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3:31 | 
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from Platinum Classics (0000)
Some say love, it is a river that drowns the tender reed.
Some say love, it is a razor that leaves your soul to bleed. Some say love, it is a hunger, an endless aching need. I say love, it is a flower, and you it's only seed. It's the heart, afraid of breaking, that never learns to dance. It's the dream, afraid of waking, that never takes a chance. It's the one who won't be taken, who cannot seem to give. And the soul, afraid of dyin', that never learns to live. When the night has been too lonely, and the road has been too long, And you think that love is only for the lucky and the strong, Just remember in the winter far beneath the bitter snows, Lies the seed, that with the sun's love, in the spring becomes The Rose. ................................. 누군가 말했지요. 사랑은 부드러운 갈대밭을 삼켜버리는 강물과 같은것이라고... 사랑은 영혼에 상처를 남기는 면도날과 같은 것이라고 누군가 말했지요 사랑은 끝없이 고통을 낳는 것이라고... 그러나 나는 이렇게 말하겠어요... 사랑은 그대가 씨를 뿌려 거두어낸 한송이 꽃과 같은것이라고... 춤을 배우지 않는것은 이별을 두려워하는 마음이기 때문입니다. 다른 기회를 잡지 않는 것은 깨어나고 싶지 않은 꿈이 있기 때문입니다. 살아가는 방법을 넓히지 않는것은 죽음을 두려워하는 영혼이 있기 때문입니다. 밤이 너무 외롭기만 하고 인생이 험하고 길게만 느껴질때는 사랑만이 당신에게 행운을 안겨주고 용기를 줄것이라고 생각하세요. 그리고는...기억하세요. 추운 겨울 지독한 눈에 덮혀 견디어 낸 한톨의 씨앗은 봄이 되면 따스한 햇살의 사랑을 받아 한송이 장미로 피어난다는 것을... |
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5:32 |
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from Love & Tears (0000)
Maybe you and I see life with two different visions,
and neither one of us is wrong or right. And maybe we're too serious and don't wanna listen. I just wanna make you laugh tonight. We're like day and night, night and day. We are both so different in so many ways. We're like night and day, day and night, and we go together just like black and white. Seems you're always out one door when I'm in the other. It's so hard to find some quiet time. (So hard to find the time) Wish that we could spend our lives alone with each other, and never think about the world outside. We're like day and night, night and day. We are oh, so different in so many ways. We're like night and day, day and night. Still we know it's gonna be all right. And if we never really get the picture right, how many of us ever really win the fight? I never want to loose your love, or let the distance get the best of us, 'cause time is moving fast enough! Maybe we don't always share a common opinion. It's true that you and I don't think alike. But when I look into you eyes and all is forgiven, (all is forgiven) all I wanna do is hold you tight. We're like day and night, night and day. We are both so different in so many ways. We're like night and day, day and night. Still we know it's gonna be all right. We're like night and day, day and night. We go together just like black and white. We're like, we're like, we're like, we're like day and night, night and day, day and night, night and day. We're like, we're like, we're like day and night, night and day. Like black and white. |
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5:20 |
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from Grammy Winning Collection Vol. 3 (0000)
I'm just a woman, a lonely woman
waiting on the weary shore I'm just a woman, who's only human one you should feel sorry for Well I woke up this morning along about dawn Without a warning I found that he was gone Why did he do it? How could he do it? He never done it before Am I blue? Am I blue? Aint these tears in these eyes telling you? Oh, am I blue? Well I bet you would be too if each plan with your man done fell through There was a time I was his only one But now I'm the second lonely one Was I gay? till today? but now that man is gone he's gone, and we are through Am I blue? There was a time I was his only one But now, right now now now I'm the second lonely one Oh god I'm lonely but I remember oh I remember when I was gay that was up until today but now that man is gone he's gone and we are through Oh am I, am I.... Well, would you believe it if I told you... I'm blue |
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4:38 |
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from Grammy Winning Collection Vol. 2 (0000)
From a Distance - Bette Midler
From a distance the world looks blue and green, and the snow-capped mountains white. From a distance the ocean meets the stream, and the eagle takes to flight. From a distance, there is harmony, and it echoes through the land. It's the voice of hope, it's the voice of peace, it's the voice of every man. From a distance we all have enough, and no one is in need. And there are no guns, no bombs, and no disease, no hungry mouths to feed. From a distance we are instruments marching in a common band. Playing songs of hope, playing songs of peace. They're the songs of every man. God is watching us. God is watching us. God is watching us from a distance. From a distance you look like my friend, even though we are at war. From a distance I just cannot comprehend what all this fighting is for. From a distance there is harmony, and it echoes through the land. And it's the hope of hopes, it's the love of loves, it's the heart of every man. It's the hope of hopes, it's the love of loves. This is the song of every man. And God is watching us, God is watching us, God is watching us from a distance. Oh, God is watching us, God is watching. God is watching us from a distance. |
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3:39 |
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from Grammy Winning Collection Vol. 1 (1994)
Some say love, it is a river that drowns the tender reed.
Some say love, it is a razor that leaves your soul to bleed. Some say love, it is a hunger, an endless aching need. I say love, it is a flower, and you it's only seed. It's the heart, afraid of breaking, that never learns to dance. It's the dream, afraid of waking, that never takes a chance. It's the one who won't be taken, who cannot seem to give. And the soul, afraid of dyin', that never learns to live. When the night has been too lonely, and the road has been too long, And you think that love is only for the lucky and the strong, Just remember in the winter far beneath the bitter snows, Lies the seed, that with the sun's love, in the spring becomes The Rose. ................................. 누군가 말했지요. 사랑은 부드러운 갈대밭을 삼켜버리는 강물과 같은것이라고... 사랑은 영혼에 상처를 남기는 면도날과 같은 것이라고 누군가 말했지요 사랑은 끝없이 고통을 낳는 것이라고... 그러나 나는 이렇게 말하겠어요... 사랑은 그대가 씨를 뿌려 거두어낸 한송이 꽃과 같은것이라고... 춤을 배우지 않는것은 이별을 두려워하는 마음이기 때문입니다. 다른 기회를 잡지 않는 것은 깨어나고 싶지 않은 꿈이 있기 때문입니다. 살아가는 방법을 넓히지 않는것은 죽음을 두려워하는 영혼이 있기 때문입니다. 밤이 너무 외롭기만 하고 인생이 험하고 길게만 느껴질때는 사랑만이 당신에게 행운을 안겨주고 용기를 줄것이라고 생각하세요. 그리고는...기억하세요. 추운 겨울 지독한 눈에 덮혀 견디어 낸 한톨의 씨앗은 봄이 되면 따스한 햇살의 사랑을 받아 한송이 장미로 피어난다는 것을... |
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3:14 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
"This next story is a true story. It concerns to of my favorite subjects: industrial theft . . . and-a t-ts! Mmm, what a combo! This is the story . . . The inventor of the modern foundation garment that we women wear today was a German scientist and opera lover by the name of Otto Titsling! This is a true story. His name was Otto Titsling. What happened to Otto Titsling shouldn't happen to a schnauzer. It's a very sad story. I feel i have to share it with you."
Otto Titsling, inventor and crout, had nothing to get very worked up about. His inventions were failures, his future seemed bleak. He fled to the opera at least twice a week. One night at the opera he saw an aida who's t-ts were so big they would often impede her. Bug-eyed he watched her fall into the pit, done in by the weight of those terrible t-ts. Oh, my god! There she blows! Aerodynamically this bitch was a mess. Otto eye-balled the diva lying comatose amongst the reeds, and he suddenly felt the fire or inspiration flood his soul. He knew what he had to do! He ran back to his workshop where he futzed and futzed and futzed. For Otto Titsling had found his quest: to lift and mold the female breast; to point the small ones to the sky; to keep the big ones high and dry! Every night he'd sweat and snort searching for the right support. He tried some string and paper clips. Hey! He even tried his own two lips! Well, he stiched and he slaved and he slaved and he stitched until finally one night, in the wee hours of morning, Otto arose from his workbench triumphant. Yes! He had invented the worlds first over-the-shoulder-boulder-holder. Hooray! Exhausted but ecstatic he ran down the street to the diva's house bearing the prototype in his hot little hand. Now, the diva did not want to try the darn thing on. But, after many initial misgivings, she finally did. And the sigh of relief that issued forth from the diva's mouth was so loud that it was mistaken by some to be the early onset of the Seraken Winds which would often roll through the Schwarzwald with a vengance! Ahhhhh-i! But little did Otto know, at the moment of his greatest triumph, lurking under the diva's bed was none other than the very worst of the french patentees, Phillip DeBrassiere. And Phil was watching the scene with a great deal of interest! Later that night, while our Broom Hilda slept, into the wardrobe Phillip softly crept. He fumbled through knickers and corsets galore, 'til he found Otto's titsling and he ran out the door. Crying, "Oh, my god! What joy! What bliss! I'm gonna make me a million from this! Every woman in the world will wanna buy one. I can have all the goods manufactures in Taiwan." "Oh, thank you!" The result of this swindle is pointedly clear: Do you buy a titsling or do you buy a brassiere? |
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2:06 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
Baby mine, don't you cry.
Baby mine, dry your eyes. Rest your head close to my heart, never to part, baby of mine. Little one, when you play, pay no heed what they say. Let your eyes sparkle and shine, never a tear, baby of mine. If they knew all about you, they'd end up loving you, too. All those same people who scold you, what they'd give just for the right to hold you. From your head down to your toes, you're not much, goodness knows. But, you're so precious to me, sweet as can be, baby of mine. |
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2:28 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
Baby mine, don't you cry.
Baby mine, dry your eyes. Rest your head close to my heart, never to part, baby of mine. Little one, when you play, pay no heed what they say. Let your eyes sparkle and shine, never a tear, baby of mine. If they knew all about you, they'd end up loving you, too. All those same people who scold you, what they'd give just for the right to hold you. From your head down to your toes, you're not much, goodness knows. But, you're so precious to me, sweet as can be, baby of mine. |
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4:39 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
Bette: Everybody wants to find a love,
somebody, somebody who will always care. But we get locked up in our own worlds, with feelings and secrets we're afraid to share. David: But all I have to do is see you smile, or maybe, just maybe if I brush your hand; something happens I cannot explain, and somehow, oh somehow I can understand. David: I, I think you're gonna find . . . Bette: I'm gonna find you. I'm gonna find you . . . Bette&David: I know you by heart. You're so much a part of me. I know you by heart. David: Can't you see? Bette&David: It's no wonder I can love you the way that I do. I can finish any sentence you start. Woah, I know you, I know you by heart. David: I know every time your gonna call, I pick up the phone before it ever rings. Bette: And when you need some lovin', I'll be there beside you, anticipating everything. David: Oh, it's like I always said . . . Bette: You're the one I want. And all I want is you. David:I'm inside your head. Bette&David: I know you by heart. David: You're so much a part of me. B&D: I know you by heart. Bette: Can't you see? Bette&David:It's no wonder I can love you the way that I do. I can finish any sentence you start. Hey, woah, I know you by heart. David: I know you by heart. Bette&David: So much a part of me. It's no wonder I love you the way that I do. I can finish any sentence you start. I know you, I know you by heart. I know you by heart. So much a part of me. I know you by heart. So much a part of me. I know you by heart. So much a part of me. I know you by heart. Yeah, I know you by heart. You're so much a part of me. So much a part of me. I know you by heart. You're so much a part of me ! |
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4:40 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
Bette: Everybody wants to find a love,
somebody, somebody who will always care. But we get locked up in our own worlds, with feelings and secrets we're afraid to share. David: But all I have to do is see you smile, or maybe, just maybe if I brush your hand; something happens I cannot explain, and somehow, oh somehow I can understand. David: I, I think you're gonna find . . . Bette: I'm gonna find you. I'm gonna find you . . . Bette&David: I know you by heart. You're so much a part of me. I know you by heart. David: Can't you see? Bette&David: It's no wonder I can love you the way that I do. I can finish any sentence you start. Woah, I know you, I know you by heart. David: I know every time your gonna call, I pick up the phone before it ever rings. Bette: And when you need some lovin', I'll be there beside you, anticipating everything. David: Oh, it's like I always said . . . Bette: You're the one I want. And all I want is you. David:I'm inside your head. Bette&David: I know you by heart. David: You're so much a part of me. B&D: I know you by heart. Bette: Can't you see? Bette&David:It's no wonder I can love you the way that I do. I can finish any sentence you start. Hey, woah, I know you by heart. David: I know you by heart. Bette&David: So much a part of me. It's no wonder I love you the way that I do. I can finish any sentence you start. I know you, I know you by heart. I know you by heart. So much a part of me. I know you by heart. So much a part of me. I know you by heart. So much a part of me. I know you by heart. Yeah, I know you by heart. You're so much a part of me. So much a part of me. I know you by heart. You're so much a part of me ! |
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3:30 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
Broken windows and empty hallways,
a pale dead moon in a sky streaked with grey. Human kindness is overflowing, and I think it's gonna rain today. Scarecrows dressed in the latest styles, the frozen smiles to chase love away. Human kindness is overflowing, and I think it's gonna rain today. Lonely, lonely. Tin can at my feet, I think I'll kick it down the street. That's the way to treat a friend. Bright before me the signs implore me: Help the needy and show them the way. Human kindness is overflowing, and I think it's gonna rain today. Lonely, so lonely. Tin can at my feet, I think I'll kick it down the street. That's the way to treat a friend. Bright before me the signs implore me: Help the needy and show them the way. Human kindness is overflowing, and I think it's gonna rain today. |
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3:32 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
Broken windows and empty hallways,
a pale dead moon in a sky streaked with grey. Human kindness is overflowing, and I think it's gonna rain today. Scarecrows dressed in the latest styles, the frozen smiles to chase love away. Human kindness is overflowing, and I think it's gonna rain today. Lonely, lonely. Tin can at my feet, I think I'll kick it down the street. That's the way to treat a friend. Bright before me the signs implore me: Help the needy and show them the way. Human kindness is overflowing, and I think it's gonna rain today. Lonely, so lonely. Tin can at my feet, I think I'll kick it down the street. That's the way to treat a friend. Bright before me the signs implore me: Help the needy and show them the way. Human kindness is overflowing, and I think it's gonna rain today. |
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1:29 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
I'm always a flop at a top-notch affair,
but I've still got my health, so what do I care? My best ring, alas, is a glass solitaire, but I still got my health, so what do I care? By fashion and foppery, I'm never discussed. Attending the opry, my box would be a bust. I never shall have that Park Avenue aire, but I'm in such health, why should I care? The hip that I shake doesn't make people stare, but I got such health, what do I care? The sight of my props never stops a thoroughfare, but I still got my health, so what do I care? Your face is your fortune, so some wise men spoke. My face is my fortune, that's why I'm totally broke. My ship ain't come in, but I grin while I bear, 'cause I got my vitamins: A, B, C, D, E, F, G, H I still have my. Got no diamonds, got no wealth. I got no men, but I got my health. |
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1:32 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
I'm always a flop at a top-notch affair,
but I've still got my health, so what do I care? My best ring, alas, is a glass solitaire, but I still got my health, so what do I care? By fashion and foppery, I'm never discussed. Attending the opry, my box would be a bust. I never shall have that Park Avenue aire, but I'm in such health, why should I care? The hip that I shake doesn't make people stare, but I got such health, what do I care? The sight of my props never stops a thoroughfare, but I still got my health, so what do I care? Your face is your fortune, so some wise men spoke. My face is my fortune, that's why I'm totally broke. My ship ain't come in, but I grin while I bear, 'cause I got my vitamins: A, B, C, D, E, F, G, H I still have my. Got no diamonds, got no wealth. I got no men, but I got my health. |
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4:05 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
I am the captain and this is my shrine.
Lord of the manor. See what I leave behind. River in flames, cities on fire. Yes, I'm a relic trapped in the wire. Hydrogen fuel, it burns so clean, throbs in the veins; a mother lovin' machine. She is my wife. Her mechanical heart constantly serving 'til death do us part. Now a glorious war draws to a close. The yellow winds blow. And I have to know. Oh industry, whatever will become of me? Soon the cruel rains will start. Is it true we must part company? Oh industry, whatever will become of me? What have I ever done? Where did I go wrong? Joined at the hip; pain, hunger and I, leave our gift to the world 'neath the phosphorous sky. A labor of love is the truest of all. But will I be forsaken after the fall? Now a glorious war draws to a close. The yellow winds blow. And I have to know. Oh industry, whatever will become of me? Nothing after the flood but the fire and the mud's prophecy. Oh industry, whatever will become of me? Of me? Industry, charity, faith, hope. Industry, charity, faith, hope. Industry, charity, faith, hope. Industry, charity, faith, hope. Industry, charity, faith, hope |
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4:06 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
I am the captain and this is my shrine.
Lord of the manor. See what I leave behind. River in flames, cities on fire. Yes, I'm a relic trapped in the wire. Hydrogen fuel, it burns so clean, throbs in the veins; a mother lovin' machine. She is my wife. Her mechanical heart constantly serving 'til death do us part. Now a glorious war draws to a close. The yellow winds blow. And I have to know. Oh industry, whatever will become of me? Soon the cruel rains will start. Is it true we must part company? Oh industry, whatever will become of me? What have I ever done? Where did I go wrong? Joined at the hip; pain, hunger and I, leave our gift to the world 'neath the phosphorous sky. A labor of love is the truest of all. But will I be forsaken after the fall? Now a glorious war draws to a close. The yellow winds blow. And I have to know. Oh industry, whatever will become of me? Nothing after the flood but the fire and the mud's prophecy. Oh industry, whatever will become of me? Of me? Industry, charity, faith, hope. Industry, charity, faith, hope. Industry, charity, faith, hope. Industry, charity, faith, hope. Industry, charity, faith, hope |
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3:12 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
Otto Titsling, inventor and Kraut,
Had nothing to get very worked up about His inventions were failures, his future seemed bleak He fled to the opera at least twice a week One night at the opera he saw an Aida Whose bust was so big it would often impede her Bug-eyed, he watched her fall into the pit, Done in by the weight of those terrible tits Oh my god! Thar she blows! Aerodynamically this girl was a mess. Otto eye-balled the diva lying comatose amongst the reeds, And he suddenly felt the fire of inspiration Flood his soul. He ran back to his workshop Where he futzed and futzed and futzed For Otto Titsling had found his quest: To lift and mold the female breast To point the small ones to the sky To keep the big ones high and dry Every night he'd sweat and snort Searching for the right support He tried some string and paper clips Hey! He even tried his own two lips! Well, he stitched and he slaved, He slaved and he stitched Until finally one night, in the wee hours of morning, Otto arose from his workbench triumphant Yes! He had invented the world's first Over-the-shoulder-boulder-holder. Hooray! Exhausted but ecstatic, Otto ran Out to the diva bearing the prototype in his hot little hand. Now, the diva did not wanna try the darn thing on. But, after many initial mishaps, She finally did. And the sigh of relief that issued forth From her mouth Was so loud that it was mistaken by some To be the early onset of the Seraken Winds Which would often roll through the Schwarzwald With a vengeance! Ahhhhh! But little did Otto know, At the moment of his greatest triumph, Lurking under the diva's bed Was none other than the very worst Of the French patent thieves, Phillip DeBrassiere. And Phil was watching the scene With a great deal of interest! Later that night, while the Brunhilda slept, Into the wardrobe Phillip softly crept He fumbled through knickers and corsets galore, Till he found Otto's titsling and he ran out the door Crying, "Oh my god! What joy! What bliss! "I'm gonna make me a million from this! "Every woman in the world will wanna buy one. "I will have all the goods manufactured in Taiwan." The result of this swindle is pointedly clear: Do you buy a titsling or do you buy a brassiere? |
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1:58 | 
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| from Beaches (두 연인) by Bette Midler [ost] (1988) | |||||
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1:59 |
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| from Beaches (두 연인) by Bette Midler [ost] (1988) | |||||
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3:14 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
You've got to give a little
Take a little And let your poor heart Break a little That's the story of That's the glory of love... You've got to laugh a little Cry a little Until the clouds Roll by a little That's the story of That's the glory of love... As long as there's the two of us We've got the world and all it's charms And when the world is through with us We've got each other's arms You've got to win a little Lose a little Yes and always Have the blues a little That's the story of That's the glory of love... That's the story of That's the glory of... Love... |
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3:17 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
You've got to give a little
Take a little And let your poor heart Break a little That's the story of That's the glory of love... You've got to laugh a little Cry a little Until the clouds Roll by a little That's the story of That's the glory of love... As long as there's the two of us We've got the world and all it's charms And when the world is through with us We've got each other's arms You've got to win a little Lose a little Yes and always Have the blues a little That's the story of That's the glory of love... That's the story of That's the glory of... Love... |
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4:19 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
Oh when the sun beats down
and burns the tar up on the roof. And your shoes get so hot, you wish your tired feet were fireproof. Under the boardwalk, down by the sea, on a blanket with my baby is where I'll be. From the park you hear happy sounds of the carousel. You can almost taste the hot dogs and french fries they sell. Under the boardwalk, down by the sea, on a blanket with my baby is where I'll be. Under the boardwaok, Out of the sun. Under the boardwalk, We'll be havin' some fun. Under the boardwalk, People walkin' above. Under the boardwalk, We'll be fallin' in love under the boardwalk, boardwalk. Oooh, la la la la la la. Oooh, la la la la la la la la la. Help me somebody, sing some la la's with me. Under the night, under the stars, down by the raging sea. Under the boardwalk, down by the sea, on a blanket with my baby is where I'll be. On a blanket with my baby is where I'll be. Under the boardwalk, Out of the sun. Under the boardwalk, We'll be havin' some fun. Under the boardwalk, People walkin' above. Under the boardwalk, We'll be falling in love. Under the boardwalk, boardwalk. Whew! |
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4:18 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
Oh when the sun beats down
and burns the tar up on the roof. And your shoes get so hot, you wish your tired feet were fireproof. Under the boardwalk, down by the sea, on a blanket with my baby is where I'll be. From the park you hear happy sounds of the carousel. You can almost taste the hot dogs and french fries they sell. Under the boardwalk, down by the sea, on a blanket with my baby is where I'll be. Under the boardwaok, Out of the sun. Under the boardwalk, We'll be havin' some fun. Under the boardwalk, People walkin' above. Under the boardwalk, We'll be fallin' in love under the boardwalk, boardwalk. Oooh, la la la la la la. Oooh, la la la la la la la la la. Help me somebody, sing some la la's with me. Under the night, under the stars, down by the raging sea. Under the boardwalk, down by the sea, on a blanket with my baby is where I'll be. On a blanket with my baby is where I'll be. Under the boardwalk, Out of the sun. Under the boardwalk, We'll be havin' some fun. Under the boardwalk, People walkin' above. Under the boardwalk, We'll be falling in love. Under the boardwalk, boardwalk. Whew! |
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4:53 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
to moonn6pence from shootingstar(papayeverte_
It must have been cold there in my shadow, 내 그늘밑에서 분명 추웠을텐데 to never have sunlight on your face 당신 얼굴엔 단한번도 햇빛을 비추지않고서말이죠 You were content to let me shine, that's your way 당신은 나만 밝게빛나게해주었죠, 그게 당신이죠 You always walked a step behind 당신은 항상 한발자국 뒤에서 걸었어요 So I was the one with all the glory, 그래서 내가 항상 모든 영광을 얻었죠, While you were the one with all the strength 당신이 모든 힘을 내게주는동안에. A beautiful face without a name for so long. 아름다운 얼굴은 이름없이 오랬동안견디었죠 A beautiful smile to hide the pain 아름다운 미소는 고통을 숨겼어요 Did you ever know that you're my hero, 당신이 내 영웅이란걸 알고있었나요, and everything I would like to be? 그리고 당신이 내가 바라는 모든것이라는것을요? I can fly higher than an eagle, 나는 독수리 보다 더 높게 날수있어요 for you are the wind beneath my wings. 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) It might have appeared to go unnoticed, 아무도 알아차리않고서 지나칠수도있었죠 but I've got it all here in my heart. 그렇지만 난 모든걸 가슴에 품고있어요 I want you to know I know the truth, 내가 진실을 알고있단것을 당신께서도 알았으면 좋겠어요 Of course I know it. 난 당연히 알죠 I would be nothing without you. 난 당신없인 아무것도 아니예요 (아무것도 못해요) Did you ever know that you're my hero, 당신이 내 영웅이란걸 알고있었나요, and everything I would like to be? 그리고 당신이 내가 바라는 모든것이라는것을요? I can fly higher than an eagle, 나는 독수리 보다 더 높게 날수있어요 for you are the wind beneath my wings. 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) Did I ever tell you you're my hero? 당신이 내 영웅이란걸 내가 말해준적이 있나요? You're everything, everything I wish I could be. 당신은 모든것이예요, 내가 되고싶은 모든것. (무엇이든지 될수있다면 당신같은사람이 되고싶단 뜻이예요) Oh, and I, I could fly higher than an eagle, 오, 그리고 난, 난 독수리보다 더 높게날수있어요, for you are the wind beneath my wings, 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) 'cause you are the wind beneath my wings 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) Oh, the wind beneath my wings 오, 내 날개 밑에 바람. You, you, you, you are the wind beneath my wings. 당신, 당신, 당신, 당신은 내 날개 밑에 부는 바람. Fly, fly, fly away. You let me fly so high. 날아요, 날아요, 날아올라요, 당신은 날 높이 날수있께 하죠 Oh, you, you, you, the wind beneath my wings. 오 당신은, 당신은, 당신은 내 날개밑에 부는 바람. Oh, you, you, you, the wind beneath my wings. 오 당신은, 당신은, 당신은 내 날개밑에 부는 바람. Fly, fly, fly high against the sky, 날아요, 날아요, 하늘높이 날아올라요 so high I almost touch the sky. 내가 하늘을 만질수있을것만같이 높이 Thank you, thank you, 고마워요, 고마워요, thank God for you, the wind beneath my wings 당신이 있단걸 하나님께 감사해요, 내 날개밑에 부는 바람이여. It must have been cold there in my shadow, To never have sunlight on your face. You were content to let me shine, that's your way. You always walked a step behind. So I was the one with all the glory, While you were the one with all the strain. A beautiful face without a name for so long. A beautiful smile to hide the pain. Did you ever know that you're my hero, And everything I would like to be? I can fly higher than an eagle, For you are the wind beneath my wings. It might have appeared to go unnoticed, But I've got it all here in my heart. I want you to know I know the truth, of course I know it. I would be nothing without you. Did you ever know that you're my hero? You're everything I wish I could be. I could fly higher than an eagle, For you are the wind beneath my wings. Did I ever tell you you're my hero? You're everything, everything I wish I could be. Oh, and I, I could fly higher than an eagle, For you are the wind beneath my wings, 'Cause you are the wind beneath my wings. Oh, the wind beneath my wings. You, you, you, you are the wind beneath my wings. Fly, fly, fly away. You let me fly so high. Oh, you, you, you, the wind beneath my wings. Oh, you, you, you, the wind beneath my wings. Fly, fly, fly high against the sky, So high I almost touch the sky. Thank you, thank you, Thank God for you, the wind beneath my wings. |
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4:54 |
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from Beaches (두 연인) by Bette Midler [ost] (1988)
(papayeverte_
It must have been cold there in my shadow, 내 그늘밑에서 분명 추웠을텐데 to never have sunlight on your face 당신 얼굴엔 단한번도 햇빛을 비추지않고서말이죠 You were content to let me shine, that's your way 당신은 나만 밝게빛나게해주었죠, 그게 당신이죠 You always walked a step behind 당신은 항상 한발자국 뒤에서 걸었어요 So I was the one with all the glory, 그래서 내가 항상 모든 영광을 얻었죠, While you were the one with all the strength 당신이 모든 힘을 내게주는동안에. A beautiful face without a name for so long. 아름다운 얼굴은 이름없이 오랬동안견디었죠 A beautiful smile to hide the pain 아름다운 미소는 고통을 숨겼어요 Did you ever know that you're my hero, 당신이 내 영웅이란걸 알고있었나요, and everything I would like to be? 그리고 당신이 내가 바라는 모든것이라는것을요? I can fly higher than an eagle, 나는 독수리 보다 더 높게 날수있어요 for you are the wind beneath my wings. 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) It might have appeared to go unnoticed, 아무도 알아차리않고서 지나칠수도있었죠 but I've got it all here in my heart. 그렇지만 난 모든걸 가슴에 품고있어요 I want you to know I know the truth, 내가 진실을 알고있단것을 당신께서도 알았으면 좋겠어요 Of course I know it. 난 당연히 알죠 I would be nothing without you. 난 당신없인 아무것도 아니예요 (아무것도 못해요) Did you ever know that you're my hero, 당신이 내 영웅이란걸 알고있었나요, and everything I would like to be? 그리고 당신이 내가 바라는 모든것이라는것을요? I can fly higher than an eagle, 나는 독수리 보다 더 높게 날수있어요 for you are the wind beneath my wings. 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) Did I ever tell you you're my hero? 당신이 내 영웅이란걸 내가 말해준적이 있나요? You're everything, everything I wish I could be. 당신은 모든것이예요, 내가 되고싶은 모든것. (무엇이든지 될수있다면 당신같은사람이 되고싶단 뜻이예요) Oh, and I, I could fly higher than an eagle, 오, 그리고 난, 난 독수리보다 더 높게날수있어요, for you are the wind beneath my wings, 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) 'cause you are the wind beneath my wings 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) Oh, the wind beneath my wings 오, 내 날개 밑에 바람. You, you, you, you are the wind beneath my wings. 당신, 당신, 당신, 당신은 내 날개 밑에 부는 바람. Fly, fly, fly away. You let me fly so high. 날아요, 날아요, 날아올라요, 당신은 날 높이 날수있께 하죠 Oh, you, you, you, the wind beneath my wings. 오 당신은, 당신은, 당신은 내 날개밑에 부는 바람. Oh, you, you, you, the wind beneath my wings. 오 당신은, 당신은, 당신은 내 날개밑에 부는 바람. Fly, fly, fly high against the sky, 날아요, 날아요, 하늘높이 날아올라요 so high I almost touch the sky. 내가 하늘을 만질수있을것만같이 높이 Thank you, thank you, 고마워요, 고마워요, thank God for you, the wind beneath my wings 당신이 있단걸 하나님께 감사해요, 내 날개밑에 부는 바람이여. It must have been cold there in my shadow, To never have sunlight on your face. You were content to let me shine, that's your way. You always walked a step behind. So I was the one with all the glory, While you were the one with all the strain. A beautiful face without a name for so long. A beautiful smile to hide the pain. Did you ever know that you're my hero, And everything I would like to be? I can fly higher than an eagle, For you are the wind beneath my wings. It might have appeared to go unnoticed, But I've got it all here in my heart. I want you to know I know the truth, of course I know it. I would be nothing without you. Did you ever know that you're my hero? You're everything I wish I could be. I could fly higher than an eagle, For you are the wind beneath my wings. Did I ever tell you you're my hero? You're everything, everything I wish I could be. Oh, and I, I could fly higher than an eagle, For you are the wind beneath my wings, 'Cause you are the wind beneath my wings. Oh, the wind beneath my wings. You, you, you, you are the wind beneath my wings. Fly, fly, fly away. You let me fly so high. Oh, you, you, you, the wind beneath my wings. Oh, you, you, you, the wind beneath my wings. Fly, fly, fly high against the sky, So high I almost touch the sky. Thank you, thank you, Thank God for you, the wind beneath my wings. |
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3:27 |
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from Hit Singles (1980-1988) (1988)
Some say love it is a river
that drowns the tender reed Some say love it is a razer that leaves your soul to blead Some say love it is a hunger an endless aching need I say love it is a flower and you it's only seed It's the heart afraid of breaking that never learns to dance It's the dream afraid of wakingthat never takes the chance It's the one who won't be taken who cannot seem to give and the soul afraid of dyingthat never learns to live When the night has been too lonely and the road has been too long and you think that love is only for the lucky and the strong Just remember in the winterfar beneath the bitter snows lies the seed that with the sun's love in the spring becomes the rose |
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4:33 |
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from Bette Midler - Some People's Lives (1990)
All of a sudden all the past was behind me.
All of a sudden nothing stood to remind me. All of a piece I am awake and I can say. All of a sudden I am finding religion. All of a sudden all my sins are forgiven. Now all at once it is down to you and me. I see light over there at the end of the tunnel and I don't mind if it takes a little more time. Come over here, don't take your hand away. Come over here, take my breath away. Now is the time to say what you want to say. (It's not a dream, this is really happening.) All of a sudden, now baby, it's love. All of a little just isn't enough. All of a sudden, now baby, it's real. All of the riddle comes perfectly clear. All in a moment I was brought through the darkness. All in one motion like the sun through the forest. Oh, by the grace I am alive and I will live. All of a sudden I am cleared of confusion. All of my happiness is real, not illusion. So many years I had to seek so I could find. I see light over there at the end of the tunnel and I don't mind if it takes a little more time. Come over here, don't take your hand away. Come over here, take my breath away. Now is the time to say what you want to say. (It's not a dream, this is really happening.) All of a sudden, now baby, it's love. All of a little just isn't enough. All of a sudden, now baby, it's real. All of the riddle comes perfectly clear. Come over here, don't take your hand away. Come over here, and take my breath away. Now is the time to say what you want to say. (It's not a dream, this is really happening.) All of a sudden, now baby, it's love. All of a little just isn't enough. All of a sudden. now baby, it's real. All of the riddle comes perfectly clear. All of a sudden, now baby, it's true. All of a sudden I believe in you. All of a sudden I'm fooling around. All of a sudden I know what I found. I know what I found. I know what I found. I know what I found. |
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4:41 |
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from Bette Midler - Some People's Lives (1990)
From a distance
the world looks blue and green And the snow capped mountains wide From a distance the ocean meets the stream And the eagle takes to flight From a distance there is harmony And it echoes through the land It's the voice of hope its the voice of peace It's the voice of every man From a distance we all have enough And no one is in need And there are no guns no bombs and no disease No hungry mouths to feed From a distance we are instruments Marching in the common band Playing songs of hope playing songs of peace They're the songs of every man God is watching us God is watching us God is watching us from a distance From a distance You look like my friend Even though we are at war from a distance i just can not comprehend what all this fighting is for From a distance there is harmony And it echoes through the land It's the hope of hope its the love of love It's the heart of every man It's the hope of hope its the love of love This is the song of every man and God is watching us God is watching us God is watching us from a distance Oh God is watching us God is watching God is watching us from a distance |
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4:13 |
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| from Bette Midler - Some People's Lives (1990) | |||||
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2:40 |
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from Bette Midler - Some People's Lives (1990)
"Oh, hi! Is Miss Otis in?"
"Miss Otis regrets she's unable to lunch today." Miss Otis regrets she's unable to lunch today, madam. Miss Otis regrets she's unable to lunch today, mmmmmm. And she's sorry to be delayed, but last evening down at lover's lane she strayed, madam. Miss Otis regrets she's unable to lunch today. When she woke up and found that her dream of love was gone, madam, she ran to the man who had lead her so far astray. And from under her velvet gown she drew a gun and shot her lover down, madam. Miss Otis regrets she's unable to lunch today. When the mob cam and got her and dragged her from the jail, madam, they strung her up on the willow across the way. And the moment before she died she lifted up her lovely head and cried, madam. Miss Otis regrets she's unable to lunch. Miss Otis regrets she's unable to lunch today. |
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4:39 |
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from Bette Midler - Some People's Lives (1990)
How 'bout a little bit, a little bit of moonlight dancin'
underneath the starry sky? How 'bout a little bit, a little bit of moonlight dancin'? Just the moon and you and I. Mmm, just the moon and you and I. Moonlight dancin', mmm, moonlight dancin'. How 'bout a little bit, a little bit of late night romance underneath the starry sky? How 'bout a little bit, a little bit of late night romance? Just the moon and you and I. Mmm, just the moon and you and I. Moonlight dancin', mmm, moonlight dancin'. Ohh, nobody's gonna be there. Ohh, so don't you wanna go where we could dance across the sky, leave the world behind us? Nothin' that we couldn't do. Yeah, we could dance across the sky, leave the world behind us. Just the moon and me and you. Mmm, just the moon and me and you. We could hide inside the rhythm 'til the morning finds us. Share a little ecstasy. Yeah, we could hide inside the rhythm 'til the morning finds us. If you come away with me I'll show you how it feels to be moonlight dancin'. Mmm, moonlight dancin'. Oh, we gonna sail on the wind. Oh, so don't you wanna begin? Moonlight dancing, mmm, moonlight dancing. How 'bout a little bit, a little bit? How 'bout a little bit, a little bit of moonlight dancin'? Just the moon and you and I. Moonlight dancin, mmm, moonlight dancing. Ooooh, ahhh . . . |
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5:29 |
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from Bette Midler - Some People's Lives (1990)
Maybe you and I see life with two different visions,
and neither one of us is wrong or right. And maybe we're too serious and don't wanna listen. I just wanna make you laugh tonight. We're like day and night, night and day. We are both so different in so many ways. We're like night and day, day and night, and we go together just like black and white. Seems you're always out one door when I'm in the other. It's so hard to find some quiet time. (So hard to find the time) Wish that we could spend our lives alone with each other, and never think about the world outside. We're like day and night, night and day. We are oh, so different in so many ways. We're like night and day, day and night. Still we know it's gonna be all right. And if we never really get the picture right, how many of us ever really win the fight? I never want to loose your love, or let the distance get the best of us, 'cause time is moving fast enough! Maybe we don't always share a common opinion. It's true that you and I don't think alike. But when I look into you eyes and all is forgiven, (all is forgiven) all I wanna do is hold you tight. We're like day and night, night and day. We are both so different in so many ways. We're like night and day, day and night. Still we know it's gonna be all right. We're like night and day, day and night. We go together just like black and white. We're like, we're like, we're like, we're like day and night, night and day, day and night, night and day. We're like, we're like, we're like day and night, night and day. Like black and white. |
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2:03 |
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from Bette Midler - Some People's Lives (1990)
5, 6, 5, 6, 7, Let's go!
Let's go, go, go! Let's go, let's go, let's really go! One more round, girls. Let the Boy Scouts hear you. One for your mother and two for your teachers and three for the pretty boys in a row. One for the money and two to get ready and three now your ready and four to go. Let's go! Let's go, go! Let's go, let's go, let's really go! Girl to girl, there's nothing like how they understand. Heal the wounds when the boys bite. They're just holding your hand. Can't explain to a man how those girls know. Girls show strength that living can bring. So strong, so long, songs the girls sing. (Four part round) One more round, girls. Let the Boy Scouts hear you. One for your mother and two for your teachers and three for the pretty boys in a row. One for the money and two to get ready and three now you're ready and four to go. Let's go! Do do do do do Do do do do do Do do do do do do do do Do do do do. Do do do do do Do do do do do Do do do do do do do do Do do do do do Do do do do do Do do do do do Do do do do do Do do do do do Do do do do do Do do do do do Let's go! |
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3:29 |
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from Bette Midler - Some People's Lives (1990)
Some people's lives run down like clocks.
One day they stop, and that's all they've got. Some lives wear out like old tennis shoes no one can use. Well, It's sad but it's true. Didn't anybody tell them? Didn't anybody see? Didn't anybody love them like you love me? Some people's lives fade like their dreams, too tired to rise, too tired to sleep. Some people laugh when they need to cry, and they never know why. Didn't anybody tell them that's not how it used to be? Didn't anybody love them like you love me? Some people ask if the tears have to fall. Then why take your chances? Why bother at all? And some people's lives are as cold as their lips. They just need to be kissed. Doesn't anybody tell them? Doesn't anybody see? Doesn't anybody love them like you love me? 'Cause that's all they need. |
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5:30 |
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from Bette Midler - Some People's Lives (1990)
Once I was a sentimental thing;
threw my heart away each spring. Now a spring romance hasn't got a chance. Promised my first dance to winter. All I've got to show's a splinter for my little fling. Spring this year has got me feeling like a horse that never left the post. I lie in my room staring up at the ceiling. Spring can really hang you up the most. Morning's kiss wakes trees and flowers, and to them I'd like to drink a toast. But I walk in the park just to kill the lonely hours. Spring can really hang you up the most. All afternoon the birds twitter-twitt. I know the tune. This is love, this is it. Heard it before and don't I know the score. And I've decided that spring is a bore. Love seems sure around the new year. Now it's April. Love is just a ghost. Spring arrived on time, only what became of you, dear? Spring can really hang you up the most. Spring can really hang you up the most. Love came my way. I thought it would last. We had our day, now it's all in the past. Spring came along, a season of song, full of sweet promise but something went wrong. Doctors once prescribed a tonic. Sulfur and molasses was the dose. Didn't help one bit. My condition must be chronic. Spring can really hang you up the most. All alone, the party is over. Old man winter was a gracious host. But when you keep praying for snow to hide the clover, spring can really hang you up the most. |
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4:02 |
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from Bette Midler - Some People's Lives (1990)
You ask me what I want.
You ask me what I need. It's nothing you can buy. My heart's not ruled by greed. I don't love a diamond. Diamond's you see through. I want you to hold me. I want you to be true. Give me the gift of love. Look me in the eyes. Say I'm the one you're dreamin' of. That'd be the best surprise. Give me the gift of your sweet love in the light of the day, in the dark of night. Like the colors of the sun, the feelings in your heart. It's all I want from you. And when the sky is dark I'll have you beside me. Who could ask for more? I'll just wear a smile when you walk in the door. Give me the gift of love. Look me in the eyes. Say I'm the one you're dreamin' of. That'd be the best surprise. Give me the gift of your sweet love in the light of the day, in the dark of night. Give me the gift of love. Look me in the eyes. Say I'm the one you're dreamin' of. That'd be the best surprise. Give me the gift of your sweet love in the light of the day, in the dark of night. Give me the gift of love. Look me in the eyes. Say I'm the one. That'd be the best surprise. Give me the gift of your sweet love in the light of the day, in the dark of night. Always. Oooooh. |
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4:10 |
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from Bette Midler - Some People's Lives (1990)
I'll bet you think you can just use her the way
you used to do. I've got news for you. Your fuse is out. The girl is on to you. I'll bet you think you can abuse her and say you love her too. I remember pain you put her through. But the girl is on to you. She's grown much wiser than you realize. She will surprise you. No more paying for your lies. And I'll bet you think you can confuse her. But, hey, the loser is you. She sees through your eyes. You'll soon surmise. The girl is on to you. She's grown much wiser than you realize. She will surprise you. No more paying for your lies. Oh, and I'll bet you think you can confuse her, but, hey, the loser is you. She sees through your eyes. You'll soon surmise. The girl is on to you. She sees through your eyes. You'll soon surmise. The girl is on to you. She's on, she's on, she's on. She's on, she's on, she's on. She's on, she's on, she's on. Oooh. The girl is on to you. She's on, she's on, she's on. Now she's gone, she's gone, she's gone. Oooh. I'll bet you think she'll come running back to you, just like she used to do. But the girl is awful strong. That's why the girl is gone, gone, gone, gone, gone, gone, gone, gone, gone. |
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4:17 |
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from THE ALBUM OF LIFE/RAISE THE WORLD (1992)
We had an aprtment in the city
Me and my husband liked living there it's been years since the kids have grown A life of their own left us alone John and Linda live in Omaha Joe is somewhere on the road We lost Davie in the korean War I still don't know what for Don't matter anymore You know that old trees just grwo stronger and old rivers grwo wilder everyday But old people they just grow lonesome Waiting for someone to say hello in there Hello Me and my husband we don't talk much anymore He sits and stares through the backdoor screen And all the news just repeats itself Like some gorgotten dream that we've both seen Someday I'll go and call up Judy We worked together at the factory Ah, but what would I say When she asks what's new Say "Nothing what 's with you?" Nothing much to do You know that old trees just grow stronger And old rivers grow wilder everyday But old people they just grow lonesome Waiting for someone to say hello in there Hello So if you're walking down the street sometime And you should spot some hollow ancient eye Don't you pass htem by and stare As if you didn't care say "Hello in there!" Hello |
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2:16 |
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from Bette Midler - Experience The Divine (1993)
He was a famous trumpet man from out Chicago way.
He had a boogie style that no one else could play. He was the top man at his craft, but then his number came up and he was gone with the draft. He's in the army now. He's blowin' reveille. He's the boogie woogie bugle boy of company B. They made him blow a bugle for his Uncle Sam. It really brought him down because he could not jam. The captain seemed to understand, because the next day the cap' went out and drafted the band. And now the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. A root, a toot, a toodlie-a-da-toot. He blows it eight to the bar in boogie rhythm. He can't blow a note unless a bass and guitar is playin' with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. He was some boogie woogie bugle boy of company B. And when he played his boogie woogie bugle he was busy as a busy bee. And when he played he made the company jump eight to the bar. He's the boogie woogie bugle boy of company B. Andata toodliata-toodliata toot toot he blows it eight to the bar. He can't blow a note if a bass and guitar isn't with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. He puts the boys to sleep with boogie every night, and wakes 'em up the same way in the early bright. They clap their hands and stamp their feet, 'cause they know how it goes when someone gives him a beat. Woah, woah, he wakes 'em up when he plays reveille. The boogie woogie bugle boy of company B. A root, a toot, a toodli-a-da to toot toot toot he's blowin' eight to the bar. Yeah, he can't blow a note if a bass and guitar isn't, woah, with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. |
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2:19 |
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from Bette Midler - Experience The Divine (1993)
He was a famous trumpet man from out Chicago way.
He had a boogie style that no one else could play. He was the top man at his craft, but then his number came up and he was gone with the draft. He's in the army now. He's blowin' reveille. He's the boogie woogie bugle boy of company B. They made him blow a bugle for his Uncle Sam. It really brought him down because he could not jam. The captain seemed to understand, because the next day the cap' went out and drafted the band. And now the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. A root, a toot, a toodlie-a-da-toot. He blows it eight to the bar in boogie rhythm. He can't blow a note unless a bass and guitar is playin' with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. He was some boogie woogie bugle boy of company B. And when he played his boogie woogie bugle he was busy as a busy bee. And when he played he made the company jump eight to the bar. He's the boogie woogie bugle boy of company B. Andata toodliata-toodliata toot toot he blows it eight to the bar. He can't blow a note if a bass and guitar isn't with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. He puts the boys to sleep with boogie every night, and wakes 'em up the same way in the early bright. They clap their hands and stamp their feet, 'cause they know how it goes when someone gives him a beat. Woah, woah, he wakes 'em up when he plays reveille. The boogie woogie bugle boy of company B. A root, a toot, a toodli-a-da to toot toot toot he's blowin' eight to the bar. Yeah, he can't blow a note if a bass and guitar isn't, woah, with him. And the company jumps when he plays reveille. He's the boogie woogie bugle boy of company B. |
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2:53 |
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from Bette Midler - Experience The Divine (1993)
Spring is here and the sky is so very blue.
Whoa-o-o-o, birds all sing as if they knew, today's the day we'll say, "I do," and we'll never be lonely anymore. Because we're goin' to the chapel and we're gonna get married, goin' to the chapel and we're gonna get married, gee, I really love you and we're gonna get married, goin' to the chapel of love. Bells will ring and the sun is gonna shine. Yeah, yeah, yeah, I'm gonna be his, he's gonna be mine. We're gonna love until the end of time, and we'll never be lonely anymore. Because we're goin' to the chapel and we're gonna get married, goin' to the chapel and we're gonna get married, gee, I really love you and we're gonna get married, goin' to the chapel of love. One more time around, oh. Goin' to the chapel and we're, oh, gonna get married, goin', goin' to the chapel, baby; we're gonna get married, married, oh, gee, I really love you, c'mon baby, we're gonna get married, married, goin' to the chapel of love. Oooh, a one more time, we're goin' to the chapel of love. C'mon, c'mon and let me hear it, goin' to the chapel of love, love, love. shooby doo-whop, wa da Bette: "That is the pits ending to a really terrific song!" Man: "That is the worst ending I've ever heard!" |
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2:54 |
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from Bette Midler - Experience The Divine (1993)
Spring is here and the sky is so very blue.
Whoa-o-o-o, birds all sing as if they knew, today's the day we'll say, "I do," and we'll never be lonely anymore. Because we're goin' to the chapel and we're gonna get married, goin' to the chapel and we're gonna get married, gee, I really love you and we're gonna get married, goin' to the chapel of love. Bells will ring and the sun is gonna shine. Yeah, yeah, yeah, I'm gonna be his, he's gonna be mine. We're gonna love until the end of time, and we'll never be lonely anymore. Because we're goin' to the chapel and we're gonna get married, goin' to the chapel and we're gonna get married, gee, I really love you and we're gonna get married, goin' to the chapel of love. One more time around, oh. Goin' to the chapel and we're, oh, gonna get married, goin', goin' to the chapel, baby; we're gonna get married, married, oh, gee, I really love you, c'mon baby, we're gonna get married, married, goin' to the chapel of love. Oooh, a one more time, we're goin' to the chapel of love. C'mon, c'mon and let me hear it, goin' to the chapel of love, love, love. shooby doo-whop, wa da Bette: "That is the pits ending to a really terrific song!" Man: "That is the worst ending I've ever heard!" |
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2:44 |
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from Bette Midler - Experience The Divine (1993)
Do you wanna dance, and hold my hand?
Tell me you're my lover man. Oh baby, do you wanna dance? We could dance under the moonlight, hug and kiss all through the night. Oh baby, tell me, do you wanna dance with me baby? Do you, do you, do you, do you want to dance? Do you, do you, do you want to dance? Do you, do you, do you, do you want to dance with me baby? Ah, that's right, ah, ah, aaaaaaaah. Do you want to dance under the moonlight? Hug me, kiss me, baby, all through the night. Oh baby, baby, baby, baby, baby, baby, tell me, do you want to dance? Oh, do you, do you, do you, do you want to dance? Do you want to dance? Do you, do you, do you, do you want to dance with me baby? You got to dance with me baby. Please dance with me baby additional lyrics from the quadrophonic version Tonight you, you got to dance with me baby. Please, please, please dance with me baby. Please, please, please, please dance with me baby. Please, you got to |
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2:44 |
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from Bette Midler - Experience The Divine (1993)
Do you wanna dance, and hold my hand?
Tell me you're my lover man. Oh baby, do you wanna dance? We could dance under the moonlight, hug and kiss all through the night. Oh baby, tell me, do you wanna dance with me baby? Do you, do you, do you, do you want to dance? Do you, do you, do you want to dance? Do you, do you, do you, do you want to dance with me baby? Ah, that's right, ah, ah, aaaaaaaah. Do you want to dance under the moonlight? Hug me, kiss me, baby, all through the night. Oh baby, baby, baby, baby, baby, baby, tell me, do you want to dance? Oh, do you, do you, do you, do you want to dance? Do you want to dance? Do you, do you, do you, do you want to dance with me baby? You got to dance with me baby. Please dance with me baby |
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2:56 |
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from Bette Midler - Experience The Divine (1993)
And I am all alone.
There is no one here beside me. And my problems have all gone. There is no one to deride me. But you got to have friends. The feeling's oh so strong. You got to have friends to make that day last long. I had some firends but they're gone, somethin' came and took them away. And from the dusk 'til the dawn here is where I'll stay. Standing at the end of the road, boys, waiting for my new friends to come. I don't care if I'm hungry or poor, I'm gonna get me some of them. 'Cause you got to have friends. Da, da, da, da, da, da, da, da, da, friends. That's right you, oh you, yeah you, I said you gotta have some friends, I'm talkin' about friends, that's right, friends. Friends, friends, friends. I had some firends, oh, but they're all gone, gone, someone came and snatched them away. And from the dusk until the very dawn, you know, here is where I gotta stay, here is where I gotta stay. And I'm standing at the end of a real long road and I'm waiting for my new friends to come. I don't care if I'm hungry or freezin' cold, I'm gonna get me some of them. 'Cause you gotta have friends, that's right, friends, friends. I gotta me my, I gotta me my, I gotta me my, look around and see all of my friends. Oh, friends, that's right, friends, friends, friends, friends, friends, friends, oh, friends, you gotta have friends . . . |
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2:55 |
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from Bette Midler - Experience The Divine (1993)
And I am all alone.
There is no one here beside me. And my problems have all gone. There is no one to deride me. But you got to have friends. The feeling's oh so strong. You got to have friends to make that day last long. I had some firends but they're gone, somethin' came and took them away. And from the dusk 'til the dawn here is where I'll stay. Standing at the end of the road, boys, waiting for my new friends to come. I don't care if I'm hungry or poor, I'm gonna get me some of them. 'Cause you got to have friends. Da, da, da, da, da, da, da, da, da, friends. That's right you, oh you, yeah you, I said you gotta have some friends, I'm talkin' about friends, that's right, friends. Friends, friends, friends. I had some firends, oh, but they're all gone, gone, someone came and snatched them away. And from the dusk until the very dawn, you know, here is where I gotta stay, here is where I gotta stay. And I'm standing at the end of a real long road and I'm waiting for my new friends to come. I don't care if I'm hungry or freezin' cold, I'm gonna get me some of them. 'Cause you gotta have friends, that's right, friends, friends. I gotta me my, I gotta me my, I gotta me my, look around and see all of my friends. Oh, friends, that's right, friends, friends, friends, friends, friends, friends, oh, friends, you gotta have friends |
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4:37 |
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from Bette Midler - Experience The Divine (1993)
From a distance the world looks blue and green
And the snow capped mountains, wide From a distance the ocean meets the stream And the eagle takes to flight From a distance, there is harmony And it echoes through the land It's the voice of hope, its the voice of peace It's the voice of every man From a distance, we all have enough And no one is in need And there are no guns, no bombs, and no disease No hungry mouths to feed From a distance we are instruments Marching in the common band Playing songs of hope, playing songs of peace They're the songs of every man God is watching us...God is watching us... God is watching us...from a distance From a distance there is harmony And it echoes through the land And its the hope of hopes, its the love of loves Its the heart of every man Its the hope of hopes, its the love of loves This is the song of every man And God is watching us...God is watching us God is watching us, from a distance Oh God is watching us...God is watching us God is watching us...from a distance... |
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4:41 |
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from Bette Midler - Experience The Divine (1993)
From a distance the world looks blue and green,
and the snow-capped mountains white. From a distance the ocean meets the stream, and the eagle takes to flight. From a distance, there is harmony, and it echoes through the land. It's the voice of hope, it's the voice of peace, it's the voice of every man. From a distance we all have enough, and no one is in need. And there are no guns, no bombs, and no disease, no hungry mouths to feed. From a distance we are instruments marching in a common band. Playing songs of hope, playing songs of peace. They're the songs of every man. God is watching us. God is watching us. God is watching us from a distance. From a distance you look like my friend, even though we are at war. From a distance I just cannot comprehend what all this fighting is for. From a distance there is harmony, and it echoes through the land. And it's the hope of hopes, it's the love of loves, it's the heart of every man. It's the hope of hopes, it's the love of loves. This is the song of every man. And God is watching us, God is watching us, God is watching us from a distance. Oh, God is watching us, God is watching. God is watching us from a distance. |
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4:16 |
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from Bette Midler - Experience The Divine (1993)
We had an apartment in the city.
Me and my husband liked living there. It's been years since the kids have grown, a life of their own, left us alone. John and Linda live in Omaha. Joe is somewhere on the road. We lost Davy in the Korean war. I still don't know what for, don't matter any more. You know that old trees just grow stronger, and old rivers grow wilder every day, but old people, they just grow lonesome waiting for someone to say, "Hello in there. Hello" Me and my husband, we don't talk much anymore. He sits and stares through the backdoor screen. And all the news just repeats itself like some forgotten dream that we've both seen. Someday I'll go and call up Judy. We worked together at the factory. Ah, but what would I say when she asks what's new? Say, "Nothing, what's with you? Nothing much to do." You know that old trees just grow stronger, and old rivers grow wilder every day, ah, but old people, they just grow lonesome waiting for someone to say, "Hello in There. Hello." So if you're walking down the street sometime and you should spot some hollow ancient eyes, don't you pass them by and stare as if you didn't care. Say, "Hello in there. Hello." |
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4:18 |
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from Bette Midler - Experience The Divine (1993)
We had an aprtment in the city
Me and my husband liked living there it's been years since the kids have grown A life of their own left us alone John and Linda live in Omaha Joe is somewhere on the road We lost Davie in the korean War I still don't know what for Don't matter anymore You know that old trees just grwo stronger and old rivers grwo wilder everyday But old people they just grow lonesome Waiting for someone to say hello in there Hello Me and my husband we don't talk much anymore He sits and stares through the backdoor screen And all the news just repeats itself Like some gorgotten dream that we've both seen Someday I'll go and call up Judy We worked together at the factory Ah, but what would I say When she asks what's new Say "Nothing what 's with you?" Nothing much to do You know that old trees just grow stronger And old rivers grow wilder everyday But old people they just grow lonesome Waiting for someone to say hello in there Hello So if you're walking down the street sometime And you should spot some hollow ancient eye Don't you pass htem by and stare As if you didn't care say "Hello in there!" Hello |
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3:13 |
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from Bette Midler - Experience The Divine (1993)
There are places I remember
all my life, though some have changed. Some forever, not for better. And some have gone, and some remain. All these places have their moments with lovers and friends I still can't recall. Some are dead and some are living. In my life I love them all. But of all these friends and lovers, there is no one compares with you. And these memories lose their meaning when I think of love as something new. Though I know I'll never ever lose affection for people and things that went before, I know I'll often stop and think about them. In my life I love you more. Though I know I'll never ever lose affection for people and things that went before, I know I'll often stop and think of them. But in my life I loved you more. I love you more. I love you more. |
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3:12 |
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from Bette Midler - Experience The Divine (1993)
There are places I'll remember
All my life though some have changed Some forever not for better Some have gone and some remain All these places have their moments With lovers and friends I still can recall Some are dead and some are living In my life I've loved them all But of all these friends and lovers There is no one compares with you And these memories lose their meaning When I think of love as something new Though I know I'll never lose affection For people and things that went before I know I'll often stop and think about them In my life I love you more Though I know I'll never lose affection For people and things that went before I know I'll often stop and think about them In my life I love you more In my life I love you more |
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2:37 |
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from Bette Midler - Experience The Divine (1993)
"Oh, hi! Is Miss Otis in?"
"Miss Otis regrets she's unable to lunch today." Miss Otis regrets she's unable to lunch today, madam. Miss Otis regrets she's unable to lunch today, mmmmmm. And she's sorry to be delayed, but last evening down at lover's lane she strayed, madam. Miss Otis regrets she's unable to lunch today. When she woke up and found that her dream of love was gone, madam, she ran to the man who had lead her so far astray. And from under her velvet gown she drew a gun and shot her lover down, madam. Miss Otis regrets she's unable to lunch today. When the mob cam and got her and dragged her from the jail, madam, they strung her up on the willow across the way. And the moment before she died she lifted up her lovely head and cried, madam. Miss Otis regrets she's unable to lunch. Miss Otis regrets she's unable to lunch today. |
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2:40 |
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from Bette Midler - Experience The Divine (1993)
"Oh, hi! Is Miss Otis in?"
"Miss Otis regrets she's unable to lunch today." Miss Otis regrets she's unable to lunch today, madam. Miss Otis regrets she's unable to lunch today, mmmmmm. And she's sorry to be delayed, but last evening down at lover's lane she strayed, madam. Miss Otis regrets she's unable to lunch today. When she woke up and found that her dream of love was gone, madam, she ran to the man who had lead her so far astray. And from under her velvet gown she drew a gun and shot her lover down, madam. Miss Otis regrets she's unable to lunch today. When the mob cam and got her and dragged her from the jail, madam, they strung her up on the willow across the way. And the moment before she died she lifted up her lovely head and cried, madam. Miss Otis regrets she's unable to lunch. Miss Otis regrets she's unable to lunch today. |
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4:05 |
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from Bette Midler - Experience The Divine (1993)
Bette: "Well, you know, when they asked me to come on and . . .
I can't believe it! The last, the last guest. The last fool Mr. Carson will have to suffer gladly. You are the wind beneath my wings. Oh, well he is." Quarter to three. There's no one in the place except you and me. So set 'em up, Joe. Got a little story I think you should know. We're drinkin', my friend, to the end of a sweet episode. Make it one for my baby and one more for the road. Got the routine. So drop another nickel in the machine. Oh, gee, I'm feelin' so bad. Wish you'd make the music so dreamy and sad. You could tell me a lot. But it's not in a gentleman's code. Let's make it one for my baby and one more for the road. You may not know it, but buddy you're a kind of poet. And you've had a lot of things to say. And when I'm gloomy you always listen to me, until it's talked away. Well, that's how it goes. And John I know you're getting anxious to close. So, thanks for the cheer. I hope you didn't mind me bending your ear. For all of the years, for the laughs, for the tears, for the class that you showed, make it one for my baby and one more for the road. That long long road. Johhny: "Thank you, Bette. Ah." |
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4:06 |
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from Bette Midler - Experience The Divine (1993)
Johnny: "Okay. And once again, here's Bette Midler."
Bette: "Well, you know, when they asked me to come on and . . . I can't believe it! The last, the last guest. The last fool Mr. Carson will have to suffer gladly. You are the wind beneath my wings. Oh, well he is." Quarter to three. There's no one in the place except you and me. So set 'em up, Joe. Got a little story I think you should know. We're drinkin', my friend, to the end of a sweet episode. Make it one for my baby and one more for the road. Got the routine. So drop another nickel in the machine. Oh, gee, I'm feelin' so bad. Wish you'd make the music so dreamy and sad. You could tell me a lot. But it's not in a gentleman's code. Let's make it one for my baby and one more for the road. You may not know it, but buddy you're a kind of poet. And you've had a lot of things to say. And when I'm gloomy you always listen to me, until it's talked away. Well, that's how it goes. And John I know you're getting anxious to close. So, thanks for the cheer. I hope you didn't mind me bending your ear. For all of the years, for the laughs, for the tears, for the class that you showed, make it one for my baby and one more for the road. That long long road. Johhny: "Thank you, Bette. Ah." Baby It's Cold Outside Baby, It's Cold Outside A song Duet with James Caan Bette: I really can't stay James: But baby, it's cold outside. Bette: I got to go 'way. James: But baby, it's cold outside. Bette: This evening has been James: Been hopin' that you'd drop in. Bette: so very nice. James: I'll hold your hands, they're just like ice. Bette: My mother will start to worry. James: Beautiful, what's your hurry? Bette: My father will be pacing the floor. James: Listen to that fireplace roar. Bette: So really I'd better scurry. James: Beautiful, please don't hurry. Bette: Well, maybe just a half a drink more. James: Put some records on while I pour. Bette: You know the neighbors might think. James: But baby, it's bad out there. Bette: Er, what's in this drink? James: No cabs to be had out there. Bette: I wish I knew how James: Your eyes are like starlight now. Bette: to break this spell. James: I'll take your hat, your hair looks swell. Bette: I ought to say no, no, no sir. James: Mind if I move in closer? Bette: At least I'm gonna say that I tried. James: What's the sense in hurtin' my pride? Bette: I reall can't stay, James: Baby, don't hold out. Bette: ah, but it's cold outside. James: Baby, it's cold outside. Bette: Ah, but it's cold outside. James and Bette: Baby, it's cold outside. |
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3:56 |
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from Bette Midler - Experience The Divine (1993)
Walking along the beach last night
who do you think I spy? A girl with ebony fire eyes. Soft and low do she cry. Now what could be such a source of pain? I so boldly inquire. Pointing finger Havana way, these three words which transpire: She told me that only in Miami is Cuba so far away. Only in Miami. My story, she goes this way. Fish may fly through the purple keys, golden birds take to air. I am bound to the earth, it seems. My life can be so unfair. Only in Miami is Cuba so far away. Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. And she cries for her child without a mother. And she cries for her son without a father. And she cries for herself without a lover. Can't face another day. Chase the blues away. I thought I heard her mumble as she turned away: Only in Miami is Cuba so far away. Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. Only in Miami is Cuba so far away. Only in Miami is Cuba so, Only in Miami is Cuba so, Only in Miami Ba Cuba so, Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away . . . |
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3:57 |
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from Bette Midler - Experience The Divine (1993)
Walking along the beach last night
who do you think I spy? A girl with ebony fire eyes. Soft and low do she cry. Now what could be such a source of pain? I so boldly inquire. Pointing finger Havana way, these three words which transpire: She told me that only in Miami is Cuba so far away. Only in Miami. My story, she goes this way. Fish may fly through the purple keys, golden birds take to air. I am bound to the earth, it seems. My life can be so unfair. Only in Miami is Cuba so far away. Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. And she cries for her child without a mother. And she cries for her son without a father. And she cries for herself without a lover. Can't face another day. Chase the blues away. I thought I heard her mumble as she turned away: Only in Miami is Cuba so far away. Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. Only in Miami is Cuba so far away. Only in Miami is Cuba so, Only in Miami is Cuba so, Only in Miami Ba Cuba so, Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say: Only in Miami is Cuba so far away. Standing on the shoreline waiting, everyone anticipating. I can hear the broken hearted say Only in Miami is Cuba so far away |
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from Bette Midler - Experience The Divine (1993)
Well I'm leaving my family
I'm leaving all my friends My body's at home But my heart's in the wind And the clouds are like headlines Upon a new front page sky My tears are salt water The moon's full and high And I know Joe Conrad would be proud of me Many before me been called by the sea To be up in the crow's nest singing my saying Shiver me timbers let's all sail away And the fog lifting The sand shifting I'm drifting on out Old Captain Ahab got nothing on me Swallow me, don't follow me I'm traveling alone The water's my daughter I skip like a stone And the fog lifting The sand shifting I'm drifting on out Old Captain Ahab got nothing on me Swallow me, don't follow me I'm traveling alone The water's my daughter I skip like a stone Won't you please call my family Tell them not to cry My goodbyes are written By the moon in the sky Say nobody knows me I've got no reason to stay Shiver me timbers I'm sailing away La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, laaaa |
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from Bette Midler - Experience The Divine (1993)
We'll, I'm leaving my family
I'm leaving all my freinds My body's at home, but my heart's in the wind And the clouds are like headlines Upon a new frontpage sky My tears are saltwater, the moon's full and high And I know Joe Comrad Would be proud of me Many before me 'been called by the say: 'To be up in the crow's nest, Singing my sayin': Shiver me timbers, let's all sail away' And the fog's lifting, the sand's shifting I'm drifting on out Old captain Ahab's got nothing on me Swallow me, don't follow me I'm travelling alone The water's my daughter I'll skip like a stone And the fog's lifting, the sand's shifting I'm drifting on out Old captain Ahab's got nothing on me Swallow me, don't follow me I'm travelling alone The water, she is my daughter I'll skip like a stone Won't you please call my family? Tell 'em not to cry My goodbyes are written by the moon in the sky Say, nobody knows me I got no reason to stay.. Shiver me timbers.1 I'm sailing.. Away |
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from Bette Midler - Experience The Divine (1993)
Some say love it is a river
that drowns the tender reed Some say love it is a razor that leaves your soul to bleed Some say love it is a hunger and an endless aching need I say love it is a flower and you it's only seed It's the heart afraid of breaking that never learns to dance It's the dream afraid of waking that never takes the chance It's the one who won't be taken who cannot seem to give And the soul afraid of dying that never learns to live When the night has been too lonely and the road has been too long And you think that love is only for the lucky and the strong Just remember in the winter far beneath the bitter snows Lies the seed that with the sun's love in the spring Becomes the rose |
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from Bette Midler - Experience The Divine (1993)
Some say love it is a river
that drowns the tender reed Some say love it is a razer that leaves your soul to blead Some say love it is a hunger an endless aching need I say love it is a flower and you it's only seed It's the heart afraid of breaking that never learns to dance It's the dream afraid of wakingthat never takes the chance It's the one who won't be taken who cannot seem to give and the soul afraid of dyingthat never learns to live When the night has been too lonely and the road has been too long and you think that love is only for the lucky and the strong Just remember in the winterfar beneath the bitter snows lies the seed that with the sun's love in the spring becomes the rose |
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from Bette Midler - Experience The Divine (1993)
"When he held me in his arms,
when he held me in his arms and said, "Baby, baby, baby, you are the only one for me." When a man loves a woman, can't keep his mind on nothing else. He'll trade the world for the good thing he found. Yeah, if she's bad, he can't see it. She can do no wrong. Turn his back on his best friend if he put her down. When a man loves a woman, spend his very last dime tryin' to hold on to what he needs. He'll give up all his comforts, go out and sleep out in the rain, if she says, "Baby, that is how it's gonna be." When a man loves a woman, gives her everything that he has, tryin' to hold on to her precious love, cryin, "Baby, baby please don't treat me bad." When a man loves a woman down deep in his soul, she can bring him such misery. Yeah, she's bad, but, oooh, he's the last one to know. Lovin' eyes don't ever see. So, this man says he loves me, he loves me. He gives me everything, everything, everything that he has, tryin' to hold on to my precious love, cryin', "Baby, baby, baby, don't you, don't you treat me, treat me bad." Ohhhh . . . yeah. When a man loves a woman he can do her no wrong. He could never hold another girl. Oh, you tell me you love me, baby, and gonna hold me tight. Baby, baby, this is a man's world. No, no. Oh, baby, a change is gonna come down in this man's world. |
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from Bette Midler - Experience The Divine (1993)
"When he held me in his arms,
when he held me in his arms and said, "Baby, baby, baby, you are the only one for me." When a man loves a woman, can't keep his mind on nothing else. He'll trade the world for the good thing he found. Yeah, if she's bad, he can't see it. She can do no wrong. Turn his back on his best friend if he put her down. When a man loves a woman, spend his very last dime tryin' to hold on to what he needs. He'll give up all his comforts, go out and sleep out in the rain, if she says, "Baby, that is how it's gonna be." When a man loves a woman, gives her everything that he has, tryin' to hold on to her precious love, cryin, "Baby, baby please don't treat me bad." When a man loves a woman down deep in his soul, she can bring him such misery. Yeah, she's bad, but, oooh, he's the last one to know. Lovin' eyes don't ever see. So, this man says he loves me, he loves me. He gives me everything, everything, everything that he has, tryin' to hold on to my precious love, cryin', "Baby, baby, baby, don't you, don't you treat me, treat me bad." Ohhhh . . . yeah. When a man loves a woman he can do her no wrong. He could never hold another girl. Oh, you tell me you love me, baby, and gonna hold me tight. Baby, baby, this is a man's world. No, no. Oh, baby, a change is gonna come down in this man's world. |
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from Bette Midler - Experience The Divine (1993)
Ohhhh, oh, oh, oh, ohhh.
It must have been cold there in my shadow, to never have sunlight on your face. You were content to let me shine, that's your way. You always walked a step behind. So I was the one with all the glory, while you were the one with all the strain. A beautiful face without a name for so long. A beautiful smile to hide the pain. Did you ever know that you're my hero, and everything I would like to be? I can fly higher than an eagle, for you are the wind beneath my wings. It might have appeared to go unnoticed, but I've got it all here in my heart. I want you to know I know the truth, of course I know it. I would be nothing without you. Did you ever know that you're my hero? You're everything I wish I could be. I could fly higher than an eagle, for you are the wind beneath my wings. Did I ever tell you you're my hero? You're everything, everything I wish I could be. Oh, and I, I could fly higher than an eagle, for you are the wind beneath my wings, 'cause you are the wind beneath my wings. Oh, the wind beneath my wings. You, you, you, you are the wind beneath my wings. Fly, fly, fly away. You let me fly so high. Oh, you, you, you, the wind beneath my wings. Oh, you, you, you, the wind beneath my wings. Fly, fly, fly high against the sky, so high I almost touch the sky. Thank you, thank you, thank God for you, the wind beneath my wings |
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from Bette Midler - Experience The Divine (1993)
(papayeverte_
It must have been cold there in my shadow, 내 그늘밑에서 분명 추웠을텐데 to never have sunlight on your face 당신 얼굴엔 단한번도 햇빛을 비추지않고서말이죠 You were content to let me shine, that's your way 당신은 나만 밝게빛나게해주었죠, 그게 당신이죠 You always walked a step behind 당신은 항상 한발자국 뒤에서 걸었어요 So I was the one with all the glory, 그래서 내가 항상 모든 영광을 얻었죠, While you were the one with all the strength 당신이 모든 힘을 내게주는동안에. A beautiful face without a name for so long. 아름다운 얼굴은 이름없이 오랬동안견디었죠 A beautiful smile to hide the pain 아름다운 미소는 고통을 숨겼어요 Did you ever know that you're my hero, 당신이 내 영웅이란걸 알고있었나요, and everything I would like to be? 그리고 당신이 내가 바라는 모든것이라는것을요? I can fly higher than an eagle, 나는 독수리 보다 더 높게 날수있어요 for you are the wind beneath my wings. 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) It might have appeared to go unnoticed, 아무도 알아차리않고서 지나칠수도있었죠 but I've got it all here in my heart. 그렇지만 난 모든걸 가슴에 품고있어요 I want you to know I know the truth, 내가 진실을 알고있단것을 당신께서도 알았으면 좋겠어요 Of course I know it. 난 당연히 알죠 I would be nothing without you. 난 당신없인 아무것도 아니예요 (아무것도 못해요) Did you ever know that you're my hero, 당신이 내 영웅이란걸 알고있었나요, and everything I would like to be? 그리고 당신이 내가 바라는 모든것이라는것을요? I can fly higher than an eagle, 나는 독수리 보다 더 높게 날수있어요 for you are the wind beneath my wings. 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) Did I ever tell you you're my hero? 당신이 내 영웅이란걸 내가 말해준적이 있나요? You're everything, everything I wish I could be. 당신은 모든것이예요, 내가 되고싶은 모든것. (무엇이든지 될수있다면 당신같은사람이 되고싶단 뜻이예요) Oh, and I, I could fly higher than an eagle, 오, 그리고 난, 난 독수리보다 더 높게날수있어요, for you are the wind beneath my wings, 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) 'cause you are the wind beneath my wings 당신이 내 날개밑에 부는 바람이기에 (당신이 내밑에서 날 지탱해주기때문에) Oh, the wind beneath my wings 오, 내 날개 밑에 바람. You, you, you, you are the wind beneath my wings. 당신, 당신, 당신, 당신은 내 날개 밑에 부는 바람. Fly, fly, fly away. You let me fly so high. 날아요, 날아요, 날아올라요, 당신은 날 높이 날수있께 하죠 Oh, you, you, you, the wind beneath my wings. 오 당신은, 당신은, 당신은 내 날개밑에 부는 바람. Oh, you, you, you, the wind beneath my wings. 오 당신은, 당신은, 당신은 내 날개밑에 부는 바람. Fly, fly, fly high against the sky, 날아요, 날아요, 하늘높이 날아올라요 so high I almost touch the sky. 내가 하늘을 만질수있을것만같이 높이 Thank you, thank you, 고마워요, 고마워요, thank God for you, the wind beneath my wings 당신이 있단걸 하나님께 감사해요, 내 날개밑에 부는 바람이여. It must have been cold there in my shadow, To never have sunlight on your face. You were content to let me shine, that's your way. You always walked a step behind. So I was the one with all the glory, While you were the one with all the strain. A beautiful face without a name for so long. A beautiful smile to hide the pain. Did you ever know that you're my hero, And everything I would like to be? I can fly higher than an eagle, For you are the wind beneath my wings. It might have appeared to go unnoticed, But I've got it all here in my heart. I want you to know I know the truth, of course I know it. I would be nothing without you. Did you ever know that you're my hero? You're everything I wish I could be. I could fly higher than an eagle, For you are the wind beneath my wings. Did I ever tell you you're my hero? You're everything, everything I wish I could be. Oh, and I, I could fly higher than an eagle, For you are the wind beneath my wings, 'Cause you are the wind beneath my wings. Oh, the wind beneath my wings. You, you, you, you are the wind beneath my wings. Fly, fly, fly away. You let me fly so high. Oh, you, you, you, the wind beneath my wings. Oh, you, you, you, the wind beneath my wings. Fly, fly, fly high against the sky, So high I almost touch the sky. Thank you, thank you, Thank God for you, the wind beneath my wings. |
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from Bette Midler - Live At Last( 2 Cd Set ) (1993)
"Oh god, oh god.
Dumping so early in the evening. I really didn't mean that. I really didn't mean that." Above the ground, I'm lifted to the sky, and down like a tumbling weed I found myself stranded high and dry. A circus ride, oh, it only costs a dime, but if you wanna see the fireworks you might have to pay a lifetime. 'Cause love is a carnival with lots of laughs, wonderful rides and danger. But it feels so good. With rockets shootin' in your head, 'round and 'round and 'round you go. Bang, you're dead, baby. Bang, you're dead, baby. Like a boomerang keeps twisting, twisting in your heart. You know the funny part of it is, you always end up where you start. You're headed for big clouds. Got the silver lining. But you're in for a big surprise. There's a river of tears behind it. 'Cause love is a carnival with lots of baubles, bangles and beads. Beware, beware, beware. It feels so good, feels so good. With rockets shootin' in your head, 'round and 'round and 'round you go. Bang, you're dead, baby. Bang, you're dead, baby. Above the ground I'm lifted. Spininng, spinning, spinning out of control. Higher, higher, higher, higher, higher! Above the ground I'm lifted, yeah, to the sky. And down like a tumbling weed I found myself stranded high and dry. A circus ride, you know it, it only costs a dime, but if you wanna see the fireworks you might have to pay. Hey, yeah, yeah, to the sky, high. And down like a tumbling weed I found myself stranded, stranded. Bang, you're dead! |
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from Bette Midler - Live At Last( 2 Cd Set ) (1993)
"Oh, that's so heavy. We're goanna do a, a Neil Young song. Neil is so heavy. Neil is so mellow and laid back. I'm trying my best to be mellow and laid back. You know, I have even gone organic. Last week I ate an Earth Shoe. Oh, did I sing the ballad yet? Was it wonderful? Oh, did I sing it? I didn't sing it, did I. Oh, so sorry."
Lover, there will be another one to hover over you beneath the sun. Tomorrow, see the things that never come today. And you see me fly away without you. My shadow on the things you know. My feathers fall all around you, they show you the way to go. It's over, baby. I say, it's over, baby. Nestle in your wings my little one. The special morning brings another sun. Tomorrow, see the things that do not come today. And you see me fly away without you. My shadow falling on the things you know. My feathers, they fall all around you, they show you the way to go. Hey, baby. It's over, baby. It's over, baby. I got to fly away. I got to fly away. Gonna close my eyes and I will fly away. You believe it now, fly away. I'm goin' to the sun, to fly away. I'm gonna close my eyes and I will fly away. Oh, one more time. Fly. Yeah, yeah, yeah, yeah, yeah, yeah, fly away. Close my eyes and I will fly away. It's over, baby. It's over, baby. My lover, there will be another one to hover over you beneath the sun. Tomorrow, see the things that do not come today. She will show you the way to go. It's over. Thank god, it's over. I'm gonna close my eyes and I will fly away. |
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from Bette Midler - Live At Last( 2 Cd Set ) (1993)
Oh God, Oh God, life is real life
is when you wanna sing Polly-Wally-Doodle all the day, Well you know, I may well be a sequel to Jaws, in which a shark is attacked by a great white woman, Actually I'm not going to do the sequel to Jaws at all, I'm making the sequel to 'Emanuelle', I call it 'Temple Emanuelle'. Actually it's not dirty at all, it's just a lot of kissing and mezzuzas. And er, one singular sub-plot, in which a woman who has an un-natural relationship with a Kreplach. I know there must be one or two of you out there, who haven't got the vaguest idea what the hell is a Kreplach, and to both of you I say... A Kreplach is a person from Kreplachia, which is a very small fishing nation wedged between Estonia and Latvia, You don't hear from them too much since the iron curtain fell! But every now and again, one or two Kreplach's manage to escape... But NEVER to Cleveland! (Audience Member:) YES! (Audeince Member:) Not True! What!? There we have one Kreplach. Who one Kreplach that managed to get to Cleveland! In fact, I venture to say that was the Kreplach that ate Cleveland! (Audience Member:) Are you sure!? No, Belle Barth used to say: 'Shut your hole honey, mines making money!' (Audience Member:) OH! Ooh, she didn't say that! I never said that, I didn't say that, I never said that! Oh did you hear the news!? You haven't heard the news, I must tell you the news, I am the harbinger of news here. I slept with Jack kennedy (Bette Laughs) You wanna know what else!? They slept with Jack Kennedy! (Points to the Harlette's) Talk about your bad pigs! Really. Oh, I'm sorry Girls. Oh my God, Oh God, Oh God, Alright, Oh God, Oh God, Oh God, Oh God, Alright, Alright, Alright! Please forgive me everyone! Please forgive me! Just a little yolk, Fuck 'em if they can't take a joke! |
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from Bette Midler - Live At Last( 2 Cd Set ) (1993)
She was forty-one and her daddy still called her baby.
Everyone in Brownsville thinks she's crazy, 'cause she walks to the station with a suitcase in her hand. And she's looking for a mysterious dark-haired man. In her younger days they called her Delta Dawn. Prettiest woman you ever laid eyes on. But a man of low degree stood by her side, and he promised he would take her for his bride. Delta Dawn, what's that flower you have on? Could it be a faded rose from days gone by? Did I hear you say he was meeting you here today to take you to his mansion in the sky? Delta Dawn, what's that flower you got on? Could it be a faded rose from days gone by? Did I hear you say he was meeting you here today to take you to his mansion in the sky? Delta Dawn, what's that flower you got on? Could it be a faded rose from days gone by? Did I hear you say he was meeting you right here today? He's gonna take you to his mansion in the sky. Delta Dawn, oh, what is that flower that you've got on? Could it be, could it be just a faded rose from one of those days gone by? Well, did I hear you say that he was gonna meet you right here, right here today? He's gonna take you to his mansion in the sky. To take you to his mansion in the sky. He's gonna take you, he's gonna take you. Oh, he's gonna take you and you and you and you. Oh, gonna take you, take you to that mansion. He's got to, gonna take you to that mansion. He's gonna take you and you and you and you, oh, you and you and you. Take you to his mansion in the sky. Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh! Gonna take you. Oh, oh. He's gonna take you, gonna take you, he's gonna, he's gonna take you to that mansion, he's gonna take you and you and you, oh . . . |
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from Bette Midler - Live At Last( 2 Cd Set ) (1993)
I was walking down 42nd street one day,
I wasn't workin'42nd street I was walkin 42nd street. And this amazing thing happened to me. It was July it was about 89 degrees. It was hot, hot for New York You know and I was walking east and this humungous person was coming west. And she had this big blue house dress on peppered all over with little white daisies. She was almost bald but sitting on top of her head, forehead you know on her forehead was this fried egg. Which I thought was really unusual. Because in New York City the ladies with the fried eggs on their heads don't generally come out until September or October you know. Here was this lady this demented lady with a little fried egg on her head in the middle of July. God what a sight and ever, ever since I saw that lady not one day goes by that I don't think of her and I say to myself "Oh God, don't let me wake up tomorrow and want to put a fried egg on my head. Oh God." Then I say real fast I say "Oh God, If by chance I should wind up with a fried egg on my head"; cause sometimes you can't help those things you know, you can't. I say to myself "Don't let anybody notice." And then I say real fast after that "if they do notice that I'm carrying something that, that's not quite right and they want to talk about it, let 'em talk about it but don't let 'em talk so I can hear I don't want to hear it." Cause the truth about fried eggs, you can call it a fried egg, you can call it anything you like, but everybody gets one, some people wear 'em on the outside, some people they wear 'em on the inside. |
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from Bette Midler - Live At Last( 2 Cd Set ) (1993)
We had an aprtment in the city
Me and my husband liked living there it's been years since the kids have grown A life of their own left us alone John and Linda live in Omaha Joe is somewhere on the road We lost Davie in the korean War I still don't know what for Don't matter anymore You know that old trees just grwo stronger and old rivers grwo wilder everyday But old people they just grow lonesome Waiting for someone to say hello in there Hello Me and my husband we don't talk much anymore He sits and stares through the backdoor screen And all the news just repeats itself Like some gorgotten dream that we've both seen Someday I'll go and call up Judy We worked together at the factory Ah, but what would I say When she asks what's new Say "Nothing what 's with you?" Nothing much to do You know that old trees just grow stronger And old rivers grow wilder everyday But old people they just grow lonesome Waiting for someone to say hello in there Hello So if you're walking down the street sometime And you should spot some hollow ancient eye Don't you pass htem by and stare As if you didn't care say "Hello in there!" Hello |
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from Bette Midler - Live At Last( 2 Cd Set ) (1993)
Hurry on down to my house, honey,
ain't nobody home but me. Hurry on down to my house, baby. Oh, I'm blue as I can be. I love you. You love me. A-hurry through the alley so the neighbors don't see. Hurry on down to my house, honey, ain't nobody home but me. Oooh. hurry on down to my house, baby, ain't nobody home but me. Hurry on down to my house, baby. I'm blue as I can be. Oh, blue when the clock a-went tick-tock-tick. ooh, c'mon, honey, quick, quick, quick. Hurry on down to my house, baby, ain't nobody home but me. Say, hurry, hurry, a-nobody's home. Hurry on down, baby, I'm blue as I can be. Oh, please come down just as soon as you can. If you don't come down, I got to call Sam! You know the man is crazy about me. Ain't nobody home but me . . . ow! "Well, what's goin' on with the three of yous? C'mon, c'mon, make it snappy. C'mon, c'mon, work out, work out! Go, babe, get down, get down! Oh, lord! Nobody's home!" Say, hurry on down to my house, baby, ain't nobody home. Haul it down, drag it down, any way to get it down. I'm blue as I can be. Ashes-to-ashes. Dust-to-dust. C'mon, honey, you must, you must! Hurry on down to my house, baby, ain't nobody home but me. Hurry, hurry. A-nobody's home. Haul it down and drag it down. You know I can't stand to be alone. Operator, get me hillside, 409. A-don't stop ringin' 'til you get that baby's line! He's gonna haul it down! Ain't nobody home but, you believe it, there's nobody home but me! Wo! |
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from Bette Midler - Live At Last( 2 Cd Set ) (1993)
Jumping with my boy, Sid
right here in the city. Don't you know that is was grand? Really grand, so grand. And then you came along, then you came along, boy. And sang your groovy song, sang a song and I asked: Mr. Whatchacallem, whatcha doing tonight? Hope you're in the mood because I'm feeling just right. How's about a corner with a table for two? Where the music's mellow is a gay rendezvous. There's no chance romancing with a blue attitude. You know you got to do some dancing to get in the mood. Mr. Watchacallem, I'm indebted to you. You're here. It goes to show what good influence can do. Never felt so happy or so fully alive. He's a jam a jumpin', it's a powerful jive! Swing-a-roo is giving me a new attitude. My heart is full of rhythm and I'm in the mood. In the mood (oh boy) be mine forever. In the groove (that boy) and leave me never. In the mood (oh joy) give me some kissing. You know it won't be long before you're in the mood! Don't be rude, I love you madly. It's up to you, I'll take you gladly. Love is blind, my vision's hazy. It didn't take me long to say I'm in the mood! Do ba do ba do bop boo da da day. Ba da-n-da da-n do da-n do day. Who's that guy with the beautiful eyes? 'N' look at those lips, I'd try 'em for size. Hey! Swing with me! What a wing it'd be! May I intrude? It's time to dance and I'm in the mood! Oh, hold me darling, let's dance. What a dreamy romance. It's a quarter to three. There's a mess-o-that moon. Let's share it with me. You know, I think it's rude to keep me this way when I'm in the mood. I'm in the mood, in the groove! In the mood, ah, ah, ah! Man-oh-man, wow! Now you really got me lookin'. Oh, and you really got me cookin', oh! My heart went flip, my brain went skip. I said c'mon, c'mon, c'mon, c'mon, c'mon, c'mon. I'm hot now! I love you madly! Right now! I'll take you gladly! Tight now! I'll be in! And now I'm really in the mood, boy! Rompin'! Stompin'! Smokin'! Why don't we go somewhere and smooch, boy? It's got to be right now! It's gotta be right now! It's got to be right now! I'm only saying that it didn't take me long, didn't take me long, didn't take me long to say I'm in the mood. Your flat foot floozy wants a good boy! |
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from Bette Midler - Live At Last( 2 Cd Set ) (1993)
I stayed out late one night and you moved in
I didn't mind 'cause of the state you were in May I remind you that it's been a year since then? Today the landlady, she said to me "Your lonely friend just made a pass at me" Perhaps you might enjoy a cottage by the sea So pack your toys away Your pretty boys away Your forty-fives away Your alibis away Your silly lies away Your old tie-dyes away Your one more tries away You're moving out today Your nasty habits aren't confined to bed The grocer told me what you do with bread Why don't you take up with the Baker's wife instead of me? Pack up your rubber duck I'd like to wish you luck Your funny cigarettes Your sixty-one cassettes Pack all your clothes away Your rubber hose away Your old day glows away You're movin' out today I hate to do it You gotta I hate to do it You gotta Hate to do it You gotta Hate to do it You gotta You gotta You gotta Pack up you dirty looks Your songs that have no hooks Your stacks of Modern Screen Your portrait of the queen Your mangy cat away Your baby fat away You're headed that away You're moving out today Pack up your fork and spoon But leave my Lorna Doones Your map of Mozambique Your water bed that leaks La la la la la la la la la La la la la la la la la The reason I'm singing la la is Because I'm so happy you're going Gosh, you've made me miserable I don't think I've ever been so unhappy As I've been this last year with you You are really a dirty, dirty guy Did anyone ever tell you that? Oh, uh, by the way, would you Uh, take off that coat you're wearing? That's my coat you're wearing Ah, yes, thank you, oh, goodbye Parting is such sweet sorrow |
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from Bette Midler - Live At Last( 2 Cd Set ) (1993)
"Doctor Long John. My dreams are full of Doctor Long John."
I got a dentist who's over seven feet tall. I have a dentist who's over seven feet tall. His name is Doctor Long John and he answers every call. You know, I went to Long Joh's office. I said, "Doctor, the pain is killing me." I went to Long John's office. I said, "Doctor, the pain is killing." He said, "Don't worry, baby. It's just your cavity needs a little filling." He took out his trusty drill. Told me to open wide. He said he wouldn't hurt me, but he filled my whole inside. Long John, Long John, don't you ever go away. No. 'Cause you thrill me when you drill me, and I don't need no novocain today. Oh, when he got done drilin' he said, "Now, Miss Midler, that is going to cost you ten." "I was prepared to pay twenty" Yeah, yeah, when he got done drillin' he said, "Baby, that is going to cost you ten. But if it ever starts in to throbbing, come back and see old Long John again and again and again and again and again. Oh, yeah. Yow! "Long John. I sold my heart to Doctor Long John and I will never, never be the same. Oh, that's so heavy I just gotta lay back." |
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from Bette Midler - Live At Last( 2 Cd Set ) (1993)
We'll, I'm leaving my family
I'm leaving all my freinds My body's at home, but my heart's in the wind And the clouds are like headlines Upon a new frontpage sky My tears are saltwater, the moon's full and high And I know Joe Comrad Would be proud of me Many before me 'been called by the say: 'To be up in the crow's nest, Singing my sayin': Shiver me timbers, let's all sail away' And the fog's lifting, the sand's shifting I'm drifting on out Old captain Ahab's got nothing on me Swallow me, don't follow me I'm travelling alone The water's my daughter I'll skip like a stone And the fog's lifting, the sand's shifting I'm drifting on out Old captain Ahab's got nothing on me Swallow me, don't follow me I'm travelling alone The water, she is my daughter I'll skip like a stone Won't you please call my family? Tell 'em not to cry My goodbyes are written by the moon in the sky Say, nobody knows me I got no reason to stay.. Shiver me timbers.1 I'm sailing.. Away |
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from Bette Midler - Live At Last( 2 Cd Set ) (1993)
I was in the woods last night with my boyfriend Ernie, and he said to me "Soph",(he always called me Soph),he said to me "Soph, these woods sure are dark I sure wish I had a flash light", I said to him "so do I Ernie. You have been munching grass for the last ten minutes."
I will never forget it. It was on the occasion of Ernie's eightieth birthday and in honor of the occasion he married a twenty year old girl. And he rang me up the very next day and he said to me "Soph, Soph, I have just married myself a twenty year old girl, what do you think of that". And I said to him "Ernie when I am eighty years old I shall marry myself a twenty year old boy, and let me tell you something Ernie twenty goes into eighty a hell of a lot more than eighty goes into twenty." I was in bed last night with my boyfriend Ernie, and he said to me "Soph, you got no tits and a tight box". I said to him "Ernie get off my back." |
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from Bette Midler - Bette Of Roses (1995)
When the white bird flies
From your heart to mine I surrender every part of me To the tenderness Could it be the wine In your eyes stars shine And I'm feeling like a child again Oh, it's taken me a little time To find words to say Stay Make this forever And lay love in my life Come what may Cherish each moment of love As dreams go by If the first glow fades From the love we've made I will hold you closer In the night Under heart and key When there are hills to climb And your world won't rhyme I will fight until I get it right 'Cause you're part of me The heart of me Only if you'll stay Stay Make this forever And lay love in my life Come what may Cherish each moment of love As dreams go by The trees and the towers are burning Fear walks on the sea My soul in the wasteland is yearning What does tomorrow hold for me What can I say Just that I need you With you here by my side We can turn even the desert Evergreen, as dreams go by |
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from Bette Midler - Bette Of Roses (1995)
When the white bird flies
From your heart to mine I surrender every part of me To the tenderness Could it be the wine In your eyes stars shine And I'm feeling like a child again Oh, it's taken me a little time To find words to say Stay Make this forever And lay love in my life Come what may Cherish each moment of love As dreams go by If the first glow fades From the love we've made I will hold you closer In the night Under heart and key When there are hills to climb And your world won't rhyme I will fight until I get it right 'Cause you're part of me The heart of me Only if you'll stay Stay Make this forever And lay love in my life Come what may Cherish each moment of love As dreams go by The trees and the towers are burning Fear walks on the sea My soul in the wasteland is yearning What does tomorrow hold for me What can I say Just that I need you With you here by my side We can turn even the desert Evergreen, as dreams go by |
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from Bette Midler - Bette Of Roses (1995)
Bed of Roses
by Bonnie Hayes from the album "Bette of Roses" Long, long ago, where the tall grass grows and the still air is sweet with summer flowers; in the shade by the stream I would lie awake and dream, and in dreaming I would while away the hours. Long, long gone yesterday, and the castle and the prince and the God to whom I prayed. Well, I made, and I'm gonna lie in this bed of roses. I'm tired of trying to be free. Gonna lay down like a sigh in my bed of roses. Bed of roses I believed my life would be. Well, I wasted years, all the useless, bitter tears. If I'd known I'd have stopped it at the start. I knew life was long, and I knew life could go wrong, but I never knew my life would break my heart. Dreams die harder than pride. I have learned my lesson well. I will put them both aside. 'Cause I made and I'm gonna lie in this bed of roses. I'm tired and I'm dying to be free. Gonna lay down like a sigh in my bed of roses. Bed of roses I believed my life would be. Roses die, and all the fairy tales are lies, and I guess that's just too bad for poor old me. 'Cause I made, and I'm gonna lie in my bed of roses. Bed of roses I believed my life would be. Bed of roses I believed my life would be. |
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from Bette Midler - Bette Of Roses (1995)
Bed of Roses
by Bonnie Hayes from the album "Bette of Roses" Long, long ago, where the tall grass grows and the still air is sweet with summer flowers; in the shade by the stream I would lie awake and dream, and in dreaming I would while away the hours. Long, long gone yesterday, and the castle and the prince and the God to whom I prayed. Well, I made, and I'm gonna lie in this bed of roses. I'm tired of trying to be free. Gonna lay down like a sigh in my bed of roses. Bed of roses I believed my life would be. Well, I wasted years, all the useless, bitter tears. If I'd known I'd have stopped it at the start. I knew life was long, and I knew life could go wrong, but I never knew my life would break my heart. Dreams die harder than pride. I have learned my lesson well. I will put them both aside. 'Cause I made and I'm gonna lie in this bed of roses. I'm tired and I'm dying to be free. Gonna lay down like a sigh in my bed of roses. Bed of roses I believed my life would be. Roses die, and all the fairy tales are lies, and I guess that's just too bad for poor old me. 'Cause I made, and I'm gonna lie in my bed of roses. Bed of roses I believed my life would be. Bed of roses I believed my life would be. |
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from Bette Midler - Bette Of Roses (1995)
Long, long ago, where the tall grass grows
and the still air is sweet with summer flowers; in the shade by the stream I would lie awake and dream, and in dreaming I would while away the hours. Long, long gone yesterday, and the castle and the prince and the god to whom I pray. Well, I made, and I'm gonna lie in this bed of roses. I'm tired of trying to be free. Gonna lay down like a sigh in my bed of roses. Bed of roses I believed my life would be. Well, I wasted years, all the useless, bitter tears. If I'd known I'd have stopped it at the start. I knew life was long, and I knew life could go wrong, but I never knew my life would break my heart. Dreams die harder than pride. I have learned my lesson well. I will put them both aside. 'Cause I made and I'm gonna lie in this bed of roses. I'm tired and I'm dying to be free. Gonna lay down like a sigh in my bed of roses. Bed of roses I believed my life would be. Roses die, and all the fairy tales are lies, and I guess that's just too bad for poor old me. 'Cause I made, and I'm gonna lie in my bed of roses. Bed of roses I believed my life would be. Bed of roses I believed my life would be. |
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from Bette Midler - Bette Of Roses (1995)
I took a dive into your eyes
and I was in a sea of deep blue green emotion. Now in my dreams it often seems that you are moving me like tides moving the ocean. My heart hears you calling and I feel that I'm falling into a love that's deeper than blue, a bottomless love. Into the dreamy deep with you. Bottomless love. And as we lie I feel that I am floating in a stream of clear crystalline feeling. I want to wade into your waves and let them wash me clean. To hold you is so healing. My heart hears you calling and I know that I'm falling into a love that's deeper than blue, a bottomless love. Into the dreamy deep with you. Bottomless love. My sorrows washed away like rain, the lonely simple joys remain. Holy bliss, bottomless love. Into a love that's deeper than blue, a bottomless love. Dream. Into the dreamy deep with you. Bottomless love. Into a love that's deeper than blue, a bottomless love. Dream. Into the dreamy deep with you. Bottomless love. Dream. Woah-oh-oh. Bottomless love. Falling. Bottomless love. Picture of a dreamy deep with you. Bottomless love. Falling. Bottomless love. Yes, I've fallen, I've fallen, I've fallen in love with you. Bottomless love. Falling. Bottomless love. Woah-oh-oh. Bottomless love. Falling. Bottomless love |
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from Bette Midler - Bette Of Roses (1995)
Well I don't believe in superstars,
in fancy food or foreign cars; that Hagen Dazs and motherhood have done my body any good; that Elvis is alive and well; that courtesy has gone to hell; that kindness is in short supply; that little kids should have to die. But I believe in love. I believe in dreamers. I believe in miracles and I believe in you. Well, I don't believe virginity is as common as it used to be; that left is wrong and right is right; that black is black and white is white; that the Beatles could be history, the sixties just a memory; that war will never go away; that Johnny Carson's had his day. But I believe in love. I believe in angels. I believe in Mom and Dad and I believe in you. I know with almost certainty what's going on with you and me is a good thing. I know it's true. I believe in you. Now, I don't believe that heaven waits for only those who congregate. I like to think that God is love. He's down below, He's up above, and He's watching people everywhere. He knows who does and doesn't care. And I'm an ordinary girl trying to make my way in this old world. And I believe in love. Yes, I believe in music. I believe in promises and I believe in you. Well, I know with almost certainty what's going on with you and me is a good thing, a good thing. And I know it's true. I believe in you. You know, darlin', that I believe in love. Yes, I believe in dreamers. I believe in miracles and I believe in you. Woah-ho-ho-oh, baby, I believe. Yes, I believe. I believe in promises and I believe in you. Woah, come on, baby, say you believe in love. Say you believe in dreamin'. Believe in blue, blue skies, 'cause I believe in you . . . |
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4:34 |
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from Bette Midler - Bette Of Roses (1995)
Well I don't believe in superstars,
in fancy food or foreign cars; that Hagen Dazs and motherhood have done my body any good; that Elvis is alive and well; that courtesy has gone to hell; that kindness is in short supply; that little kids should have to die. But I believe in love. I believe in dreamers. I believe in miracles and I believe in you. Well, I don't believe virginity is as common as it used to be; that left is wrong and right is right; that black is black and white is white; that the Beatles could be history, the sixties just a memory; that war will never go away; that Johnny Carson's had his day. But I believe in love. I believe in angels. I believe in Mom and Dad and I believe in you. I know with almost certainty what's going on with you and me is a good thing. I know it's true. I believe in you. Now, I don't believe that heaven waits for only those who congregate. I like to think that God is love. He's down below, He's up above, and He's watching people everywhere. He knows who does and doesn't care. And I'm an ordinary girl trying to make my way in this old world. And I believe in love. Yes, I believe in music. I believe in promises and I believe in you. Well, I know with almost certainty what's going on with you and me is a good thing, a good thing. And I know it's true. I believe in you. You know, darlin', that I believe in love. Yes, I believe in dreamers. I believe in miracles and I believe in you. Woah-ho-ho-oh, baby, I believe. Yes, I believe. I believe in promises and I believe in you. Woah, come on, baby, say you believe in love. Say you believe in dreamin'. Believe in blue, blue skies, 'cause I believe in you |
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from Bette Midler - Bette Of Roses (1995)
I know these streets and these backyards,
this barn that's falling down. We come to where they're building now and ride our bikes around. You think I'm just a little kid, some troubles on the way. but I knew this place before you did is all I've got to say. I'm only walking through these streets and all around. I'm only walking. I know this town. We come home through these fields at night about a million times. I'd walk the road with my eyes closed and all the paths besdies. And I know the boy who broke this fence, and I know his brother, too. And they's never give me half a chance if I let on to you. I'm only walking through these streets and all around. I'm only walking. I know this town. I know this town. We dam the streams, we raid the shacks, and hide in boxcars on the tracks. We know these quarries in our sleep and where they're cold and where they're deep. I'll go down to the bowling alley and buy smokes and Dentyne. I find some loose change every day under that Coke machine. You check me out as you drive by like there was some big deal. But I know so much you'll never find from there behind the wheel. I'm only walking through these streets and all around. I'm only walking. I know this town. I know this town. I know this town. I know this town. |
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3:54 |
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from Bette Midler - Bette Of Roses (1995)
I know these streets and these backyards,
this barn that's falling down. We come to where they're building now and ride our bikes around. You think I'm just a little kid, some troubles on the way. but I knew this place before you did is all I've got to say. I'm only walking through these streets and all around. I'm only walking. I know this town. We come home through these fields at night about a million times. I'd walk the road with my eyes closed and all the paths besdies. And I know the boy who broke this fence, and I know his brother, too. And they's never give me half a chance if I let on to you. I'm only walking through these streets and all around. I'm only walking. I know this town. We dam the streams, we raid the shacks, and hide in boxcars on the tracks. We know these quarries in our sleep and where they're cold and where they're deep. I'll go down to the bowling alley and buy smokes and Dentyne. I find some loose change every day under that Coke machine. You check me out as you drive by like there was some big deal. But I know so much you'll never find from there behind the wheel. I'm only walking through these streets and all around. I'm only walking. I know this town. |
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from Bette Midler - Bette Of Roses (1995)
For all I've been blessed with in this life,
there was an emptiness in me. I was imprisoned by the power of gold. With one kind touch you sent me free. Let the world stop turning. Let the sun stop burning. Let them tell me love's not worth going through. If it all falls apart, I will know deep in my heart the only dream that mattered had come true: In this life I was loved by you. For every mountain I have climbed, every raging river crossed, you were the treasure that I longed to find. Without your love I would be lost. Let the world stop turning. Let the sun stop burning. Let them tell me love's not worth going through. If it all falls apart, I will know deep in my heart the only dream that mattered had come true: In this life I was loved by you. I know that I won't live forever, but forever I'll be loving you. Let the world stop turning. Let the sun stop burning. Let them tell me love's not worth going through. If it all falls apart, I will know deep in my heart the only dream that mattered had come true: In this life I was loved by you. In this life I was loved by you. |
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from Bette Midler - Bette Of Roses (1995)
For all I've been blessed with in this life,
there was an emptiness in me. I was imprisoned by the power of gold. With one kind touch you sent me free. Let the world stop turning. Let the sun stop burning. Let them tell me love's not worth going through. If it all falls apart, I will know deep in my heart the only dream that mattered had come true: In this life I was loved by you. For every mountain I have climbed, every raging river crossed, you were the treasure that I longed to find. Without your love I would be lost. Let the world stop turning. Let the sun stop burning. Let them tell me love's not worth going through. If it all falls apart, I will know deep in my heart the only dream that mattered had come true: In this life I was loved by you. I know that I won't live forever, but forever I'll be loving you. Let the world stop turning. Let the sun stop burning. Let them tell me love's not worth going through. If it all falls apart, I will know deep in my heart the only dream that mattered had come true: In this life I was loved by you. In this life I was loved by you. |
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from Bette Midler - Bette Of Roses (1995)
If I close my eyes,
take my time, I can almost feel your lips against mine. If I close my eyes, drift away, I can almost see us back there smiling. But it's too late, it's too late. Baby, I can't reach you. It's too late, too late. We've drifted out too far. I don'e konw where love goes or how we might have saved it, I only know it's gone. It's time that we moved on. It's too late. No use going on. No more crying. Stand outside ourselves and watch love dying. 'Cause it's too late, it's too late. Baby, I can't hold you. It's too late, too late. Now time will take it's toll. I don't know where love goes or how we might have saved it. I only know it's gone. It's time that we moved on. It's too late. In my dreams we turn it back around and the love we lost is found, and I hand it all to you. But I know I'm only dreamin'. It's too late. Ahhhhh, it's too late. Should I stay, should I wait, should I stand here by your door? I don't know what for. You don't live here anymore. And it's too late. My little baby. Yeah-ahhh, it's too late. It's too late. |
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from Bette Midler - Bette Of Roses (1995)
If I close my eyes,
take my time, I can almost feel your lips against mine. If I close my eyes, drift away, I can almost see us back there smiling. But it's too late, it's too late. Baby, I can't reach you. It's too late, too late. We've drifted out too far. I don'e konw where love goes or how we might have saved it, I only know it's gone. It's time that we moved on. It's too late. No use going on. No more crying. Stand outside ourselves and watch love dying. 'Cause it's too late, it's too late. Baby, I can't hold you. It's too late, too late. Now time will take it's toll. I don't know where love goes or how we might have saved it. I only know it's gone. It's time that we moved on. It's too late. In my dreams we turn it back around and the love we lost is found, and I hand it all to you. But I know I'm only dreamin'. It's too late. Ahhhhh, it's too late. Should I stay, should I wait, should I stand here by your door? I don't know what for. You don't live here anymore. And it's too late. My little baby. Yeah-ahhh, it's too late. It's too late. |
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from Bette Midler - Bette Of Roses (1995)
Let this be the last time.
Let this be the last time, Ooooooh. Let this be the last time. Let this be the last time, Ooooooh. I have no guts. I have no pride. My heart is weak. My love is blind. When your game is up I'll still be by your side. If you love me at all, let this be the last time that you break my heart, that you break my heart, that you break my heart. You hurt me so much, but I love you forever 'cause when you tear me up you always put me back together ever so gently, ever so gently. Baby, let this be the last time, yeah. Let this be the last time. Let this be the last time, Oooooh. Let this be the last time. Let this be the last time, Oooooh. I bite my lip and hold my head up high. I try my best not to let you see me cry. I can take a joke and you can be unkind. If you love me at all, let this be the last time that you break my heart, that you break my heart, that you break my heart. You hurt me so much, but I love you forever 'cause when you tear me up you always put me back together ever so gently, ever so gently. Baby, let this be the last time, yeah. Mmm, you hurt me so much, but I love you forever 'cause when you tear me up you always put me back together ever so gently, ever so gently. Baby, let this be the last time. Let this be the last time. Let this be the last time, Oooooh. Let this be the last time. Let this be the last time, Oooooh. Let this be the last time. Let this be the last time, whoa. Ohhhhh, whoa. That you hurt me at all, yeah. The last time. Whoa. Whoaoooo. Whoa. The last time. Oooh, yeah, the last time. Oooooh, yeah, the last time. That you hurt me at all. Yeah, the last time. |
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