brain on the train to test Pick up the news You left on the seat beside you Your life is a clue in the crossword Your life is a clue in the crossword Your life is a clue in the crossword |
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from Jethro Tull - Stormwatch (1979)
Walking on air
Shoulder and head above you Down in the street Black canyons walking through Hooded sad eyes Fixed on your shuffle shoes Life is a clue in your crossword Typewriter turk Telephone terror takes Time to wind down Push-button finger shakes City of dreams Back to your quiet nightmare Your life is a clue in the crossword Working to rule in your own time Drag yourself home to your star sign page Staying awake on cold yesterday's steak and warm beer Ladder of string Climbing to sweet success Homework aside Your brain on the train to test Pick up the news You left on the seat beside you Your life is a clue in the crossword Your life is a clue in the crossword Your life is a clue in the crossword |
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3:55 | ||||
from Jethro Tull - A + Slipstream (2004) | |||||
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4:34 | ||||
from Jethro Tull, Jethro Tull - Songs From The Wood (1977)
May I make my fond excuses for the late-ness of the hour;
But we accept your invitation, and would bring you Beltane's flower. For the May Day is the great day, sung along the old straight track. And those who ancient lines did ley will heed this song that calls them back. Pass the word and pass the lady and pass the plate to all who hunger. And pass the wit of ancient wisdom, pass the Cup of Crimson Wonder. And pass the Cup of Crimson Wonder. Ask the Green Man where he comes from, ask the cup that fills with red. Ask the old grey standing stones who show the sun his way to bed. Question all as to their ways, and learn the secrets that they hold. Walk the lines of Nature's palm, crossed with silver and with gold. Pass the cup and pass the lady and pass the plate to all who hunger. And pass the wit of ancient wisdom, pass the Cup of Crimson Wonder. And pass the Cup of Crimson Wonder. Join in black December's sadness, lie in August's welcome corn. Stir the cup that's ever filling with the blood of all that's born. But the May Day is the great day, sung along the old straight track. And those who ancient lines did ley will heed this song that calls them back. Pass the word and pass the lady and pass the plate to all who hunger. And pass the wit of ancient wisdom, pass the Cup of Crimson Wonder. And pass the Cup of Crimson Wonder. |
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5:04 | ||||
from P.F.M. - Live In Roma [live] (2012) | |||||
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5:35 | ||||
from Jethro Tull - Roots To Branches (1995)
Desert candle in a tented space
throwing softer shadows on a covered face. Sister, silent to the likes of me -- Pay my respects to her propriety. Is this some crazy woman here, dancing behind her thin black veil? Am I misreading those mysterious eyes? Duet impossible to harmonize. I'm not inviting any stiff reaction. I'm not one for naming holy names. And I won't peek behind those dangerous veils. Though you might hate me just the same. Name of the Father ringing in her head -- Thinking over what the prophet said. Words and tradition bind her in their spell. Don't drink the water from this holy well. I'm not inviting any fierce reaction and I'm not one for naming holy names. I won't peek behind those dangerous veils. Though you might hate me just the same. Desert candle in a tented space Softer shadows on a covered face. Sister, silent to the likes of me -- I tip my hat to her propriety. I'm not inviting any fierce reaction and I'm not one for naming holy names. I won't peek behind those dangerous veils. Though you might hate me just the same. |
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from Jethro Tull - Stormwatch (1979)
Darlings are you ready for the long winter's fall?
said the lady in her parlor said the butler in the hall. Is there time for another? cried the drunkard in his sleep. Not likely said the little child. What's done the Lord can keep. And the vicar stands a-praying. And the television dies as the white dot flickers and is gone and no-one stops to cry. The big jet rumbles over runway miles that scar the patchwork green where slick tycoons and rich buffoons have opened up the seam of golden nights and champagne flights ad-man overkill and in the haze consumer crazed we take the sugar pill. Jagged fires mark the picket lines the politicians weep and mealy-mouthed through corridors of power on tip-toe creep. Come and see bureaucracy make its final heave and let the new disorder through while senses take their leave. Families screaming line the streets and put the windows through in corner shops where keepers kept the country's life-blood blue. Take their pick and try the trick with loaves and fishes shared and the vicar shouts as the lights go out, and no-one really cares. Dark Ages shaking the dead Closed pages better not read Cold rages burn in your head. |