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4:01 | ||||
from Christy Moore - Voyage (2005) | |||||
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3:52 | ||||
from Christy Moore - Voyage (2005) | |||||
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3:04 | ||||
from Christy Moore - Voyage (2005)
Among the walls and ruins
Of the horrid civic stone I walked without a lover For my older bones The sun was strong in going down It was a dreamlike day It was there we met the trinity And there I heard them saying And she said bye bye Mama Goodbye brother John Fare thee well ye Shandon bells Ring on, ring on She leaned and leaned much closer And she hugs them all goodbye Her mother cried "don't go my love" We all must bye and bye A drunken tongue said "leave her off" She'll drive us all crazy She turned around and saw my face And both of us was she And she said bye bye Mama Goodbye brother John Fare thee well ye Shandon bells Ring on, ring on Up and to the limestone wall And down the level steps She threw herself into the stream With a splash and no regrets Side stroke swimming midstream Throwing kisses to the crowd And everything was silent And the sky had not one cloud And she said bye bye Mama Goodbye brother John Fare thee well ye Shandon bells Ring on, ring on We were swimming out in the sunset, We were swimming out to sea, Swimming down by the Opera House The Mad Lady and me. |
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4:29 | ||||
from Christy Moore - Voyage (2005) | |||||
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3:21 | ||||
from Christy Moore - Voyage (2005) | |||||
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3:59 | ||||
from Christy Moore - Voyage (2005) | |||||
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3:46 | ||||
from Christy Moore - Voyage (2005)
In nineteen hundred and eighty six
There's not much for a chippie but swinging a pick And you can't live on love, on love alone So you sail cross the ocean, away cross the foam To where you're a Paddy, a Biddy or a Mick Good for nothing but stacking a brick Your best mate's a spade and he carries a hod Two work horses heavily shod Oh I'm missing you I'd give all for the price of a flight Oh I'm missing you under Piccadilly's neon Who did you murder, are you a spy? I'm just fond of a drink helps me laugh, helps me cry So I just drink red biddy for a permanent high I laugh a lot less and I'll cry till I die All ye young people now take my advice Before crossing the ocean you'd better think twice Cause you can't live without love, without love alone The proof is round London in the nobody zone Where the summer is fine, but the winter's a fridge Wrapped up in old cardboard under Charing Cross Bridge And I'll never go home now because of the shame Of misfit's reflection in a shop window pane |
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4:49 | ||||
from Christy Moore - Voyage (2005) | |||||
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4:38 | ||||
from Christy Moore - Voyage (2005) | |||||
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4:00 | ||||
from Christy Moore - Voyage (2005) | |||||
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4:18 | ||||
from Christy Moore - Voyage (2005) | |||||
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4:09 | ||||
from Christy Moore - Voyage (2005)
Everybody knew, nobody said
A week ago last Tuesday She was just fifteen years When she reached her full therm She went to a grotto In just a field In the middle of the island To deliver herself Her baby died She died A week ago last Tuesday It was a sad slow stupid death for them both Everybody knew, nobody said At a grotto In a field In the middle of the island It was a sad slow stupid death for them both Everybody knew, nobody said |
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3:30 | ||||
from Christy Moore - The Time Has Come (2006)
At the early age of thirty-eight me mother said "Go west!"
"Get up", says she, "and get a job", says I, "I'll do my best" I pulled on me Wellingtons to march to Kiltimagh But I took a wrong turn in Charlestown and ended up in Knock Oh once this quiet crossroads was a place of gentle prayer Where Catholics got indulgent once or twice a year. You could buy a pair of rosary beads or get your candles blessed If you had a guilty conscience you could get it off your chest. Then came the priest from Partry, Father Horan was his name And since he's been appointed Knock has never been the same. "B'God" says Jem, "'tis eighty years since Mary was about" 'Tis time for another miracle." and he blew the candle out. From Fatima to Bethlehem, from Lourdes to Kiltimagh, There's never been a miracle like the airport up in Knock To establish terra firma he drew up a ten year plan And started running dances around 1961. He built a fantabulous church, Go h-alainn, on the holy ground And once he had a focal point he started to expand Chip shops and Bed and Breakfasts sprung up over night. Once a place for quiet retreats now a holy sight. All sorts of fancy restaurants for every race and creed Where black and white and yellow pilgrims all could get a feed The stalls once under canvas became religious supermarts With such a range o' godly goods, they had top twenty charts. While the airport opposition was destroyed by James' trump card. For centenary celebrations he got John Paul the twenty-third From Fatima to Bethlehem, from Lourdes to Kiltimagh, There's never been a miracle like the airport up in Knock 'We had the Blessed virgin here,' Bold Jamesie did declare, 'And Pope John Paul the twenty-third appeared just over there.' 'Now do you mean to tell me', he said in total shock, 'That I am not entitled to an airport here in Knock.' TD's were lobbied and harassed with talk of promised votes And people who'd been loyal for years now spoke of changing coats. Eternal damnation was threatened on the flock Who said it was abortive building airports up in Knock Now everyone is happy the miracle is complete. Father Horan's got his runway, it's eighteen thousand feet All sorts of planes could land there, of that there's little doubt, Handy for the George Bush to keep knock Gadaffi out. Did NATO donate, me boys, did NATO donate the dough? Did NATO donate, me Girls, did NATO donate the dough? Did NATO donate the dough, the dough, did NATO donate the dough? Eighteen thousand feet of runway is an awful long way to go. |
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3:14 | ||||
from Christy Moore - The Time Has Come (2006)
This graveyard hides a million secrets,
And the trees know more than they can tell. The ghosts of the saints and the scholars will haunt you, In heaven and in hell. Rattled by the glimmer man, the boogie man, the holy man, And livin' in the shadows, in the shadows of a gunman. Rattled like the coppers in your greasy till, Rattled until time stood still. Look over your shoulder, hear the school bell ring, Another day of made-to-measure history. I don't care if your heroes have wings, Your terrible beauty has been torn. CHORUS Faithful departed, we fickle hearted, As you are now so once were we. Faithful departed, we the meek hearted, With graces imparting bring flowers to thee. The girls in the kips proclaim their love for you When you stumbled in they knew you had a shilling or two. They cursed you on Sundays and holy days of abstinence, When you all stayed away. When you slept there a naked bulb hid your shame, Your shadows on the wall, they took all the blame. The Sacred Heart's picture, compassion in his eyes, Drowned out the river of sighs. Let the grass grow green over the brewery tonight, It'll never come between the darkness and the light. There is no pain that can't be eased, By the devil's holy water and the rosary beads. CHORUS You're a history book I never could write, Poetry in paralysis, too deep to recite. Dress yourself, bless yourself, you've won the fight, We're gonna celebrate the night. We'll even climb the pillar like you always meant to, Watch the sun rise over the strand. Close your eyes and we'll pretend, It could somehow be the same again. I'll bury you upright so the sun doesn't blind you. You won't have to gaze at the rain and the stars. Sleep and dream of chapels and bars, And whiskey in the jar. FINAL CHORUS Faithful departed, look what you've started; An underdog's wounds aren't so easy to mend. Faithful departed, there's no broken hearted, And no more tristesse in your world without end. |
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3:48 | ||||
from Christy Moore - The Time Has Come (2006)
Of all the stars that ever shone
Not one does twinkle like your pale blue eyes Like golden corn at harvest time your hair Sailing in my boat the wind Gently blows and fills my sail Your sweet-scented breath is everywhere Daylight peeping through the curtain Of the passing night time is your smile And the sun in the sky is like your laugh Come back to me my Nancy Linger for just a little while Since you left these shores I've known no peace Nor joy Chorus: No matter where I wander I'm still haunted by your name The portrait of your beauty stays the same Standing by the ocean wondering where you've gone, if you'll return again Where is the ring I gave to Nancy Spain On the day in Spring when snow starts to melt And streams to flow With the birds I'll sing this song Then in the while I'll wander Down by bluebell stream where wild flowers grow And I'll hope that lovely Nancy will return Chorus |
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3:16 | ||||
from Christy Moore - The Time Has Come (2006)
Lanigan's Ball
Christy Moore In the town of Athy, one Jeremy Lanigan battered away till he hadn't a shilling. His father died, made him a man again, left him a farm and ten acres of ground. Myself, to be sure, got invitations for the boys and girls I might ask. Having been asked, friends and relations danced like bees around a sweet cask. There was lashings of drink wine for the ladies, potatoes and cake bacon and tea. Nolans and Dolans and all the O'Gradys, courting the girls and dancing away. While songs went round as plenty as water, The harps that are sounded through Tara's old hall, Biddie Grey and the rat catcher's daughter singing away at Lanigan's ball. CHORUS Six long months I spent in Dublin, six long months doing nothing at all, Six long months I spent in Dublin, learning to dance for Lanigan's ball. She stepped out, I stepped in again. I stepped out and she stepped in again. She stepped out, I stepped in again, learning to dance for Lanigan's ball. They were doing all kinds of nonsensical dances all around in a whirligig. Julie and I soon banished their nonsense, Out on the floor for a reel and a jig. How the girls all got mad at me for they thought the ceilings would fall. I spent six months in Brook's Academy learning to dance for Lanigan's ball. Well the boys were merry and the girls all hearty Dancing around in their couples and groups. An accident happened; Terence McCarthy, He put his boot through Miss Finnerty's hoops. She fell down in a faint and cried, 'Holy murder!' Called her brothers and gathered them all. Carmody swore he'd go no further till he got revenge at Lanigan's ball. CHORUS Boys oh boys 'tis then there was ructions. I got a belt from Phelim Mc Hugh. I replied to his introduction, kicked up a terrible hullabaloo. Moloney the piper was near gettin' smothered. They leapt on his pipes, bellows, chanter and all. Boys and girls all got entangled and that put an end to Lanigan's ball. CHORUS |
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2:54 | ||||
from Christy Moore - The Time Has Come (2006)
I was lured by the rocking horse
Sweets and the bualadh bos Fifty wild boys to a room Sing lamh, lamh eile, the dish ran away with the spoon Black shoes and stockings for those who say don't Blue is the colour outside God made the world The snake tempted Eve and she died Wild Christian brothers sharpening their leathers Learn it by heart, that's the rule All I remember is dreading September and school CHORUS And they made me for better or worse The fool that I am or the wise man I'll be And they gave me their blessings or curse It wasn't their fault I was me ... Not the one that you see The priest in confession condemns my obsession With thoughts that I do not invite I mumble and stutter He slams down the shutter Goodnight - (Good night to you too, Father) Stainless as steel Lord, you know how I feel Someone shoot me while my soul is clear I don't think I'll last But my vow to abstain was sincere Arch-confraternity men to the fight Raise up your banners on high Searching for grace Securing my place When I die CHORUS Oh God, he kept a very close eye on me Hung round my bed in the darkness, he spied on me Caught me in the long grass so often, he died on me.... Ballrooms of romance in Salthill or Mallow I stood like John Wayne by the wall Lined up like cattle, we waited to do battle and fall You can't wine and dine her in an old Morris Minor So ask her before it's too late I danced on girls' toes - accepted rejection as my fate Drink was my saviour, it made me much braver But I couldn't hold it too well I slipped on the coach and ruined my approach as I fell |
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3:53 | ||||
from Christy Moore - The Time Has Come (2006)
It was one fine March morning I bid New Orleans adieu
And I took the road to Jackson town, my fortune to renew. I cursed all foreign money, no credit could I gain, Which filled me heart with longing for the lakes of Ponchartrain. I stepped on board of a railroad car beneath the morning sun, I rode the rods till evening and I laid me down again. All strangers there no friends to me till a dark girl towards me came And I fell in love with my Creole girl by the lakes of Ponchartrain. I said, "Me pretty Creole girl, me money here's no good, If it weren't for the alligators, I'd sleep out in the wood." "You're welcome here, kind stranger, from such sad thoughts refrain, For me Mammy welcomes strangers by the lakes of Ponchartrain. She took me into her Mammy's house, and treated me right well. The hair upon her shoulders in jet black ringlets fell. To try and paint her beauty, Im sure twould be in vain, So handsome was my Creole girl by the lakes of Ponchartrain. I asked her if she'd marry me. She said that ne'er could be For she had got a lover and he was far at sea. She said that she would wait for him and true she would remain Till he'd return to his Creole girl on the lakes of Ponchartrain. Its fare thee well, me Creole girl, I never may see you more. I'll neer forget your kindness in the cottage by the shore And at each social gathering, a flowing bowl I'll drain And I'll drink a health to my Creole girl by the lakes of Ponchartrain. |
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2:21 | ||||
from Christy Moore - The Time Has Come (2006)
don't forget your shovel if you want to go to work.
oh don't forget your shovel if you want to go to work. don't forget your shovel if you want to go to work or you'll end up where you came from like the rest of us diggin', diggin', diggin'... and don't forget your shoes and socks and shirt and tie and all. don't forget your shoes and socks and shirt and tie and all. mr murphy's afraid you'll make a claim if you take a fall. ("how's it goin'" "not too bad") and we want to go to heaven but we're always diggin' holes. we want to go to heaven but we're always diggin' holes. yeah we want to go to heaven but we're always diggin' holes. well there's one thing you can say...we know where we are goin'... ("any chance of a start?" "no" "okay") and if you want to do it...don't you do it against the wall. if you want to do it...don't you do it against the wall. never seen a toilet on a building site at all. there's a shed up in the corner where they won't see you at all. ("mind your sandwiches") enoch powell will give us a job, diggin' our way to annascaul. enoch Powell will give us a job, diggin' our way to annascaul. enoch Powell will give us a job, diggin' our way to annascaul. and when we're finished diggin' there they'll close the hole and all. now there's six thousand five hundred and fifty-nine paddies over there in london all trying to dig their way back to annascaul and very few of them boys is going to get back at all... i think that's terrible. don't forget your shovel if you want to go to work. don't forget your shovel if you want to go to work. oh, don't forget your shovel if you want to go to work. or you'll end up where you came from like the rest of us diggin', diggin', diggin'... |
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3:50 | ||||
from Christy Moore - The Time Has Come (2006)
As I walked past Portlaoise Prison
"I'm innocent", a voice was heard to say "My frame-up is almost completed. My people all look the other way. " Seven years ago his torture started A forced confession he was made to sign. Young Irish men specially trained and chosen Were on the heavy gang that made him run the line. Others in the Bridewell heard him screaming Even prison doctors could see His injuries were not self-inflicted Those who tipped the scales did not agree. Give the Wicklow Boy his freedom Give him back his liberty Ore are we going to leave him in chains While those who framed him up hold the key? Deprived of human rights by his own people Sickened by injustice he jumped bail, In the Appalachian Mountains found a welcome Till his co-accused were both released from jail. He came back expecting to get justice Special Branch took him from the plane For five years we've deprived him of his freedom The guilty jeer the innocent again. Give the Wicklow Boy his freedom Give him back his liberty Ore are we going to leave him in chains While those who framed him up hold the key? The people versus Kelly was the title Of the farce we staged at his appeal. Puppets in well rehearsed collusion, I often wonder how these men must feel. As I walked past Portlaoise Prison Through concrete and steel a whisper came "My frame-up is almost completed. I'm innocent, Nicky Kelly is my name. " Give the Wicklow Boy his freedom Give him back his liberty Ore are we going to leave him in chains While those who framed him up hold the key? |
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3:20 | ||||
from Christy Moore - The Time Has Come (2006)
The time has come to part, my love,
I must go away I leave you now, my darling girl, No longer can I stay. My heart like yours is breaking Together we'll prove strong The road I take will show the world The suffering that goes on. The gentle clasp that holds my hand Must loosen and let go Please help me through the door Though instinct tells you no. Our vow it is eternal And will bring you dreadful pain But if our demands aren't recognised Don't call me back again. How their sorrow touched us all In those final days When it was the time she held the door And touched his sallow face. The flame he lit by leaving Is still burning strong By the lights it's plain to see The suffering still goes on. The time has come to part, my love I must go away I leave you now, my darling girl, No longer can I stay. |
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2:31 | ||||
from Christy Moore - The Time Has Come (2006)
[Am] Born in the middle of the afternoon
In a [D] horsedrawn carriage on the [G] old A-[Am]-5 [Am] The big twelve wheeler shook my bed, You [D] can't stay [Am] here the po-[D]-liceman [Em] said. CHORUS You'd [Am] better get [G] born in [D] some place [Em] else. So [Am] move along [Em] get along [Am] move along [Em] get along, [F] Go [G] Move [Am] Shift! Born in the common by a building site Where the ground was rutted by the trail of wheels The local Christian said to me, "You'll lower the price of property." You'd better get born in some place else. So move along, get along, Move along, get along, Go! Move! Shift! Born at potato picking time In a noble tent in a tatie field. The farmer said, "The work's all done It's time that you was moving on." You'd better get born in some place else. So move along, get along, Move along, get along, Go! Move! Shift! Born at the back of a hawthorn hedge Where the black hole frost lay on the ground. No eastern kings came bearing gifts. Instead the order came to shift. You'd better get born in some place else. So move along, get along, Move along, get along, Go! Move! Shift! The eastern sky was full of stars And one shone brighter than the rest The wise men came so stern and strict And brought the orders to evict You'd better get born in some place else. So move along, get along, Move along, get along, Go! Move! Shift! Wagon, tent or trailer born, Last month, last year or in far off days. Born here or a thousand miles away There?s always men nearby who'll say You'd better get born in some place else. So move along, get along, Move along, get along, Go! Move! Shift! The sleeve notes from 'Live at the Point" has two extra verses (added by Christy) Six in the morning out in Inchicore The guards came through the wagon door. John Maughan was arrested in the cold A travelling boy just ten years old. You'd better get born in some place else. So move along, get along, Move along, get along, Go! Move! Shift! Mary Joyce was living at the side of the road No halting place and no fixed abode. The vigilantes came to the Darndale site And they shot her son in the middle of the night. You'd better get born in some place else. So move along, get along, Move along, get along, Go! Move! Shift! |
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3:16 | ||||
from Christy Moore - The Time Has Come (2006)
The winter it has passed
And the summer's come at last The small birds are singing in the trees And their little hearts are glad Ah, but mine is very sad Since my true love is far away from me And straight I will repair To the Curragh of Kildare For it's there I'll finds tidings of my dear The rose upon the briar By the water's running clear Brings joy to the linnet and the bee And their little hearts are blessed But mine can know no rest Since my true love is far away from me A livery I'll wear And I'll comb back my hair And in velvet so green I will appear And straight I will repair To the Curragh of Kildare For its there I'll find tidings of my dear All you who are in love Aye and cannot it remove I pity the pain that you endure For experience lets me know That your hearts are filled with woe It's a woe that no mortal can cure |
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3:05 | ||||
from Christy Moore - The Time Has Come (2006) | |||||
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2:55 | ||||
from Christy Moore - The Time Has Come (2006)
Who are they to decide what we should hear?
Who are they to decide what we should see? What do they think we can't comprehend here? What do they fear that our reaction might be, might be? Section 31 on the TV Section 31 on the radio Section 31 is like a blindfold Section 31 makes me feel cold, feel cold. The pounding of the footsteps in the early morning light, Another family waking to an awful deadly fright. There's a body on the pavement with a bullet to the jaw, A thirteen-year-old victim of plastic bullet law. The silence in my ears, the darkness in my eyes, Heightens the fear, deafens the cries. Of another brother taken in another act of hate. A family preparing for another dreadful wait. Section 31 on the TV Section 31 on the radio Section 31 is like a blindfold Section 31 makes me feel cold, feel cold. |
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2:56 | ||||
from Christy Moore - The Time Has Come (2006)
When apples still grow in November When Blossoms still bloom from each tree When leaves are still green in December It's then that our land will be free I wander her hills and her valleys And still through my sorrow I see A land that has never known freedom And only her rivers run free I drink to the death of her manhood Those men who'd rather have died Than to live in the cold chains of bondage To bring back their rights were denied Oh where are you now when we need you What burns where the flame used to be Are ye gone like the snows of last winter And will only our rivers run free? How sweet is life but we're crying How mellow the wine but it's dry How fragrant the rose but it's dying How gentle the breeze but it sighs What good is in youth when it's aging What joy is in eyes that can't see When there's sorrow in sunshine and flowers And still only our rivers run free |
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2:18 | ||||
from Christy Moore - Ride On (1984)
In the City of Chicago
As the evening shadows fall There are people dreaming Of the hills of Donegal 1847 was the year it all began Deadly pains of hunger drove a million from the land They journeyed not for glory Their motive wasn't greed A voyage of survival across the stormy sea To the City of Chicago As the evening shadows fall There are people dreaming Of the hills of Donegal Some of them knew fortune Some of them knew fame More of them knew hardship And died upon the plain They spread throughout the nation They rode the railroad cars Brought their songs ant music to ease their lonely hearts To the City of Chicago As the evening shadows fall There are people dreaming Of the hills of Donegal |
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4:05 | ||||
from Christy Moore - Ride On (1984)
Em
INTRO: Fingerpick [Em-C-D-Em] [Em]True you ride the finest horse [C] I've ever seen [D]Standing sixteen one or two with [Em]eyes wild and green You ride the horse so well [C] hands light to the touch [D]I could ne---ver go with you no matter how I [Em]wanted to CHORUS [Em]Ride on, [C] see you, [D]I could ne---ver go with you no matter how I [Em]wanted to When you ride into the night without a trace behind Run your claw along my gut, one last time I turn to face an empty space, where once you used to lie And look for a spark that lights the dark Through a teardrop in my eye Chorus |
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5:32 | ||||
from Christy Moore - Ride On (1984)
Ten years before I saw the light of morning
A comradeship of heroes was laid From every corner of the world came sailing The Fifth International Brigade They came to stand beside the Spanish people To try and stem the rising fascist tide Franco's allies were the powerful and wealthy Frank Ryan's men came from the other side Even the olives were bleeding As the battle for Madrid it thundered on Truth and love against the force of evil Brotherhood against the fascist clan Viva la Quinta Brigada "No Pasaran", the pledge that made them fight "Adelante" is the cry around the hillside Let us all remember them tonight Bob Hilliard was a Church of Ireland pastor Form Killarney across the Pyrenees he came From Derry came a brave young Christian Brother Side by side they fought and died in Spain Tommy Woods age seventeen died in Cordoba With Na Fianna he learned to hold his gun From Dublin to the Villa del Rio Where he fought and died beneath the blazing sun Viva la Quinta Brigada "No Pasaran", the pledge that made them fight "Adelante" is the cry around the hillside Let us all remember them tonight Many Irishmen heard the call of Franco Joined Hitler and Mussolini too Propaganda from the pulpit and newspapers Helped O'Duffy to enlist his crew The word came from Maynooth, "support the Nazis" The men of cloth failed again When the Bishops blessed the Blueshirts in Dun Laoghaire As they sailed beneath the swastika to Spain Viva la Quinta Brigada "No Pasaran", the pledge that made them fight "Adelante" is the cry around the hillside Let us all remember them tonight This song is a tribute to Frank Ryan Kit Conway and Dinny Coady too Peter Daly, Charlie Regan and Hugh Bonar Though many died I can but name a few Danny Boyle, Blaser-Brown and Charlie Donnelly Liam Tumilson and Jim Straney from the Falls Jack Nalty, Tommy Patton and Frank Conroy Jim Foley, Tony Fox and Dick O'Neill Viva la Quinta Brigada "No Pasaran", the pledge that made them fight "Adelante" is the cry around the hillside Let us all remember them tonight |
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3:50 | ||||
from Christy Moore - Ride On (1984) | |||||
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3:02 | ||||
from Christy Moore - Ride On (1984) | |||||
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4:31 | ||||
from Christy Moore - Ride On (1984)
How's it goin' there everybody,
From Cork, New York, Dundalk, Gortahork and Glenamaddy. Here we are in the County Clare It's a long, long way from here to there. There's the Burren and the Cliffs of Moher, the Tulla and the Kilfenora, Miko Russell, Doctor Bill, Willy Clancy, Noel Hill. Flutes and fiddles everywhere. If it's music you want, You should go to Clare. CHORUS Oh, Lisdoonvarna Lisdoon, Lisdoon, Lisdoon, Lisdoonvarna! Everybody needs a break, Climb a mountain or jump in a lake. Some head off to exotic places, Others go to the Galway Races. Mattie goes to the South of France, Jim to the dogs, Peter to the dance. A cousin of mine goes potholing, A cousin of heres loves Joe Dolan. Summer comes around each year, We go there and they come here. Some jet off to ... Frijiliana, But I always go to Lisdoonvarna. CHORUS I always leave on a Thursday night, With me tent and me groundsheet rolled up tight. I like to hit Lisdoon, In around Friday afternoon. This gives me time to get me tent up and my gear together, I don't need to worry about the weather. Ramble in for a pint of stout, you'd never know who'd be hangin' about! There's a Dutchman playing a mandolin, And a German looking for Liam Og O'Floinn. And there's Adam, Bono and Garrett Fitzgerald, Gettin' their photos taken for the Sunday World. Finbarr, Charlie and Jim Hand, And they drinkin' pints to bate the band. ( why would'nt they for Jasus sake are'nt they getting it for nothing) CHORUS The multitudes, they flocked in throngs To hear the music and the songs. Motorbikes and Hi-ace vans, With bottles - barrels - flagons - cans. Mighty craic. Loads of frolics, Pioneers and alcoholics, PLAC, SPUC and the FCA, Free Nicky Kelly and the IRA. Hairy chests and milk-white thighs, mickey dodgers in disguise. Mc Graths, O'Briens, Pippins, Coxs, Massage parlours in horse boxes. There's amhrans, bodhrans, amadans, Arab sheiks, Hindu Sikhs, Jesus freaks, RTE are makin' tapes, takin' breaks and throwin' shapes. This is heaven, this is hell. Who cares? Who can tell? (Anyone for the last few Choc Ices, now?) CHORUS A 747 for Jackson Browne, They had to build a special runway just to get him down. Before the Chieftains could start to play, Seven creamy pints came out on a tray. Shergar was ridden by Lord Lucan, Sean Cannon did the backstage cookin'. Clannad were playin' "Harry's Game", Christy was singin' "Nancy Spain". Mary O'Hara and Brush Shields, Together singin' "The Four Green Fields". Van the Man and Emmy Lou, Moving Hearts and Planxty too! CHORUS Everybody needs a break, Climb a mountain or jump in a lake. Sean Doherty goes to the Rose of Tralee, Oliver J. Flanagan goes swimming in the Holy Sea. But I like the music and the open air, So every Summer I go to Clare. Coz Woodstock, Knock nor the Feast of Cana, Can hold a match to Lisdoonvarna. CHORUS |
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2:51 | ||||
from Christy Moore - Ride On (1984) | |||||
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3:13 | ||||
from Christy Moore - Ride On (1984) | |||||
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2:44 | ||||
from Christy Moore - Ride On (1984)
"Look at the dying soldier", I heard someone whisper, then i saw the blood come through my shirt.
Am i going to die here? I don't wanna die here! Someone come and pick me from the dirt. (Refrain) I don't belong here, i don't wanna die here, Oh no! I don't belong here, don't let me die here, Oh no! My hands are gettin' colder, My thoughts are growing weaker, this must be the way it is. Stop the shootin', don't ya see i'm dying? Someone come and say a prayer. (Refrain) My eye's are closin', i see someone comin', he turns his back and runs away. They stop shootin', it started rainin', This must be the way. (Refrain) I want to go back home where my friends are, i want to go on livin' days. I want to go back home where my friends are, i want to go on livin' days. I want to go back home where my friends are, i want to go on livin' days. (Instrumental) |
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3:41 | ||||
from Christy Moore - Ride On (1984) | |||||
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3:47 | ||||
from Christy Moore - Ride On (1984)
In 1803 we sailed out to sea
Out from the sweet town of Derry. For Australia bound if we didn't all drown And the marks of our feckles we carried In the rusty iron chains we cried for our wanes Our good women we left there in sorrow As the main sails unfurled, our curses we hurled At the English and the thoughts of tomorrow At the mouth of the Foyle, bid farwell to the soil As down below decks we were lying. O'Docherty's scream woke him out of a dream By a vision of bold Robert dying. The sun burned cruel and we dished out the gruel Dan O'Connor was down with the fever Sixty rebels today bound for botany bay How many would reach there this evening? Refrain: Oh....oh, I wish I was back home in Derry. Oh....oh, I wish I was back home in Derry. I cursed them to hell, as our bow fought the swell Our ship danced like a moth in the firelight Wild horses rode high as the devil passed by Taking souls into Hades by twilight Five weeks out to sea we were now 43 We buried our comrades each morning And in our own slime, we were lost in the time Endless night without dawning 1x Refrain Van diemens land is a hell for a man To end out his whole life in slavery Where the climate is raw and the gun makes the law Neither wind nor rain care for bravery Twenty years have gone by and I've ended my bond My comrades' ghosts walk behind me A rebel I came and I'm still the same On a cold winters night you will find me. 2x refrain |
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3:26 | ||||
from Christy Moore - Ride On (1984)
The least we can do, is make the world a better place
Not just for the few, but for the human race To end wars and quarrels, make John Lennon's dream come true To build a new set of morals, It's the least we can do. Show some love and compassion, when people are feeling low Make it not just a fashion, that may come and go Bring an end to oppression, 'cos it imprisons the truth And be free with expression, It's the least we can do. So follow his rainbow, deep into the evening sun And pray that its colours, will blend together as one Seek and we may find, the dream he loved to pursue A peace for all mankind, it's the least we can do. |
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from Christy Moore - Graffiti Tongue (2001) | |||||
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from Christy Moore - Graffiti Tongue (2001) | |||||
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from Christy Moore - Graffiti Tongue (2001) | |||||
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from Christy Moore - Graffiti Tongue (2001) | |||||
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from Christy Moore - Graffiti Tongue (2001) | |||||
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from Christy Moore - Graffiti Tongue (2001) | |||||
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from Christy Moore - Graffiti Tongue (2001) | |||||
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from Christy Moore - Graffiti Tongue (2001) | |||||
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from Christy Moore - Graffiti Tongue (2001) | |||||
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from Christy Moore - Graffiti Tongue (2001) | |||||
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from Christy Moore - Graffiti Tongue (2001)
I want to reach out over the lough
And feel your hand across the water Walk with you along an unapproved road Not looking over my shoulder I want to see I want to hear To understand your fears But we're north and south of the river I've been doing it wrong all of my life This holy town has turned me over A young man running from what he didn't understand As the wind from the lough just blew colder and colder There was a badness that had its way But love was not lost it just got mislaid North and south of the river Can we stop playing these old tattoos? Darling I don't have the answer I want to meet you where you are I don't need you to surrender There is no feeling so alone as when the one you're hurting is your own North and south of the river Some high ground is not worth taking Some connections are not worth making There's an old church bell no longer ringing And some old songs not worth singing North and south of the river North and south of the river |
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from Christy Moore - Graffiti Tongue (2001) | |||||
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4:56 | ||||
from Christy Moore - LIVE AT THE POINT (1994)
How's it going there everybody?
You're very welcome to this evening's cabaret I want to thank you for the trouble you're after taking To come and hear me play I know the effort that you make and all the trouble that you have to take When you decide you're gonna go and see a show Your wife says Oh not Christy Moore, we've seen him loads of times before And we're going to miss Gay Byrne on the Late Late Show Well there's people here upon my word from every corner of the world Portarlington Portlaoise and Tullamore From Two Mile House and Poulaphouca From Blacktrench Cutbush and Boolea Such a crowd I've never seen before Well you are welcome welcome everyone Special branch you're on the run Fine Gael, Fianna Fail or Sinn Fein When the elections are all over We'll all be pushing up clover And everyone in the graveyard votes the same My belly thought my throat was cut And all the restaurants were shut as I was driving out through Kinnegad So I drove on to Mother Hubbard's where I saw a swarm of truckers And I said to myself this place doesn't look too bad In came a 40ft lorry leaking lines of slurry And the king of the road jumped down and he said to me Hey John, don't I know your face Are you Paddy Reilly or Brendan Grace? Are you Mary Black or Freddy White says he Wait til I tell you what happened to me today I was coming up the dual carriageway Half a mile the far side on Naas The Irish Army, they were all over the place So I pulled in and rolled my window down The saighdiuiri they surrounded my car I thought it was the third world war Some of the boys were throwin Shi'ite shapes I said brigadier general what appears to be the trouble He said "Don't forget your shovel" Have you any auld autographs or tapes? I do.. what about the leb? |
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3:35 | ||||
from Christy Moore - LIVE AT THE POINT (1994)
For all of our languages we can't communicate
For all of our native tongues we're all natives here Sons of their fathers' dream the same dream The sound of forbidden words becomes a scream Voices in anger, victims of history Plundered and set aside, grow fat on swallowed pride With promises of paradise and gifts of beads and knives Missionaries and pioneers are soldiers in disguise Saviours and Conquerers, they make us wait Like fishers of men they wave their truth like bait But with the touch of a stranger's hand innocence turns to shame The spirit that dwelt within now sleeps out in the rain For all of our languages we can't communicate, For all of our native tongues, we're all natives here The scars of the past are slow to disappear The cries of the dead are always in our ears And only the very safe can talk about wrong and right Of those who are forced to choose, some will choose to fight |
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5:51 | ||||
from Christy Moore - LIVE AT THE POINT (1994)
It was Christmas Eve, babe, in the drunk tank
An old man said, "Son, I won't see another one" And then he sang a song, a rare old mountain tune I turned my eyes away, and I thought about you I got on a lucky one, came in at 18/1 I've got a feeling this year's for me and you So Happy Christmas, I love you baby There's going to be good times When all our dreams come true. They've got cars big as bars They've got rivers of gold But the wind blows right through you It's no place for the old When I first took your hand on a cold Christmas Eve I told you that Broadway was waiting for me. You were handsome and pretty, queen of New York city When the band finished playing, the crowd howled for more Sinatra was swinging, and the crowd they were singing We kissed on the corner and danced round the floor. And the boys from the New York police choir were singin' Galway Bay And the bells were ringin' out on Christmas Day I could have been someone and so could anyone I took my dreams from you when I first met you I kept them with me, babe, and put them with my own I can't make it all alone I've built my dreams around you. You're a bum you're a punk you're an aul hoor on junk Lyin' there on the drip nearly dead in the bed You scumbag you maggot you cheap lousy faggot Happy Christmas me arse, I would rather be dead... And the boys from the New York police choir were singin' Galway Bay And the bells were ringin' out on Christmas Day |
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4:35 | ||||
from Christy Moore - LIVE AT THE POINT (1994)
I dreamt a dream the other night I couldn't sleep a wink
The rats were tryin' to count the sheep and I was off the drink There were footsteps in the parlour and voices on the stairs I was climbin' up the walls and movin' round the chairs. I looked out from under the blanket up at the fireplace. The Pope and John F. Kennedy were starin' in me face.* Suddenly it dawned at me I was getting the old D.T.s When the Child o' Prague began to dance around the mantlepiece. CHORUS Goodbye to the Port and Brandy, to the Vodka and the Stag, To the Schmiddick and the Harpic, the bottled draught and keg. As I sat lookin' up the Guinness ad I could never figure out How your man stayed up on the surfboard after 14 pints of stout. Well I swore upon the bible I'd never touch a drop. My heart was palpitatin' I was sure 'twas going to stop, Thinkin' I was dyin' I gave my soul to God to keep. A tenner to St. Anthony to help me get some sleep. I fell into an awful nightmare - got a dreadful shock. When I dreamt there was no Duty-free at the airport down in Knock. George Seawright was sayin' the rosary and SPUC were on the pill.** Frank Patterson was gargled and he singin' Spancil Hill. CHORUS I dreamt that Mr. Haughey had recaptured Crossmaglen Then Garret got re-elected and gave it back again. Dick Spring and Roger Casement were on board the Marita-Ann As she sailed into Fenit they were singin' Banna Strand. I dreamt Archbishop McNamara was on Spike Island for 3 nights Havin' been arrested for supportin' Traveller's rights. I dreamt that Ruairi Quinn was smokin' marijuana in the Dail Barry Desmond handin' Frenchies out to scuts in Fianna Fail. CHORUS I dreamt of Nell McCafferty and Mary Kenny too The things that we got up to, but I'm not tellin' you. I dreamt I was in a jacuzzi along with Alice Glenn 'twas then I knew I'd never ever, ever drink again. CHORUS |
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2:43 | ||||
from Christy Moore - LIVE AT THE POINT (1994)
Black is the colour of my true love's hair
Her lips are like some roses fair She has the sweetest smile and the gentlest hands And I love the ground whereon she stands. I love my love and well she knows; I love the ground whereon she goes I wish the day it soon would come When she and I could be as one. I go the Clyde and I mourn and weep For satisfied I never can be I write her a letter, just a few short lines And suffer death a thousand times. Black is the colour of my true love's hair Her lips are like some roses fair She has the sweetest smile and the gentlest hands And I love the ground whereon she stands. |
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3:19 | ||||
from Christy Moore - LIVE AT THE POINT (1994)
In nineteen hundred and eighty six
There's not much for a chippie but swinging a pick And you can't live on love, on love alone So you sail cross the ocean, away cross the foam To where you're a Paddy, a Biddy or a Mick Good for nothing but stacking a brick Your best mate's a spade and he carries a hod Two work horses heavily shod Oh I'm missing you I'd give all for the price of a flight Oh I'm missing you under Piccadilly's neon Who did you murder, are you a spy? I'm just fond of a drink helps me laugh, helps me cry So I just drink red biddy for a permanent high I laugh a lot less and I'll cry till I die All ye young people now take my advice Before crossing the ocean you'd better think twice Cause you can't live without love, without love alone The proof is round London in the nobody zone Where the summer is fine, but the winter's a fridge Wrapped up in old cardboard under Charing Cross Bridge And I'll never go home now because of the shame Of misfit's reflection in a shop window pane |
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2:21 | ||||
from Christy Moore - LIVE AT THE POINT (1994) | |||||
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5:35 | ||||
from Christy Moore - LIVE AT THE POINT (1994) | |||||
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2:07 | ||||
from Christy Moore - LIVE AT THE POINT (1994) | |||||
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3:52 | ||||
from Christy Moore - LIVE AT THE POINT (1994) | |||||
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2:51 | ||||
from Christy Moore - LIVE AT THE POINT (1994)
Em
INTRO: Fingerpick [Em-C-D-Em] [Em]True you ride the finest horse [C] I've ever seen [D]Standing sixteen one or two with [Em]eyes wild and green You ride the horse so well [C] hands light to the touch [D]I could ne---ver go with you no matter how I [Em]wanted to CHORUS [Em]Ride on, [C] see you, [D]I could ne---ver go with you no matter how I [Em]wanted to When you ride into the night without a trace behind Run your claw along my gut, one last time I turn to face an empty space, where once you used to lie And look for a spark that lights the dark Through a teardrop in my eye Chorus |
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5:33 | ||||
from Christy Moore - LIVE AT THE POINT (1994) | |||||
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5:05 | ||||
from Christy Moore - LIVE AT THE POINT (1994)
It was in the year of '88 in the lovely month of June
When the gadflies were swarming and dogs howling at the moon With rosary beads and sandwiches for Stuttgart we began Joxer packed his German phrasebook and jumpleads for the van. Some of the lads had never been away from home before 'Twas the first time Whacker put his foot outside of Inchicore Before we left for Europe we knew we'd need a plan So we all agreed that Joxer was the man to drive the van. In Germany the autobahn, 'twas like the Long Mile Road There was every make of car and van all carrying the full load Ford Transits and Hiaces and an old Bedford from Tralee With the engine overheating from longhauling duty free. There was fans from Ballygermot, Ballybough and Ballymun On the journey of a lifetime, and the crack was ninety-one Joxer met a German's daughter on the banks of the river Rhine And he told her she'd be welcome in Ballyfermot any time. As soon as we found Stuttgart we got the wagons in a ring Sean Og got out the banjo and Peter played the mandolin There was fans there from everywhere attracted by the sound At the first Fleadh Ceoil in Europe, and Joxer passed the flagon round. But the session it ended when we'd finished all the stout The air mattresses inflated and the sleeping bags rolled out As one by one we fell asleep Joxer had a dream He dreamt himself and Jack Charlton sat down to pick the team. Joxer dreamt they both agreed on Packie Bonner straightaway And that Moran, Whelan and McGrath were certainly to play But tempers they began to rise and patience wearing thin Jack wanted Cascarino but Joxer wanted Quinn. The dream turned into a nightmare, Joxer stuck the head on Jack Who wanted to bring Johnny Giles and Eamon Dunphy back The cock crew in the morning, it crew both loud and shrill Joxer woke up in his sleeping bag many miles from Arbour Hill. The next morning none of the experts gave us the slightest chance They said the English team would lead us on a merry dance With their Union Jacks all them English fans for victory they were set Until Ray Houghton got the ball and he stuck it in the net. What happened next is history, brought tears to many eyes That day will be the highlight of many people's lives Joxer climbed right over the top and the last time he was seen Was arm in arm with Jack Charlton singing, Revenge for Skibereen. Now Whacker's back in Inchicore, he's living with his mam And Jack Charlton has been proclaimed an honorary Irishman Do you remember that German's daughter on the banks of the river Rhine Well, didn't she show up in Ballyfermot last week and ... |
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3:33 | ||||
from Christy Moore - LIVE AT THE POINT (1994)
Of all the stars that ever shone
Not one does twinkle like your pale blue eyes Like golden corn at harvest time your hair Sailing in my boat the wind Gently blows and fills my sail Your sweet-scented breath is everywhere Daylight peeping through the curtain Of the passing night time is your smile And the sun in the sky is like your laugh Come back to me my Nancy Linger for just a little while Since you left these shores I've known no peace Nor joy Chorus: No matter where I wander I'm still haunted by your name The portrait of your beauty stays the same Standing by the ocean wondering where you've gone, if you'll return again Where is the ring I gave to Nancy Spain On the day in Spring when snow starts to melt And streams to flow With the birds I'll sing this song Then in the while I'll wander Down by bluebell stream where wild flowers grow And I'll hope that lovely Nancy will return Chorus |
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3:59 | ||||
from Christy Moore - This Is The Day (2001) | |||||
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4:20 | ||||
from Christy Moore - This Is The Day (2001)
This is the day the fisherman likes
And so do I When the rain puts a shine on the chestnut spikes Hear the curlews cry The nightingale sings her best We'll drink a pint in hamiltons rest And the girl I love wore a muslin dress The fisherman dream of the sun in the west And so do I And so do I Now I can see Since the girl I love dearly Has cast her loving spell on me This is the day the cuckoo likes And so do I When the hills fall down in different shapes And the swallows fly To a hidden beach where boats can't go Mountain rivers overflow I hear the squealin' of the seagulls As off home they go And so do I And so do I Now I can see Since the girl I love dearly Has cast her loving spell on me I'll cross the seven oceans Forever more I'll wander 'Till she has cast her loving spell on me This is the day the fisherman likes And so do I When the rain puts a shine on the chestnut spikes Hear the curlews cry The nightingale sings her best We'll drink a pint in hamiltons rest And the girl I love wore a muslin dress The fishermen dream of the sum in the west And so do I And so do I And so do I And so do I |
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3:01 | ||||
from Christy Moore - This Is The Day (2001) | |||||
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3:21 | ||||
from Christy Moore - This Is The Day (2001) | |||||
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3:54 | ||||
from Christy Moore - This Is The Day (2001) | |||||
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4:15 | ||||
from Christy Moore - This Is The Day (2001)
The good ship Granma lies at anchor in the harbour
Waiting for the evening tide to rise and bring high water. Bound for Cuba she must go across the Gulf of Mexico and The Caribbean Ocean She's carrying a human cargo 83 good companeros Each one burning with determination to be free CHORUS Against Batista, The Fidelistas, courage was their armour As they fought at Fidel's side with Che Guevara. Five days out from Mexico these Companeros Landed on the Cuban beach Los Colarados Fidel said this year will see our country and our people free Or else we will be martyrs We've only guns enough for 20 the enemy has arms a plenty Meet him and defeat him and he'll keep us well supplied Chorus Five weeks later in the Canyon De La Rio Fidels army was reduced to 18 Companeros Hungry, weak and unafraid, learning revolutions trade in the high Sierra Maestre Where the mountain winds did blow bearing seeds to sprout and sow New crops in Cuban soil that marked the death of slavery Chorus Companeros, tu valaderos Courage was their armour as they fought at Fidel's side with Che Guevara They made their way across the peak of El Torquino Joined by bands of volunteers and the men from Santiago They faced Batista's tanks and trains,drove them back across the plains,from the high Sierra Maestre They drove the gangsters from Los Vios straight across the Cordileros Santa Barbra fell to Che Guevara and was free. The fire lit on that Cuban beach by Fidel Castro Still shines all the way to Terra del Fuego Sparks are blown upon the breeze, people rise from off their knees when they see the night is burning. It blazes up in Venezuela, Bolivia and Guatamala Lights the road that we must go in order to be free..... |
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4:14 | ||||
from Christy Moore - This Is The Day (2001) | |||||
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3:13 | ||||
from Christy Moore - This Is The Day (2001)
There was a woman and she lived on her own,
Slaved on her own and skivvied on her own, She'd two little boys and two little girls -- She lived all alone with her husband. He was a hunk of a man A chunk of a man and a drunk of a man, A hunk of a drunken skunk of a man Such a boozy, bruising, bully of a husband. For when he'd come home drunk at night, He'd thrash her black and thrash her white; Thrashed her to within an inch of her life, And snored all night like a big drunken husband. One night she gathered her tears all round her shame Covered up the bruise and cried with the pain, You'll not do that ever again, I'll not live anymore with a drunk of a husband. And that night as he lay drunk in bed, The strangest thought came to her head, She took the needle and the thread, And went straight in to her sleeping husband. She started to stitch with a girlish thrill With a woman's eye and a seamstress' skill, She bibbed and tucked with an iron will, A she stitched all round her sleeping husband. The top sheet, the bottom sheet, too, The blanket stitched to the mattress through, She bibbed and tucked the whole night through Waiting for the dawn and her husband. Solo (hyup!) He awoke with a pain in his head, He found that he could not move in bed, Sweet God in Heaven, have I lost me legs! She just sat and smiled at her husband. In her hand she held the frying pan With a flutter in her heart she flew at him; He could not move he cried, God damn! Don't you swear at me ya dirty husband." She beat him black, she beat him blue, With the frying pan and the colander too, With the rolling pin a stroke or two Such a battered and repenting husband. "If you ever come home drunk again, I'll stitch you up and sew you in, Then I'll pack my bag and I'll be gone, I'll not live with a drunk of a husband." Isn't it true what a wife can do With a needle, thread and a stitch or two? He's wiped his slate and his boozin's through She don't live anymore with a drunken husband. recorded by Mike Waterson, Martin Carthy, Max Hole filename( STICTIME BR |
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3:32 | ||||
from Christy Moore - This Is The Day (2001) | |||||
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4:15 | ||||
from Christy Moore - This Is The Day (2001) | |||||
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2:33 | ||||
from Christy Moore - This Is The Day (2001) | |||||
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2:08 | ||||
from Christy Moore - Traveller (1999) | |||||
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5:21 | ||||
from Christy Moore - Traveller (1999) | |||||
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3:09 | ||||
from Christy Moore - Traveller (1999) | |||||
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6:40 | ||||
from Christy Moore - Traveller (1999) | |||||
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5:09 | ||||
from Christy Moore - Traveller (1999) | |||||
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4:08 | ||||
from Christy Moore - Traveller (1999) | |||||
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4:05 | ||||
from Christy Moore - Traveller (1999) | |||||
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4:43 | ||||
from Christy Moore - Traveller (1999) | |||||
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6:40 | ||||
from Christy Moore - Traveller (1999)
In the cold of the evening, they used to gather.
Neath the stars in the meadow, circled near the old oak tree. At the times appointed.. by the seasons.. of the earth, and the phases of the moon. In the center, often stood a woman, equal with the others, respected for her worth. One of the many.. we call the witches, the healers, the teachers, of the wisdom of the earth. And the people grew in the knowledge she gave them, herbs to heal their bodies, smells to make their spirits whole. Hear them chanting healing incantations, calling for the wise ones, celebrating in dance and song... (...Isis, Astarte, Diana, Hecate, Demeter, Kali... Inanna... repeat x2) There were those that came to power, through domination. They were bonded in their worship of a dead man on a cross. They sought control of the common people, by demanding allegiance to the church of Rome. And the Pope, he commenced the inquisition, As a war against the women, whose powers they feared. In this holocaust, in this age of evil, Nine million European women, they died. And the tale is told, of those who by the hundreds, holding hands together, chose their deaths in the sea. While chanting the praises of the Mother Goddess, a refusal of betrayal, women were dying to be free. (...Isis, Astarte, Diana, Hecate, Demeter, Kali... Inanna... repeat x2) Now the earth is a witch, and we still burn her. Stripping her down with mining, and the poison of our wars. Still to us, the earth is a healer, a teacher, and a mother. A weaver of a web of light, that keeps us all alive. She gives us the vision to see through the chaos. She gives us the courage, it is our will to survive. (Repeat Goddess chant x4) |
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1:43 | ||||
from Christy Moore - Traveller (1999) | |||||
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5:03 | ||||
from Christy Moore - Traveller (1999) | |||||
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2:44 | ||||
from Christy Moore - Traveller (1999) | |||||
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from Lament (1998) | |||||
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from Christy Moore - Ordinary Man (1985) | |||||
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from Christy Moore - Ordinary Man (1985)
I dreamt a dream the other night I couldn't sleep a wink
The rats were tryin' to count the sheep and I was off the drink There were footsteps in the parlour and voices on the stairs I was climbin' up the walls and movin' round the chairs. I looked out from under the blanket up at the fireplace. The Pope and John F. Kennedy were starin' in me face.* Suddenly it dawned at me I was getting the old D.T.s When the Child o' Prague began to dance around the mantlepiece. CHORUS Goodbye to the Port and Brandy, to the Vodka and the Stag, To the Schmiddick and the Harpic, the bottled draught and keg. As I sat lookin' up the Guinness ad I could never figure out How your man stayed up on the surfboard after 14 pints of stout. Well I swore upon the bible I'd never touch a drop. My heart was palpitatin' I was sure 'twas going to stop, Thinkin' I was dyin' I gave my soul to God to keep. A tenner to St. Anthony to help me get some sleep. I fell into an awful nightmare - got a dreadful shock. When I dreamt there was no Duty-free at the airport down in Knock. George Seawright was sayin' the rosary and SPUC were on the pill.** Frank Patterson was gargled and he singin' Spancil Hill. CHORUS I dreamt that Mr. Haughey had recaptured Crossmaglen Then Garret got re-elected and gave it back again. Dick Spring and Roger Casement were on board the Marita-Ann As she sailed into Fenit they were singin' Banna Strand. I dreamt Archbishop McNamara was on Spike Island for 3 nights Havin' been arrested for supportin' Traveller's rights. I dreamt that Ruairi Quinn was smokin' marijuana in the Dail Barry Desmond handin' Frenchies out to scuts in Fianna Fail. CHORUS I dreamt of Nell McCafferty and Mary Kenny too The things that we got up to, but I'm not tellin' you. I dreamt I was in a jacuzzi along with Alice Glenn 'twas then I knew I'd never ever, ever drink again. CHORUS |
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from Christy Moore - Ordinary Man (1985)
I'm an ordinary man, nothing special nothing grand
I've had to work for everything I own I never asked for a lot, I was happy with what I got Enough to keep my family and my home Now they say that times are hard and they've handed me my cards They say there's not the work to go around And when the whistle blows, the gates will finally close Tonight they're going to shut this factory down Then they'll tear it d-o-w-n I never missed a day nor went on strike for better pay For twenty years I served them best I could Now with a handshake and a cheque it seems so easy to forget Loyalty through the bad times and through good The owner says he's sad to see that things have got so bad but the captains of industry won't let him lose He still drives a car and smokes his cigar And still he takes his family on a cruise, he'll never lose Well it seems to me such a cruel irony He's richer now then he ever was before Now my cheque is spent and I can't afford the rent There's one law for the rich, one for the poor Every day I've tried to salvage some of my pride To find some work so's I might pay my way Oh but everywhere I go, the answer's always no There's no work for anyone here today, no work today Break - 1st four lines And so condemned I stand just an ordinary man Like thousands beside me in the queue I watch my darling wife trying to make the best of life And God knows what the kids are going to do Now that we are faced with this human waste A generation cast aside And as long as I live, I never will forgive You've stripped me of my dignity and pride, you've stripped me bare You've stripped me bare, You've stripped me bare |
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from Christy Moore - Ordinary Man (1985) | |||||
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from Christy Moore - Ordinary Man (1985)
As I was walking home one evenin'
I know this takes some believin' I met a group of creatures With the strangest lookin' features A poor old dove and a worm in the weed And a fine old pigeon, yes indeed A daddy longlegs jumpet sprite As he danced to the reel in the flickering light Oh round we go, heel to the toe And the daddy longlegs jumpet sprite As he danced to the reel in the flickering light On his thin and wispy spindles He was deft and he was nimble His eyes were scientific And his dancing was terrific And the rats and worms they made a din And the nettles in the corners took it in "Oh God" says I, "Tonight's the night" "We'll dance to the reel in the flickering light" Oh round we go, heel to the toe "Oh God" says I "tonight's the night We'll dance to the reel in the flickering light" Then he looked at me directly With a gaze that could dissect me Then he asked me in a whisper "Have you got any sisters?" "Oh God almighty" says I to him "What sort of a man d'you think I am? I've only one she's not your type She wouldn't dance the reel in the flickering light" So round we go, heel to the toe "I've only one she's not your type She wouldn't dance a reel in the flickering light" Says he: "Does she come from another planet? Does she got a bee in her bonnet? Does she do her daily duties You never know we might be suited" And the rats and the worms began in to laugh And some of them started shufflin' off We're goin' to have some fun tonight Getting ready for the reel in the flickering light Oh round we go, heel to the toe We're goin' to have some fun tonight Getting ready for the reel in the flickering light I could see he had no scruples When I looked into his pupils They were purple or magenta Like a statue during lent I said "I'll get her right away" "Good man" says he "now don't delay" We're going to have some fun tonight And he flicked his legs in the flickering light. Oh round we go, heel to the toe We're goin' to have some fun tonight And he flicked his legs in the flickering light. Then up stepped a red carnation and they gave her an ovation She was warm and enchatin' As she slowly started dancin' And the wise old pigeon peeled his eye. And the nettles and the weeds began to sigh. Daddy longlegs said "my-oh-my Are we ready for the reel in the flickering light?" Oh round we go, heel to the toe Daddy longlegs said "my-oh-my Are we ready for the reel in the flickering light?" She was gentle, she was charmin' And I heard him call her "darlin' He was graceful as a whisper On his delicate legs of silver And the rats and worms were still as mice And the poor old pigeon said "That's nice" As shimmering there, ah, the lovely bride As they danced to the reel in the flickering light Oh round we go, heel to the toe As shimmering there, ah, the lovely bride As they danced to the reel in the flickering light Oh round we go, heel to the toe As shimmering there, ah, the lovely bride As they danced to the reel in the flickering light |
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from Christy Moore - Ordinary Man (1985) | |||||
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from Christy Moore - Ordinary Man (1985) | |||||
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from Christy Moore - Ordinary Man (1985) | |||||
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from Christy Moore - Ordinary Man (1985) | |||||
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from Christy Moore - Ordinary Man (1985) | |||||
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from Christy Moore - Ordinary Man (1985) | |||||
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from Christy Moore - Ordinary Man (1985) |