|
6:39 | ||||
from Ani Difranco - Dilate (1996)
tonight you stooped to my level
i am your mangy little whore you are trying to find your underwear and then your socks and then the door and you're trying to find a reason why you have to leave i know it's 'cuz you think you're adam and you think i'm eve you rhapsodize about beauty and my eyes glaze everything that i love is ugly i mean really, you would be amazed just do me a favor it's the least that you can do just don't treat me like i am something that happened to you i am truly sorry about all this you put a tiny pinprick in my big red balloon and as i slowly start to exhale that's when you leave the room i did not design this game i did not name the stakes i just happen to like apples and i am not afraid of snakes i am truly sorry about all this i envy your ignorance i hear that it's bliss so i let go of the ratio of things said to things heard and i leave you to your garden and the beauty you preferred and i wonder what of this will have meaning for you when you've left it all behind i guess i'll even wonder if you meant it at the time |
|||||
|
7:09 | ||||
from Ani Difranco - Dilate (1996)
amazing grace
how sweet the sound that saved a wretch like me i once was lost but now i'm found was blind but now i see 'twas grace that taught my heart to fear and grace that fear relieved how precious did that grace appear the hour i first believed through many dangers toils and snares i have already come 'twas grace that brought me safely thus far and grace will lead me home and when this heart and flesh shall fail and mortal life shall cease i shall possess within the vail a life of joy and peace |
|||||
|
4:50 | ||||
from Ani Difranco - Dilate (1996)
life used to be life-like
now it's more like showbiz i wake up in the night and i don't know where the bathroom is and i don't know what town i'm in or what sky i am under and i wake up in the darkness and i don't have the will anymore to wonder everyone has a skeleton and a closet to keep it in and your mine every song has a you a you that the singer sings to and you're it this time baby, you're it this time when i need to wipe my face i use the back of my hand and i like to take up space just because i can and i use my dress to wipe up my drink i care less and less what people think and you are so lame you always dissapoint me it's kind of like our running joke but it's really not funny and i just want you to live up to the image of you i create i see you and i'm so unsatisfied i see you and i dialate so i'll walk the plank and i'll jump with a smile if i'm gonna go down i'm gonna do it with style and you won't see me surrender you won't hear me confess 'cuz you've left me with nothing but i've worked with less and i learn every room long enough to make it to the door and then i hear it click shut behind me and every key works differently i forget everytime and forgetting defines me that's what defines me when i say you sucked my brain out the english translation is i am in love with you and it is no fun but i don't use words like love 'cuz works like that don't matter but don't look so offended you know, you should be flattered and i wake up in the night in some big hotel bed and my hands grope for the light and my hands grope for my head the world is my oyster the road is my home and i know that i'm better off alone |
|||||
|
6:32 | ||||
from Ani Difranco - Dilate (1996)
the wind is ruthless
the trees shake angry fingers at the sky the people hunch their shoulders hold their collars over their earsand run by it's a cold rain it's a hard rain like the kind that you find in songs i guess that makes methe jerk with the heartache here to sing youabout how i've been done wrong and i am sitting, watching out the window of the coffee shop and i am waiting, waiting waiting for it to let up i am rocking like a cradle warming my hands with the cup in between i am leaning over the table holding my face over the steam and before it gets so cold that the rain turns to snow there's just a couple things i'd like to know like how could you do nothing and say, i'm doing my best how could you take almost everything and then come back for the rest how could you beg me to stay, reach out your hands and plead and then pack up your eyes and run away as soon as i agreed it just all slips away so slowly you don't even notice till you've lost a lot i've been like one of those zombies in vegas pouring quarters into a slot and now i'm tired and i am broke and i feel stupid and i feel used and i'm at the end of my little rope and i am swinging back and forth about you before it gets so cold that the rain turns to snow there's just a couple things i'd like to know like how could you do nothing and say, i'm doing my best how could you take almost everything and then come back for the rest how could you beg me to stay, reach out your hands and plead and then pack up your eyes and run away as soon as i agreed |
|||||
|
4:50 | ||||
from Ani Difranco - Dilate (1996)
you can't get through it
you can't get over it you can't get around just like in a dream you'll open your mouth to scream and you won't make a sound you can't believe your eyes you can't believe your ears you can't believe your friends you can't believe you're here and you're not gonna get through it so you are going down i put a cup out on the window sill to catch the water as it fell now i got a glass half full of rain to measure the time between when you said you'd come and when you actually came little mister limp dick is up to his old tricks and thought he'd call me one last time but i'm just about done with the oh-woe-is-me shit and i want everything back that's mine |
|||||
|
4:54 | ||||
from Ani Difranco - Dilate (1996) | |||||
|
4:39 | ||||
from Ani Difranco - Dilate (1996) | |||||
|
5:05 | ||||
from Ani Difranco - Dilate (1996)
i do it for the joy it brings
because i'm a joyful girl because the world owes me nothing and we owe each other the world i do it because it's the least i can do i do it because i learned it from you i do it just because i want to because I want to everything i do is judged and they mostly get it wrong but oh well 'cuz the bathroom mirror has not budged and the woman who lives there can tell the truth from the stuff that they say and she looks me in the eye and says would you prefer the easy way? no, well o.k. then don't cry and i wonder if everything i do i do instead of something i want to do more the question fills my head i know that there's no grand plan here this is just the way it goes and when everything else seems unclear i guess at least i know i do it for the joy it brings... |
|||||
|
6:25 | ||||
from Ani Difranco - Dilate (1996)
they told you your music
could reach millions that the choice was up to you you told me they always pay for lunch and they believe in what i do and i wonder if you miss your old friends once you've proven what you're worth yeah i wonder when you're a big star will you miss the earth and i know you would always want more i know you would never be done 'cuz everyone is a fucking napoleon yeah everyone is a fucking napoleon and the next time that i saw you you were larger than life you came and you conquered you were doing alright you had an army of suits behind you and all you had to be was willing and i said i still make a pretty good living you must make a killing a killing and i hope that you are happy i hope at least you are having fun 'cuz but everyone is a fucking napoleon yeah everyone is a fucking napoleon now you think, so that is the way it's gonna be that's what this is all about i think that that is the way it always was you chose not to notice until now yeah now that there's a problem you call me up to confide and you go on for over an hour 'bout each one that took you for a ride and i guess that you dialed my number 'cuz you thought for sure that i'd agree i said baby, you know i still love you but how dare you complain to me everyone is a fucking napoleon yeah everyone is a fucking napoleon |
|||||
|
4:37 | ||||
from Ani Difranco - Dilate (1996)
no no no no no no no no no no no no
no more no no no no no no no no no no no no no more no no no no more it's gonna be sudden it's gonna be strange i'm gonna turn on a dime give you five cents change it's gonna be long overdue it's all gonna come out outta me, on to you outta me, onto you... one of these days you're gonna push too hard we'll go on like we've always done 'til you go too far yeah one of these days it's gonna reach the top then it's gonna start to spill and it's not gonna stop outta me, onto you... no more... some people wear their smile like a disguise those people who smile a lot watch the eyes i know it 'cuz i'm like that a lot you think everything's okay and it is 'til it's not outta me, onto you... no more some people wear their heart up on their sleeve i wear mine underneath my right pant leg strapped to my boot don't think cause i'm easy, i'm naive don't think i won't pull it out don't think i won't shoot outta me, onto you... most people like to talk a lot including you you know there isn't much i have to say that i wouldn't rather just shut up and do i'm gonna miss you when you're gone yeah i'm gonna be torn just remember that i love you just remember you were warned outta me, onto you... no more... no more |
|||||
|
4:52 | ||||
from Ani Difranco - Dilate (1996)
i cannot name this
i cannot explain this and i really don't want to just call me shameless i can't even slow this down let alone stop this and i keep looking around but i cannot top this if i had any sense i guess i'd fear this i guess i'd keep it down so no one would hear this i guess i'd shut my mouth and rethink a minute but i can't shut it now 'cuz there's something in it we're in a room without a door and i am sure without a doubt they're gonna wanna know how we got in here and they're gonna wanna know how we plan to get out we better have a good explanation for all the fun that we had 'cuz they are coming for us, baby they are going to be mad they are going to be mad at us this is my skeleton this is the skin it's in that is, according to light and gravity i'll take off my disguise the mask you met me in 'cuz i got something for you to see just gimme your skeleton give me the skin it's in yeah baby, this is you according to me i never avert my eyes i never compromise so nevermind the poetry we're in a room without a door... i gotta cover my butt 'cuz i covet another man's wife i got to divide my emotions between wrong and right then i get to see how close i can get to it without giving in then i get to rub up against it till i break the skin rub up against it till i break the skin they're gonna be mad at us they're gonna be mad at me and you yeah, they're gonna be mad at us and all the things we wanna do they're gonna be mad at us they're gonna be mad at me and you they're gonna be mad at us and all the things we like do just please don't name this please don't explain this just blame it all on me say i was shameless say i couldn't slow it down let alone stop it and say you just hung around 'cuz you couldn't top it |
|||||
|
4:45 | ||||
from Ani Difranco - Dilate (1996)
sleepwalking through the all-nite drugstore
baptized in flourescent light i found religion in the greeting card aisle now i know hallmark was right and every pop song on the radio is suddenly speaking to me yeah, art may imitate life but life imitates t.v. 'cuz you've been gone exactly two weeks two weeks and three days and let's just say that things look different now different in so many ways i used to be a superhero no one could touch me not even myself you are like a phone booth i somehow stumbled into and now look at me i am just like everybody else if i was dressed in my best defenses would you agree to meet me for coffee if i did my tricks with smoke and mirrors would you still know which one was me if i was naked and screaming on your front lawn would you turn on the light and come down screaming, there's the asshole who did this to me stripped me of my power stripped me down i used to be a superhero no one could touch me not even myself you are like a phone booth i somehow stumbled into and now look at me i am just like everybody else yeah you've been gone exactly two weeks two weeks and three days and now i'm a different person different in so many ways tell me what did you like about me don't say my strength and daring 'cuz now i think i'm at your mercy and it's my first time for this kind of thing i used to be a superhero i would swoop down and save me from myself you are like a phone booth that i somehow stumbled into and now look at me i am just like everybody else i am worse than everybody else |
|||||
|
4:38 | ||||
from Ani Difranco - Dilate (1996)
think i'm going for a walk now
i feel a little unsteady i don't want nobody to follow me 'cept maybe you i could make you happy you know if you weren't already i could do a lot of things and i do tell you the truth i prefer the worst of you too bad you had to have a better half she's not really my type but i think you two are forever and i hate to say it but you're perfect together so fuck you and your untouchable face and fuck you for existing in the first place and who am i that i should be vying for your touch and who am i i bet you can't even tell me that much two-thirty in the morning and my gas tank will be empty soon neon sign on the horizon rubbing elbows with the moon a safe haven of sleepless where the deep fryer's always on radio is counting down the top 20 country songs and out on the porch the fly strip is waving like a flag in the wind y'know, i don't look forward to seeing you again soon you'll look like a photograph of yourself taken from far far away and i won't know what to do and i won't know what to say except fuck you... i see you and i'm so perplexed what was i thinking what will i think of next where can i hide in the back room there's a lamp that hangs over the pool table and when the fan is on it swings gently side to side there's a changing constellation of balls as we are playing i see orion and say nothing the only thing i can think of saying is fuck you... |
|||||
|
3:04 | ||||
from Ani Difranco - More Joy, Less Shame [ep] (1996)
I am walking
out in the rain and I am listening to the low moan of the dial tone again and I am getting nowhere with you and I can't let it go and I can't get through... the old woman behind the pink curtains and the closed door on the first floor she's listening through the air shaft to see how long our swan song can last and both hands now use both hands oh, no don't close your eyes I am writing graffitti on your body I am drawing the story of how hard we tried I am watching your chest rise and fall like the tides of my life, and the rest of it all and your bones have been my bedframe and your flesh has been my pillow I am waiting for sleep to offer up the deep with both hands in eachother's shadows we grew less and less tall and eventually our theories couldn't explain it all and I'm recording our history now on the bedroom wall and eventually the landlord will come and paint over it all and I am walking out in the rain and I am listening to the low moan of the dial tone again and I am getting nowhere with you and I can't let it go and I can't get though So now use both hands please use both hands oh, no don't close your eyes I am writing graffitti on your body I am drawing the story of how hard we tried hard we tried how hard we tried |
|||||
|
4:39 | ||||
from Ani Difranco - More Joy, Less Shame [ep] (1996)
I do it for the joy it brings
because I'm a joyful girl. Because the world owes me nothing and we owe each other the world. I do it because it's the least I can do. I do it because I learned it from you and I do it just because I want to Because I want to. Everything I do is judged And they mostly get it wrong But oh well. 'Cause the bathroom mirror has not budged and the woman who lives there can tell the truth from the stuff that they say. And, she looks me in the eye and says "would you prefer the easy way? No? Well, okay, then ... Don't cry." I wonder if everything I do I do instead of something I want to do more? The question fills my head. I know there's no grand plan here this is just the way it goes. When everything else seems unclear I guess at least I know I do it for the joy it brings because I'm a joyful girl because the world owes me nothing and we owe each other the world I do it because it's the least I can do I do it because I learned it from you and I do it just because I want to because I want to |
|||||
|
6:26 | ||||
from Ani Difranco - More Joy, Less Shame [ep] (1996)
i do it for the joy it brings
because i'm a joyful girl because the world owes me nothing and we owe each other the world i do it because it's the least i can do i do it because i learned it from you i do it just because i want to because I want to everything i do is judged and they mostly get it wrong but oh well 'cuz the bathroom mirror has not budged and the woman who lives there can tell the truth from the stuff that they say and she looks me in the eye and says would you prefer the easy way? no, well o.k. then don't cry and i wonder if everything i do i do instead of something i want to do more the question fills my head i know that there's no grand plan here this is just the way it goes and when everything else seems unclear i guess at least i know i do it for the joy it brings... |
|||||
|
4:40 | ||||
from Ani Difranco - More Joy, Less Shame [ep] (1996)
I do it for the joy it brings
because I'm a joyful girl. Because the world owes me nothing and we owe each other the world. I do it because it's the least I can do. I do it because I learned it from you and I do it just because I want to Because I want to. Everything I do is judged And they mostly get it wrong But oh well. 'Cause the bathroom mirror has not budged and the woman who lives there can tell the truth from the stuff that they say. And, she looks me in the eye and says "would you prefer the easy way? No? Well, okay, then ... Don't cry." I wonder if everything I do I do instead of something I want to do more? The question fills my head. I know there's no grand plan here this is just the way it goes. When everything else seems unclear I guess at least I know I do it for the joy it brings because I'm a joyful girl because the world owes me nothing and we owe each other the world I do it because it's the least I can do I do it because I learned it from you and I do it just because I want to because I want to |
|||||
|
6:04 | ||||
from Ani Difranco - More Joy, Less Shame [ep] (1996)
i do it for the joy it brings
because i'm a joyful girl because the world owes me nothing and we owe each other the world i do it because it's the least i can do i do it because i learned it from you i do it just because i want to because I want to everything i do is judged and they mostly get it wrong but oh well 'cuz the bathroom mirror has not budged and the woman who lives there can tell the truth from the stuff that they say and she looks me in the eye and says would you prefer the easy way? no, well o.k. then don't cry and i wonder if everything i do i do instead of something i want to do more the question fills my head i know that there's no grand plan here this is just the way it goes and when everything else seems unclear i guess at least i know i do it for the joy it brings... |
|||||
|
4:52 | ||||
from Ani Difranco - More Joy, Less Shame [ep] (1996)
i cannot name this
i cannot explain this and i really don't want to just call me shameless i can't even slow this down let alone stop this and i keep looking around but i cannot top this if i had any sense i guess i'd fear this i guess i'd keep it down so no one would hear this i guess i'd shut my mouth and rethink a minute but i can't shut it now 'cuz there's something in it we're in a room without a door and i am sure without a doubt they're gonna wanna know how we got in here and they're gonna wanna know how we plan to get out we better have a good explanation for all the fun that we had 'cuz they are coming for us, baby they are going to be mad they are going to be mad at us this is my skeleton this is the skin it's in that is, according to light and gravity i'll take off my disguise the mask you met me in 'cuz i got something for you to see just gimme your skeleton give me the skin it's in yeah baby, this is you according to me i never avert my eyes i never compromise so nevermind the poetry we're in a room without a door... i gotta cover my butt 'cuz i covet another man's wife i got to divide my emotions between wrong and right then i get to see how close i can get to it without giving in then i get to rub up against it till i break the skin rub up against it till i break the skin they're gonna be mad at us they're gonna be mad at me and you yeah, they're gonna be mad at us and all the things we wanna do they're gonna be mad at us they're gonna be mad at me and you they're gonna be mad at us and all the things we like do just please don't name this please don't explain this just blame it all on me say i was shameless say i couldn't slow it down let alone stop it and say you just hung around 'cuz you couldn't top it |
|||||
|
3:19 | ||||
from My Best Friend's Wedding (내 남자 친구의 결혼식) by James Newton Howard [omnibus, ost] (1997)
Wishin', and hopin', and thinkin', and prayin',
Plannin' and dreamin' each night of his charms, That won't get you into his arms. So if your're looking for love, you can share, All you gotta to is hold him, and kiss him, and love him, And show him that you care. Show him that you care, just for him. Do the things that he likes to do. Wear your hair just for him, 'Cause you won't get him Thinkin' and a prayin', Wishin' and a hopin', Just wishin', and hopin', and thinkin', and prayin', Planning and dreamin' His kisses will start. That won't get you into his heart. So if you're thinking how great true love is, All you gotta do is hold him, And kiss him, And squeeze him, And love him, Just do it, And after you do, You will be his. Show him that you care just for him. Do the things that he likes to do. Wear your hair just for him, 'Cause, you won't get him, Thinkin' and a prayin', Wishin' and a hopin'. Just wishin', And hopin', And thinkin', And prayin', Planning And dreamin' His kisses will start. That won't get you into his heart. So if you're thinking how great true love is, All you gotta do is hold him, And kiss him, And squeeze him, And love him, Just do it, And after you do, You will be his. You...will...be...his. you will be his! |
|||||
|
4:06 | ||||
from Ani Difranco - Little Plastic Castles (1998)
you can't hide
behind social graces so don't try to be all touchy feely cuz you lie in my face of all places but i've got no problem with that really what bugs me is that you believe what you're saying what bothers me is that you don't know how you feel what scares me is that while you're telling me stories you actually believe that they are real and i've got no illusions about you and guess what? i never did and when i said when i said i'll take it i meant, i meant as is just give up and admit you're an asshole you would be in some good company i think you'd find that you friends would forgive you or maybe i am just speaking for me cuz when i look around i think this, this is good enough and i try to laugh at whatever life brings cuz when i look down i just miss all the good stuff when i look up i just trip over things and i've got no illusions about you... you can't hide behind social graces cuz i don't buy it like everyone else and you can lie in my face of all places just don't lie to yourself cuz i've got no illusions about you and guess what? i never did and when i say when i say i'll take it i mean, i mean as is... ...as is... |
|||||
|
3:38 | ||||
from Ani Difranco - Little Plastic Castles (1998)
cold and drizzly night in chicago's deep dish
fluorescent light of the bathroom shows my hands as they are see an eyelash on my cheek pick it off and make a wish and walk back out into the bar wind at the windows neon lights the patterned pane the waitress wields the weight of her tray around her palm the doorman cups his hand and lights his cigarette again and the rain marches on this is only a possibility in a world of possibilities there are obviously there are many possibilities ranging from small to large before long there will be short before short there was nothing when there was nothing tehere was always the possibility of something becoming what it is don't even bother trying to say something clever clever is as clever does no matter what it says i'm looking for a sign says you're for real this time but i don't trust what's in your head i walk up to the bar and point to the top shelf and then i throw my head back and laugh at myself i raise a toast to all our saviors each so badly behaved it's too bad that tehir world is the one that they saved there's a spider spinning cobwebs from your elbow to the table while my eyes ride the crowd in a secret rodeo i smile with my mouth lift my watch up to the light say oh, look, i have to go now you got to dance with me, now is when it's gotta be cuz i can't wait for the dance floor to fill in if you want to dance with me, i'll show you how it's gonna be cuz i can't wait for the bad to begin |
|||||
|
4:00 | ||||
from Ani Difranco - Little Plastic Castles (1998)
they were digging a new foudation in Manhattan
and they discovered a slave cemetary there may their souls rest easy now that lynching is frowned upon and we've moved on to the electric chair and i wonder who's gonna be president, tweedle dum or tweedle dummer? and who's gonna have the big blockbuster box office this summer? howabout we put up a wall between houses and the highway and you can go your way , and i can go my may except all the radios agree with all the tvs and all the magazines agree with all the radios and i keep hearing that same damn song everywhere i go maybe i should put a bucket over my head and a marshmallow in each ear and stumble around for another dumb- dumb waiting for another hit song to appear people used to make records as in a record of an event the event of people playing music in a room now everything is cross-marketing its about sunglasses and shoes or guns and drugs you choose we got it rehashed we got it half-assed we're digging up all the graves and we're spitting on the past and you can choose between the colors of the lipstick on the whores cause we know the difference between the font of 20% more and the font of teriakiyi you tell me how does it...make you feel? you tell me what's ...real? and they say that alcoholics are always alcoholics even when they're as dry as my lips for years even when they're stranded on a small desert island with no place within 2,000 miles to buy beer and i wonder is he different? is he different? has he changed? what's he about?... or is he just a liar with nothing to lie about? Am i headed for the same brick wall is there anything i can do about anything at all? except go back to that corner in Manhattan and dig deeper, dig deeper this time down beneath the impossible pain of our history beneath unknown bones beneath the bedrock of the mystery beneath the sewage systems and the path drain beneath the cobblestones and the water mains beneath the traffic of friendships and street deals beneath the screeching of kamikaze cab wheels beneath everything i can think of to think about beneath it all, beneath all get out beneath the good and the kind and the stupid and the cruel there's a fire just waiting for fuel there's a fire just waiting for fuel there's a fire just waiting for fuel there's a fire just waiting for fuel there's a fire just waiting for fuel there's a fire just waiting for fuel there's a fire just waiting for fuel there's a fire just waiting for fuel there's a fire just waiting for fuel there's a fire just waiting for fuel there's a fire just waiting for fuel there's a fire just waiting for fuel there's a fire just waiting for fuel there's a fire just waiting for fuel |
|||||
|
5:20 | ||||
from Ani Difranco - Little Plastic Castles (1998)
sitting in my glasshouse
while your ghost is sleeping down the hall watching the little birds fly kamikaze missions into the walls think i'm gonna stay in today sit on my couch and watch them fall [drums] life just keeps getting harder keeps getting harder to hide darker it is around me easier it is to see inside and outside the glass the whole world is magnified and its barely an inch from here to the other side [chorus] guess that push has come to this so i guess this must be shove but before you throw those stones at me tell me what's your house made of and before you'll know what i'm doing wrong you're going to have to get in line for the purposes of this song lets just say i'm doing fine sure, i'm doing fine trapped in my glasshouse crowd has been gathering since dawn make a pot of coffee while catastrophe awaits me out on the lawn think i'm going to stay in today pretend like i don't know what's going on seems that push has come to this so i guess this must be shove but before you throw those stones at me tell me what's your house made of and before you'll know what i'm doing wrong you're going to have to get in line so for the purposes of this song lets just say i'm doing fine sure, i'm doing fine sitting in my glass house sitting in my glass house |
|||||
|
3:33 | ||||
from Ani Difranco - Little Plastic Castles (1998)
i heard the sound of your bike,
as your wheels hit the gravel, then your engine in the driveway cutting off and i pushed through the screen door and i stood out on the porch thinking figh, fight, fight at all costs, but instead i let you in, just like i've always done and i sat you down and offered you a beer and across the kitchen table i fired several rounds, but you were still sitting here when the smoke cleared. and you came crawling back to say that you wanna make good in the end and oh, oh, let me count the ways that i abhore you, and you were never a good lay and you were never a good friend but, oh, oh, what else can i say... i adore you all i need is my leather, one t-shirt and two socks, i'll keep my hands warm in your pockets and we can use the engine block, and we'll ride out to california with my arms around your chest, and i'll pretend that this is real 'cuz this is what i like best, and you've been juggling two women like a stupid circus clown telling us both we are the one and maybe you can keep me from ever being happy, but you're not gonna stop me from having fun. so let's go before i change my mind i'll leave the luggage of all your lives behind 'cuz i am bigger than everything that came before and you were never very kind, and you let me way down every time but oh, oh, oh what can i say... i adore you i heard the sound of your bike, as your wheels hit the gravel, then your engine in the driveway cutting off |
|||||
|
3:45 | ||||
from Ani Difranco - Little Plastic Castles (1998)
we drove the car to the top of the parking ramp
on the 4th of july we sat out on the hood with a couple of warm beers and watched the fireworks explode in the sky and there was an exodus of birds from the trees but they didnt know, we were only pretending and the people all looked up, and were pleased and the birds flew around like the whole world was ending and i don't think war is noble and i don't like to think that love is like war and i gotta big hot cherry bomb, and i want to slip it through the mail slot of your front door don't leave me here i've got your back now you'd better have mine cause you say the coast is clear but you say that all the time so many sheep i quit counting sleepless and embarrassed about the way that i feel trying to make mole hills out of mountains building base camp at the bottom of a really big deal and did i tell you how i stopped eating? when you stopped calling me and i was cramped up shitting rivers for weeks and pretending that i was finally free don't leave me here now that your back you'd better stay this time cause you say the coast is clear but you say that all the time we drove the car to the top of the parking ramp, on the 4th of july and i planted my dusty boots on the bumper and sat out on the hood, and looked up at the sky |
|||||
|
4:03 | ||||
from Ani Difranco - Little Plastic Castles (1998)
in a coffee shop in a city
which is every coffee shop in every city on a day which is every day i pick up a magazine which is every magazine and read a story then forgot it right away they say goldfish got no memory i guess their lives are much like mine the little plastic castle is a surprise every time it's hard to say if they are happy when they don't seem much to mind from the shape of your shaved head i recognized your silhoutte as you stepped in out of the sun and sat down your sleepy smile eclipsed everyone else in the room as they paused to snear at the girls from out of town i said, "Baby, look at you this morning you are so way the fucking cutest be careful getting cofee i think these people want to shoot us i think there's some kind of competition here to see who can be the rudest people talk about my image like i come in two dimensions like lipstick is a sign of my decling mind like what i happen to be wearing the day that someone takes my picture is my new statement for all womankind i wish they could see us now in leather bras and rubber shorts like some ridiculous team uniform for some ridculous new sport quick someone call the girl police and file a report in a coffe shop in a city which is every coffee shop in every city on a day which is every day |
|||||
|
2:51 | ||||
from Ani Difranco - Little Plastic Castles (1998)
you've always got those dark sunglasses
covering up your face but if you promise to take them off i promise i won't squander your gaze i will be picturesque i will be nice i won't do anything you can't tell your wife i will think before i act i will think twice just let me see your eyes each time we spoke you put in a token ran? the tilt-a-whirl when i was giggling and dizzy flirting like a 12 year old girl the carnival of you and me was coming to town watch how we spin and stop and then fall down now we just say hello and head for firmer ground you are the one-way glass that watches me standing in line at the bank i always looked into your glasses like a cat looks into a fish tank but all i could ever see was the specter of me reflected i'm on a monument of friendship that we never had erected i wanted to take up lots of room i wanted to loom you always got those dark sunglasses between us when we talk after the party is over if you wanna take a walk we could just look around not to nothing wrong just try to be at least as brave as our songs i will bring my heart i will bring my face you just name the time and place |
|||||
|
4:25 | ||||
from Ani Difranco - Little Plastic Castles (1998)
i'm a pixie
i'm a paperdoll i'm a cartoon i'm a chipper cheerful free for all and i light up a room i'm the color me happy girl miss live and let live and when they're out for blood i always give the man behind the counter looks like he's got a half a dozen places he'd rather be and furthermore it looks like he's preparedd to take it all out on me buddy, i don't really care what your problem is just don't make it mine come on kids, let's all hold hands and pretend we're having a good time maybe you don't like your job maybe you didn't get enough sleep well, nobody likes their job nobody got enough sleep maybe you just had the worst day of your life but, you know, there's no escape and there's no excuse so just suck up and be nice all the privileged white kids on tv playing at death brandishing their cold cuts with their whostly makup and their heroin breath and all the little fishes are flapping wildly on their hooks while all the top critics find great meaning in the telephone book the little emperor he has no clothes so he can't come out to play and besides which life is suffering and he likes it that way and the little guy is not so friendly but you know life has been cruel so wipe that smile off your face baby and try to be cool maybe you don't like your job maybe you didn't get enough sleep well, nobody likes their job nobody got enough sleep maybe you just had the worst day of your life but, you know, there's no escape and there's no excuse so just suck up and be nice yeah, i would like to perfect the art of being studiously aloof like life is just a boring chore and i am living proof i could join forces with an army of ornery hipsters but then i guess i'd be out of a job so i guess that's out of the picture cuz i'm a pixie i'm a paperdoll i'm a cartoon i'm a chipper cheerful free for all and i light up a room i'm the color me happy girl miss live and let live and when they're out for blood i always give |
|||||
|
14:15 | ||||
from Ani Difranco - Little Plastic Castles (1998)
you crawled into my bed that night
like some sort of giant insect and i found myself spellbound at the sight of you there cocooned in my room, beautiful and grotesque and all the rest of that bug stuff bluffing your way into my mouth behind my teeth, reaching for my scars that night we got kicked out of two bars and laughed our way home that night you leaned over and threw up into your hair and i thought i would offer you my pulse if i thought it would be useful i would give you my breath except the problem with death is that you have some hundred years and then they can build building on your only bones 100 years and then your grave is not your own we lie in out beds, and our graves unable to save ourselves from the quaint tragedies we invent and then undo from the stupid circumstances we slalomed through and i realized that night that the hall light which seemed so bright when you turned it on is nothing compared to the dawn which is nothing, compared to the light which seeps from me while you're sleeping cocooned in my room beautiful and grotesque resting that night we got kicked out of two bars and laughed our way home and i held you there thinking i would offer you my pulse i would give you my breath i would offer you my pulse |
|||||
|
4:45 | ||||
from Ani Difranco - Little Plastic Castles (1998)
the heat is so great
it plays tricks with the eye it turns the road to water and then from water to sky and there's a crack in the concrete floor and it starts at the sink there's a bathroom in a gas station and i've locked myself in it to think and back in the city the sun bakes the trash on the curb the men are pissing in doorways and the rats run in herds i've got a dream of your face that scares me awake i put too much on my table and now i got too much a stake and i might let you off easy yeah i might lead you on i might wait for you to look for me and then i might be gone where i come from and where i'm going and i'm lost in between i might go up to that phone booth and leave a veiled invitation on you machine and you'll stop me, won't you if you've heard this one before the one where i surprise you by showing up at your front door saying 'let's not ask what's next, or how, or why' i am leaving in the morning so let's not be shy the door opens, the room winces the housekeeper comes in without a warning and i squint at the muscular motel lady says 'hey good morning' and she jumps, her keys jingle and she leaves as quick as she came in and i roll over and taste the pillow with my grin well, the sheets are twisted and tangled and the heat is so great and i swear i can feel the mattress sinking underneath your weight oh sleep is like a fever and I'm glad when it ends and the road flows like a river and pulls me around every bend and you'll stop me, won't you... the heat is so great it plays tricks with the eye it turns road to water and water to sky and there's a crack in the concrete floor and it starts at the sink there's a bathroom in a gas station and i've locked myself in it to think and you'll stop me, won't you... |
|||||
|
6:30 | ||||
from Ani Difranco - Little Plastic Castles (1998)
sleep walking through the all-nite drug store
baptized in fluorescent light i found religion in the greeting card aisle now i know hallmark was right and every pop song on the radio is suddenly speaking to me art may imitate life but life imitates t.v. 'cuz you've been gone exactly two weeks two weeks and three days and let's just say that things look different now different in so many ways i used to be a superhero no one could touch me not even myself you are like a phone booth that i somehow stumbled into and now look at me i am just like everybody else if i was dressed in my best defenses would you agree to meet me for coffee if i did my tricks with smoke and mirrors would you still know which one was me if i was naked and screaming on your front lawn would you turn on the light and come down screaming, there's the asshole who did this to me stripped me of my power stripped me down i used to be a superhero no one could touch me not even myself you are like a phone booth that i somehow stumbled into and now look at me i am just like everybody else yeah you've been gone exactly two weeks two weeks and three days and now i'm a different person different in so many ways tell me what did you like about me and don't say my strength and daring 'cuz now i think i'm at your mercy and it's my first time for this kind of thing i used to be a superhero i would swoop down and save me from myself but you are like a phone booth that i somehow stumbled into and now look at me i am just like everybody else |
|||||
|
4:57 | ||||
from Ani Difranco - Little Plastic Castles (1998)
you were fresh off the boat from virginia
i had a year in new york city under my belt we met in a dream we were both 19 i remember where we were standing i remember how it felt 2 little girls growing out of their training bras this little girl breaks furniture, this little girl breaks laws 2 girls together just a little less alone this little girl cries wee wee all the way home you were always half crazy, now look at you baby make about as much sense as a nursery rhyme love is a piano dropped out a four story window and you were in the wrong place at the wrong time i don't like your girlfriend, yeah i don't like her never seen one of your lovers do you so much harm i loved you first and you know i would prefer if she didn't empty her syringes into your arm here comes little naked me padding up to the bathroom door to find little naked you slumped on the bathroom floor so i guess i'll just stand here with my back against the wall while you distilled your whole life down to a 911 call [chorus] so now you bring me your bruises so i can oh and ah at the display maybe i'm supposed to make one of my famous jokes that makes everything ok maybe i'm supposed to be the handsome prince who rides up and unties your hands or maybe i'm supposed to be the furrow-browed friend who thinks she understands here comes little naked me......[etc] |
|||||
|
5:17 | ||||
from Sub Sampler - Sub Sampler 9802 vol.2 [omnibus] (1998) | |||||
|
4:51 | ||||
from Sub Sampler - Sub Sampler 9802 vol.2 [omnibus] (1998) | |||||
|
3:04 | ||||
from Steal This Movie (이 영화를 훔쳐라) by Mader [ost] (2000) | |||||
|
4:25 | ||||
from Steal This Movie (이 영화를 훔쳐라) by Mader [ost] (2000)
there's no place in this world where i'll belong when i'm gone.
and i won't know the right from the wrong when i'm gone. and you won't find me singin' on this song when i'm gone, so i guess i'll have to do it while i'm here. and i won't feel the flowing of the time when i'm gone. all the pleasures of love will not be mine when i'm gone. my pen won't pour out a lyric line when i'm gone, so i guess i'll have to do it while i'm here. and i won't breathe the bracing air when i'm gone. and i can't even worry 'bout my cares when i'm gone. won't be asked to do my share when i'm gone. so i guess i'll have to do it while i'm here. and i won't be running from the rain when i'm gone. and i can't even suffer from the pain when i'm gone. can't say who's to praise and who's to blame when i'm gone, so i guess i'll have to do it while i'm here. won't see the golden of the sun when i'm gone. and the evenings and the mornings will be one when i'm gone. can't be singing louder than the guns when i'm gone. so i guess i'll have to do it while i'm here. all my days won't be dances of delight when i'm gone. and the sands will be shifting from my sight when i'm gone. can't add my name into the fight while i'm gone, so i guess i'll have to do it while i'm here. and i won't be laughing at the lies when i'm gone. and i can't question how or when or why when i'm gone. can't live proud enough to die when i'm gone, so i guess i'll have to do it while i'm here. |
|||||
|
3:25 | ||||
from Badlands : A Tribute To Bruce Springsteen's Nebraska [tribute] (2000) | |||||
|
- | ||||
from Ani Difranco - To The Teeth (2001)
back back back in the back of your mind
are you learning an angry language, tell me boy boy boy are you tending to your joy or are you just letting it vanquish back back back in the dark of your mind where the eyes of your demons are gleamin are you mad mad mad about the life you never had even when you are dreaming. who are these old old people in these nursing homes scowling away at nothing like big rag dolls just cursing at the walls and pulling out all of their stuffing every day is a door leading back to the core yes, old age will distill you and if you're this this this full of bitterness now some day it will just fill you when you sit right down in the middle of yourself you're gonna wanna have a comfortable chair so renovate your soul before you get too old cuz you'r egonna be housebound there when you're old you fold up like an envelope and you mail yourself right inside and there's nowhere to go except out real slow are you ready, boy, for that ride? your arrogance is gaining on you and so is eternity you better practice happiness you better practice humility you took the air, you took the time you were fed and you were free now you'd better put some beauty back while you got the energy you'd better put some beauty back, boy while you got the energy |
|||||
|
- | ||||
from Ani Difranco - To The Teeth (2001)
how pleased can one
sun setting make you if you humble yourself to it? how grateful can you relay say that you are just to be here and live through it? and when beauty asks a question how often do you reply? how often do you wonder about life on the other side? on the other side of sorrow on the other side of rage on the other side of ok ok at all in any way imagine what loneliness will drive someone to do now multiply that times me and multiply that times you now imagine what it would take to make this all happen again and just when you think you're gonna cry multiply that times ten you are distracting me from all other activities and i know the fact of your presence will dominate my memory of this restaurant this table this day and this town cuz i carry you, baby i carry you around |
|||||
|
- | ||||
from Ani Difranco - To The Teeth (2001)
i've been wondering what you meant when you asked
do you have a light? i've been wondering where you went when you left that party that night cloud blood smudge smeared on the sky it's dawn's roadkill i've been driving since midnight and i'm driving still stop on the top of the ridge just to feel the wind on my rand mcnally then i feel the air go cold as i drift in to the first blue of the valley you're wondering how far down you are on my call back list but you don't realize everytime i find i'm by a phone the landscape shifts every other song someone's trying to write angels into the wrold every grace, every ace every near miss every decent kiss by a pretty girl she was an angel she looked like an angel and all of the angels did sing the angels were watching and the angels were listening and the angels were on hand to stand in for everything you can call it magic when a man pulls a rabbit out of a hat but the reason i don't call is cuz i wonder if there isn't a better word than that and you can call me crazy but i think you're as lazy as white paint on a wall and i know you'll only speak to me in dial tones if i call it's been way too long since i've been behind the wheel headlights guiding me through the dark i feel dry eyed trying hard to resist sleep's first kill everytime i have time to think i think of this |
|||||
|
- | ||||
from Ani Difranco - To The Teeth (2001)
life in the circus ain't easy
but the folks on the outside don't know the tent goes up and the tent comes down and all that they see is the show and the laides on the horses look so pretty and the lions are looking real mad and some of the clowns are happy and some of the clowns are sad but underneath there's another expression that the makeup isn't making life under the big top it's about freedom it's about faking there's an art to the laughter there's a science and there's a lot of love and compliance welcome to the freakshow here we go... we live to hear the slack-jawed gasping we live under a halo of held breath and when the children raise up a giant shield of laughter, it's like they're fending of death oh and we can make something bigger than any of us alone and then the clowns will take of their makeup and the people will go home but life on the outside ain't easy no sequins, no elephants no parading around yeah, the circus comes and the circus goes and they're stuck in this fucking town you need a lot of love and compliance welcome to the freakshow here we go... |
|||||
|
- | ||||
from Ani Difranco - To The Teeth (2001)
going once, going twice
sold to the girl who ignored all the advice of all the people who knew better she just stood there on the front porch waiting for her will to come and get her she was packed she had a suitcase full of noble intentions she had a map packed and a straight face hell bent on reinvention and she was ready for the lonely she was in it for it only going once, going twice down the road less taken with her diary and her WD40 and her swiss army knife and her beer and there was always someone there to say why don't you just stay and hang your hat here but she was packed she had a suitcase full of bumbles and near misses and she was swinging through a jungle of last calls and first kisses and she was learning about please and huge humilities then one day she looked around here and everything up till then was showing and she wondered how did i get here without even knowing where i was going? now there's no getting out of this and there is no going back and it all seems so odd sometimes and the odds all seem stacked going once, going twice sold to the girl who ignored all the advice of all the people who knew better she just stood there on the front porch waiting for her will to come and get her she was packed she had a suitcase she had a map packed and a straight face she was ready for the lonely she was in it for it only |
|||||
|
- | ||||
from Ani Difranco - To The Teeth (2001)
Hold me down
I am floating away Into the overcast skies Over my home town On election day What is it about Birmingham? What is it about buffalo? Did the hate filled wanna build bunkers In your beautiful red earth They want to build them In our shiny white snow Now I've drawn closed the curtain In this little booth where the truth has no place to stand And I am feeling oh so powerless In this stupid booth with this useless Little lever in my hand And outside my city is bracing For the next killing thing Standing by the bridge and praying For the next doctor Martin Luther King It was just one shot Through the kitchen window It was just two miles from here If you fly like a crow A bullet came to visit a doctor In his one safe place A bullet ensuring the right to life Whizzed past his kid and his wife And knocked his glasses Right off of his face And the blood poured off the pulpit Yeah the blood poured down the picket lines Yeah, the hatred was immediate And the vengence was divine So they went and stuffed god Down the barrel of a gun And after him They stuffed his only son Hello birmingham It's buffalo I heard you had some trouble Down there again And I'm just calling to let to know That someone understands I was once escorted Through the doors of a clinic By a man in a bulletproof vest And no bombs went off that day So I am still here to say Birmingham I'm wishing you all of my best Oh Birmingham I'm wishing you all of my best Oh Birmingham I'm wishing you all of my best on this election day |
|||||
|
- | ||||
from Ani Difranco - To The Teeth (2001)
i know this bar
with a jukebox full of medicine and christmas lights blinking around a clouded mirror it's not that far from old voelkers bowling alley just go up there and turn right it's about three blocks from here you'll probably find grace her shift starts at happy hour she's got this sweet face easy as tea leaves to read you gotta know what to look for you gotta know what's there to find but then i guess you don't really know her so nevermind i used to hang out a lot around here in that part of town where all the white kids still have feathered hair i know this song with this one really killer line i don't remember it exactly but it slays me every time it's on the jukebox there i know it's number 5403 go put that song on for me won't you and make gracie think of me |
|||||
|
- | ||||
from Ani Difranco - To The Teeth (2001)
who knew
at this party that i would walk in and i'd see you i guess now we could just get drunk yeah, and that could be our excuse you could slip and outta nowhere i could be there to catch your fall and we could laugh at ourselves and the writing that's on the wall it's a narrow margin just room enough for regret in the inch and a half between hey, how ya been? and can i kiss you yet? so we talk like nervous neighbors over a tall fence true love but for the lack of providence but i just got one more thing to tell you cuz words are vitamins and life is short and i know when we get up to the front office we're gonna have to fill out a full report the first question will be what were you thinking? and the next question will be what did you say? and then they're gonna check to see if the answers to one and two matched up much along the way in the interest of poetry and the cowboy movie that's you and me i'm back on the horse now and i am riding i am striding so effortlessly what i mean is it's late much too late for us and i'm fixing to go home with just my conscience and a bitter sense of irony as my chaperone |
|||||
|
- | ||||
from Ani Difranco - To The Teeth (2001)
i don't keep much stuff around
i value my portability but i will say that i have saved every letter you ever wrote to me the one you left on my windshield outside of that little motel is in the pocket of my old gig bag from back when life was more soft shell letters littered with little lewd pictures drawn by the ghost of woody guthrie who would use you big thick hand just to draw one or two for me i think of your letters as love letters which is how i think of songs in that it is the writing of them that tends to carry us along and i danced to one of your old tunes with my true love on our wedding day and you voice sang the way my heart would sing if it finally knew just what to say two people pulled over on the same night to look up at the same stars they both found their wheels were spinning in a soft shoulder when they both got back into their cars and they missed fates appointed rendezvous and then a whole lotta time wnet by and then one day they were done worshipping the landscape and they just put down their hands and moved into the sky they had barely said hello and it was time to say goodbye |
|||||
|
- | ||||
from Ani Difranco - To The Teeth (2001)
are you weary as water
in a faucet left dripping with an incessant sadness like a sad record skipping and an ugly and ornery and shadowy dread lurking like a troll under the bridge between your heart and your head she came to and her whole life was how she remembered it she had a mouth full of fur and she was laughing she parked her hearse across three spaces posted "motorcycles only" and jumped out shouting what the cus could make a nice girl like us feel so lonely? are you weary as water in a faucet left dripping with an incessant sadness like a sad record skipping and an ugly and ornery and shadowy dread lurking like a troll under the bridge between your heart and your head please dumb blind kind sir lend little miss listless just a little bit of christmas she's been a real good girl but now she's stuck here the world is so little and still mysterious and ominous as ever before like an unmarked bottle full of pills on the shelf right next to the thing you were reaching for are you weary as water in a faucet left dripping with an incessant sadness like a sad record skipping and an ugly and ornery and shadowy dread lurking like a troll under the bridge between your heart and your head swing the groove 'round here where i can reach it when i get my ass back on track i'm gonna need it swing shift til i get the money to buy me and my baby a moon full of honey then i'm gonna turn off the nagging voices inside my head that follow me to bed and say (you suck) are you weary as water (what'd you do that for?) in a faucet left dripping with an incessant sadness like a sad record skipping and an ugly and ornery and shadowy dread lurking like a troll under the bridge between your heart and your head (end of radio version rest is only on To the Teeth) if you diggin on the sound (break it down down) no walls up break it down (break it down down) happiness spread it all around (break it down down) racist stomp it in the ground (break it down down) so if you diggin on the sound (break it down down) no walls up break it down (break it down down) ignorance stomp it in the ground (break it down down) then happiness spread it all around (break it down down) tcha who said funk and hip hop can't match put us together on a stage and like a match KABOOM guess who stepped in the room sweepin ya off ya feel like we had a broom with ani difranco and Maceo. add a little freestyle flow and who knows put a little scratchin into the mix and its enough to get you high if you need a fixin if you diggin on the sound (break it down down) no walls up break it down (break it down down) ignorance stomp it in the ground (break it down down) happiness spread it all around (break it down down) if you diggin on the sound (break it down down) no walls up break it down (break it down down) happiness spread it all around (break it down down) racist stomp it in the ground (break it down down) break it down down down down (fades out) |
|||||
|
- | ||||
from Ani Difranco - To The Teeth (2001) | |||||
|
- | ||||
from Ani Difranco - To The Teeth (2001)
the sun is setting on the century
and we armed to the teeth we're all working together now to make our lives mercifully brief schoolkids keep trying to teach us what guns are all about confuse liberty with weaponry and watch your kids act it out every year now like christmas some boy gets the milkfed suburban blues reaches for the available arsenal and saunters off to make the news and the women in the middle arelearning what poor women have always known that the edge is closer than you think whe your men bring the guns home look at where the profits are that's how you'll find the source of the big lie that you and i both know so well in the time it take this cultural death wish to run its course they're gonna make a pretty penny and then they're all going to hell he said the chickens all come home to roost yeah malcolm forecasted this flood are we really gonna sleep through another century while the rich profit off our blood? true it may take some doing to see this undoing through but in my humble opinion here's what i suggest we do open fire on hollywood open fire on MTV open fire on NBC and CBS and ABC open fire on the NRA and all the lies they told us along the way open fire on each weapons manufacturer while he's giving head to some republican senator and if i hear one more time about a fool's right to his tools of rage i'm gonna take all my friends and i'm gonna move to canada and we're gonna die of old age |
|||||
|
- | ||||
from Ani Difranco - To The Teeth (2001)
i am losing my love for adventure
i'm losing all respect for me and myself tonight i wonder what happens if i get to the end of this tunnel and there isn't a light i've worn down the treads on all of my tires i've worn through the elbows and the knees of my clothing i am stumbling down the gravel driveway of desire trying not to wake up my sleeping self-loathing do you ever have that dream where you open your mouth and you try to scream but you can't make a sound that's every day starting now that's every day starting now don't tell me it's gonna be alright you can't sell me on your optimism tonight it's stiff competition to see who can stay up later the stars or the street lights all they really want is to be alone with the darkness no more wish i may no more wish i might it takes a stiff upper lip just to hold up my face i got to suck it up and savor the taste of my own behavior i am spinning with longing faster than a roulette wheel this is not who i meant to be this is not how i meant to feel i don't think i am strong enough to do this much longer god i wish i was stronger this song could never be long enough to express every longing god i wish it was longer |
|||||
|
- | ||||
from Ani Difranco - Fire Door (2002) | |||||
|
- | ||||
from Ani Difranco - Fire Door (2002)
i will lean into you
and you can be the wind i will open up my mouth and you can come rushing in you can rush in so hard and make it so i can't breathe i breathe too much anyway i can do that anyday i just wish i knew who you were i wish you'd make yourself known you probably don't realize i'm her the woman you want to call home i'll keep my ear to the wall i'll keep my eye on the door 'cause i've heard all my own jokes and they're just not funny anymore i laugh too much anyway i can do that anyday have you ever been bent or pulled have you ever been played like strings if i could see you i could strum you i could break you make you sing but i guess you can't really see the wind it just comes in and fills the space and everytime something moves you think that you have seen its face and i've always got my guitar to play but i can do that anyday |
|||||
|
- | ||||
from Ani Difranco - Fire Door (2002)
I opened the fire door
to four lips none of which were mine kissing tightened my belt around my hips where your hands were missing and stepped out into the cold collar high under the slate grey sky the air was smoking and the streets were dry and I wasn't joking when I said Good Bye magazine quality men talking on the corner French, no less much less of them then us so why do I feel like something's been rearranged? you know, taken out of context I must seem so strange killed a cockroach so big it left a puddle of pus on the wall when you and I are lying in bed you don't seem so tall I'm singing now because my tear ducts are too tired and my mind is disconnected but my heart is wired I make such a good statistic someone should study me now somebody's got to be interested in how I feel just 'cause I'm here and I'm real oh, how I miss substituting the conclusion to confrontation with a kiss and oh, how I miss walking up to the edge and jumping in like I could feel the future on your skin I opened the fire door to four lips none of which were mine kissing I opened the fire door x 9 |
|||||
|
- | ||||
from Ani Difranco - Fire Door (2002)
guess there's something wrong with me
guess i don't fit in no one wants to touch it no one knows where to begin i've got more than one membership to more than one club and i owe my life to the people that i love he looks me up and down like he knows what time it is like he's got my number like he thinks it's his he says, call me, miss difranco, if there's anything i can do i say, it's mr. difranco to you some days the line i walk turns out to be straight other days the line tends to deviate i've got no criteria for sex or race i just want to hear your voice i just want to see your face she looks me up and down like she thinks that i'll mature like she's got my number like it belongs to her she says, call me, ms. difranco if there's anything i can do i say, i've got spots i've got stripes, too their eyes are all asking are you in, or are you out and i think, oh man, what is this about? tonight you can't put me up on any shelf 'cause i came here alone i'm gonna leave by myself i just want to show you the way that i feel and when i get tired you can take the wheel to me what's more important is the person that i bring not just getting to the same restaurant and eating the same thing guess there's something wrong with me guess i don't fit in no one wants to touch it no one knows where to begin i've more than one membership to more than one club and i owe my life to the people that i love |
|||||
|
- | ||||
from Ani Difranco - Fire Door (2002)
how come i can pick my ears
but not my nose who made up that rule anyway how can you say that's the way it is that's just the way it goes why don't you decide for yourself what you can do and what you can say how come i can pick my friends but not my enemies what is it about me that offends what is it about me 'cause you know i'm only five foot two and i'm giggly wiggly tell me again, what did i do why are you scared of me i fight with love and i laugh with rage you've gotta live light enough to see the humor and long enough to see some change i think shy is boring i think depressed is too i think pretty is nice but i'd rather see something new all these plastic people got their plastic surgery but we got a big big beautiful we got it for free who you gonna be if you can't be yourself you can't get it from t.v. you can't force it on anybody else you know they come to clear cut they come to strip mine they come for some of my big butt my big brain or just a little time they wanna take me out to dinner think i'm a bitch if i don't go seems like the people who actually like me won't allow me to say no your idea of a conversation is the third degree but i don't really know you and i don't really want to talk about me 'cause i'm not going to pretend that i don't pick my nose that's just the way it is, my friends that's just the way it goes this is who i am what i do and what i say if you like it, let it be if you don't, please do the same i fight with love i laugh with rage you gotta live light enough to see the humor and long enough to see some change |
|||||
|
- | ||||
from Ani Difranco - Fire Door (2002)
Tending the garden of noise
where i grow the traffic and the church bells and the neighborhood boys singing to myself when the solitude sets in in tune with the symphony of south brooklyn i sing rockabye, rockabye baby rockabye, the baby that is me rockabye, rockabye baby rockabye till i'm fast asleep the tunnel is train torn the tracks are worn and sore i can feel the rattle riding up through the floor she jumped the turnstile he paid for his ride i am the echo in the station where their footfalls collide i left her at the epicenter we were trembling dutifully i left him too i left parts of me singing... rockabye, rockabye baby rockabye, the baby that is me rockabye, rockabye baby rockabye till i'm fast asleep (repeats) i said today i am leaving in every sense of the word but i'm in love with your memory already everything i've seen and heard and i will go singing as the solitude sets in in time with the rhythm of everywhere i have been it sounds like rockabye, rockabye baby rockabye, the baby that is me rockabye, rockabye baby rockabye till i'm fast asleep (repeats x3) tending the garden of noise where i grow the traffic and the church bells and the neighborhood boys singing to myself when the solitude sets in in tune with the symphony of south brooklyn. |
|||||
|
- | ||||
from Ani Difranco - Swing Set (2006)
Lots of folks back East, they say, is leavin' home every day,
Beatin' the hot old dusty way to the California line. 'Cross the desert sands they roll, gettin' out of that old dust bowl, They think they're goin' to a sugar bowl, but here's what they find -- Now, the police at the port of entry say, "You're number fourteen thousand for today." CHORUS: Oh, if you ain't got the do re mi, folks, you ain't got the do re mi, Why, you better go back to beautiful Texas, Oklahoma, Kansas, Georgia, Tennessee. California is a garden of Eden, a paradise to live in or see; But believe it or not, you won't find it so hot If you ain't got the do re mi. You want to buy you a home or a farm, that can't deal nobody harm, Or take your vacation by the mountains or sea. Don't swap your old cow for a car, you better stay right where you are, Better take this little tip from me. 'Cause I look through the want ads every day But the headlines on the papers always say: If you ain't got the do re mi, boys, you ain't got the do re mi, Why, you better go back to beautiful Texas, Oklahoma, Kansas, Georgia, Tennessee. California is a garden of Eden, a paradise to live in or see; But believe it or not, you won't find it so hot If you ain't got the do re mi. |
|||||
|
- | ||||
from Ani Difranco - Swing Set (2006)
Pistol shots ring out in the barroom night
Enter Patty Valentine from the upper hall. She sees the bartender in a pool of blood, Cries out, "My God, they killed them all!" Here comes the story of the Hurricane, The man the authorities came to blame For somethin' that he never done. Put in a prison cell, but one time he could-a been The champion of the world. Three bodies lyin' there does Patty see And another man named Bello, movin' around mysteriously. "I didn't do it," he says, and he throws up his hands "I was only robbin' the register, I hope you understand. I saw them leavin'," he says, and he stops "One of us had better call up the cops." And so Patty calls the cops And they arrive on the scene with their red lights flashin' In the hot New Jersey night. Meanwhile, far away in another part of town Rubin Carter and a couple of friends are drivin' around. Number one contender for the middleweight crown Had no idea what kinda shit was about to go down When a cop pulled him over to the side of the road Just like the time before and the time before that. In Paterson that's just the way things go. If you're black you might as well not show up on the street 'Less you wanna draw the heat. Alfred Bello had a partner and he had a rap for the cops. Him and Arthur Dexter Bradley were just out prowlin' around He said, "I saw two men runnin' out, they looked like middleweights They jumped into a white car with out-of-state plates." And Miss Patty Valentine just nodded her head. Cop said, "Wait a minute, boys, this one's not dead" So they took him to the infirmary And though this man could hardly see They told him that he could identify the guilty men. Four in the mornin' and they haul Rubin in, Take him to the hospital and they bring him upstairs. The wounded man looks up through his one dyin' eye Says, "Wha'd you bring him in here for? He ain't the guy!" Yes, here's the story of the Hurricane, The man the authorities came to blame For somethin' that he never done. Put in a prison cell, but one time he could-a been The champion of the world. Four months later, the ghettos are in flame, Rubin's in South America, fightin' for his name While Arthur Dexter Bradley's still in the robbery game And the cops are puttin' the screws to him, lookin' for somebody to blame. "Remember that murder that happened in a bar?" "Remember you said you saw the getaway car?" "You think you'd like to play ball with the law?" "Think it might-a been that fighter that you saw runnin' that night?" "Don't forget that you are white." Arthur Dexter Bradley said, "I'm really not sure." Cops said, "A poor boy like you could use a break We got you for the motel job and we're talkin' to your friend Bello Now you don't wanta have to go back to jail, be a nice fellow. You'll be doin' society a favor. That sonofabitch is brave and gettin' braver. We want to put his ass in stir We want to pin this triple murder on him He ain't no Gentleman Jim." Rubin could take a man out with just one punch But he never did like to talk about it all that much. It's my work, he'd say, and I do it for pay And when it's over I'd just as soon go on my way Up to some paradise Where the trout streams flow and the air is nice And ride a horse along a trail. But then they took him to the jailhouse Where they try to turn a man into a mouse. All of Rubin's cards were marked in advance The trial was a pig-circus, he never had a chance. The judge made Rubin's witnesses drunkards from the slums To the white folks who watched he was a revolutionary bum And to the black folks he was just a crazy nigger. No one doubted that he pulled the trigger. And though they could not produce the gun, The D.A. said he was the one who did the deed And the all-white jury agreed. Rubin Carter was falsely tried. The crime was murder "one," guess who testified? Bello and Bradley and they both baldly lied And the newspapers, they all went along for the ride. How can the life of such a man Be in the palm of some fool's hand? To see him obviously framed Couldn't help but make me feel ashamed to live in a land Where justice is a game. Now all the criminals in their coats and their ties Are free to drink martinis and watch the sun rise While Rubin sits like Buddha in a ten-foot cell An innocent man in a living hell. That's the story of the Hurricane, But it won't be over till they clear his name And give him back the time he's done. Put in a prison cell, but one time he could-a been The champion of the world. |
|||||
|
- | ||||
from Ani Difranco - Swing Set (2006)
are you weary as water
in a faucet left dripping with an incessant sadness like a sad record skipping and an ugly and ornery and shadowy dread lurking like a troll under the bridge between your heart and your head she came to and her whole life was how she remembered it she had a mouth full of fur and she was laughing she parked her hearse across three spaces posted "motorcycles only" and jumped out shouting what the cus could make a nice girl like us feel so lonely? are you weary as water in a faucet left dripping with an incessant sadness like a sad record skipping and an ugly and ornery and shadowy dread lurking like a troll under the bridge between your heart and your head please dumb blind kind sir lend little miss listless just a little bit of christmas she's been a real good girl but now she's stuck here the world is so little and still mysterious and ominous as ever before like an unmarked bottle full of pills on the shelf right next to the thing you were reaching for are you weary as water in a faucet left dripping with an incessant sadness like a sad record skipping and an ugly and ornery and shadowy dread lurking like a troll under the bridge between your heart and your head swing the groove 'round here where i can reach it when i get my ass back on track i'm gonna need it swing shift til i get the money to buy me and my baby a moon full of honey then i'm gonna turn off the nagging voices inside my head that follow me to bed and say (you suck) are you weary as water (what'd you do that for?) in a faucet left dripping with an incessant sadness like a sad record skipping and an ugly and ornery and shadowy dread lurking like a troll under the bridge between your heart and your head (end of radio version rest is only on To the Teeth) if you diggin on the sound (break it down down) no walls up break it down (break it down down) happiness spread it all around (break it down down) racist stomp it in the ground (break it down down) so if you diggin on the sound (break it down down) no walls up break it down (break it down down) ignorance stomp it in the ground (break it down down) then happiness spread it all around (break it down down) tcha who said funk and hip hop can't match put us together on a stage and like a match KABOOM guess who stepped in the room sweepin ya off ya feel like we had a broom with ani difranco and Maceo. add a little freestyle flow and who knows put a little scratchin into the mix and its enough to get you high if you need a fixin if you diggin on the sound (break it down down) no walls up break it down (break it down down) ignorance stomp it in the ground (break it down down) happiness spread it all around (break it down down) if you diggin on the sound (break it down down) no walls up break it down (break it down down) happiness spread it all around (break it down down) racist stomp it in the ground (break it down down) break it down down down down (fades out) |
|||||
|
- | ||||
from Ani Difranco - Swing Set (2006)
are you weary as water
in a faucet left dripping with an incessant sadness like a sad record skipping and an ugly and ornery and shadowy dread lurking like a troll under the bridge between your heart and your head she came to and her whole life was how she remembered it she had a mouth full of fur and she was laughing she parked her hearse across three spaces posted "motorcycles only" and jumped out shouting what the cus could make a nice girl like us feel so lonely? are you weary as water in a faucet left dripping with an incessant sadness like a sad record skipping and an ugly and ornery and shadowy dread lurking like a troll under the bridge between your heart and your head please dumb blind kind sir lend little miss listless just a little bit of christmas she's been a real good girl but now she's stuck here the world is so little and still mysterious and ominous as ever before like an unmarked bottle full of pills on the shelf right next to the thing you were reaching for are you weary as water in a faucet left dripping with an incessant sadness like a sad record skipping and an ugly and ornery and shadowy dread lurking like a troll under the bridge between your heart and your head swing the groove 'round here where i can reach it when i get my ass back on track i'm gonna need it swing shift til i get the money to buy me and my baby a moon full of honey then i'm gonna turn off the nagging voices inside my head that follow me to bed and say (you suck) are you weary as water (what'd you do that for?) in a faucet left dripping with an incessant sadness like a sad record skipping and an ugly and ornery and shadowy dread lurking like a troll under the bridge between your heart and your head (end of radio version rest is only on To the Teeth) if you diggin on the sound (break it down down) no walls up break it down (break it down down) happiness spread it all around (break it down down) racist stomp it in the ground (break it down down) so if you diggin on the sound (break it down down) no walls up break it down (break it down down) ignorance stomp it in the ground (break it down down) then happiness spread it all around (break it down down) tcha who said funk and hip hop can't match put us together on a stage and like a match KABOOM guess who stepped in the room sweepin ya off ya feel like we had a broom with ani difranco and Maceo. add a little freestyle flow and who knows put a little scratchin into the mix and its enough to get you high if you need a fixin if you diggin on the sound (break it down down) no walls up break it down (break it down down) ignorance stomp it in the ground (break it down down) happiness spread it all around (break it down down) if you diggin on the sound (break it down down) no walls up break it down (break it down down) happiness spread it all around (break it down down) racist stomp it in the ground (break it down down) break it down down down down (fades out) |
|||||
|
- | ||||
from Ani Difranco - Swing Set (2006)
the sun is setting on the century
and we armed to the teeth we're all working together now to make our lives mercifully brief schoolkids keep trying to teach us what guns are all about confuse liberty with weaponry and watch your kids act it out every year now like christmas some boy gets the milkfed suburban blues reaches for the available arsenal and saunters off to make the news and the women in the middle arelearning what poor women have always known that the edge is closer than you think whe your men bring the guns home look at where the profits are that's how you'll find the source of the big lie that you and i both know so well in the time it take this cultural death wish to run its course they're gonna make a pretty penny and then they're all going to hell he said the chickens all come home to roost yeah malcolm forecasted this flood are we really gonna sleep through another century while the rich profit off our blood? true it may take some doing to see this undoing through but in my humble opinion here's what i suggest we do open fire on hollywood open fire on MTV open fire on NBC and CBS and ABC open fire on the NRA and all the lies they told us along the way open fire on each weapons manufacturer while he's giving head to some republican senator and if i hear one more time about a fool's right to his tools of rage i'm gonna take all my friends and i'm gonna move to canada and we're gonna die of old age |
|||||
|
- | ||||
from Ani Difranco - Swing Set (2006)
there's no place in this world where i'll belong when i'm gone.
and i won't know the right from the wrong when i'm gone. and you won't find me singin' on this song when i'm gone, so i guess i'll have to do it while i'm here. and i won't feel the flowing of the time when i'm gone. all the pleasures of love will not be mine when i'm gone. my pen won't pour out a lyric line when i'm gone, so i guess i'll have to do it while i'm here. and i won't breathe the bracing air when i'm gone. and i can't even worry 'bout my cares when i'm gone. won't be asked to do my share when i'm gone. so i guess i'll have to do it while i'm here. and i won't be running from the rain when i'm gone. and i can't even suffer from the pain when i'm gone. can't say who's to praise and who's to blame when i'm gone, so i guess i'll have to do it while i'm here. won't see the golden of the sun when i'm gone. and the evenings and the mornings will be one when i'm gone. can't be singing louder than the guns when i'm gone. so i guess i'll have to do it while i'm here. all my days won't be dances of delight when i'm gone. and the sands will be shifting from my sight when i'm gone. can't add my name into the fight while i'm gone, so i guess i'll have to do it while i'm here. and i won't be laughing at the lies when i'm gone. and i can't question how or when or why when i'm gone. can't live proud enough to die when i'm gone, so i guess i'll have to do it while i'm here. |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
i love you
and you love me and ain't that the way it's supposed to be? i swing my stick legs 'round at the root and pile drive each foot into a platform boot and i'm up and i'm out cuz i'm bouncing off the walls and i come when i'm called and you called i got a super-cute three-piece suit one piece for your body one piece for your smile one more little piece if you stay a while i gotta beeline double time leave my home sweet home for your honeycomb then i show up steady, ready and proud and i find i've forgotten how to talk out loud isn't it just like you to bring me to my knees in my brand new stockings while the cat is out with my tongue isn't it just like you to bring me to my knees in my brand new stockings love makes me feel so dumb |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) | |||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) | |||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) | |||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) | |||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) | |||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
she was cuffed to the truth like the truth was a chair
bright interrogation light in her eyes her conscience lit a cigarette and just stood there waiting for her to crack waiting for her to cry his face scampered through her mind like a roach across a wall it made her heart soar it made her skin crawl they said, we got this confession we just need for you to sign why don't you just cooperate and make this easier on us all there was light and then there was darkness but there was no line in between and asking her heart for guidance was like pleading with a machine 'cause joy, it has its own justice and dreams are languid and lawless and everything bows to beauty when it is fierce and when it is flawless on the table were two ziploc baggies containing her eyes and her smile they said, we're keeping these as evidence 'til this thing goes to trial meanwhile anguish was fingering solace in another room down the hall both were love's accomplices but solace took the fall now look at her book of days it's the same on every page and she's got a little tin cup with her heart in it to bang along the bars of her rib cage bang along the bars of her rib cage |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
she was cuffed to the truth like the truth was a chair
bright interrogation light in her eyes her conscience lit a cigarette and just stood there waiting for her to crack waiting for her to cry his face scampered through her mind like a roach across a wall it made her heart soar it made her skin crawl they said, we got this confession we just need for you to sign why don't you just cooperate and make this easier on us all there was light and then there was darkness but there was no line in between and asking her heart for guidance was like pleading with a machine 'cause joy, it has its own justice and dreams are languid and lawless and everything bows to beauty when it is fierce and when it is flawless on the table were two ziploc baggies containing her eyes and her smile they said, we're keeping these as evidence 'til this thing goes to trial meanwhile anguish was fingering solace in another room down the hall both were love's accomplices but solace took the fall now look at her book of days it's the same on every page and she's got a little tin cup with her heart in it to bang along the bars of her rib cage bang along the bars of her rib cage |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) | |||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) | |||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
some crazy fucker carved a sculpture out of butter
and propped it up in the middle of the bonanza breakfast bar and i am stuffing toast and sausage into my pockets under a sign that says grand opening while my dog is waiting in the car i wake up, i check out i fill the tank and wash the windshield clean then i'm back out on the highway and BANG that's when i remember my dream: we were standing in a garden and i had a machine that made silence it just sucked up the whole opinionated din and there were no people on the payroll and there were no monkeys on our backs and i said, show me what you look like without skin science chases money and money chases its tail and the best minds of my generation can't make bail but the bacteria are coming to take us down that's my prediction it's the answer to this culture of the quick fix prescription but in the garden of simple where all of us are nameless you were never anything but beautiful to me and, you know, they never really owned you you just carried them around and then one day you put 'em down and found your hands were free so now it's early in the morning at the longitude of memphis and the sun is setting sweetly on hong kong and the big plan is just to keep spinning cuz the big bang is only just beginning and sometimes it's all that we can do just to hang on and what i meant to say is xxoo which means i'm thinking of ya which means i've been thinking of you all along |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
some crazy fucker carved a sculpture out of butter
and propped it up in the middle of the bonanza breakfast bar and i am stuffing toast and sausage into my pockets under a sign that says grand opening while my dog is waiting in the car i wake up, i check out i fill the tank and wash the windshield clean then i'm back out on the highway and BANG that's when i remember my dream: we were standing in a garden and i had a machine that made silence it just sucked up the whole opinionated din and there were no people on the payroll and there were no monkeys on our backs and i said, show me what you look like without skin science chases money and money chases its tail and the best minds of my generation can't make bail but the bacteria are coming to take us down that's my prediction it's the answer to this culture of the quick fix prescription but in the garden of simple where all of us are nameless you were never anything but beautiful to me and, you know, they never really owned you you just carried them around and then one day you put 'em down and found your hands were free so now it's early in the morning at the longitude of memphis and the sun is setting sweetly on hong kong and the big plan is just to keep spinning cuz the big bang is only just beginning and sometimes it's all that we can do just to hang on and what i meant to say is xxoo which means i'm thinking of ya which means i've been thinking of you all along |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
the sky is grey
the sand is grey and the ocean is grey and i feel right at home in this stunning monochrome alone in my way i smoke and i drink and every time i blink i have a tiny dream but as bad as i am i'm proud of the fact that i'm worse than i seem what kind of paradise am i looking for? i've got everything i want and still i want more maybe some tiny shiny key will wash up on the shore you walk through my walls like a ghost on tv you penetrate me and my little pink heart is on its little brown raft floating out to sea and what can i say but i'm wired this way and you're wired to me and what can i do but wallow in you unintentionally what kind of paradise am i looking for? i've got everything i want and still i want more maybe some tiny shiny key will wash up on the shore regretfully i guess i've only got three simple things to say: why me? why this now? why this way? with overtones ringing and undertows pulling away under a sky that is grey on sand that is grey by an ocean that's grey what kind of paradise am i looking for? i've got everything i want and still i want more maybe some tiny shiny key will wash up on the shore |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
the sky is grey
the sand is grey and the ocean is grey and i feel right at home in this stunning monochrome alone in my way i smoke and i drink and every time i blink i have a tiny dream but as bad as i am i'm proud of the fact that i'm worse than i seem what kind of paradise am i looking for? i've got everything i want and still i want more maybe some tiny shiny key will wash up on the shore you walk through my walls like a ghost on tv you penetrate me and my little pink heart is on its little brown raft floating out to sea and what can i say but i'm wired this way and you're wired to me and what can i do but wallow in you unintentionally what kind of paradise am i looking for? i've got everything i want and still i want more maybe some tiny shiny key will wash up on the shore regretfully i guess i've only got three simple things to say: why me? why this now? why this way? with overtones ringing and undertows pulling away under a sky that is grey on sand that is grey by an ocean that's grey what kind of paradise am i looking for? i've got everything i want and still i want more maybe some tiny shiny key will wash up on the shore |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) | |||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) | |||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
it's a heartbreak even situation
nothing lost and nothing gained so i'm 10 years old again standing in the backyard waving at a train i feel you make love to me slightly every time you let a little laugh slip too soon and the moment passes over us so lightly it feels like sand blowing over a dune you try not to let your emotions show but it ain't a balloon you can just let go it's an ice cream cone dripping in the sun sticky hands sticky arms sticky situation it's a heartbreak even situation one part powerful elation one part pitiful and frail and i'm trying to feel my way around a book of promises written in braille there is pressure from within this and pressure from above there is pressure on our tenuous, strenuous love and there's wet wool blankets one, two, three laid onto my chest 'til i just can't breathe and i try not to let my emotions show but it ain't a balloon i can just let go it's an ice cream cone dripping in the sun sticky hands sticky arms sticky situation |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
it's a heartbreak even situation
nothing lost and nothing gained so i'm 10 years old again standing in the backyard waving at a train i feel you make love to me slightly every time you let a little laugh slip too soon and the moment passes over us so lightly it feels like sand blowing over a dune you try not to let your emotions show but it ain't a balloon you can just let go it's an ice cream cone dripping in the sun sticky hands sticky arms sticky situation it's a heartbreak even situation one part powerful elation one part pitiful and frail and i'm trying to feel my way around a book of promises written in braille there is pressure from within this and pressure from above there is pressure on our tenuous, strenuous love and there's wet wool blankets one, two, three laid onto my chest 'til i just can't breathe and i try not to let my emotions show but it ain't a balloon i can just let go it's an ice cream cone dripping in the sun sticky hands sticky arms sticky situation |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
imagine that i am onstage
under a watchtower of punishing light and in the haze is your face bathed in shadow and what's beyond you is hidden from sight and somebody right now is yawning and watching me like a tv and i've been frantically piling up sandbags against the flood waters of fatigue and insecurity then suddenly i hear my guitar singing and so i just start singing along and somewhere in my chest all the noise just gets crushed by the song imagine that i'm at your mercy imagine that you are at mine pretend i've been standing here watching you watching me all this time now imagine that you are the weather in the tiny snow globe of this song and i am the statue of liberty one inch long so here i am at my most hungry and here i am at my most full here i am waving a red cape locking eyes with a bull just imagine that i am onstage under a watchtower of punishing light and in the haze is your face bathed in shadow and what's beyond you is hidden from sight |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
imagine that i am onstage
under a watchtower of punishing light and in the haze is your face bathed in shadow and what's beyond you is hidden from sight and somebody right now is yawning and watching me like a tv and i've been frantically piling up sandbags against the flood waters of fatigue and insecurity then suddenly i hear my guitar singing and so i just start singing along and somewhere in my chest all the noise just gets crushed by the song imagine that i'm at your mercy imagine that you are at mine pretend i've been standing here watching you watching me all this time now imagine that you are the weather in the tiny snow globe of this song and i am the statue of liberty one inch long so here i am at my most hungry and here i am at my most full here i am waving a red cape locking eyes with a bull just imagine that i am onstage under a watchtower of punishing light and in the haze is your face bathed in shadow and what's beyond you is hidden from sight |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
even when i look right at you
i always just see through and i always just see new things to admire about you. am i what you thought you were getting? does this love we make-make you proud? does it look like it did on the menu? minus, of course, the little dark clouds. of course, when we signed up for forever... we had no idea it was in here. i guess always is all this and then some. i guess at least that much is clear. and whenever i look at you you know i always just see new things to admire about you... you |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
even when i look right at you
i always just see through and i always just see new things to admire about you. am i what you thought you were getting? does this love we make-make you proud? does it look like it did on the menu? minus, of course, the little dark clouds. of course, when we signed up for forever... we had no idea it was in here. i guess always is all this and then some. i guess at least that much is clear. and whenever i look at you you know i always just see new things to admire about you... you |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
i love us both but i don't feel good
so i keep pulling over and looking under the hood i love us both but i'm at wit's end where does your compromise begin and mine end? i love us both but what world's it gonna be? the one according to you or the one according to me? i don't feel good so ... now do my problems include talks with doctors who don't even understand about food? i think in ancient china they kinda figured out how the body works but our culture is just a roughneck teenage jerk with a bottle of pills and a bottle of booze and a full round of ammunition and nothing to lose and is it really the best we can do to arm wrestle over whose world it's gonna be? (the one according to you or the one according to me) i love us both and i'll see ya if you'll see me so ... who are we? |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
i love us both but i don't feel good
so i keep pulling over and looking under the hood i love us both but i'm at wit's end where does your compromise begin and mine end? i love us both but what world's it gonna be? the one according to you or the one according to me? i don't feel good so ... now do my problems include talks with doctors who don't even understand about food? i think in ancient china they kinda figured out how the body works but our culture is just a roughneck teenage jerk with a bottle of pills and a bottle of booze and a full round of ammunition and nothing to lose and is it really the best we can do to arm wrestle over whose world it's gonna be? (the one according to you or the one according to me) i love us both and i'll see ya if you'll see me so ... who are we? |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
the answer came
like a shot in the back while you were running from your lesson which might explain why years later all you could remember was the terror of the question plus, you weren't listening you were stockpiling canned goods making a bomb shelter of our basement and i can't believe you let the moral go by while you were soaking in the product placement where was your conscience? where was your consciousness? and where did you put all those letters that you wrote to yourself but could not address? i'm a good kisser and you're a fast learner and that kinda thing could float us for a pretty long time then one day you'd realize you've memorized my phone number and you'll call it and find it's a disconnected line cuz i got tossed out the window of love's el camino and i shattered into a shower of sparks on the curb you were smoking me weren't you? between your yellow fingers you just inhaled and exhaled without saying a word where was your conscience? where was your consciousness? and where did you put all those letters that you wrote to yourself but could not address? there's a smorgasbord of unspoken poisons a whole childhood of potions that are all bottled up and so one by one i am dusting off labels i am uncorking bottles and filling up cups so go ahead and have a taste of your own medicine and i'll have a taste of mine but first let's toast to the lists that we hold in our fists of the things that we promise to do differently next time cuz the answer came like a shot in the back while you were running from your lesson which might explain why years later all you could remember was the terror of the question plus i'm not listening to you anymore my head is too sore and my heart's perforated and i'm mired in the marrow of my (well... ain't that) funny bone learning how to be alone and devastated where was my conscience? where was my consciousness? and what do i do with all these letters that i wrote to myself but cannot address? |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
the answer came
like a shot in the back while you were running from your lesson which might explain why years later all you could remember was the terror of the question plus, you weren't listening you were stockpiling canned goods making a bomb shelter of our basement and i can't believe you let the moral go by while you were soaking in the product placement where was your conscience? where was your consciousness? and where did you put all those letters that you wrote to yourself but could not address? i'm a good kisser and you're a fast learner and that kinda thing could float us for a pretty long time then one day you'd realize you've memorized my phone number and you'll call it and find it's a disconnected line cuz i got tossed out the window of love's el camino and i shattered into a shower of sparks on the curb you were smoking me weren't you? between your yellow fingers you just inhaled and exhaled without saying a word where was your conscience? where was your consciousness? and where did you put all those letters that you wrote to yourself but could not address? there's a smorgasbord of unspoken poisons a whole childhood of potions that are all bottled up and so one by one i am dusting off labels i am uncorking bottles and filling up cups so go ahead and have a taste of your own medicine and i'll have a taste of mine but first let's toast to the lists that we hold in our fists of the things that we promise to do differently next time cuz the answer came like a shot in the back while you were running from your lesson which might explain why years later all you could remember was the terror of the question plus i'm not listening to you anymore my head is too sore and my heart's perforated and i'm mired in the marrow of my (well... ain't that) funny bone learning how to be alone and devastated where was my conscience? where was my consciousness? and what do i do with all these letters that i wrote to myself but cannot address? |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
*O.K. - Ani Difranco
If you ask me I'll say Yes, please To you today So don't ask me Cus I'm weak that way Just don't ask me O.K . I'm so glad we got that straightened away (x2) If you see me Walk by You better just let me Walk by You better not Bat your pretty eyes You better not Stop me to say, Hi I got a sweet tooth today So you better not cut that pie (x2) If you ask me I'll say Yes, please To you today So don't ask me Cus I'm weak that way Just don't ask me O.K . |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
If you ask me
I'll say yes please to you today So don't ask me 'cause I'm weak that way Just don't ask me o.k. I'm so glad we got that straightened away If you see me walk by You better just let me walk by You better not bat your pretty eyes You better not stop me to say hi I got a sweet tooth today So you better not cut that pie If you ask me I'll say yes please to you today So don't ask me 'cause I'm weak that way Just don't ask me o.k. |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
i'll sing you a song that starts out descriptive
and locates a time and a place like a dinner table where a whole family is just sitting down to say grace an old old song that moves into action taking its sweet sweet time and waits until we all say amen again and again in rhyme it's the story of a father and a mother who battle each other over nothin' with a couple of kids trying to figure which way the plot's spinning who's winning and who is bluffing it's a story as common as a penny, son it ain't really worth anything to anyone poor little sore little song that aches like a muscle each time that it moves sad little song that you play and you play and you play and you play 'til you lose while history is outside writing a recipe book for every earthly pain this song is inside finger painting dark swirls again and again and they all look the same cuz what if you come home from school one day and you find your whole family's at war and there's this ominous silence just waiting to be broken and there's secret places for hiding underneath the floorboards and everyone seems to be bracing for the subharmonic thunder of the next bomb and everyone seems to be waiting for the cops to bust in with their guns drawn at the bleak light of dawn it's a story as common as a penny, son i don't think it's worth anything to anyone |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
i'll sing you a song that starts out descriptive
and locates a time and a place like a dinner table where a whole family is just sitting down to say grace an old old song that moves into action taking its sweet sweet time and waits until we all say amen again and again in rhyme it's the story of a father and a mother who battle each other over nothin' with a couple of kids trying to figure which way the plot's spinning who's winning and who is bluffing it's a story as common as a penny, son it ain't really worth anything to anyone poor little sore little song that aches like a muscle each time that it moves sad little song that you play and you play and you play and you play 'til you lose while history is outside writing a recipe book for every earthly pain this song is inside finger painting dark swirls again and again and they all look the same cuz what if you come home from school one day and you find your whole family's at war and there's this ominous silence just waiting to be broken and there's secret places for hiding underneath the floorboards and everyone seems to be bracing for the subharmonic thunder of the next bomb and everyone seems to be waiting for the cops to bust in with their guns drawn at the bleak light of dawn it's a story as common as a penny, son i don't think it's worth anything to anyone |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) | |||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) | |||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
you can doubt anything
if you think about it long enough cuz what happened always adjusts to fit what happened after that and it's hard to feel like you are free when all you seem to do is referee remember when it was just you and me steppin' up to bat? and win or lose just that you choose this little war is what kills you and either/or it's that this war is maybe also what thrills you we thought we left possession behind but truth is i was yours and you were mine and now i've replayed a thousand times exactly what was said cuz nothing is as it appears in the funhouse mirrors of your fears on the roller coaster of all these years with your hands above your head and win or lose just that you choose this little war is what kills you and either/or it's that this war is maybe also what thrills you i don't care how fast you run just tell me, baby, that when you're done with your little marathon you still got cab fare home cuz the finish line is a shifty thing and what is life but reckoning and, you know you are still the song i sing to myself when i'm alone and win or lose just that we choose this little war is what kills us and either/or it's that this war is maybe also what thrills us |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
you can doubt anything
if you think about it long enough cuz what happened always adjusts to fit what happened after that and it's hard to feel like you are free when all you seem to do is referee remember when it was just you and me steppin' up to bat? and win or lose just that you choose this little war is what kills you and either/or it's that this war is maybe also what thrills you we thought we left possession behind but truth is i was yours and you were mine and now i've replayed a thousand times exactly what was said cuz nothing is as it appears in the funhouse mirrors of your fears on the roller coaster of all these years with your hands above your head and win or lose just that you choose this little war is what kills you and either/or it's that this war is maybe also what thrills you i don't care how fast you run just tell me, baby, that when you're done with your little marathon you still got cab fare home cuz the finish line is a shifty thing and what is life but reckoning and, you know you are still the song i sing to myself when i'm alone and win or lose just that we choose this little war is what kills us and either/or it's that this war is maybe also what thrills us |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006)
you were so in love
that it was all you could talk about and i think i felt a little left out you were on cloud 9 all the time while i was levelling i was wringing my hands and you were revelling but then why shouldn't you? it was such a beautiful thing to do would that i could get me some of your yum yum delirium i could level off the ground that we stand on but with you down on bended knee always looking up at me that feeling of standing up together is gone and though i love you through all time and space my love always seems to take second place you were so in love that it was all you could talk about and i think i felt a little left out you were on cloud 9 all the time while i was levelling i was wringing my hands and you were revelling but then why shouldn't you? it was such a beautiful thing to do |
|||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) | |||||
|
- | ||||
from Ani Difranco - Revelling/ Reckoning (2006) |