|
12:22 |
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|
from Yes, Yes - Yessongs [live] (1973)
Yours Is No Disgrace
Anderson/Squire/Howe/Kaye/Bruford Yesterday a morning came, a smile upon your face. Caesar's palace, morning glory, silly human race, On a sailing ship to nowhere, leaving any place, If the summer changed to winter, yours is no disgrace. Battleships confide in me and tell me where you are, Shining, flying, purple wolfhound, show me where you are, Lost in summer, born in winter, travel very far, Lost in losing circumstances, that's just where you are. Yesterday a morning came, a smile upon your face. Caesar's palace, morning glory, silly human race, On a sailing ship to nowhere, leaving any place, If the summer changed to winter, yours is no, Yours is no disgrace. Yours is no disgrace. Yours is no disgrace. Death defying, mutilated armies scatter the earth, Crawling out of dirty holes, their morals, their morals disappear. Yesterday a morning came, a smile upon your face. Caesar's palace, morning glory, silly human, silly human race, On a sailing ship to nowhere, leaving any place, If the summer changed to winter, yours is no, Yours is no disgrace. Yours is no disgrace. Yours is no disgrace. |
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|
- |
|
|||
| from King Crimson - Vrooom (1997) | |||||
|
3:42 |
|
|||
| from King Crimson, King Crimson - Starless And Bible Black (1974) | |||||
|
4:38 |
|
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|
from King Crimson, King Crimson - Thrak (1995)
close your eyes and look at me
i'll be standing by your side in between the deep blue sea and the sheltering sky if we find no words to say to the rhythm of the waves then we'll both surrender there walking on air and the worries of the day lie down under cover of the fading clouds the secrets of the night come alive in your eyes you don't have to hurry you don't have to try cause you don't have a care you're walking on air |
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|
- |
|
|||
| from King Crimson - Usa [live] (1975) | |||||
|
- |
|
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|
from King Crimson, King Crimson - Beat (1982)
I come back...come back
you see my return my returning face is smiling smile of a waiting man... I be home soon soon soon soon cry on your shoulder your shoulder against my burning tears tears of a waiting man... one two three four one two three... I wait every moment I wait, wait for my chance I wait for my friend to say hello, you waiting man feel no fret feel no fret feel no fret you can wait and feel no fret and so I wait so I wait so I wait so I wait I return face is smiling be home soon cry on your shoulder tears of a waiting man every moment wait for my chance my friend say hello feel no fret you can wait and I wait and I wait and home I am... |
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|
4:38 |
|
|||
| from King Crimson, King Crimson - Thrak (1995) | |||||
|
- |
|
|||
| from King Crimson - Vrooom (1997) | |||||
|
3:01 |
|
|||
| from King Crimson, King Crimson - Thrak (1995) | |||||
|
5:36 |
|
|||
| from King Crimson, King Crimson - Thrak (1995) | |||||
|
- |
|
|||
| from Bill Bruford - Earthworks [live] (1994) | |||||
|
- |
|
|||
| from Bill Bruford - Earthworks (1995) | |||||
|
- |
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|
from King Crimson, King Crimson - Beat (1982)
Oh they're touching
They're touching each other They're feeling They push and move And love each other, love each other They fit together like two hands...two hands... I am a face in the painting on the wall I pose and shudder And watch from the foot of the bed Sometimes I think I can Feel everything... The wind is blowing My hair in their direction The wind is bending my hair There are no windows in the painting No open windows, no open windows, no... they're touching They're touching each other They push and move And love each other, love each other They fit together like two hands two hands two hands two hands |
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|
- |
|
|||
| from Bill Bruford - The Sound Of Surprise (2001) | |||||
|
5:41 |
|
|||
| from King Crimson, King Crimson - Starless And Bible Black (1974) | |||||
|
6:15 |
|
|||
| from Bill Bruford - Master Strokes 1978-85 (2003) | |||||
|
- |
|
|||
| from Bill Bruford - Earthworks (1995) | |||||
|
- |
|
|||
|
from King Crimson - Three Of A Perfect Pair (1984)
She is susceptible
He is impossible They have their cross to share Three of a perfect pair… He has his contradicting views She has her cyclothymic moods They make a study in despair Three of a perfect pair… One, one too many Schizophrenic tendencies Keeps it complicated Keeps it aggravated And full of this hopelessness What a perfect mess… |
|||||
|
3:59 |
|
|||
| from King Crimson, King Crimson - Thrak (1995) | |||||
|
- |
|
|||
| from King Crimson - Vrooom (1997) | |||||
|
4:20 |
|
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|
from Yes - Yes (2005)
And in a time that's closer, life will be even older then. Souls will be complicated, life will be consummated then. Hearts will be brought together soon in our minds forever then. As long as we see there's only us, who can change it; Only us to rearrange it at the start of a new kind of day. And in a time that's closer, life will be even bolder then. Love is the only answer, hate is the root of cancer then. Truth is just for the being and is the sight for seeing then. Thoughts will be thought together soon in our minds forever then. As long as we see there's only us, who can change it; Only us to rearrange it at the start of a new kind of day. And in a time that's closer, life will be even bolder then. Love is the only answer, hate is the root of cancer then. Truth is just for the being and is the sight for seeing then. |
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|
- |
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|
from King Crimson, King Crimson - Discipline (1981)
Thela hun ginjeet thela hun ginjeet
Qua tari mei thela hun ginjeet Qua tari mei heat in the jungle street "Well, first of all, I couldn't even see his face. I couldn't see his face. He was holding a gun in his hand. Umm... I was thinking... This is a dangerous place.. This is a dangerous place.." Thela hun ginjeet thela hun ginjeet. Qua tari mei thela hun ginjeet. Qua tari mei heat in the jungle street. I said, "I'm nervous as hell from this stuff. I thought those guys were going to kill me for sure. They ganged up on me like that. I couldn't believe it. Look, I'm still shakin'. Weird. There out in the streets like that. It's a dangerous place. It's a dangerous place." So, suddenly, these two guys appear in front of me. They stopped. Real aggressive. Start at me, you know. "What's that?" "What's that on that tape?" "What do you got there?" I said, "huh?" They said, "What are you talking into that for?" I said, "It's just a tape, you know" "Well play it for me" I said "oh, no" I put it off as long as I could. And finally they turned it on, you know They grabbed it from me. Took it away from me. Turned it on. And it said, "He held a gun in his hand. This is a dangerous place." They said, "What dangerous place?" "What gun?" "You're a policeman!" And the deeper I talked, the worse I got into it. I talked, I told him... I said, "Look man, I'm not talkin'...." It went on forever. Anyway, I finally unbuttoned my shirt, and said, "look, look... I'm in this band, you know, I'm in this band you know, and we're makin' a recording, you know. It's about New York City, it's about crime in the streets..." The explanation was going nowhere, but, Finally, they just kinda let me go, I don't know why. So I walk around the corner, and I'm like shakin' like a leaf, and I thought, "This is a dangerous place once again, you know." Who should appear, but two policeman. |
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|
- |
|
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|
from King Crimson, King Crimson - Discipline (1981)
Thela hun ginjeet thela hun ginjeet
Qua tari mei thela hun ginjeet Qua tari mei heat in the jungle street "Well, first of all, I couldn't even see his face. I couldn't see his face. He was holding a gun in his hand. Umm... I was thinking... This is a dangerous place.. This is a dangerous place.." Thela hun ginjeet thela hun ginjeet. Qua tari mei thela hun ginjeet. Qua tari mei heat in the jungle street. I said, "I'm nervous as hell from this stuff. I thought those guys were going to kill me for sure. They ganged up on me like that. I couldn't believe it. Look, I'm still shakin'. Weird. There out in the streets like that. It's a dangerous place. It's a dangerous place." So, suddenly, these two guys appear in front of me. They stopped. Real aggressive. Start at me, you know. "What's that?" "What's that on that tape?" "What do you got there?" I said, "huh?" They said, "What are you talking into that for?" I said, "It's just a tape, you know" "Well play it for me" I said "oh, no" I put it off as long as I could. And finally they turned it on, you know They grabbed it from me. Took it away from me. Turned it on. And it said, "He held a gun in his hand. This is a dangerous place." They said, "What dangerous place?" "What gun?" "You're a policeman!" And the deeper I talked, the worse I got into it. I talked, I told him... I said, "Look man, I'm not talkin'...." It went on forever. Anyway, I finally unbuttoned my shirt, and said, "look, look... I'm in this band, you know, I'm in this band you know, and we're makin' a recording, you know. It's about New York City, it's about crime in the streets..." The explanation was going nowhere, but, Finally, they just kinda let me go, I don't know why. So I walk around the corner, and I'm like shakin' like a leaf, and I thought, "This is a dangerous place once again, you know." Who should appear, but two policeman. |
|||||
|
- |
|
|||
| from Bill Bruford - The Sound Of Surprise (2001) | |||||
|
7:27 |
|
|||
| from King Crimson, King Crimson - Larks' Tongues In Aspic (1973) | |||||
|
- |
|
|||
| from King Crimson, King Crimson - Night Watch [live] (1998) | |||||
|
- |
|
|||
| from Bill Bruford - Earthworks (1995) | |||||
|
- |
|
|||
| from King Crimson, King Crimson - Discipline (1981) | |||||
|
- |
|
|||
| from King Crimson, King Crimson - Discipline (1981) | |||||
|
- |
|
|||
| from Bill Bruford - The Sound Of Surprise (2001) | |||||
|
3:27 |
|
|||
| from Bill Bruford - Master Strokes 1978-85 (2003) | |||||
|
4:41 |
|
|||
|
from King Crimson, King Crimson - Starless And Bible Black (1974)
Shine, shine, the light of good works shine
The watch before the city gates depicted in their prime That golden light all grimy now Three hundred years have passed The worthy Captain and his squad of troopers standing fast The artist knew their faces well The husbands of his lady friends His creditors and councillors In armour bright, the merchant men Official moments of the guild In poses keen from bygone days The city fathers frozen there Upon the canvas dark with age The smell of paint, a flask of wine And turn those faces all to me The blunderbuss and halberd-shaft And Dutch respectability They make their entrance one by one Defenders of that way of life The redbrick home, the bourgeoisie Guitar lessons for the wife So many years we suffered here Our country racked with Spanish wars Now comes a chance to find ourselves And quiet reigns behind our doors We think about posterity again And so the pride of little men The burghers good and true Still living through the painter's hand Request you all to understand |
|||||
|
- |
|
|||
|
from King Crimson, King Crimson - Night Watch [live] (1998)
Shine, shine,
the light of good works shine The watch before the city gates depicted in their prime That golden light all grimy now Three hundred years have passed The worthy Captain and his squad of troopers standing fast The artist knew their faces well The husbands of his lady friends His creditors and councillors In armour bright, the merchant men Official moments of the guild In poses keen from bygone days The city fathers frozen there Upon the canvas dark with age The smell of paint, a flask of wine And turn those faces all to me The blunderbuss and halberd-shaft And Dutch respectability They make their entrance one by one Defenders of that way of life The redbrick home, the bourgeoisie Guitar lessons for the wife So many years we suffered here Our country racked with Spanish wars Now comes a chance to find ourselves And quiet reigns behind our doors We think about posterity again And so the pride of little men The burghers good and true Still living through the painter's hand Request you all to understand |
|||||
|
4:11 |
|
|||
|
from King Crimson, King Crimson - Starless And Bible Black (1974)
Health-food faggot with a bartered bride
Likes to comb his hair with a dipper ride Once had a friend with a cloven foot Once he called the tune in a chequered quit Great Deceiver In the door on the floor in a paper bag There's a shoe-shine boy with a gin-shop slag She raised him up and she called him son And she canonised the ground that he walked upon Great Deceiver Cigarettes, ice cream, figurines of the Virgin Mary Cigarettes, ice cream, figurines of the Virgin Mary Cigarettes, ice cream, cadillacs blue jeans In the night he's a star in the Milky Way He's a man of the world by the light of day A golden smile and a proposition And the breath of God smells of sweet sedition Great Deceiver Sing hymns make love get high fall dead He'll bring his perfume to your bed He'll charm your life 'til the cold winds blow Then he'll sell your dreams to a picture show Cigarettes, ice cream, figurines of the Virgin Mary Cigarettes, ice cream, figurines of the Virgin Mary Cadillacs, blue jeans, dixieland playing on the ferry Cadillacs, blues jeans, drop a glass full of antique sherry |
|||||
|
- |
|
|||
|
from King Crimson - Three Of A Perfect Pair (1984)
I'm Tony
I'm Billy I'm Bobby I'm Belew We're here to sing and play for you Oh we're the King Crimson band ? and don't you know it We're the best in all the land ? all the land We play bass and the drums and guitar for you And if you really want we'll throw the Stick in too Oh we're the King Crimson band (on EG Records) And you know we think that's grand So settle back to have some fun And tap your foot in twenty-one 'Cause we're the King Crimson band ? you better believe it The King Crimson band ? we don't do encores The King Crimson band ? no photos please 'Cause we're the King Crimson band We don't do 21st Century Schizoid Man But we're the King Crimson band |
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|
- |
|
|||
|
from King Crimson, King Crimson - Beat (1982)
Here is the angel of the world's desire
Placed on trial To hide in shrouded alley sihouettes With cigarette coiled To stike at passing voices Dark and suspect Here is the howling ire Here is the sacred face of rendevous In subway sour Whose grand delusions prey like intellect In lunatic minds Intent and focused on The long thin matches To light the howling fire... No, no, not me, Burn, I don't wanna burn..... |
|||||
|
4:03 |
|
|||
|
from King Crimson, King Crimson - Starless And Bible Black (1974)
Health-food faggot with a bartered bride
Likes to comb his hair with a dipper ride Once had a friend with a cloven foot Once he called the tune in a chequered quit Great Deceiver In the door on the floor in a paper bag There's a shoe-shine boy with a gin-shop slag She raised him up and she called him son And she canonised the ground that he walked upon Great Deceiver Cigarettes, ice cream, figurines of the Virgin Mary Cigarettes, ice cream, cadillacs blue jeans In the night he's a star in the Milky Way He's a man of the world by the light of day A golden smile and a proposition And the breath of God smells of sweet sedition Great Deceiver Sing hymns make love get high fall dead He'll bring his perfume to your bed He'll charm your life 'til the cold winds blow Then he'll sell your dreams to a picture show Cigarettes, ice cream, figurines of the Virgin Mary Cadillacs, blue jeans, dixieland playing on the ferry Cigarettes, ice cream, figurines of the Virgin Mary Cadillacs, blues jeans, drop a glass full of antique sherry Cigarettes, ice cream, figurines of the Virgin Mary Cadillacs, blues jeans, drop a glass full of antique sherry Cigarettes, ice cream, figurines of the Virgin Mary Cadillacs, blues jeans, drop a glass full of antique sherry |
|||||
|
2:56 |
|
|||
| from Bill Bruford - Master Strokes 1978-85 (2003) | |||||
|
- |
|
|||
| from Bill Bruford - The Sound Of Surprise (2001) | |||||
|
- |
|
|||
|
from Yes - Sweetness / Something's Coming [single] (1969)
She brings the sunshine to a rainy afternoon
She puts the sweetness in and stirs it with a spoon, She watches for my moods and never brings me down She puts the sweetness in all around She knows just what to say to make me feel so good inside And when I'm all alone I feel I don't want to hide Today she bought me in and told me where she'd been She put my mind at rest and put the sweetness in I'll ask her for some time to go and look around She puts the sweetness in all around She knows just what to say to make a sunny day And when I'm all alone I really don't feel that way. Tell me how would you feel with no world of your own And nobody to hold, I just can't see the way I'm so glad it's today and you're here, you're here. Doo Doo Doo Doo Doo Doo Doo Doo She brings the sunshine to a rainy afternoon She puts the sweetness in and stirs it with a spoon, She watches for ALL my moods never brings me down She puts the sweetness in all around She knows just what to say to make a sunny day And when I'm all alone I really don’t feel that way Oh how I need her so, I know she’ll never ever go Do do do do do do She’ll never leave me, believe me - no Do do do do do do She’ll never go, no no No no no no no no no no no - no! |
|||||
|
4:16 |
|
|||
|
from Yes - Yes (2005)
She brings the sunshine to a rainy afternoon
She puts the sweetness in and stirs it with a spoon, She watches for my moods and never brings me down She puts the sweetness in all around She knows just what to say to make me feel so good inside And when I'm all alone I feel I don't want to hide Today she bought me in and told me where she'd been She put my mind at rest and put the sweetness in I'll ask her for some time to go and look around She puts the sweetness in all around She knows just what to say to make a sunny day And when I'm all alone I really don't feel that way. Tell me how would you feel with no world of your own And nobody to hold, I just can't see the way I'm so glad it's today and you're here, you're here. Doo Doo Doo Doo Doo Doo Doo Doo She brings the sunshine to a rainy afternoon She puts the sweetness in and stirs it with a spoon, She watches for ALL my moods never brings me down She puts the sweetness in all around She knows just what to say to make a sunny day And when I'm all alone I really don’t feel that way Oh how I need her so, I know she’ll never ever go Do do do do do do She’ll never leave me, believe me - no Do do do do do do She’ll never go, no no No no no no no no no no no - no! |
|||||
|
3:29 |
|
|||
|
from Yes - Yes (2005)
Sweet dreams can solve the future,
Sweet dreams provide the past. Sweet things within your makeup; These things will always last, These things will make Sweet dreams of conversation, Sweet dreams of love affection. Sweet words within your makeup; Sweet words of things to Come on and write your letter, You know it will be better anyhow. You're gonna laugh again, You're gonna smile again, You're gonna love again. Sweet dreams are born inside you, Sweet dreams are born to last. Sweet thoughts within your makeup; These thoughts will always last, These thoughts will always last. Come on and write your letter, You know it will be better anyhow. You're gonna laugh again, You're gonna smile again, You're gonna love again. Sweet dreams can solve the future, Sweet dreams provide the past. Sweet dreams can solve the future, Sweet dreams provide the past. |
|||||
|
9:12 |
|
|||
| from King Crimson, King Crimson - Starless And Bible Black (1974) | |||||
|
12:19 |
|
|||
|
from King Crimson, King Crimson - Red (1974)
Sundown dazzling day
Gold through my eyes But my eyes turned within Only see Starless and bible black Ice blue silver sky Fades into grey To a grey hope that oh years to be Starless and bible black Old friend charity Cruel twisted smile And the smile signals emptiness For me Starless and bible black |
|||||
|
- |
|
|||
|
from King Crimson - Usa [live] (1975)
Sundown dazzling day
Gold through my eyes But my eyes turned within only see Starless and bible black Old friend charity Cruel twisted smile And the smile signals emptiness for me Starless and bible black Ice blue silver sky Fades into grey To a grey hope that all yearns to be Starless and bible black |
|||||
|
4:43 |
|
|||
| from Bill Bruford - Master Strokes 1978-85 (2003) | |||||
|
- |
|
|||
|
from Yes - Sweetness / Something's Coming [single] (1969)
Could be
Who knows? There something due any day I will know right away Soon as it shows It may come cannon-ballin* down from the sky Gleam in its eye Bright as a rose Who knows? It*s only just out of reach Down a block, on the beach Under a tree I got a feeling there*s a miracle due Gotta come through Coming to me Could it be Yes it could Something*s coming Something good If I can wait Something*s coming I don*t know what it is But it is Going to be great With a click With a shock Bell will jingle Door will knock Open the latch Something*s coming I don*t know what it is But it is Going to be great Around the corner A-whistlin* down the river Come on deliver To me To me Could be Who knows? There something due any day I will know right away Soon as it shows It may come cannon-ballin* down from the sky Gleam in its eye Bright as a rose Who knows? It*s only just out of reach Down a block, on the beach Under a tree I got a feeling there*s a miracle due Gotta come through Coming to me To me Tonight, Tonight Won*t be just any night Tonight there will be no morning star. Tonight. |
|||||
|
7:40 |
|
|||
|
from Yes - Yes (2005)
Could be
Who knows? There something due any day I will know right away Soon as it shows It may come cannon-ballin* down from the sky Gleam in its eye Bright as a rose Who knows? It*s only just out of reach Down a block, on the beach Under a tree I got a feeling there*s a miracle due Gotta come through Coming to me Could it be Yes it could Something*s coming Something good If I can wait Something*s coming I don*t know what it is But it is Going to be great With a click With a shock Bell will jingle Door will knock Open the latch Something*s coming I don*t know what it is But it is Going to be great Around the corner A-whistlin* down the river Come on deliver To me To me Could be Who knows? There something due any day I will know right away Soon as it shows It may come cannon-ballin* down from the sky Gleam in its eye Bright as a rose Who knows? It*s only just out of reach Down a block, on the beach Under a tree I got a feeling there*s a miracle due Gotta come through Coming to me To me Tonight, Tonight Won*t be just any night Tonight there will be no morning star. Tonight. |
|||||
|
8:02 |
|
|||
|
from Yes - Yes (2005)
Could be
Who knows? There something due any day I will know right away Soon as it shows It may come cannon-ballin* down from the sky Gleam in its eye Bright as a rose Who knows? It*s only just out of reach Down a block, on the beach Under a tree I got a feeling there*s a miracle due Gotta come through Coming to me Could it be Yes it could Something*s coming Something good If I can wait Something*s coming I don*t know what it is But it is Going to be great With a click With a shock Bell will jingle Door will knock Open the latch Something*s coming I don*t know what it is But it is Going to be great Around the corner A-whistlin* down the river Come on deliver To me To me Could be Who knows? There something due any day I will know right away Soon as it shows It may come cannon-ballin* down from the sky Gleam in its eye Bright as a rose Who knows? It*s only just out of reach Down a block, on the beach Under a tree I got a feeling there*s a miracle due Gotta come through Coming to me To me Tonight, Tonight Won*t be just any night Tonight there will be no morning star. Tonight. |
|||||
|
- |
|
|||
|
from King Crimson - Three Of A Perfect Pair (1984)
In the dream I fall into the sleepless sea
with a swell of panic and pain my veins are aching for the distant reef in the crush of emotional waves... Alright, get a hold of yourself an' don't fight it, it's over your head it's alright, the rumble in your ears it's alright to feel a little fear an' don't fight it, it's over your head it's alright, you wake up in your bed Silhouettes like shivering ancient feelings they cover my foreign floors and walls submarines are lurking in my foggy ceiling they keep me sleepless at night Hey, can you picture the sight the figures on the beach in the searing night and the roaring hurt of my silent fight can you pull me out of this sleepless night can you pull me out? |
|||||
|
- |
|
|||
|
from King Crimson - Three Of A Perfect Pair (1984)
In the dream I fall into the sleepless sea
with a swell of panic and pain my veins are aching for the distant reef in the crush of emotional waves... Alright, get a hold of yourself an' don't fight it, it's over your head it's alright, the rumble in your ears it's alright to feel a little fear an' don't fight it, it's over your head it's alright, you wake up in your bed Silhouettes like shivering ancient feelings they cover my foreign floors and walls submarines are lurking in my foggy ceiling they keep me sleepless at night Hey, can you picture the sight the figures on the beach in the searing night and the roaring hurt of my silent fight can you pull me out of this sleepless night can you pull me out? |
|||||
|
- |
|
|||
|
from King Crimson - Three Of A Perfect Pair (1984)
In the dream I fall into the sleepless sea
with a swell of panic and pain my veins are aching for the distant reef in the crush of emotional waves... Alright, get a hold of yourself an' don't fight it, it's over your head it's alright, the rumble in your ears it's alright to feel a little fear an' don't fight it, it's over your head it's alright, you wake up in your bed Silhouettes like shivering ancient feelings they cover my foreign floors and walls submarines are lurking in my foggy ceiling they keep me sleepless at night Hey, can you picture the sight the figures on the beach in the searing night and the roaring hurt of my silent fight can you pull me out of this sleepless night can you pull me out? |
|||||
|
- |
|
|||
|
from King Crimson - Three Of A Perfect Pair (1984)
In the dream I fall into the sleepless sea
with a swell of panic and pain my veins are aching for the distant reef in the crush of emotional waves... Alright, get a hold of yourself an' don't fight it, it's over your head it's alright, the rumble in your ears it's alright to feel a little fear an' don't fight it, it's over your head it's alright, you wake up in your bed Silhouettes like shivering ancient feelings they cover my foreign floors and walls submarines are lurking in my foggy ceiling they keep me sleepless at night Hey, can you picture the sight the figures on the beach in the searing night and the roaring hurt of my silent fight can you pull me out of this sleepless night can you pull me out? |
|||||
|
4:51 |
|
|||
|
from King Crimson, King Crimson - Thrak (1995)
Sex sleep eat drink dream
Primal tribal aplle egg vegetable eel I have a new canoe but it does not have a wheel Private velvet animal oldsmobile mind I'm sitting in the fireplace burning up my time Private velvet animal empty t.v. They're fishing in the kitchen But they haven't caught up to me Primal tribal chemical digital night I've got to get dressed to go out of my mind Sex sleep eat drink dream |
|||||
|
- |
|
|||
|
from King Crimson - Vrooom (1997)
sex sleep eat drink dream
primal tribal aplle egg vegetable eel i have a new canoe but it does not have a wheel private velvet animal oldsmobile mind i'm sitting in the fireplace burning up my time private velvet animal empty t.v. they're fishing in the kitchen but they haven't caught up to me primal tribal chemical digital night i've got to get dressed to go out of my mind sex sleep eat drink dream |
|||||
|
- |
|
|||
| from King Crimson, King Crimson - Beat (1982) | |||||
|
8:39 |
|
|||
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from Yes, Yes - Yessongs [live] (1973)
I’ll be the roundabout The words will make you out ’n’ out And change the day your way Call it morning driving thru the sound and in and out the valley The music dance and sing They make the children really ring I'll spend the day your way Call it morning driving thru the sound and in and out the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you I will remember you Your silhouette will charge the view Of distance atmosphere Call it morning driving thru the sound and even in the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you Along the drifting cloud the eagle searching down on the land Catching the swirling wind the sailor sees the rim of the land The eagles dancing wings create as weather spins out of hand Go closer hold the land feel partly no more than grains of sand We stand to lose all time a thousand answers by in our hand Next to your deeper fears we stand Surrounded by a millions years I’ll be the round about The words will make you out ’n’ out I’ll be the round about The words will make you out ’n’ out I’ll be the round about The words will make you out ’n’ out And change the day your way Call it morning driving thru the sound and in and out the valley In and around the lake Mountains come out of the sky and they stand there One mile over we’ll be there and we’ll see you Ten true summers we’ll be there and laughing too Twenty four before my love you’ll see I’ll be there with you |
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| from Bill Bruford - The Sound Of Surprise (2001) | |||||
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| from King Crimson, King Crimson - Beat (1982) | |||||
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6:17 |
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from King Crimson, King Crimson - Red (1974)
King Crimson은 시인인 피터신필드가 참여한 초기 앨범이 매우 독특한데, In the Court of Crimson King은 가장 많이 회자되는 앨범이고, Red 앨범도 좋습니다. 사실 킹크림슨은 2000년대까지 꾸준하게 괜찮은 앨범을 냈기 때문에 차근차근 다 들어보시는 것도 좋겠네요.
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1:03 |
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| from King Crimson, King Crimson - Thrak (1995) | |||||
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0:44 |
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| from King Crimson, King Crimson - Thrak (1995) | |||||
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8:12 |
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| from King Crimson, King Crimson - Red (1974) | |||||
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| from Bill Bruford - Earthworks (1995) | |||||
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| from Bill Bruford - Earthworks [live] (1994) | |||||
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5:54 |
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from King Crimson, King Crimson - Thrak (1995)
people fly people flee
people clam and say "it wasn't me" people fish people beef people arm to teeth yes, you've got people on the tube walking on the moon people at the bottom of the sea people in tombs people in igloos even a tribe of pygmies people are the main spring turning the world around people, they're the main spring spinning this world upside down people sun people toast people tire shile other people smoke people bowl people rock people pay to see two people box watch me face me dress me baby me phone me wire me house me bug me fire me people are the main spring spinning the world around people, they're the main spring turning this world inside out |
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4:02 |
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| from Bill Bruford - Master Strokes 1978-85 (2003) | |||||
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4:28 |
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from Yes - Owner Of A Lonely Heart [ep] (1983)
Move yourself
You always live your life Never thinking of the future Prove yourself You are the move you make Take your chances win or loser See yourself You are the steps you take You and you - and that's the only way Shake - shake yourself You're every move you make So the story goes Owner of a lonely heart Owner of a lonely heart Much better than - a Owner of a broken heart Owner of a lonely heart Say - you don't want to chance it You've been hurt so before Watch it now The eagle in the sky How he dancin' one and only You - lose yourself No not for pity's sake There's no real reason to be lonely Be yourself Give your free will a chance You've got to want to succeed Owner of a lonely heart Owner of a lonely heart Much better than - a Owner of a broken heart Owner of a lonely heart Owner of a lonely heart After my own decision They confused me so (Owner of a lonely heart) My love said never question your will at all In the end you've got to go Look before you leap (Owner of a lonely heart) And don't you hesitate at all - no no Owner of a lonely heart Owner of a lonely heart Much better than - a Owner of a broken heart Owner of a lonely heart (repeat) Owner of a lonely heart Sooner or later each conclusion Will decide the lonely heart (Owner of a lonely heart) It will excite it will delight It will give a better start (Owner of a lonely heart) Don't deceive your free will at all Don't deceive your free will at all (Owner of a lonely heart) Don't deceive your free will at all Just receive it |
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3:50 |
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from Yes - Owner Of A Lonely Heart [ep] (1983)
Move yourself
You always live your life Never thinking of the future Prove yourself You are the move you make Take your chances win or loser See yourself You are the steps you take You and you - and that's the only way Shake - shake yourself You're every move you make So the story goes Owner of a lonely heart Owner of a lonely heart Much better than - a Owner of a broken heart Owner of a lonely heart Say - you don't want to chance it You've been hurt so before Watch it now The eagle in the sky How he dancin' one and only You - lose yourself No not for pity's sake There's no real reason to be lonely Be yourself Give your free will a chance You've got to want to succeed Owner of a lonely heart Owner of a lonely heart Much better than - a Owner of a broken heart Owner of a lonely heart Owner of a lonely heart After my own decision They confused me so (Owner of a lonely heart) My love said never question your will at all In the end you've got to go Look before you leap (Owner of a lonely heart) And don't you hesitate at all - no no Owner of a lonely heart Owner of a lonely heart Much better than - a Owner of a broken heart Owner of a lonely heart (repeat) Owner of a lonely heart Sooner or later each conclusion Will decide the lonely heart (Owner of a lonely heart) It will excite it will delight It will give a better start (Owner of a lonely heart) Don't deceive your free will at all Don't deceive your free will at all (Owner of a lonely heart) Don't deceive your free will at all Just receive it |
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4:16 |
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from Yes - Owner Of A Lonely Heart [ep] (1983)
Toledo was just another good stop
Along the good king's highway My fortification took me by surprise And hit me sending me sideways Spellbound - Roundly - Good for sunshine Can't help thinking Singing Rule Britannia And this is where it grabs you There's method in the key of C Toledo's got to be the silver city In this good country Our song It gives us a reason Our song That good remedy Music has magic That stuff of syncopation Ever tried driving it to golden heights Just simply jiving it My mystification it got a Jewel skies crazy spacing it Hot sun - Crowded - Screams high voices Singing speechless Touching of the healing heart So this is where we really start Music is a shout of foregone conclusions As long as music plays its part Good good part Our song It gives us a reason Our song That good remedy Music has magic It's good clear syncopation Treat it good Treat it rightly And if you get it flowing The harmony is glowing So get ready So get ready Don't go toledo toledo don't go Music - Good to you Music - Good to you |
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5:22 |
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from King Crimson, King Crimson - Thrak (1995)
one eye goes laughing,
one eye goes crying through the trials and trying of one life one hand is tied, one step gets behind in one breath we're dying i've been waiting for the sun to come up waiting for the showers to stop waiting for the penny to drop one time and i've been standing in a cloud of plans standing on the shifting sands hoping for an open hand one time |
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from King Crimson - Vrooom (1997)
one eye goes laughing,
one eye goes crying through the trials and trying of one life one hand is tied, one step gets behind in one breath we're dying i've been waiting for the sun to come up waiting for the showers to stop waiting for the penny to drop one time and i've been standing in a cloud of plans standing on the shifting sands hoping for an open hand one time |
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4:05 |
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| from Bill Bruford - Master Strokes 1978-85 (2003) | |||||
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2:21 |
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| from Bill Bruford - Master Strokes 1978-85 (2003) | |||||
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7:08 |
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from King Crimson, King Crimson - Red (1974)
Pan American nightmare
Ten thousand feet fun-fair Convinved that I don't care It's safe as houses I swear I was just sitting musing The virtues of cruising When altitude dropping My ears started popping One more red nightmare Sweat beginning to pour down My neck as I turn round I heard fortune shouting Just get off of this outing A farewell swan song See you know how turbulence can be The stewardess made me One more red nightmare Reality stirred me My angel had heard me The prayer had been answered A reprieve has been granted The dream was now broken Thought rudely awoken Really safe and sound Asleep on the Greyhound One more red nightmare |
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| from King Crimson - Three Of A Perfect Pair (1984) | |||||
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| from King Crimson - Three Of A Perfect Pair (1984) | |||||
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4:15 |
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from Yes - Yes (2005)
Step out in the night When you're lonely Listening for the sounds That your ears don't hear. I know your cross is heavier With every step, every step But I know a man Who'd walk miles for you. Stop! You stay where you are. Take a look at yourself. Take a good look at yourself. Can't tell your mama, She'd only tell you That she told you so, The life you are leading She won't believe The real trick of life we all know. Dawn turns to day And the dawning Daytime Nighttime And we still can't see Why must we wait until the morning light To wake up and be To wake up and be To wake up and be To wake up and be. |
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| from Bill Bruford - The Sound Of Surprise (2001) | |||||
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from King Crimson, King Crimson - Beat (1982)
Good morning, it's 3am in this great roaring
city full of garbage eaters ravaging parking spots beneath my plaza window I see cheetah in their tight skins and tired heels all-night hippo in the diner crossing the street swarthy heards of young impala flambastic gibbon even a struggling monza and over there that brilliant head ornament on that Japanese macaque but look closely at the hammerhead hand in hand with the mandrill, it's a sight you're unlikely to see anywhere else on the planet... the stench and noise, yes, yes, the howler's resonating repertoire is not too bad when mixed with the more musical twern of the tropical warbler but the impatient taxi blare the squawking elderly ibis and the glass-eye snapper hawking papers I can certainly live without also be cautious of the poisonous boomslang laughter social droppings of the fruit bat and purple queen fish and who's that babbler conversing with a magazine stand? evidently he's getting a good reply... arrive in neurotica through neon heat disease I swear at the swarming heards I sweat the foul terrain I rove the moving scenery arrive in neurotica through neon heat disease I swear at the swarming heards I sweat the foul terrain I rove the moving scenery I have no fin no wing no stinger no claw no camouflage I have no more to say... Say...isn't that an elephant fish on the corner over there look at that blush baby mud puppy noolbenger rhinoderma marmoset spring peeper shingleback skink siren skate starling sun-gazer spoonbill and suckers, they seem to be everywhere, well it's a live revue random animal parts now playing nightly right here in neurotica...so long... |
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| from Bill Bruford - Earthworks [live] (1994) | |||||
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from King Crimson, King Crimson - Beat (1982)
I'm wheels, I am moving wheels
I am a 1952 studebaker coupe I'm wheels, I am moving wheels moving wheels I am a 1952 starlite coupe... En route.....les Souterrains Des visions du Cody...Sartori a Paris... Strange spaghetti in this solemn city... There's a postcard we're all seen before... Past wild-haired teens in dark clothing With hands-full of autographed napkins we eat apples in vans with sandwiches ... rush Into the lobby life of hurry up and wait Hurry up and wait for all the odd-shaped keys Which lead to new soap and envelopes... Hotel room homesickness on a fresh blue bed And the longest-ever phone call home.....no Sleep no sleep no sleep no sleep and no mad Video machine to eat time... a cityscene I can't explain, the Seine alone at 4am The Seine alone at 4a.....Neal and Jack and me Absent lovers, absent lovers... Neal and Jack and me Absent lovers, absent lovers... Absent lovers, absent lovers... Neal and Jack and me Neal and Jack and me Absent lovers, absent lovers... Neal and Jack and me Neal and Jack and me Absent lovers, absent lovers... Absent lovers, absent lovers... Neal and Jack and me Absent lovers, absent lovers... Neal and Jack and me Absent lovers, absent lovers... Neal and Jack and me Absent lovers, absent lovers... Neal and Jack and me Absent lovers, absent lovers... |
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| from Bill Bruford - Earthworks (1995) | |||||
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from King Crimson - Three Of A Perfect Pair (1984)
Look for the signs
Look for the symptoms Look for the slight Calm before the storm I feel the silence I feel the signals I feel the strain Tension in my head Well, what more can be said... Not a model man Not a saviour or a saint Imperfect in a word Make no mistake But I Give you everything I have Take me as I am... |
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from King Crimson, King Crimson - Discipline (1981)
Still, by the window pane
Pain, like the rain that's falling She waits in the air Matte Kudasai She sleeps in a chair In her sad America When, when was the night so long Long, like the notes I'm sending She waits in the air Matte Kudasai She sleeps in a chair In her sad America |
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from King Crimson, King Crimson - Discipline (1981)
Still, by the window pane
Pain, like the rain that's falling She waits in the air Matte Kudasai She sleeps in a chair In her sad America When, when was the night so long Long, like the notes I'm sending She waits in the air Matte Kudasai She sleeps in a chair In her sad America |
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from King Crimson, King Crimson - Discipline (1981)
Still, by the window pane
Pain, like the rain that's falling She waits in the air Matte Kudasai She sleeps in a chair In her sad America When, when was the night so long Long, like the notes I'm sending She waits in the air Matte Kudasai She sleeps in a chair In her sad America |
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from King Crimson - Three Of A Perfect Pair (1984)
She wouldn't need to be a bird without a wing
Or be a servant to a telephone ring She could be sleeping in the comfort of another bed… It wouldn't matter to a man with an open heart Here comes right now… She could be moody, dramatic as a play Or be evasive as a shadow in the shade Could be irregular and singing in her underwear… It wouldn't matter to a man with an open heart Here comes right now… Her wild and wise womanly Introspectiveness Her faults and files of foolishness It wouldn't matter to a man with an open heart Here comes right now… |
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| from Bill Bruford - Earthworks (1995) | |||||
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3:42 |
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from Yes - Yes (2005)
Looking around me There's not too much in life I miss Things that I can't see I'll touch and I'll feel then I'll kiss Then I saw you standing there With a smile I couldn't share Just looking around, everywhere. Tunes that I can't hear, Would take me for a while my smile Fares that are too dear I'd rather walk out another smile Then I heard a tune so right It was in the light of night Just listening around everywhere All the things I've wanted to do Take so much time to get around to you Just reach out and catch and hold on Leaving trails of dust and lust never even lying or trying Keep on moving and never dying. Smiles that I don't see I'll make them up as I go on Laughs that just can't be I'll make and laugh at everyone Then I saw you in your place With a laugh upon your face Just looking around everywhere Looking around with my feet on the ground full of words and Of sound bringing smiles all around Satisfy me with your words that can be full of sound and I'll See I'm just looking around. |
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3:54 |
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| from Bill Bruford - Master Strokes 1978-85 (2003) | |||||
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- |
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| from King Crimson - Three Of A Perfect Pair (1984) | |||||
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7:09 |
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| from King Crimson, King Crimson - Larks' Tongues In Aspic (1973) | |||||
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13:38 |
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| from King Crimson, King Crimson - Larks' Tongues In Aspic (1973) | |||||
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| from King Crimson - Usa [live] (1975) | |||||
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| from King Crimson, King Crimson - Night Watch [live] (1998) | |||||
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4:06 |
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from King Crimson, King Crimson - Starless And Bible Black (1974)
I guess I tried to show you how
I'd take the crowd with my guitar And business men would clap their hands And clip another fat cigar And publishers would spread the news And print my music far and wide And all the kids who played the blues Would learn my licks with a bottle neck slide But now it seems the bubble's burst Although you know there was a time When love songs gathered in my head With poetry in every line And strong men strove to hold the doors While with my friends I passed the age When people stomped on dirty floors Before I trod the rock'n'roll stage I'll thank the man who's on the 'phone And if he has the time to spend The problem I'll explain once more And indicate a sum to lend That ten percent is now a joke Maybe thirty, even thirty-five I'll say my daddy's had a stroke He'd have one now, if he only was alive I like the way you look at me You're laughing too down there inside I took my chance and you took yours You crewed my ship, we missed the tide I like the way the music goes There's a few good guys who can play it right I like the way it moves my toes Just say when you want to go and dance all night |
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from King Crimson - Usa [live] (1975)
I guess I tried to show you how
I'd take the crowd with my guitar And business men would clap their hands And clip another fat cigar And publishers would spread the news And print my music far and wide And all the kids who played the blues Would learn my licks with a bottle neck slide But now it seems the bubble's burst Although you know there was a time When love songs gathered in my head With poetry in every line And strong men strove to hold the doors While with my friends I passed the age When people stomped on dirty floors Before I trod the rock'n'roll stage I'll thank the man who's on the 'phone And if he has the time to spend The problem I'll explain once more And indicate a sum to lend That ten percent is now a joke Maybe thirty, even thirty-five I'll say my daddy's had a stroke He'd have one now, if he only was alive I like the way you look at me You're laughing too down there inside I took my chance and you took yours You crewed my ship, we missed the tide I like the way the music goes There's a few good guys who can play it right I like the way it moves my toes Just say when you want to go and dance all night… |
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from King Crimson, King Crimson - Night Watch [live] (1998)
I guess I tried to show you how
I'd take the crowd with my guitar And business men would clap their hands And clip another fat cigar And publishers would spread the news And print my music far and wide And all the kids who played the blues Would learn my licks with a bottle neck slide But now it seems the bubble's burst Although you know there was a time When love songs gathered in my head With poetry in every line And strong men strove to hold the doors While with my friends I passed the age When people stomped on dirty floors Before I trod the rock'n'roll stage I'll thank the man who's on the 'phone And if he has the time to spend The problem I'll explain once more And indicate a sum to lend That ten percent is now a joke Maybe thirty, even thirty-five I'll say my daddy's had a stroke He'd have one now, if he only was alive I like the way you look at me You're laughing too down there inside I took my chance and you took yours You crewed my ship, we missed the tide I like the way the music goes There's a few good guys who can play it right I like the way it moves my toes Just say when you want to go and dance all night... |
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4:46 |
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| from Bill Bruford - Master Strokes 1978-85 (2003) | |||||





