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2:47 | 
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- Could We Start Again Please? -
# MARY MAGDALENE ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? I've been very hopeful so far. Now for the first time I think we're going wrong. Hurry up and tell me this is just a dream. Could we start again please? # PETER ; I think you've made your point now. # MARY MAGDALENE AND PETER ; You've even gone a bit too far to get the message home. # PETER ; Before it gets too frightening, we ought to call a halt. So could we start again please? # MARY MAGDALENE ; Could we start again, please? # PETER ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? # MARY MAGDALENE ; Could we start again, please? # PETER ; I think you've made your point now. # CHORUS ; You've even gone a bit too far to get the message home. Before it gets too frightening, we ought to call a halt. So could we start again please? # MARY MAGDALENE ; Could we start again, please? # CHORUS ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? # PETER ; Could we start again, please? # CHORUS ; Could we start again, please? # MARY MAGDALENE ; Could we start again, please? # CHORUS ; Could we start again, please? # ALL ; Could we start again? |
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4:38 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- Damned for All Time -
# JUDAS ; Now if I help you, it matters that you see These sordid kinda things are coming hard to me. It's taken me some time to work out what to do. I weighed the whole thing out before I came to you. I had no thought of my own reward. I really didn't come here of my own accord. Just don't say I'm damned for all time. I came because I had to; I'm the one who saw. Jesus can't control me like he did before. And furthermore I know that Jesus thinks so too. Jesus wouldn't mind that I was here with you. I had no thought at all about my own reward. I really didn't come here of my own accord. Just don't say I'm damned for all time. Annas, you're a friend, a worldly man and wise. Caiaphas, my friend, I know you sympathize. Why are we the prophets? Why are we the ones Who see the sad solution - know what must be done? I had no thought at all about my own reward. I really didn't come here of my own accord. Just don't say I'm damned for all time. # ANNAS ; Cut the protesting, forget the excuses. We want information. Get up off the floor. # CAIAPHAS ; We have the papers we need to arrest him. You know his movements. We know the law. # ANNAS ; Your help in the matter won't go unrewarded. # CAIAPHAS ; We'll pay you in silver, cash on the nail. We just need to know where the soldiers can find him... # ANNAS ; With no crowd around him.... # CAIAPHAS ; Then we can't fail. - Blood Money - # JUDAS ; I don't need your blood money! # CAIAPHAS ; Oh, that doesn't matter, our expenses are good. # JUDAS ; I don't want your blood money! # ANNAS ; But you might as well take it. We think that you should. # CAIAPHAS ; Think of the things you could do with that money, Choose any charity - give to the poor. We've noted your motives. We've noted your feelings. This isn't blood money - it's a ... # ANNAS ; a fee...... # CAIAPHAS ; A fee nothing more. # JUDAS ; On Thursday night you'll find him where you want him: Far from the crowd, in the Garden of Gethsemane. # TEMPTRESSES ; Well done Judas. Good old Judas. |
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3:35 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
MARY MAGDALENE
Try not to get worried, try not to turn on to Problems that upset you oh don't you know Everything's alright yes everything's fine And we want you to sleep well tonight Let the world turn without you tonight If we try we'll get by so forget all about us tonight APOSTLES' WOMEN Everything's alright yes everything's alright yes MARY MAGDALENE Sleep and I shall soothe you, calm you and anoint you Myrrh for your hot forehead oh then you'll feel Everything's alright yes everything's fine And it's cool and the ointment's sweet For the fire in your head and feet Close your eyes close your eyes And relex think of nothing tonight APOSTLES' WOMEN Everything's alright yes everything's alright yes JUDAS Hey-hey-hey Woman your fine oinment-brand new and expensive Shoud have been saved for the poor Why has it been wasted? We could have raised maybe Three hundred silver pieces or more People who are hungry, people who starving They matter more than your feet and hair MARY MAGDALENE Try not to get worried, try not to turn on to Problems that upset you oh don't you know MARY MAGDALENE, APOSTLES' WOMEN Everything's alright yes everything's alright yes JESUS Surely you're not saying we have the resources To save the poor from their lot? There will be poor always, pathetically struggling- Look at the good things you've got! Think! while you still have me Move! while you still see me You'll be lost and you'll be sorry When I'm gone MARY MAGDALENE Sleep and I shall soothe you, calm you and anoint you Myrrh for your hot forehead oh then you'll feel Everything's alright yes everything's fine And it's cool and the oinment's sweet For the fire in your head and feet Close your eyes close your eyes And relax think of nothing tonight |
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5:41 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
I only want to say,
If there is a way, Take this cup away from me. For I don't want to taste its poison. Feel it burn me, I have changed. I'm not as sure, as when we started. Then, I was inspired. Now, I'm sad and tired. Listen, surely I've exceeded expectations, Tried for three years, seems like thirty. Could you ask as much from any other man? But if I die, See the saga through and do the things you ask of me, Let them hate me, hit me, hurt me, nail me to their tree. I'd want to know, I'd want to know, My God, I'd want to know, I'd want to know, My God, I'd want to see, I'd want to see, My God, I'd want to see, I'd want to see, My God, Why I should die. Would I be more noticed than I ever was before? Would the things I've said and done matter any more? I'd have to know, I'd have to know, my Lord, I'd have to know, I'd have to know, my Lord, I'd have to see, I'd have to see, my Lord, I'd have to see, I'd have to see, my Lord, If I die what will be my reward? If I die what will be my reward? Have to know, have to know, my Lord, Have to know, have to know, my Lord, Why should I die? Why why should I die? Can you show me now that I would not be killed in vain? Show me just a little of your omnipresent brain. Show me there's a reason for you wanting me to die. You're far to keen and where and how, but not so hot on why. Alright, I'll die! Just watch me die! See, see, see how I die! Oh, see, see how I die! Then I was inspired. Now, I'm sad and tired. After all, I've tried for three years, seems like ninety. Why then am I scared to finish what I started, What you started - I didn't start it. God, thy will is hard, But you hold every card. I will drink your cup of poison. Nail me to your cross and break me. Bleed me, beat me. Kill me. Take me, now! Before I change my mind. |
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4:22 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
My mind is clearer now, at last all too well
I can see where we all soon will be If you strip away the myth from the man you will see where we all soon will be Jesus! You've started believe the things they say of you You really do believe this talk of god is true And all the good you've done will soon get swept away You've begun to matter more than the things you sat Listen Jesus I don't like what I see All I ask is that you listen to me And remember, I've been your right man all along You have set them all on fire They think they've found the new Messiah And they'll hurt you when they find they're wrong I remember when this whole thing began No talk of god, then we called you a man And believe me, my admiration for you hasn't died But every word you sat today Get twisted round some other way And they'll hurt you if they think you've lied Nazareth your famous son should have stayed a great unknown Like his father carving wood, he'd have made good Tables, chairs and oaken chests would have suited Jesus best He'd have caused nobody harm, no one alarm Listen Jesus, do you care for your race? Don't you see we must keep in our place We are occupied, have you forgotten how put down we are? I am frightened by the crowd For we are getting much too loud And they'll crush us if we go too far Listen Jesus to the warning I give Please remember that I want us to live But it's sad to see our chances weakening with every hour And your followers are blind Too much heaven on their mind It was beautiful but now it's sour Yes, it all gone sour |
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2:55 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
(Crowd)
Hosanna Heysanna Sanna Sanna Ho Sanna Hey Sanna Ho Sanna Hey J C, J C won't you smile at me? Sanna Ho Sanna Hey Superstar (Caiaphas) Tell the rabble to be quiet We anticipate a riot This common crowd Is much too loud Tell the mob who sing your song That they are fools and they are wrong They are a curse They should disperse (Crowd) Hosanna Heysanna Sanna Sanna Ho Sanna Hey Sanna Ho Sanna Hey J C, J C you're alright by me Sanna Ho Sanna Hey Superstar (Jesus) Why waste your breath moaning at the crowd? Nothing can be done to stop the shouting If ev'ry tongue was still the noise would still continue The rocks and stones themselves would start to sing: (Crowd, with Jesus) Hosanna Heysanna Sanna Sanna Ho Sanna Hey Sanna Ho Sanna Hey J C, J C won't you fight for me? Sanna Ho Sanna Hey Superstar |
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3:59 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
I don't know how to love him
Waht to do how to move him I've been changed yes really changed In these past few days when I've seen myself I seem like someone else I don't know how to take this I don't see why he moves me He's a man he's just a man And I've had so many men before In very many ways He's just one more Should I bring him down should I scream and shout Should I speak of love let my feelings out I never thought I'd come to this- what's it all about Don't you think it's rather funny I should be in this position I'm the one who's always been So calm so cool, no lover's fool Running every show He scares me so I never thought I'd come to this- what's it all about Yet if he said he loved me I'd be lost I'd be frightened I couldn't cope just couldn't cope I'd turn my head I'd back away I wouldn't want to know He scares me so I want him so I love him so |
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2:20 | 
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| from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973) | |||||
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4:41 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- Judas' Death -
# JUDAS ; My God! I saw him. He looked three-quarters dead! And he was so bad I had to turn my head. You beat him so hard that he was bent and lame, And I know who everybody's going to blame. I don't believe he knows I acted for our good. I'd save him all this suffering if I could. Don't believe for our good And I'd save him, if I could! # ANNAS ; Cut the confessions. Forget the excuses. I don't understand why you're filled with remorse. All that you've said has come true with a vengeance. The mob turned against him. You backed the right horse. # CAIAPHAS ; What you have done will be the saving of Israel. You'll be remembered forever for this. And not only that, you've been paid for your efforts. Pretty good wages for one little kiss. # JUDAS ; Christ, I know you can't hear me, But I only did what you wanted me to. Christ, I'd sell out the nation, For I have been saddled with the murder of you. I have been splattered with innocent blood. I shall be dragged through the slime and mud. I have been splattered with innocent blood. I shall be dragged through the slime and the slime and the slime and the mud! I don't know how to love him. I don't know why he moves me. He's a man. He's just a man. He is not a King. He is just the same As any one I know. He scares me so! When he's cold and dead will he let me be? Does he love me too? Does he care for me? Ah~! My mind is in darkness now. My God, I am sick. I've been used. And you knew, all the time. God, I will never know why you chose me... for your crime...bloody crime...your foul bloody crime. You have murdered me! Murdered me! Murdered me! Murdered me! Murdered me! Murdered ... # TEMPTRESSES ; Poor old Judas. So long Judas. |
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3:16 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- King Herod's Song -
(Try It and See) # HEROD ; Jesus, I am overjoyed to meet you face to face. You've been getting quite a name all around the place. Healing cripples. Raising from the dead. And now I understand you're God. At least, that's what you've said. So, you are the Christ. You're the great Jesus Christ. Prove to me that you're divine; change my water into wine. That's all you need do, and I'll know it's all true. Come on, King of the Jews. Jesus, you just won't believe the hit you've made around here. You are all we talk about, the wonder of the year. Oh what a pity if it's all a lie. Still, I'm sure that you can rock the cynics if you try. So, you are the Christ. You're the great Jesus Christ. Prove to me that you're no fool; walk across my swimming pool. If you do that for me, then I'll let you go free. Come on, King of the Jews. I only ask things I'd ask any superstar. What is it that you have got that puts you where you are? Oh~I am waiting, yes, I'm a captive fan. I'm dying to be shown that you are not just any man. So, if you are the Christ, yes, the great Jesus Christ Feed my household with this bread. You can do it on your head. Or has something gone wrong? Why do you take so long? Come on, King of the Jews! Hey! Aren't you scared of me Christ? Mr. Wonderful Christ? You're a joke. You're not the Lord. You're nothing but a fraud. Take him away. He's got nothing to say! Get out you King of the Jews! Get out a here! Get out of my life! |
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5:32 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
This is Control, this is Control
All trains hear this, all trains hear this All trains to racing mode, all trains to racing mode Tonight is race night, tonight is race night All change All change All change |
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1:28 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
(Maid by the Fire)
I think I've seen you somewhere I remember You were with that man They took away I recognize your face (Peter) You've got the wrong man, lady I don't know him And I wasn't where He was tonight Never near the place (Soldier) That's strange For I am sure I saw you with him You were right by his side And yet you deny it? (Peter) I tell you I was never ever with him (Old Man) But I saw you too It looked just like you (Peter) I DON'T KNOW HIM! (Mary Magdalene) Peter don't you know what you have said You've gone and cut him dead (Peter) I had to do it Don't you see? Or else they'd go for me (Mary Magdalene) It's what he told us you would do I wonder how he knew |
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2:59 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
(PILATE)
Who is this broken man cluttering up my hallway? Who is this unfortunate? (SOLDIER) Someone Christ, King of the Jews. (PILATE) Oh, so this is Jesus Christ, I am really quite surprised. You look so small, Not a king at all. We all know that you are news, But are you king? King of the Jews? (JESUS) That's what you say. (PILATE) What do you mean by that? That is not an answer. You're deep in trouble friend, Someone Christ, King of the Jews.How can someone in your state be so cool about your fate? An amazing thing, this silent king. Since you come from Galilee, then you need not come to me. You're Herod's race! You're Herod's case! (MOB) Ho-ho Sanna Heysanna Sanna Sanna Hosanna Heysanna Ho and how Hey JC, JC please explain to me, You had everything. Where is it now? |
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1:49 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- Pilate's Dream -
# PILATE ; I dreamed I met a Galilean, A most amazing man. He had that look you rarely find, The haunted, hunted kind. I asked him to say what had happened, How it all began I asked again - he never said a word. As if he hadn't heard. And next, the room was full of wild and angry men. They seemed to hate this man. They fell on him him, and then, They disappeared again. Then I saw thousands of millions Crying for this man And then I heard then mentioning my name, And leaving me the blame. |
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1:38 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
Christ you know I love you
Did you see I waved I believe in you and God So tell me that I'm saved Christ you know I love you Did you see I waved I believe in you and God So tell me that I'm saved Jesus I am with you Touch me, touch me Jesus Jesus I am on your side Kiss me, kiss me Jesus Christ what more do you need to convince you? That you've made it and you're easily as strong As the filth from Rome who rape our country And who've terrorized our people for so long Christ you know I love you Did you see I waved I believe in you and God So tell me that I'm saved Christ you know I love you Did you see I waved I believe in you and God So tell me that I'm saved Jesus I am with you Touch me, touch me Jesus Jesus I am on your side Kiss me, kiss me Jesus There must be over fifty thousand Screaming love and all for you And everyone of fifty thousand Would do whatever you ask him to Keep them yelling their devotion But add a touch of hate at Rome And you will rise to a greater power We will win ourselves our home And you'll get the power and the glory For ever and ever and ever And you'll get the power and the glory For ever and ever and ever You'll get the power and the glory (For ever Amen) For ever and ever and ever (For ever Amen) You'll get the power and the glory (For ever Amen) For ever and ever and ever (For ever Amen) You'll get the power and the glory (For ever Amen) For ever and ever and ever (For ever Amen) You'll get the power and the glory (For ever Amen) For ever and ever and ever (For ever Amen) You'll get the power and the glory (For ever Amen) For ever and ever and ever (For ever Amen) Neither you Simon, nor the fifty thousand Nor the Romans, nor the Jews Nor Judas, nor the twelve Nor the priests, nor the scribes Nor doomed Jerusalem itself Understand what power is Understand what glory is Understand at all, understand at all If you knew, all that I knew my poor Jerusalem You'd see the truth but you'd live a lie But you'd live a lie while you live Your troubles are many Poor Jerusalem To conquer death You only have to die You only have to die |
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4:52 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
Christ, You know I love You
Did You see I waved? I believe in You and God So tell me that I'm saved Christ, You know I love You Did You see I waved? I believe in You and God So tell me that I'm saved Jesus, I am with You Touch me, touch me, Jesus Jesus, I am on Your side Kiss me, kiss me, Jesus Christ, what more do You need to convince You That You've made it and You're easily as strong As the filth from Rome who raped our country And who've terrorized our people for so long? Christ, You know I love You Did You see I waved? I believe in You and God So tell me that I'm saved Christ, You know I love You Did You see I waved? I believe in You and God So tell me that I'm saved Jesus, I am with You Touch me, touch me, Jesus Jesus, I am on Your side Kiss me, kiss me, Jesus There must be over fifty thousand Screaming love and more for You Everyone of fifty thousand Would do whatever You ask him to Keep them yelling their devotion But add a touch of hate at Rome You will rise to a greater power We will win ourselves, come home You'll get the power and the glory For ever and ever and ever You got the power and the glory For ever and ever and ever You'll get the power and the glory For ever and ever and ever For ever and ever and ever For ever and ever and ever You'll get the power and the glory For ever and ever and ever Neither you, Simon, nor the fifty thousand Nor the Romans, nor the Jews Nor Judas, nor the twelve Nor the priests, nor the scribes Nor doomed Jerusalem itself Understand what power is Understand what glory is Understand at all Understand at all If you knew all that I knew My poor Jerusalem You'd see the truth But you close your eyes But you close your eyes While you live Your troubles are many Poor Jerusalem To conquer death You only have to die You only have to die |
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1:52 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
It seems to me a strange thing, mystifying
That a man like you can waste his time On such a concubine Yes, I can understand that she amuses But to let her kiss you, stroke your hair That's hardly in your line It's not that I object to her profession But she doesn't fit in well With what you teach and say It doesn't help us if you are inconsistent They only need a small Excuse to put us all away Who are you to criticise her? Who are you to despise her? Leave her, leave her, let her be now Leave her, leave her, she's with me now If your slate is clean then you can throw stones If your slate is not then leave her alone I'm amazed that men like you Can be so shallow thick and slow There is not a man among you Who knows or cares if I came or go Save Judas No you're wrong, you're very wrong How can you say that? Not one, not one of you |
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3:58 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
Every time I look at you I don't understand
Why you let the things you did get so out of hand. You'd have managed better if you'd had it planned. Why'd you choose such a backward time in such a strange land? If you'd come today you could have reached a whole nation. Israel in 4 BC had no mass communication. Don't you get me wrong. I only want to know. Jesus Christ, Jesus Christ, Who are you? What have you sacrificed? Jesus Christ Superstar, Do you think you're what they say you are? Tell me what you think about your friends at the top. Who'd you think besides yourself's the pick of the crop? Buddha, was he where it's at? Is he where you are? Could Mohammed move a mountain, or was that just PR? Did you mean to die like that? Was that a mistake, or Did you know your messy death would be a record breaker? Don't you get me wrong. I only want to know. Jesus Christ, Jesus Christ, Who are you? What have you sacrificed? Jesus Christ Superstar, Do you think you're what they say you are? (Repeat many times) |
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3:16 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- The Arrest -
# JUDAS ; There he is! They're all asleep -- the fools. # JESUS ; Judas, must you betray me with a kiss? # PETER ; What's the buzz? Tell me what's happening. # PETER and APOSTLES ; What's the buzz? Tell me what's happening.(repeat) Hang on Lord, We're going to fight for you!(repeat) # JESUS ; Put away your sword Don't you know that it's all over? It was nice, but now it's gone. Why are you obsessed with fighting? Stick to fishing from now on. # CROWD ; Tell me Christ how you feel tonight. Do you plan to put up a fight? Do you feel that you've had the breaks? What would you say were your big mistakes? Do you think you may retire? Did you think you would get much higher? How do you view your coming trial? Have your men proved at all worth while? Come with us to see Caiaphas! You'll just love the High Priest's house. You'll just love seeing Caiaphas! You'll just die in the High Priest's house. Come on God this is not like you. Let us know what you're going to do. You know what you're supporter's feel; You'll escape in the final reel. Tell me Christ how you feel tonight. Do you plan to put up a fight? Do you feel that you've had the breaks? What would you say were your big mistakes? Come with us to see Caiaphas. You'll just love the High Priest's house. You'll just love seeing Caiaphas. You'll just die in the High Priest's house. Now we have him! Now we've got him! # CAIAPHAS ; Jesus, you must realize the serious charges facing you. You say your the Son of God in all your handouts... Well, is it true? # JESUS ; That's what you say, you say that I am. # ANNAS ; There you have it gentlemen. What more evidence do we need? Judas, thank you for the victim. Stay a while and you'll see it bleed! # CROWD ; Now we have him! Now we have got him! Take him to Pilate! Take him to Pilate!(repeat) |
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2:44 |
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| from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973) | |||||
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7:15 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
(Apostles)
Look at all my trials and tribulations Sinking in a gentle pool of wine Don't disturb me now I can see the answers Till this evening is this morning life is fine Always hoped that I'd be an apostle Knew that I would make it if I tried Then when we retire we can write the gospels So they'll still talk about us when we've died (Jesus) The end . . . Is just a little harder when brought about by friends For all you care this wine could be my blood For all you care this bread could be my body The end! This is my blood you drink This is my body you eat If you would remember me when you eat and drink . . . I must be mad thinking I'll be remembered - yes I must be out of my head! Look at your blank faces! My name will mean nothing Ten minutes after I'm dead! One of you denies me One of you betrays me (Apostles) Not I! Who would? Impossible! (Jesus) Peter will deny me in just a few hours Three times will deny me - and that's not all I see One of you here dining, one of my twelve chosen Will leave to betray me - (Judas) Cut out the dramatics! You know very well who - (Jesus) Why don't you go do it? (Judas) You want me to do it! (Jesus) Hurry they are waiting (Judas) If you knew why I do it . . . (Jesus) I don't care why you do it! (Judas) To think I admired you For now I despise you (Jesus) You liar - you Judas (Judas) You wanted me to do it! What if I just stayed here And ruined your ambition? Christ you deserve it! (Jesus) Hurry you fool, hurry and go, Save me your speeches I don't want to know - Go! Go! (Apostles) Look at all my trials and tribulations Sinking in a gentle pool of wine What's that in the bread it's gone to my head Till this morning is this evening life is fine Always hoped that I'd be an apostle Knew that I would make it if I tried Then when we retire we can write the gospels So they'll all talk about us when we've died (Judas) You sad pathetic man - see where you've brought us to Our ideals die around us and all because of you But the saddest cut of all - Someone has to turn you in Like a common criminal, like a wounded animal A jaded mandarin A jaded mandarin Like a jaded, faded, faded, jaded, jaded mandarin (Jesus) Get out! They're waiting! Get out! They're waiting! Oh! They're waiting for you! (Judas) Everytime I look at you I don't understand Why you let the things you did get so out of hand You'd have managed better if you'd had it planned - Ah --- ah (Apostles) Look at all my trials and tribulations Sinking in a gentle pool of wine What's that in the bread it's gone to my head Till this evening is this morning life is fine Always hoped that I'd be an apostle Knew that I would make it if I tried (If I tried) Then when we retire we can write the gospels So they'll still talk about us when we've died (Jesus) Will no-one stay awake with me? Peter? John? James? Will none of you wait with me? Peter? John? James |
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5:36 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
(Moneylenders and Merchants)
Roll on up -- for my price is down Come on in -- for the best in town Take your pick of the finest wine Lay your bets on this bird of mine Name your price I got everything Come and buy it's all going fast Borrow cash on the finest terms Hurry now while stocks still last (Jesus) My temple should be a house of prayer But you have made it a den of thieves Get up, get out My time Is almost through Little left to do After all I've tried for three years Seems like thirty Seems like thirty (Crowd) See my eyes I can hardly see See me stand I can hardly walk I believe you can make me whole See my tongue I can hardly talk See my skin I'm a mass of blood See my legs I can hardly stand I believe you can make me well See my purse I'm a poor, poor man Will you touch, will you mend me Christ? Won't you touch, will you heal me Christ? Will you kiss, you can heal me Christ Won't you kiss, won't you pay me Christ? (Jesus) Oh, there's too many of you, don't push me Oh, there's too little of me, don't crowd me Heal yourselves! |
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2:34 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
We've been sitting on the fence for far too long
Why let him upset us? Caiaphas, let him be All those imbeciles will see He really doesn't matter Jesus is important We've let him go his way before And while he starts a major war We theorize and chatter He's just another scripture Thumping hack from Galilee The difference is they call him King The difference frightens me What about the Romans? When they see King Jesus crowned Do you think they'll stand around Cheering and applauding? What about our people? If they see we've lost our nerve Don't you think that they deserve Something more rewarding? They've got what they want They think so, anyway If he's what they want Why take their toy away? He's a craze Put yourself in my place I can hardly step aside Can not let my hands be tied I am law and order What about our priesthood? Don't you see that we could fall? If we are to last at all We can not be divided Then say so to the council But don't rely on subtlety Frighten them or they won't see Then we are decided Then we are decided |
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3:46 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- This Jesus Must Die -
# PRIEST 1 ; Good Caiaphas, the council waits for you. The Pharisees and priests are here for you. # CAIAPHAS ; Ah, gentlemen, you know why we are here. We've not much time, and quite a problem here. # MOB (outside) ; Hosanna! Superstar! Hosanna! Superstar! # ANNAS ; Listen to the howling mob of blockheads in the street! A trick or two with lepers, and the whole towns on its feet. # ALL (inside) ; He is dangerous! # MOB (outside) ; Jesus Christ ...Superstar! # ALL (inside) ; He is dangerous! # MOB (outside) ; Tell us that you're who they say you are! # PRIEST 2 ; The man is in town right now to whip up some support # PRIEST 3 ; A rabble rousing mission that I think we must abort. # ALL (inside) ; He is dangerous! # MOB (outside) ; Jesus Christ Superstar! # ALL (inside) ; He is dangerous! # PRIEST 2 ; Look Caiaphas -they're right outside our yard! # PRIEST 3 ; Quick Caiaphas-go call the Roman guard! # CAIAPHAS ; No wait! We need a more permanent solution to our problem. # ANNAS ; What then to do about Jesus of Nazareth? Miracle wonderman, hero of fools. # PRIEST 3 ; No riots, no army, no fighting, no slogans..... # CAIAPHAS ; One thing I'll say for him - Jesus is cool. # ANNAS ; We dare not leave him to his own devices. His half-witted fans will get out of control. # PRIEST 3 ; But how can we stop him? His glamour increases By leaps every minute, he's top of the poll. # CAIAPHAS ; I see bad things arising. The crowd crown him king; which the Romans would ban. I see blood and destruction, Our elimination because of one man. Blood and destruction because of one man. # ALL (inside) ; Because, because, because of one man. # CAIAPHAS ; Our elimination because of one man. # ALL (inside) ; Because, because, because of one, 'cause of one, 'cause of one, 'cause of one man. # PRIEST 3 ; What then to do about this Jesusmania? # ANNAS ; How do we deal with this carpenter king? # PRIEST 3 ; Where do we start with a man who is bigger Than John was when John did his baptism thing? # CAIAPHAS ; Fools! You have no perception! The stake we are gambling are frighteningly high. We must crush him completely, So like John before him, this Jesus must die. For the sake of the nation, this Jesus must die. # ALL (inside) ; Must die, must die, this Jesus must die. # CAIAPHAS ; So like John before him, this Jesus must die # ALL (inside) ; Must die, must die, this Jesus must, Jesus must, Jesus must die! |
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6:50 |
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from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- Trial Before Pilate -
(Including the 39 lashes) # PILATE ; And so the King is once again my guest. And why is this? Was Herod unimpressed? # CAIAPHAS ; We turned to Rome to sentence Nazareth. We have no law to put a man to death. We need him crucified. It's all you have to do. We need him crucified. It's all you have to do. # PILATE ; Talk to me Jesus Christ. You have been brought here Manacled and beaten by your own people. Do you have the faintest idea why you deserve it? Listen King of the Jews, Where is your kingdom? Look at me. Am I a Jew? # JESUS ; I have no kingdom in the world I'm through. # MOB ; Talk to me Jesus Christ # JESUS ; There may be a kingdom for me somewhere. If I only knew. # PILATE ; Then you are a King? # JESUS ; It's you that say I am. I look for truth and find that I get damned. # PILATE ; But what is truth? Is truth unchanging law? We both have truths. Are mine the same as yours? # MOB ; Crucify him! Crucify him! # PILATE ; What do you mean? You'd crucify your King? # MOB ; We have no King but Ceaser! # PILATE ; He's done no wrong. No, not the slightest thing. # MOB ; We have no King but Ceaser! Crucify him! # PILATE ; I see no reason. I find no evil. This man is harmless, so why does he upset you? He's just misguided, thinks he's important. But to keep you vultures happy I shall flog him! # MOB ; Crucify him! Crucify him! [39 lashes] # PILATE; Where are you from Jesus? What do you want Jesus? Tell me. You've got to be careful. You could be dead soon, Could well be. Why do you not speak when I have your life in my hands? How can you stay quiet? I don't believe you understand. # JESUS ; You have nothing in your hands. Any power you have comes to you from far beyond. Everything is fixed. and you can't change it. # PILATE ; You're a fool Jesus Christ! How can I help you? # MOB ; Pilate, Crucify him! Remember Ceaser. You have a duty. To keep the peace, so crucify him! Remember Ceaser! You'll be demoted! You'll be deported! Crucify him! # PILATE ; Don't let me stop your great self-destruction. Die if you want to you misguided martyr! I wash my hands of you demolition. Die if you want to you innocent puppet! |
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2:36 |
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| from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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| from Cats (Original Broadway Cast Recording / 1983) (캣츠) by Andrew Lloyd Webber, 'Cats' 1983 Broadway Cast [ost] (1983) | |||||
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Bustopher Jones is not skin and bones
In fact, he's remarkably fat He doesn't haunt pubs, he has eight or nine clubs For he's the St. James's Street cat! He's the cat we all greet as he walks down the street In his coat is fastidious black No common - place mousers have such well cut trousers Or such an impeccable black In the whole of St. James the smartest of names is The name of this Brummell of cats And we're all of up proud to be nodded or bowed to By Bustopher Jones in white spats My visits are occasional to The Senior Educational And it is the against the rules For any one cat to belong both to that And The Joint Superior Schools When I'm seen in a hurry there's probably curry At The Siamese or at The Glutton When I look full of gloom then I've lunched at The Tomb On cabbage, rice pudding and mutton In the whole of St. Jame's the smartest of names is The name of this Brummel of cats And we're all of us proud to be nodded or bowed to By Bustopher Jones in white, Bustopher Jones in white Bustopher Jones in white spats So much in this way passes Bustopher's day At one club or another he's found It can be no surprise that under our eyes He has grown unmistakably round He's a twenty - five pounder Or I am a bounder And he's putting on weight every day But I'm so well preserved because I've observed All my life a routine, and I'd say I am still in my prime, I shall last out my time That's the word from the stoutest of cats It must and it shall be spring in Pall Mall While Bustopher Jones wears white, Bustopher Jones wears white Bustopher Jones wears white spats |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Remark the Cat who hesitates towards you
In the light of the door which opens on her like a grin You see the border of her coat is torn and stained with sand And you see the corner of her eye twist like a crooked pin Grizabella the Glamour Cat Grizabella the Glamour Cat Who would ever suppose that that Was Grizabella the Glamour Cat? |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Remark the Cat who hesitates towards you
In the light of the door which opens on her like a grin You see the border of her coat is torn and stained with sand And you see the corner of her eye twist like a crooked pin Grizabella the Glamour Cat Grizabella the Glamour Cat Who would ever suppose that that Was Grizabella the Glamour Cat? |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Growltiger was a Bravo cat who travelled on a barge
In face he was the roughest cat that ever roamed at large From Gravesend up to Oxford he pursued his evil aims Rejoicing in his title of the 'Terror of the Thames' His manners and appearance did not calculate to please His coat was torn and seedy, it was baggy at the knees Once ear was somewhat missing, no need to tell you why And he scowled upon a hostile world from one forbidding eye The cottagers of Rotherhithe knew something of his fame At Hammersmith and Putney people shuddered at his name The would fortify the hen house, lock up the silly goose When the rumor ran along the shore: Growltiger's on the loose! Woe to the weak canary that fluttered from its cage Woe to the pampered Pekeinese, that face Growltiger's rage Woe to the bristly bandicoot, that lurks on foreign ships And woe to any cat with whom Growltiger came to grips But most to cats of foreign race his hatred had been vowed To cats of foreign name and race no quarter was allowed The Persian and the Siamese regarded him with fear Because it was a Siamese had mauled his missing ear Now on a peaceful summer night all nature seemed at play The tender Moon was shining bright, the barge at Molsey lay All in the balmy moonlight it lay rocking on the tide And Growltiger was disposed to show his sentimental side In the forepeak of the vessel Growltiger stood alone Concentrating my attention on the Lady Griddlebone And my raffish crew were sleeping in their barrels and their bunks As the Siamese came creeping in their sampans and their junks Growltiger had no eye or ear for aught but Griddlebone And the lady seemed enraptured by my manly baritone Disposed to relaxation and awaiting no surprise But the moonlight sone reflected from a thousand bright blue eyes And closer still and closer the sampans circled 'round And yet from all the enemy there was not heard a soun The foe was armed with toasting forks and cruel carving knives And the lovers sang their last duet in danger of their lives Then Gilbert gave the signal to his fierce Mngolian hordes Abandoning their sampans, the Chinks they swarmed aboard Abandoning their sampans, the pullaways, their junks They battened down the hatches on the crew within their bunks Then Griddlebone she gave a screech for she was badly skeered I am sorry to admit it, but she quickly disappeared She probably escaped with ease, I'm sure she was not drowned But a serried ring of flashing steel Growltiger did surround The ruthless foe pressed forward in subborn rank on rank Growltiger to his vast surprise was forced to walk the plank He who a hundered victims had driven to that drop At the end of all his crimes was forced to go kerflip, kerflop Oh there was joy in Wapping when the news flew through the land At Maidenhead and Henley there was dancing on the strand Rats were roasted whole in Brentford and Victoria Dock And a day of celebration was commanded in Bangkok! These modern productions are all very well But there's nothing to equal from what I hear tell That moment of mystery when I made history |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
/"Gus The Theatre Cat" appears next. He’s an aged stage actor
/극장 고양이 거스가 다음순서로 등장한다. 그는 중풍으로 고통받고 있는 suffering from palsy, who worked with the greatest actors of his day. 나이 먹은 무대 배우다. 그는 한창 때 최고의 배우와 함께 일했다. Gus tells of his greatest theatrical triumphs, and yearns to do it again./ 거스는 연극적 성공을 거둔 최고의 작품에 대해 얘기하며 다시 해봤으면 하고 갈망한다./ SOLO: Gus is the cat at the theatre door 거스는 극장 안내 고양이 His name, as I ought to have told you before 그의 이름은, 내가 미리 말해야 했겠지만 Is really Asparagus, but that’s such a fuss to pronounce 사실 아스파라거스, 하지만 그건 발음하기 너무 어려워서 That we usually call him just Gus 그냥 우린 보통 그를 거스 라고 부르지 His coat’s very shabby, he’s thin as a rake 그의 옷은 매우 낡았고 그는 부지깽이처럼 말랐지 And he suffers from palsy that makes his paw shake 중풍 때문에 발을 떨긴 해도 Yet he was in his youth quite the smartest of cats 젊었을 땐 가장 영리한 고양이였다네 But no longer a terror to mice or to rats 하지만 그는 이제 더 이상 쥐들에게 공포의 대상이 아니야 For he isn’t the cat that he was in his prime 한창 때의 그가 아니니까 Though his name was quite famous, he says, in his time 젊었을 때는 꽤 유명했다고 말하기는 해도 And whenever he joins his friends at their club 젊었을 때 친구들과 클럽에서 어울리던 얘길 하긴 해도 (Which takes place at the back of the neighboring pub) (근처 술집 뒷자리에 자리를 잡고) He loves to regale them, if someone else pays 그는 친구들을 대접하길 좋아하지 누군가 다른 사람이 술값을 지불하기만 한다면 With anecdotes drawn from his palmiest days 전성기 시절의 일화와 함께 말야 For he once was a star of the highest degree 그때는 최고 수준의 스타였다고 He has acted with Irving, he’s acted with Tree 어빙과 트리와 함께 공연했다고 And he likes to relate his success on the halls 또 그는 무대에서의 성공담을 들려주길 좋아하지 Where the gallery once gave him seven cat calls 관객들이 언젠가는 일곱 번이나 고양이 커튼콜을 했었다나 But his greatest creation as he loves to tell 하지만 그가 즐겨 얘기하는 가장 위대한 작품은 Was Firefrorefiddle, the fiend of the fell 황야의 마귀, 파이어프로어피들 이라네 GUS: I have played in my time every possible part 젊었을 땐 안 해 본 역이 없지 And I used to know seventy speeches by heart 70여 개의 문장을 줄줄 외곤 했다네 I’d extemporize backchat, I knew how to gag 즉석에서 말을 꾸며 대꾸하기도 하고 개그가 뭔지도 알고 있었지 And I knew how to let the cat out of the bag 무심코 비밀을 털어놓게 하는 법도 알고 있었지 I knew how to act with my back and my tail 내 등과 꼬리 연기를 어떻게 해야하는지도 알았고 말야 With an hour of rehearsal, I never could fail 한시간만 리허설을 하면 실패하는 법이 없었지 I’d a voice that would soften the hardest of hearts 나는 강한 심장도 녹일 만큼 부드러운 목소릴 가졌었지 Whether I took the lead, or in character parts 주역을 맏든, 단역을 맏든 I have sat by the bedside of poor little Nell 불쌍한 넬의 침대 끝에 앉아 있다가 When the curfew was rung then I swung on the bell 저녁종이 울리면 종에 매달려 흔들거렸어 In the pantomime season, I never fell flat 무언극시즌에는 절대 불경기란 없었지 And I once understudied Dick Whittington’s cat 딕 위팅톤의 고양이 대역을 한 적도 있었다네 But my grandest creation, as history will tell 하지만 역사가 말해주듯이 가장 위대한 작품은 was Firefrorefiddle, the fiend of the fell 황야의 마귀, 파이어프로피들이라네 SOLO: Then, if someone will give him a toothful of gin 누군가 그에게 한잔의 술을 건네주면 He will tell how he once played a part in East Lynne 그는 이스트 린에서 어떻게 연기했는지를 이야기 할거야 At a Shakespeare performance he once walked on pat 세익스피어 연극제에서 그는 꼭 맞는 단역을 맡은 적도 있지 When some actor suggested the need for a cat 어떤 배우들이 고양이 역이 필요하다고 제안해서 말야 GUS: And I say now these kittens, they do not get trained 요즘의 어린 고양이들은, 훈련을 받지 않지 As we did in the days when Victoria reigned 빅토리아 시대의 우리가 받았던 것만큼 They never get drilled in a regular troupe 그들은 정규 곡예단에 들어가 훈련도 받지 않지 And they think they are smart just to jump through a hoop 그리곤 뛰어올라 고리를 통과하는 것쯤이야 잘 할 수 있다고 생각하지 SOLO: And he says as he scratches himself with his claws 발톱으로 긁적거리며 그는 이렇게 말한다네 GUS: Well the theatre is certainly not what is was 극장이 예전 같지 않아 These modern productions are all very well 현대적인 작품들은 매우 좋지만 But there’s nothing to equal from what I hear tell 하지만 전에 내가 했던 작품과 비교할 수 있는 건 하나도 없어 That moment of mystery when I made history 내가 역사를 창조했던 신비로웠던 그 순간 As Firefrorefiddle, the fiend of the fell 황야의 마귀, 파이어프로피들 같은 것 말야 I once crossed the stage on a telegraph wire 나는 전에, 전선을 타고 무대를 가로 질러 To rescue a child when a house was on fire 불이 난 집의 아이를 구하러 들어간 적도 있지 And I think that I still can much better than most 난 이렇게 생각해 난 아직 충분히 더 잘 할 수 있다고 Produce blood-curdling noises to bring on the Ghost 유령을 불러 낼 정도로 간담을 서늘하게 하는 소리를 낼 수도 있다고 And I once played Growltiger 전에 그로울 타이거를 연기한 적이 있지 Could do it again ... 다시 할 수 있다면... Could do it again ... 다시 할 수 있다면... Could do it again ... 다시 할 수만 있다면... |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Macavity’s a mystery cat, he’s called the hidden paw
For he’s the master criminal who can defy the law He’s the bafflement of Scotland Yard, the Flying Squad’s despair For when they reach the scene of crime Macavity’s not there. Macavity, Macavity, there’s no one like Macavity He’s broken every human law, he breaks the law of gravity His powers of levitation would make a fakir stare But when you reach the scene of crime Macavity’s not there. You may seek him in the basement, you may look up in the air But I tell you once and once again Macavity’s not there. Macavity’s a ginger cat, he’s very tall and thin You would know him if you saw him for his eyes are sunked in His brow is deeply lined with thought, his head is highly domed His coat is dusty from neglect, his whiskers are uncombed He sways his head from side to side with movements like a snake And when you think he’s half asleep, he’s always wide awake Macavity, Macavity, there’s no one like Macavity For he’s a fiend in feline shape, a monster of depravity You may meet him in a by-street, you may see him in the square But when a crime’s discovered then Macavity’s not there. He’s outwardly respectable, I know he cheats at cards And his footprints are not found in any files of Scotland Yard’s And when the larder’s looted or the jewel case is rifled Or when the milk is missing or another peke’s been stifled Or the greenhouse glass is broken and the trellis past repair There’s the wonder of the thing Macavity’s not there. Macavity, Macavity, there’s no one like Macavity There never was a cat of such deceitfulness and suavity He always has an alibi and one or two to spare What ever time the deed took place Macavity’s not there. And they say that all the cats whose wicked deeds are widely known.I might mention Mungojerrie, I might mention Griddlebone Are nothing more than agents for the cat who all the time Just controls the operations: the Napolean of crime. Macavity, Macavity, there’s no one like Macavity He’s a fiend in feline shape, a monster of depravity You may meet him in a by-street, you may see him in the square But when a crime’s discovered then Macavity Macavity, Macavity, Macavity When a crime’s discovered then Macavity’s not there. |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Midnight, not a sound from the pavement
Has the moon lost her memory? She is smiling alone In the lamplight, the withered leaves collect at my feet And the wind begins to moan Memory, All alone in the moonlight I can smile at the old days I was beautiful then I remember the time I knew what happiness was Let the memory live again Every streetlamp seems to beat A fatalistic warning Someone mutters and the street lamp gutters And soon It will be morning Daylight I must wait for the sunrise I must think of a new life And I mustn't give in. When the dawn comes, tonight will be a memory too And a new day will begin Burnt out ends of smokey days The stale cold smell of morning The streetlamp dies, another night is over Another day is dawning... Optional verse: Sunlight through the trees in summer, endless masquerading... Like a flower, as the day is breaking, The memory is fading... Touch me, It's so easy to leave me All alone with my memory Of my days in the sun... If you touch me, you'll understand what happiness is Look, a new day has begun. |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Midnight, not a sound from the pavement
Has the moon lost her memory? She is smiling alone In the lamplight, the withered leaves collect at my feet And the wind begins to moan Memory, All alone in the moonlight I can smile at the old days I was beautiful then I remember the time I knew what happiness was Let the memory live again Every streetlamp seems to beat A fatalistic warning Someone mutters and the street lamp gutters And soon It will be morning Daylight I must wait for the sunrise I must think of a new life And I mustn't give in. When the dawn comes, tonight will be a memory too And a new day will begin Burnt out ends of smokey days The stale cold smell of morning The streetlamp dies, another night is over Another day is dawning... Optional verse: Sunlight through the trees in summer, endless masquerading... Like a flower, as the day is breaking, The memory is fading... Touch me, It's so easy to leave me All alone with my memory Of my days in the sun... If you touch me, you'll understand what happiness is Look, a new day has begun. |
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| from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994) | |||||
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
You ought to ask Mr. Mistoffelees!
The origional Conjuring cat The greatest magicians have something to learn From Mister Mistoffelees Conjuring Turn And we all say Oh! Well I never was there ever A cat so clever as Magical Mr. Mistoffelees Oh! Well I never was there ever A cat so clever as Magical Mr. Mistoffelees He is quiet, and small he is black From his ears to the tip of his tail He can creep through the tiniest crack He can walk on the narrowest rail He can pick any card from a pack He is equally cunning with dice He is always decieving you into believing That he's only hunting for mice He can play any trick with a cork Or a spoon and a bit of fish paste If you look for a knife or a fork And you think it merely misplaced You have seen it one moment and then it is gone You'll find it next week lying out on the lawn! And we all say Oh! Well I never was there ever A cat so clever as Magical Mr. Mistoffelees Oh! Well I never was there ever A cat so clever as Magical Mr. Mistoffelees His manner is vague and aloof You would think there is nobody shyer But his voice has been heard on the roof When he was curled up by the fire And he sometimes been heard by the fire When he was about on the roof At least they all heard that somebody purred Which is uncontestable proof of his singular magical powers And I've known the family to call him in from the garden for hours When he was asleep in the hall And not long ago this phenominal cat Produced seven kittens right out of a hat And we all say Oh! Well I never was there ever A cat so clever as Magical Mr. Mistoffelees Oh! Well I never was there ever A cat so clever as Magical Mr. Mistoffelees Oh! Well I never was there ever A cat so clever as Magical Mr. Mistoffelees Oh! Well I never was there ever A cat so clever as Magical Mr. Mistoffelees Oh! Well I never was there ever A cat so clever as Magical Mr. Mistoffelees Oh! Well I never was there ever A cat so clever as Magical Mr. Mistoffelees Ladies and Gentleman, I give you the Marvelous, Magical Mr. Mistoffelees PRESTO! |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Mungojerrie and Rumpelteazer
We're a notorious couple of cats As knockabout clowns, quick-change comedians Tight-rope walkers and acrobats We have an extensive reputation We make our home in Victoria Grove This is merely our centre of operation For we are incurably given to rove We are very well known in Cornwall Gardens In Launceston Place and in Kensington Square We have really a little more reputation Than a couple of cats can very well bear If the area window is found ajar And the basement looks like a field of war If a tile or two comes loose on the roof (Which presently fails to be waterproof) If the drawers are pulled out from the bedroom chest And you can't find one of your winter vests If after supper one of the girls Suddenly misses her Woolworth pearls The family will say, "It's that horrible cat! It was Mungojerrie or Rumpelteazer!" And most of the time they leave it at that Mungojerrie and Rumpelteazer have a very unusual gift of the gab We are highly efficient cat burglars as well And remarkably smart at a smash and grab We make our home in Victoria Grove We have no regular occupation We are plausible fellows who like to engage A friendly policeman in conversation When the family assembles for Sunday dinner With their minds made up that they won't get thinner On Argentine joint, potatoes and greens And the cook will appear from behind the scenes And say in a voice that is broken with sorrow, "I'm afraid you must wait and have dinner tomorrow! For the joint has gone from the oven like that!" The family will say, "It's that horrible cat! It was Mungojerrie or Rumpelteazer!" And most of the time they leave it at that Mungojerrie and Rumpelteazer have a wonderful way of working together And some of the time you would say it was luck And some of the time you would say it was weather We go through the house like a hurricane And no sober person could take his oath Was it Mungojerrie or Rumpelteazer? Or could you have sworn that it mightn't be both? And when you hear a dining room smash Or up from the pantry there comes a loud crash Or down from the library there comes a loud ping From a vase that was commonly said to be Ming The family will say: "Now which was which cat? It was Mungojerrie and Rumpelteazer!" And there's nothing at all to be done about that! |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
I believe it is Old Deuteronomy
Well of all things can it be really No, yes, ho, hi, oh my eye! My mind may be wandering but I confess I believe it is Old Deuteronomy Old Deuteronomy's lived a long time He's a cat who has lived many lives in succession He was famous in Proverb and famous in rhyme A long while before Queen Victoria's accession Old Deuteronomy's buried nine wives And more I am tempted to say ninety - nine And his numerous progeny prospers and thrives And the village is proud of him in his decline At the sight of that placid and bland physiognomy When he sits in the sun on the vicarage wall The oldest inhabitant croaks Well of all things can it be really No, yes, ho, hi, oh my eye! My mind may be wandering but I confess I believe it is Old Deuteronomy Well of all things can it be really No, yes, ho, hi, oh my eye! My mind may be wandering but I confess I believe it is Old Deuteronomy Well of all things can it be really No, yes, ho, hi, oh my eye! My mind may be wandering but I confess I belive it is Old Deuteronomy Well of all things can it be really No, yes, ho, hi, oh my eye! My legs may be tottery I must go slow And be careful of Old Deuteronomy |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
This is Control, this is Control
All trains hear this, all trains hear this All trains to racing mode, all trains to racing mode Tonight is race night, tonight is race night All change All change All change |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Are you blind when you're born? Can you see in the dark?
Dare you look at a king? Would you sit on his throne? Can you say of your bite that it's worse than your bark? Are you cock of the walk when you're walking alone? Because Jellicles are and Jellicles do Jellicles do and Jellicles would Jellicles would and Jellicles can Jellicles can and Jellicles do When you fall on your head do you land on your feet? Are you tense when you sense there's a storm in the air? Can you find your way blind when you're lost in the street? Do you know how to go to the Heaviside Layer? Because Jellicles can and Jellicles do Jellicles do and Jellicles can Jellicles can and Jellicles do Jellicles do and Jellicles can Jellicles can and Jellicles do Can you ride on a broomstick to places far distant? Familiar with candle, with book and with bell? Were you Whittington's friend? The Pied Piper's assistant? Have you been an alumnus of Heaven and Hell? Are you mean like a minx? Are you lean like a lynx? Are you keen to be seen when you're smelling a rat? Were you there when the pharoahs commissioned the sphinx? If you were, and you are, you're a Jellicle cat Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats We can dive through the air like a flying trapeze We can turn double sumersaults, bounce on a tire We can run up a wall, we can swing through the trees We can balance on bars, we can walk on a wire Jellicles can and Jellicles do Jellicles can and Jellicles do Jellicles can and Jellicles do Jellicles can and Jellicles do Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats Can you sing at the same time in more than one key Duets by Rossini and waltzes by Strauss And can you (as cats do) begin with a 'C' That always triumphantly brings down the house? Jellicle cats are queen of the nights Singing at astronomical heights Handling pieces from the Messiah Hallelujah, angelical choir The mystical divinity of unashamed felinity Round the cathedral rang "Vivat," Life to the Everlasting Cat! Feline, fearless, faithful and true To others who do - what Jellicles do and Jellicles can Jellicles can and Jellicles do Jellicle cats sing Jellicle chants Jellicles old and Jellicles new Jellicle song and Jellicle dance Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats Pactical cats, Dramatical cats Pragmatical cats, Fanatical cats Oratorical cats, Delphicoracle cats Skeptical cats, Dispeptical cats Romantical cats, Penantical cats Critical cats, Parasitical cats Allegorical cats, Metaphorical cats Statistical cats and Mystical cats Political cats, Hypocritical cats Clerical cats, Hysterical cats Cynical cats, Rabbinical cats Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats Jellicle songs for Jellicle cats There's a man over there with a look of surprise As much as to say Well now, how about that? Do I actually see with my own very eyes A man who's not heard of a Jellicle cat? What's a Jellicle cat? What's a Jellicle cat? |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
SOLO:
Skimbleshanks the railway cat, the cat of the railway train There’s a whisper down the line at eleven thirty-nine When the night mail’s ready to depart Saying, "Skimble, where is Skimble has he gone to hunt the thimble We must find him or the train can’t start!" SKIMBLESHANKS: All the guards and all the porters and the stationmaster’s daughters Would be searching high and low Saying "Skimble, where is Skimble for unless he’s very nimble Then the night mail just can’t go" At eleven forty-two with the signal overdue And the passengers all frantic to a man That’s when I would appear and I’d saunter to the rear I’d been busy in the luggage van! ALL: Then he gave one flash of his glass-green eyes And the signal went "All clear!" They’d be off at last for the northern part of the northern hemisphere! Skimbleshanks, the railway cat, the cat of the railway train SKIMBLESHANKS: You might say that by and large it was me who was in charge Of the sleeping car express From the driver and the guards to the bagmen playing cards I would supervise them all more or less ALL: Down the corridor he paces and examines all the faces Of the travellers in the first and the third He established control by a regular patrol And he’d know at once if anything occurred He would watch you without winking and he saw what you were thinking And it’s certain that he didn’t approve Of hilarity and riot so that folk were very quiet When Skimble was about and on the move You could play no pranks with Skimbleshanks He’s a cat that couldn’t be ignored So nothing went wrong on the northern mail When Skimbleshanks was aboard SKIMBLESHANKS: It was very pleasant when they’d found their little den With their name written up on the door And the berth was very neat with a newly folded sheet on And not a speck of dust on the floor There was every sort of light you could make it dark or bright And a button you could turn to make a breeze And a funny little basin you’re supposed to wash your face in And a crank to shut the window should you sneeze Then the guard looked in politely and would ask you very brightly "Do you like your morning tea weak or strong?" But I just behind him and was ready to remind him For Skimble won’t let anything go wrong When they crept into their cozy berth and pulled the counterpane They ought to reflect that it was very nice To know that they wouldn’t be bothered by mice They can leave all that to the railway cat The cat of the railway train ALL: Skimbleshanks, the railway cat, the cat of the railway train SKIMBLESHANKS: In the watches of the night I was always fresh and bright Every now and then I’d have a cup of tea With perhaps a drop of scotch while I was busy keeping on the watch Only stopping here and there to catch a flea They were fast asleep at Crewe And so they never knew that I was walking up and down the station They were sleeping all the while I was busy at Carlisle Where I met the stationmaster with elation They might see me at Dumfries if I summoned the police If there was anything they ought to know about When they got to Gallowgate there they did not have to wait For Skimbleshanks will help them to get out ALL: And he gives you a wave of his long brown tail Which says, "I’ll see you again" You’ll meet without fail on the midnight mail The cat of the railway train |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
You've heard of several kinds of cat
And my opinion now is that You should need to interpreter to understand our character You've learned enough to take the view That cats are very much like you You've seen us both at work and games And learnt about our proper names Our habits and our habitat But how would you ad - dress a cat So first, your memory I'll jog And say: A cat is not a dog So first, your memory I'll jog And say: A cat is not a dog With cats, some say, one rule is true Don't speak 'till spoken to Myself I do not hold with that I say, you should ad - dress a cat But always bear in mind that he resents familiarity You bow, and taking off your hat, ad - dress him in this form "O Cat"! Before a cat will condescend To treat you as a trusted friend Some little token of esteem is needed, like a dish of cream And you might now and then supply Some caviar or Strassburg pie Some potted grouse or salmon paste He's sure to have his personal taste And so in time you reach your aim And call him by his name A cat's entitled to expect These evidences of respect So this is this and that is that And there's how you ad - dress a cat A cat's entitled to expect these evidences of respect So this is this, and that is that And there's how you ad - dress a cat |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Jellicle cats come out tonight
Jellicle cats come one come all The Jellicle Moon is shining bright Jellicles come to the Jellicle Ball Jellicle cats come out tonight Jellicles come to the Jellicle Ball Jellicle cats come out tonight Jellicle cats come one come all The Jellicle Moon is shining bright Jellicles come to the Jellicle Ball Jellicle cats come out tonight Jellicle cats come one come all The Jellicle Moon is shining bright Jellicles come to the Jellicle Ball Jellicle cats meet once a year At the Jellicle Ball where we all rejoice And the Jellicle leader will soon appear And make what is known as the Jellicle Choice That's when Old Deuteronomy just before dawn Through a silence you feel could cut with a knife Announces the cat who can now be reborn And come back to a different Jellicle life. Because waiting up there is the Heaviside layer With wonders one Jellicle only will see Jellicles ask because Jellicles dare Who will it be? |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Jellicle cats come out tonight
Jellicle cats come one come all The Jellicle Moon is shining bright Jellicles come to the Jellicle Ball Jellicle cats are black and white Jellicle cats are rather small Jellicle cats are merry and bright And pleasant to hear when we caterwaul Jellicle cats have cheerful faces Jellicle cats have bright black eyes We like to practice our airs and graces And wait for the Jellicle Moon to rise Jellicle cats develop slowly Jellicle cats are not too big Jellicle cats are roly poly We know how to dance a gavotte and a jig Until the Jellicle Moon appears We make our toilet and take our repose Jellicles wash behind their ears Jellicles dry between their toes Jellicle cats are black and white Jellicle cats are of moderate size Jellicles jump like a jumping jack Jellicle cats have moonlit eyes We're quiet enough in the morning hours We're quiet enough in the afternoon Reserving our Terpsichorean powers To dance by the light of the Jellicle Moon Jellicle cats are black and white Jellicle cats (as we said) are small If it happens to be a stormy night We will practice a caper or two in the hall If it happens the sun is shining bright You would say we have nothing to do at all We are resting and saving ourselves to be bright For the Jellicle Moon and Jellicle Ball Jellicle cats come out tonight Jellicle cats come one come all The Jellicle Moon is shining bright Jellicles come to the Jellicle Ball |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Up up up past the Russell Hotel
Up up up to the Heaviside Layer Up up up past the Russell Hotel Up up up to the Heaviside Layer Up up up past the Russell Hotel Up up up to the Heaviside Layer Up up up past the Russell Hotel Up up up to the Heaviside Layer Up up up past the Jellicle Moon Up up up tp the Heaviside Layer Up up up past the Jellicle Moon Up up up past the Heaviside Layer The mystical divinity of unashamed felinity Round the cathedral rang "Vivat" Life to the Everlasting Cat |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
The naming of cats is a difficult matter,
It isn't just one of your holiday games You may think that I'm as mad as a hatter When I tell you a cat must have three different names First of all, there's the name that the family use daily Such as Peter, Augustus, Alonzo, or James Such as Victor or Jonathan, George or Bill Baily - All of them sensible, everyday names There are fancier names if you think they sound sweeter Some for the gentlemen, some for the dames Such as Plato, Admetus, Electra, Demeter - But all of them sensible, everyday names But I tell you a cat needs a name that's particular A name that's peculiar, and more dignified Else how can he keep up his tail perpendicular Or spread out his whiskers, or cherish his pride? Of names of this kind, I can give you a quorum Such as Munkustrap, Quaxo or Coricopat Such as Bombalurina, or else Jellylorum - Names that never belong to more than one cat But above and beyond there's still one name left over And that is the name that you never will guess; The name that no human research can discover But the cat himself knows, and will never confess When you notice a cat in profound meditation The reason, I tell you , is always the same His mind is engaged in a rapt contemplation Of the thought, of the thought, of the thought of his name His ineffable, effable, effanineffable Deep and inscrutable singular name Name, name, name, name, name, name |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
I have a Gumbie cat in mind, her name is Jennyanydots.
Her coat is of the tabby kind with tiger stripes and leopard spots All day she sits beneath the stairs or on the steps or on the mat She sits and sits and sits and sits and that's what makes a Gumbie cat That's what makes a Gumbie cat But... When the day's hustle and bustle is done Then the Gumbie cat's work is but hardly begun And when all the family's in bed and asleep She tucks up her skirts to the basement to creep She is deeply concerned with the ways of the mice Their behavior's not good and their manners not nice So when she has got them lined up on the matting She teaches them music, crocheting and tatting I have a Gumbie cat in mind, her name is Jennyanydots The curtain cord she likes to wind and tie it into sailor knots She sits upon the windowsill, or anything that's smooth and flat She sits and sits and sits and sits, and that's what makes a Gumbie cat That's what makes a Gumbie cat But... When the day's hustle and bustle is done Then the Gumbie cat's work is but hardly begun She thinks that the cockroaches Need employment To prevent them from Idol and wanton destroyment So she's formed from that lot of disorderly louts A troop of well disciplined helpful Boy Scouts With a purpose in life and a good deed to do And she's even created a beetles tattoo! FOR SHE'S A JOLLY GOOD FELLOW! Thank you my dears |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
The Rum Tum Tugger is a curious cat
If you offer me pheasant I'd rather have grouse If you put me in a house I would much prefer a flat If you put me in a flat then I'd rather have a house If you set me on a mouse then I only want a rat If you set me on a rat then I'd rather chase a mouse The Rum Tum Tugger is a curious cat And there isn't any need for me to shout it For he will do as he do do And there's no doing anything about it The Rum Tum Tugger is a terrible bore When you let me in, then I want to go out I'm always on the wrong side of every door And as soon as I'm at home, then I'd like to get about I like to lie in the bureau drawer And I make such a fuss if I can't get out The Rum Tum Tugger is a curious cat And there isn't any need for you to doubt it For he will do as he do do And there's no doing anything about it The Rum Tum Tugger is a curious beast My disobliging ways are a matter of habit If you offer me fish then I always want a feast When there isn't any fish then I won't eat rabbit If you offer me cream then I sniff and sneer For I only like what I find for myself So you'll catch me in it right up to my ears If you put it away on the larder shelf The Rum Tum Tugger is artful and knowing The Rum Tum Tugger Doesn't care for a cuddle But I'll leap upon your lap in the middle of your sewing For there's nothing I enjoy like a horrible muddle The Rum Tum Tugger is a curious cat The Rum Tum Tugger doesn't care for a cuddle The Rum Tum Tugger is a curious cat And there isn't any need for me to spout it For he will do as he do do And there's no doing anything about - t it! |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Remark the cat who hesitstes toward you
In the light of the door which opens on her like a grin You see the border of her coat is torn and stained with sand And you see the corner of her eye twist like a crooked pin She haunted many a low resort near the grimy road of Tottenham Court She flitted about the No Man's Land From "The Rising Sun" to "The Friend at Hand" And the postman sighed as he scratched his head "You'd really had thought she ought to be dead" And who would ever suppose that That was Grizabella, the glamour cat Grizabella, the glamour cat, Grizabella the glamour cat And who would ever suppose that That was Grizabella, the glamour cat |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
She haunted many a low resort
Near the grimy road of Tottenham Court She flitted about the No Man's Land From "The Rising Sun" to "The Friend at Hand" And the postman sighed as he scratched his head "You'd really had thought she ought to be dead" And who would ever suppose that That was Grizabella, the glamour cat Grizabella, the glamour cat, Grizabella, the glamour cat |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Gus is the cat at the theatre door
His name, as I ought to have told you before Is really Asparagus, and that's a fuss to pronounce That we usually call him just Gus His coat's very shabby, he's thin as a rake And he suffers from palsy that makes his paw shake Yet he was in his youth quite the smartest of cats But no longer a terror to mice or to rats For he isn't the cat that he was in his prime Though his name was quite famous, he says, in his time And whenever he joins his friends at their club (Which takes place at the back of the neighboring pub) He loves to regale them, if someone else pays With anecdotes drawn from his palmiest days For he once was a star of the highest degree He has acted with Irving, he's acted with Tree And he likes to relate his success on the halls Where the gallery once gave him seven cat calls But his greatest creation as he loves to tell Was Firefrorefiddle, the fiend of the fell I have played in my time every possible part And I used to know seventy speeches by heart I'd extemporize backchat, I knew how to gag And I knew how to let the cat out of the bag I knew how to act with my back and my tail With an hour of rehearsal, I never could fail I'd a voice that would soften the hardest of hearts Whether I took the lead, or in character parts I have sat by the bedside of poor little Nell When the curfew was rung then I swung on the bell In the pantomime season, I never fell flat And I once understudied Dick Whittington's cat But my grandest creation, as history will tell was Firefrorefiddle, the fiend of the fell Then, if someone will give him a toothful of gin He will tell how he once played a part in East Lynne At a Shakespeare performance he once walked on pat When some actor suggested the need for a cat And I say now these kittens, they do not get trained As we did in the days when Victoria reigned They never get drilled in a regular troupe And they think they are smart just to jump through a hoop And he says as he scratches himself with his claws Well the theatre is certainly not what is was These modern productions are all very well But there's nothing to equal from what I hear tell That moment of mystery when I made history As Firefrorefiddle, the fiend of the fell |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Are you blind when you're born? Can you see in the dark?
Dare you look at a king? Would you sit on his throne? Can you say of your bite that it's worse than your bark? Are you cock of the walk when you're walking alone? Because jellicles are and jellicles do Jellicles do and jellicles would Jellicles would and jellicles can Jellicles can and jellicles do When you fall on your head, do you land on your feet? Are you tense when you sense there's a storm in the air? Can you find your way blind when you're lost in the street? Do you know how to go to the heaviside layer? Because jellicles can and jellicles do Jellicles do and jellicles can Jellicles can and jellicles do Jellicles do and jellicles can Jellicles can and jellicles do Can you ride on a broomstick to places far distant? Familiar with candle, with book, and with bell? Were you Whittington's friend? The Pied Piper's assistant? Have you been an alumnus of heaven and hell? Are you mean like a minx? Are you lean like a lynx? Are you keen to be seen when you're smelling a rat? Were you there when the pharaoh commissioned the Sphinx? If you were, and you are, you're a jellicle cat Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats We can dive through the air like a flying trapeze We can turn double somersaults, bounce on a tire We can run up a wall, we can swing through the trees We can balance on bars, we can walk on a wire Jellicles can and jellicles do Jellicles can and jellicles do Jellicles can and jellicles do Jellicles can and jellicles do Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Can you sing at the same time in more than one key? Duets by Rossini and waltzes by Strauss? And can you (as cats do) begin with a 'C'? That always triumphantly brings down the house? Jellicle cats are queen of the nights Singing at astronomical heights Handling pieces from the 'Messiah' Hallelujah, angelical Choir The mystical divinity of unashamed felinity Round the cathedral rang 'Vivat' Life to the everlasting cat! Feline, fearless, faithful and true To others who do-what Jellicles do and jellicles can Jellicles can and jellicles do Jellicle cats sing jellicle chants Jellicles old and jellicles new Jellicle song and jellicle dance Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Practical cats, dramatical cats Pragmatical cats, fanatical cats Oratorical cats, Delphicoracle cats Skeptical cats, Dispeptical cats Romantical cats, Pedantical cats Critical cats, parasitical cats Allegorical cats, metaphorical cats Statistical cats and mystical cats Political cats, hypocritical cats Clerical cats, hysterical cats Cynical cats, rabbinical cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Macavity's a mystery cat, he's called the hidden paw
For he's a master criminal who can defy the law He's the bafflement of Scotland Yard, the Flying Squad's despair For when they reach the scene of crime Macavity's not there! Macavity, Macavity, there's no one like Macavity He's broken every human law, he breaks the law of gravity His powers of levitation would make a fakir stare And when you reach the scene of crime Macavity's not there! You may seek him in the basement, you may look up in the air But I tell you once and once again Macavity's not there! Macavity's a ginger cat, he's very tall and thin You would know him if you saw him for his eyes are sunken in His brow is deeply lined in thought, his head is highly domed His coat is dusty from neglect, his whiskers are uncombed He sways his head from side to side with movements like a snake And when you think he's half asleep, he's always wide awake Macavity, Macavity, there's no one like Macavity He's a fiend in feline shape, a monster of depravity You may meet him in a by-street, you may see him in the square But when a crime's discovered then Macavity's not there! He's outwardly respectable, I know he cheats at cards And his footprints are not found in any files of Scotland Yard's And when the larder's looted or the jewel case is rifled Or when the milk is missing or another peke's been stifled Or the greenhouse glass is broken and the trellis past repair There's the wonder of the thing Macavity's not there! Macavity, Macavity, there's no one like Macavity There never was a cat of such deceitfulness and suavity He always has an alibi and one or two to spare What ever time the deed took place Macavity wasn't there! And they say that all the cats whose wicked deeds are widely known I might mention Mungojerrie, I might mention Griddlebone Are nothing more than agents for the cat who all the time Just controls the operations: the Napoleon of crime! Macavity, Macavity, there's no one like Macavity He's a fiend in feline shape, a monster of depravity You may meet him in a by-street, you may see him in the square But when a crime's discovered then Macavity Macavity, Macavity, Macavity When a crime's discovered then Macavity's not there! Macavity's not there! |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Midnight, not a sound from the pavement,
Has the moon lost her memory? She is smiling alone. In the lamp light the withered leaves collect at my feet And the wind begins to moan. Memory. All alone in the moonlight I can smile at the old days. I was beautiful then. I remember the time I knew what happiness was, Let the memory live again. Every street lamp seems to beat a fatalistic warning Someone mutters and the street lamp gutters, And soon it will be morning. Daylight. I must wait for the sunrise I must think of a new life And I mustn't give in. When the dawn comes tonight will be a memory, too And a new day will begin. Burnt-out ends of smoky days The stale cold smell of morning The street lamp dies, another night is over, Another day is dawning. Touch me. It's so easy to leave me All alone with the memory Of my days in the sun. If you touch me you'll understand what happiness is. Look, a new day has begun. |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Daylight, see the dew on the sunflower
And a rose that is fading Roses wither away Like the sunflower I yearn to turn my face to the dawn I am waiting for the day Midnight Not a sound from the pavement Has the moon lost her memory? She is smiling alone In the lamp light the withered leaves collect at my feet And the wing begins to moan Memory, all alone in the moon light I can smile at the old days I was beautiful then I remember the time I knew what happiness was Let the memory live again Every street lamp seems to beat a fatalistic warming Someone mutters and the street lamp gutters And soon it will be morning Daylight I must wait for the sun rise I must think of a new life And I mustn't give in When the dawn comes tonight will be a memory too And a new day will begin burnt out ends of smoky days The stale cold smell of morning A street lamp dies Another night is over Another day is dawning Touch me It's so easy to leave me All alone with the memory of my days in the sun If you touch me You'll understand what happiness is Look, a new day has begun |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
You ought to ask Mr. Mistoffolees!
The original conjuring cat The greatest magicians have something to learn From Mister Mistoffolees' conjuring turn And you'll all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees He is quiet, he is small, he is black From the ears to the tip of his tail He can creep through the tiniest crack He can walk on the narrowest rail He can pick any card from a pack He is equally cunning with dice He is always deceiving you into believing That he's only hunting for mice He can play any trick with a cork Or a spoon and a bit of fish paste If you look for a knife or a fork And you think it is merely misplaced You have seen it one moment and then it's gone! But you find it next week lying on the lawn And we all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees And we all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees And we all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees And we all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Well! My manner is vague and aloof You would think there was nobody shyer But voice has been heard on the roof When I was curled up by the fire And I've sometimes been heard by the fire When I was about on the roof At least they all heard that somebody purred Which is uncontestable proof of my singular magical powers And I've known the family to call me in from the garden for hours While I was asleep in the hall And not long ago this phenomenal cat Produced seven kittens right out of a hat And we all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees And not long ago this phenomenal cat Produced seven kittens right out of a hat And we all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Ladies and gentlemen, I give you the magical Mr. Mistoffolees! |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Mungojerrie and Rumpleteazer were a notorious couple of cats
As knockabout clowns, quick change comedians Tight-rope walkers and acrobats They had an extensive reputation Made their home in Victoria Grove That was merely their center of operation For they were incurable given to rove If the area window was found ajar And the basement looked like a field of war If a tile or two came loose on the roof Which presently ceased to be waterproof If the drawers were pulled out from bedroom chests And you couldn't find one of your winter vests Or after supper one of the girls Suddenly missed her Woolworth pearls Then the family would say, "It's that horrible cat! It was Mungojerrie or Rumpleteazer!" And most of the time they left it at that Mungojerrie and Rumpleteazer had an unusual gift of gab They were highly efficient cat burglars As well and remarkably smart at a smash and grab They made their home in Victoria Grove They had no regular occupation They were plausible fellows who liked to engage A friendly policeman in conversation When the family assembled for Sunday dinner Their minds made up that they wouldn't get thinner on Argentine joint, potatoes and greens Then the cook would appear from behind the scenes And say in a voice that was broken with sorrow "I'm afraid you must wait and have dinner tomorrow The joint has gone from the oven like that!" Then the family would say, "It's that horrible cat! It was Mungojerrie or Rumpleteazer!" And most of the time they left it at that Mungojerrie and Rumpleteazer had a wonderful way Of working together And some of the time you would say it was luck And some of the time you would say it was weather They'd go through the house like a hurricane And no sober person could take his oath Was it Mungojerrie and Rumpleteazer? Or could you have sworn that it mightn't be both? When you heard a dining room smash Or up from the pantry there came a loud crash Or down from the library came a loud ping From a vase which was commonly said to be Ming Then the family would say: "Now which was which cat? It was Mungojerrie and Rumpleteazer And there's nothing at all to be done about that!" |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Old Deuteronomy's lived a long time
He's a cat who has lived many lives in succession He was famous in proverb and famous in rhyme A long while before Queen Victoria's accession Old Deuteronomy's buried nine wives And more I am tempted to say ninety-nine And his numerous progeny prospers and thrives And the village is proud of him in his decline At the sight of that placid and bland physiognomy When he sits in the sun on the vicarage wall The oldest inhabitant croaks: Well of all things can it be really Yes. No. Ho. Hi. Oh my eye! My mind may be wandering but I confess I believe it is Old Deuteronomy ALL: Well of all things can it be really No. Yes. Ho. Hi. Oh my eye! My mind may be wandering but I confess I believe it is Old Deuteronomy Well of all things can it be really No. Yes. Ho. Hi. Oh my eye! My mind may be wandering but I confess I believe it is Old Deuteronomy Well of all things can it be really No. Yes. Ho. Hi. Oh my eye! My legs may be tottery, I must go slow And be careful of Old Deuteronomy |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Skimbleshanks the railway cat, the cat of the railway train
There's a whisper down the line at eleven thirty-nine When the night mail's ready to depart Saying, "Skimble, where is Skimble has he gone to hunt the thimble We must find him or the train can't start!" All the guards and all the porters and the stationmaster's daughters Would be searching high and low Saying "Skimble, where is Skimble for unless he's very nimble Then the night mail just can't go" At eleven forty-two with the signal overdue And the passengers all frantic to a man That's when I would appear and I'd saunter to the rear I'd been busy in the luggage van! Then he gave one flash of his glass-green eyes And the signal went "All clear!" They'd be off at last for the northern part of the northern hemisphere! Skimbleshanks, the railway cat, the cat of the railway train You might say that by and large it was me who was in charge Of the sleeping car express From the driver and the guards to the bagmen playing cards I would supervise them all more or less Down the corridor he paces and examines all the faces Of the travellers in the first and the third He established control by a regular patrol And he'd know at once if anything occurred He would watch you without winking and he saw what you were thinking And it's certain that he didn't approve Of hilarity and riot so that folk were very quiet When Skimble was about and on the move You could play no pranks with Skimbleshanks He's a cat that couldn't be ignored So nothing went wrong on the northern mail When Skimbleshanks was aboard It was very pleasant when they'd found their little den With their name written up on the door And the berth was very neat with a newly folded sheet on And not a speck of dust on the floor There was every sort of light you could make it dark or bright And a button you could turn to make a breeze And a funny little basin you're supposed to wash your face in And a crank to shut the window should you sneeze Then the guard looked in politely and would ask you very brightly "Do you like your morning tea weak or strong?" But I just behind him and was ready to remind him For Skimble won't let anything go wrong When they crept into their cozy berth and pulled the counterpane They ought to reflect that it was very nice To know that they wouldn't be bothered by mice They can leave all that to the railway cat The cat of the railway train Skimbleshanks, the railway cat, the cat of the railway train In the watches of the night I was always fresh and bright Every now and then I'd have a cup of tea With perhaps a drop of scotch while I was busy keeping on the watch Only stopping here and there to catch a flea They were fast asleep at Crewe And so they never knew that I was walking up and down the station They were sleeping all the while I was busy at Carlisle Where I met the stationmaster with elation They might see me at Dumfries if I summoned the police If there was anything they ought to know about When they got to Gallowgate there they did not have to wait For Skimbleshanks will help them to get out And he gives you a wave of his long brown tail Which says, "I'll see you again" You'll meet without fail on the midnight mail The cat of the railway train |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
You've heard of several kinds of cat
And my opinion now is that You should need no interpreter to understand our character You've learned enough to take the view That cats are very much like you You've seen us both at work and games And learnt about our proper names Our habits and habitat But how would you ad-dress a cat? So first, your memory I'll jog And say: A cat is not a dog So first, your memory I'll jog And say: A cat is not a dog With cats, some say, one rule is true Don't speak 'til you are spoken to Myself I do not hold with that I say, you should ad-dress a cat But always bear in mind that he resents familiarity You bow, and taking off your hat, ad-dress him in this form "O Cat!" Before a cat will condescend To treat you as a trusted friend Some little token of esteem is needed, like a dish of cream And you might now and then supply Some caviar or Straussburg pie Some potted grouse or salmon paste He's sure to have his personal taste And so in time you reach your aim And call him by his name A cat's entitled to expect These evidences of respect So this is this and that is that And there's how you ad-dress a cat A cat's entitled to expect These evidences of respect So this is this and that is that And there's how you ad-dress a cat! |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Up up up past the Russell Hotel
Up up up up to the heaviside layer Up up up past the Russell Hotel Up up up up to the heaviside layer Up up up past the Russell Hotel Up up up up to the heaviside layer Up up up past the Russell Hotel Up up up up to the heaviside layer |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
I have a gumbie cat in mind, her name is Jennyanydots
Her coat is of the tabby kind with tiger stripes and leopard spots All day she sits beneath the stairs or on the steps or on the mat She sits and sits and sits and that's what makes a gumbie cat That's what makes a gumbie cat But... When the day's hustle and bustle is done Then the gumbie cat's work is but hardly begun And when all the family's in bed and asleep She tucks up her skirts to the basement to creep She is deeply concerned with the ways of the mice Their behavior's not good and their manners not nice So when she has got them lined up on the matting She teaches them music, crocheting and tatting I have a gumbie cat in mind, her name is Jennyanydots The curtain cord she likes to wind and tie it into sailor knots She sits upon the windowsill or anything that's smooth and flat She sits and sits and sits and that's what makes a gumbie cat That's what makes a gumbie cat But... When the day's hustle and bustle is done Then the gumbie cat's work is but hardly begun She thinks that the cockroaches need employment To prevent them from idle and wanton destroyment So she's formed from that lot of disorderly louts A troop of well disciplined helpful boy scouts With a purpose in life and a good deed to do And she's even created a beetles tattoo! For she's a jolly good fellow! Thank you my dears... |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
The Rum Tum Tugger is a curious cat
If you offer me pheasant, I'd rather have grouse If you put me in a house, I would much prefer a flat If you put me in a flat, I would rather have a house If you set me on a mouse, then I only want a rat If you set me on a rat, then I'd rather chase a mouse The Rum Tum Tugger is a curious cat And there isn't any need for me to shout it For he will do as he did do And there's nothing doing about it The Rum Tum Tugger is a terrible bore When you let me in, then I want to go out I'm always on the wrong side of every door And as soon as I'm at home, then I'd like to get about I like to lie in the bureau drawer And I make such a fuss if I can't get out The Rum Tum Tugger is a curious cat And there isn't any need for you to doubt it For he will do as he did do And there's no doing anything about it The Rum Tum Tugger is a curious beast My disobliging ways are a matter of habit If you offer me fish, then I always want a feast When there isn't any fish, then I won't eat rabbit If you offer me cream, then I sniff and sneer For I only like what I find for myself So you'll catch me in it right up to my ears If you put it away on the larder shelf The Rum Tum Tugger is artful and knowing The Rum Tum Tugger Doesn't care for a cuddle But I'll leap upon your lap in the middle of your sewing For there's nothing I enjoy like a horrible muddle The Rum Tum Tugger is a curious cat The Rum Tum Tugger doesn't care for a cuddle The Rum Tum Tugger is a curious cat And there isn't any need for me to spout it For he will do as he did do And there's nothing doing about it! |
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4:25 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
RAOUL
No more talk of darkness, forget these wide-eyed fears; I'm here, nothing can harm you, my words will warm and calm you. Let me be your freedom, let daylight dry your tears; I'm here, with you, beside you, to guard you and to guide you. CHRISTINE Say you love me every waking moment, turn my head with talk of summertime. Say you need me with you now and always; promise me that all you say is true, that's all I ask of you. RAOUL Let me be your shelter, let me be your light; you're safe, no one will find you, your fears are far behind you. CHRISTINE All I want is freedom, a world with no more night; and you, always beside me, to hold me and to hide me. RAOUL Then say you'll share with me one love, one lifetime; let me lead you from your solitude. Say you need me with you, here beside you, anywhere you go, let me go too, Christine, that's all I ask of you CHRISTINE Say you'll share with me one love, one lifetime; say the word and I will follow you. TOGETHER Share each day with me, each night, each morning. CHRISTINE Say you love me! RAOUL You know I do. RAOUL & CHRISTINE Love me, that's all I ask of you. (they kiss) RAOUL & CHRISTINE Anywhere you go, let me go too. Love me, that's all I ask of you. CHRISTINE I must go- They'll wonder where I am Wait fo me Raoul! RAOUL Christine I love you! CHRISTINE Order your fine horses! Be with them at the door! RAOUL And soon you'll be beside me! CHRISTINE You'll guard me and you'll guide me (they hurry off and the phantom emerges from behind the statue) |
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9:17 |
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| from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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3:03 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
I don't expect my love affairs to last for long.
Never fool myself that my dreams will come true. Being used to trouble, I anticipate it, But all the same, I hate it... Wouldn't you? So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? Time and time again I said that I don't care. That I'm immune to gloom, that I'm hard through and through. But every time it matters all my words desert me, So anyone can hurt me, and they do. So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? Call in three months time and I'll be fine, I know. Well maybe not that fine, but I'll survive anyhow. I won't recall the names and faces of each sad occasion, But that's no consilation here and now. So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? (Don't ask anymore) |
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5:14 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
I dont know why I'm frightened
I know my way around here The cardboard trees, the painted seas, the sound here Yes, a world to rediscover, But I'm not in any hurry, And I need a moment. The whispered conversations In overcrowded hallways. The atmosphere as thrilling here as always. Feel the early morning madness, Feel the magic in the making, Why, everythings as if we never said goodbye. I've spent so many mornings Just trying to resist you. I'm trembling now, you cant know how I've missed you. Missed the fairy tale adventures In this ever spinning playground. We were young together. I'm coming out of makeup, The lights already burning. Not long until the cameras will start turning. And the early morning madness, And the magic in the making, Yes, everythings as if we never said goodbye. I dont want to be alone, That's all in the past. This world's waited long enough, I've come home at last. And this time will be bigger And brighter than we knew it. So watch me fly, we all know I can do it. Could I stop my hand from shaking, Has there ever been a moment With so much to live for? The whispered conversations In overcrowded hallways. So much to say, not just today, but always. We'll have early morning madness, We'll have magic in the making, Yes, everythings as if we never said goodbye. Yes, everythings as if we never said goodbye, We taught the world new ways to dream. |
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3:44 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Close every door to me, hide all the world from me
Bar all the windows and shut out the light Do what you want with me, hate me and laugh at me Darken my daytime and torture my night If my life were important I would ask will I live or die But I know the answers lie far from this world Close every door to me, keep those I love from me Children of Israel are never alone For I know I shall find my own peace of mind For I have been promised a land of my own Just give me a number instead of my name Forget all about me and let me decay I do not matter, I'm only one person Destroy me completely then throw me away If my life were important I would ask will I live or die But I know the answers lie far from this world Close every door to me, keep those I love from me Children of Israel are never alone For we know we shall find our own peace of mind For we have been promised a land of our own |
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5:19 |
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| from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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4:15 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Try not to get worried, try not to turn on to
Problems that upset you, oh. Don't you know Everything's alright, yes, everything's fine. And we want you to sleep well tonight. Let the world turn without you tonight. If we try, we'll get by, so forget all about us tonight APOSTLES' WIVES Everything's alright, yes, everything's alright, yes. MARY MAGDALENE Sleep and I shall soothe you, calm you, and anoint you. Myrrh for your hot forehead, oh. Then you'll feel Everything's alright, yes, everything's fine. And it's cool, and the ointment's sweet For the fire in your head and feet. Close your eyes, close your eyes And relax, think of nothing tonight. APOSTLES' WIVES Everything's alright, yes, everything's alright, yes. JUDAS Woman your fine ointment, brand new and expensive Should have been saved for the poor. Why has it been wasted? We could have raised maybe Three hundred silver pieces or more. People who are hungry, people who are starving They matter more than your feet and hair! MARY MAGDALENE Try not to get worried, try not to turn on to Problems that upset you, oh. Don't you know APOSTLES' WIVES and MARY Everything's alright, yes, everything's alright, yes. JESUS Surely you're not saying we have the resources To save the poor from their lot? There will be poor always, pathetically struggling. Look at the good things you've got. Think while you still have me! Move while you still see me! You'll be lost, and you'll be sorry when I'm gone. MARY MAGDALENE Sleep and I shall soothe you, calm you and anoint you. Myrrh for your hot forehead/ Then you'll feel Everything's alright, yes, everything's fine. And it's cool and the ointment's sweet For the fire in your head and feet. Close your eyes, close your eyes, and relax Think of nothing tonight. APOSTLES' WIVES Everything's alright, yes, everything's alright, yes. MARY MAGDALENE Close your eyes, close your eyes, and relax |
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3:24 |
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| from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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3:36 |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
I don't know how to love him,
what to do, how to move him I've been changed, yes really changed In these past few days when I see myself, I seem like someone else I don't know how to take this, I don't see why he moves me He's a man, he's just a man And I've had so many men before in very many ways, he's just one more Should I bring him down, should I scream and shout Should I speak of love, let my feelings out I never thought I'd come to this, what's it all about Don't you think it's rather funny that I should be in this position I'm the one who's always been so calm, so cool, no lover's fool Running every show, he scares me so Should I bring him down, should I scream and shout Should I speak of love, let my feelings out I never thought I'd come to this, what's it all about Yet, if he said he loved me, I'd be lost, I'd be frightened I couldn't cope, just couldn't cope I'd turn my head, I'd back away, I wouldn't want to know He scares me so, I want him so, I love him so |
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