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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994) | |||||
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Are you blind when you're born? Can you see in the dark?
Dare you look at a king? Would you sit on his throne? Can you say of your bite that it's worse than your bark? Are you cock of the walk when you're walking alone? Because jellicles are and jellicles do Jellicles do and jellicles would Jellicles would and jellicles can Jellicles can and jellicles do When you fall on your head, do you land on your feet? Are you tense when you sense there's a storm in the air? Can you find your way blind when you're lost in the street? Do you know how to go to the heaviside layer? Because jellicles can and jellicles do Jellicles do and jellicles can Jellicles can and jellicles do Jellicles do and jellicles can Jellicles can and jellicles do Can you ride on a broomstick to places far distant? Familiar with candle, with book, and with bell? Were you Whittington's friend? The Pied Piper's assistant? Have you been an alumnus of heaven and hell? Are you mean like a minx? Are you lean like a lynx? Are you keen to be seen when you're smelling a rat? Were you there when the pharaoh commissioned the Sphinx? If you were, and you are, you're a jellicle cat Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats We can dive through the air like a flying trapeze We can turn double somersaults, bounce on a tire We can run up a wall, we can swing through the trees We can balance on bars, we can walk on a wire Jellicles can and jellicles do Jellicles can and jellicles do Jellicles can and jellicles do Jellicles can and jellicles do Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Can you sing at the same time in more than one key? Duets by Rossini and waltzes by Strauss? And can you (as cats do) begin with a 'C'? That always triumphantly brings down the house? Jellicle cats are queen of the nights Singing at astronomical heights Handling pieces from the 'Messiah' Hallelujah, angelical Choir The mystical divinity of unashamed felinity Round the cathedral rang 'Vivat' Life to the everlasting cat! Feline, fearless, faithful and true To others who do-what Jellicles do and jellicles can Jellicles can and jellicles do Jellicle cats sing jellicle chants Jellicles old and jellicles new Jellicle song and jellicle dance Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Practical cats, dramatical cats Pragmatical cats, fanatical cats Oratorical cats, Delphicoracle cats Skeptical cats, Dispeptical cats Romantical cats, Pedantical cats Critical cats, parasitical cats Allegorical cats, metaphorical cats Statistical cats and mystical cats Political cats, hypocritical cats Clerical cats, hysterical cats Cynical cats, rabbinical cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats Jellicle songs for jellicle cats |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994) | |||||
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994) | |||||
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
I have a gumbie cat in mind, her name is Jennyanydots
Her coat is of the tabby kind with tiger stripes and leopard spots All day she sits beneath the stairs or on the steps or on the mat She sits and sits and sits and that's what makes a gumbie cat That's what makes a gumbie cat But... When the day's hustle and bustle is done Then the gumbie cat's work is but hardly begun And when all the family's in bed and asleep She tucks up her skirts to the basement to creep She is deeply concerned with the ways of the mice Their behavior's not good and their manners not nice So when she has got them lined up on the matting She teaches them music, crocheting and tatting I have a gumbie cat in mind, her name is Jennyanydots The curtain cord she likes to wind and tie it into sailor knots She sits upon the windowsill or anything that's smooth and flat She sits and sits and sits and that's what makes a gumbie cat That's what makes a gumbie cat But... When the day's hustle and bustle is done Then the gumbie cat's work is but hardly begun She thinks that the cockroaches need employment To prevent them from idle and wanton destroyment So she's formed from that lot of disorderly louts A troop of well disciplined helpful boy scouts With a purpose in life and a good deed to do And she's even created a beetles tattoo! For she's a jolly good fellow! Thank you my dears... |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
The Rum Tum Tugger is a curious cat
If you offer me pheasant, I'd rather have grouse If you put me in a house, I would much prefer a flat If you put me in a flat, I would rather have a house If you set me on a mouse, then I only want a rat If you set me on a rat, then I'd rather chase a mouse The Rum Tum Tugger is a curious cat And there isn't any need for me to shout it For he will do as he did do And there's nothing doing about it The Rum Tum Tugger is a terrible bore When you let me in, then I want to go out I'm always on the wrong side of every door And as soon as I'm at home, then I'd like to get about I like to lie in the bureau drawer And I make such a fuss if I can't get out The Rum Tum Tugger is a curious cat And there isn't any need for you to doubt it For he will do as he did do And there's no doing anything about it The Rum Tum Tugger is a curious beast My disobliging ways are a matter of habit If you offer me fish, then I always want a feast When there isn't any fish, then I won't eat rabbit If you offer me cream, then I sniff and sneer For I only like what I find for myself So you'll catch me in it right up to my ears If you put it away on the larder shelf The Rum Tum Tugger is artful and knowing The Rum Tum Tugger Doesn't care for a cuddle But I'll leap upon your lap in the middle of your sewing For there's nothing I enjoy like a horrible muddle The Rum Tum Tugger is a curious cat The Rum Tum Tugger doesn't care for a cuddle The Rum Tum Tugger is a curious cat And there isn't any need for me to spout it For he will do as he did do And there's nothing doing about it! |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Remark the cat who hesitstes toward you
In the light of the door which opens on her like a grin You see the border of her coat is torn and stained with sand And you see the corner of her eye twist like a crooked pin She haunted many a low resort near the grimy road of Tottenham Court She flitted about the No Man's Land From "The Rising Sun" to "The Friend at Hand" And the postman sighed as he scratched his head "You'd really had thought she ought to be dead" And who would ever suppose that That was Grizabella, the glamour cat Grizabella, the glamour cat, Grizabella the glamour cat And who would ever suppose that That was Grizabella, the glamour cat |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994) | |||||
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Mungojerrie and Rumpleteazer were a notorious couple of cats
As knockabout clowns, quick change comedians Tight-rope walkers and acrobats They had an extensive reputation Made their home in Victoria Grove That was merely their center of operation For they were incurable given to rove If the area window was found ajar And the basement looked like a field of war If a tile or two came loose on the roof Which presently ceased to be waterproof If the drawers were pulled out from bedroom chests And you couldn't find one of your winter vests Or after supper one of the girls Suddenly missed her Woolworth pearls Then the family would say, "It's that horrible cat! It was Mungojerrie or Rumpleteazer!" And most of the time they left it at that Mungojerrie and Rumpleteazer had an unusual gift of gab They were highly efficient cat burglars As well and remarkably smart at a smash and grab They made their home in Victoria Grove They had no regular occupation They were plausible fellows who liked to engage A friendly policeman in conversation When the family assembled for Sunday dinner Their minds made up that they wouldn't get thinner on Argentine joint, potatoes and greens Then the cook would appear from behind the scenes And say in a voice that was broken with sorrow "I'm afraid you must wait and have dinner tomorrow The joint has gone from the oven like that!" Then the family would say, "It's that horrible cat! It was Mungojerrie or Rumpleteazer!" And most of the time they left it at that Mungojerrie and Rumpleteazer had a wonderful way Of working together And some of the time you would say it was luck And some of the time you would say it was weather They'd go through the house like a hurricane And no sober person could take his oath Was it Mungojerrie and Rumpleteazer? Or could you have sworn that it mightn't be both? When you heard a dining room smash Or up from the pantry there came a loud crash Or down from the library came a loud ping From a vase which was commonly said to be Ming Then the family would say: "Now which was which cat? It was Mungojerrie and Rumpleteazer And there's nothing at all to be done about that!" |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Old Deuteronomy's lived a long time
He's a cat who has lived many lives in succession He was famous in proverb and famous in rhyme A long while before Queen Victoria's accession Old Deuteronomy's buried nine wives And more I am tempted to say ninety-nine And his numerous progeny prospers and thrives And the village is proud of him in his decline At the sight of that placid and bland physiognomy When he sits in the sun on the vicarage wall The oldest inhabitant croaks: Well of all things can it be really Yes. No. Ho. Hi. Oh my eye! My mind may be wandering but I confess I believe it is Old Deuteronomy ALL: Well of all things can it be really No. Yes. Ho. Hi. Oh my eye! My mind may be wandering but I confess I believe it is Old Deuteronomy Well of all things can it be really No. Yes. Ho. Hi. Oh my eye! My mind may be wandering but I confess I believe it is Old Deuteronomy Well of all things can it be really No. Yes. Ho. Hi. Oh my eye! My legs may be tottery, I must go slow And be careful of Old Deuteronomy |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994) | |||||
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
She haunted many a low resort
Near the grimy road of Tottenham Court She flitted about the No Man's Land From "The Rising Sun" to "The Friend at Hand" And the postman sighed as he scratched his head "You'd really had thought she ought to be dead" And who would ever suppose that That was Grizabella, the glamour cat Grizabella, the glamour cat, Grizabella, the glamour cat |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Midnight, not a sound from the pavement,
Has the moon lost her memory? She is smiling alone. In the lamp light the withered leaves collect at my feet And the wind begins to moan. Memory. All alone in the moonlight I can smile at the old days. I was beautiful then. I remember the time I knew what happiness was, Let the memory live again. Every street lamp seems to beat a fatalistic warning Someone mutters and the street lamp gutters, And soon it will be morning. Daylight. I must wait for the sunrise I must think of a new life And I mustn't give in. When the dawn comes tonight will be a memory, too And a new day will begin. Burnt-out ends of smoky days The stale cold smell of morning The street lamp dies, another night is over, Another day is dawning. Touch me. It's so easy to leave me All alone with the memory Of my days in the sun. If you touch me you'll understand what happiness is. Look, a new day has begun. |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994) | |||||
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Gus is the cat at the theatre door
His name, as I ought to have told you before Is really Asparagus, and that's a fuss to pronounce That we usually call him just Gus His coat's very shabby, he's thin as a rake And he suffers from palsy that makes his paw shake Yet he was in his youth quite the smartest of cats But no longer a terror to mice or to rats For he isn't the cat that he was in his prime Though his name was quite famous, he says, in his time And whenever he joins his friends at their club (Which takes place at the back of the neighboring pub) He loves to regale them, if someone else pays With anecdotes drawn from his palmiest days For he once was a star of the highest degree He has acted with Irving, he's acted with Tree And he likes to relate his success on the halls Where the gallery once gave him seven cat calls But his greatest creation as he loves to tell Was Firefrorefiddle, the fiend of the fell I have played in my time every possible part And I used to know seventy speeches by heart I'd extemporize backchat, I knew how to gag And I knew how to let the cat out of the bag I knew how to act with my back and my tail With an hour of rehearsal, I never could fail I'd a voice that would soften the hardest of hearts Whether I took the lead, or in character parts I have sat by the bedside of poor little Nell When the curfew was rung then I swung on the bell In the pantomime season, I never fell flat And I once understudied Dick Whittington's cat But my grandest creation, as history will tell was Firefrorefiddle, the fiend of the fell Then, if someone will give him a toothful of gin He will tell how he once played a part in East Lynne At a Shakespeare performance he once walked on pat When some actor suggested the need for a cat And I say now these kittens, they do not get trained As we did in the days when Victoria reigned They never get drilled in a regular troupe And they think they are smart just to jump through a hoop And he says as he scratches himself with his claws Well the theatre is certainly not what is was These modern productions are all very well But there's nothing to equal from what I hear tell That moment of mystery when I made history As Firefrorefiddle, the fiend of the fell |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994) | |||||
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Skimbleshanks the railway cat, the cat of the railway train
There's a whisper down the line at eleven thirty-nine When the night mail's ready to depart Saying, "Skimble, where is Skimble has he gone to hunt the thimble We must find him or the train can't start!" All the guards and all the porters and the stationmaster's daughters Would be searching high and low Saying "Skimble, where is Skimble for unless he's very nimble Then the night mail just can't go" At eleven forty-two with the signal overdue And the passengers all frantic to a man That's when I would appear and I'd saunter to the rear I'd been busy in the luggage van! Then he gave one flash of his glass-green eyes And the signal went "All clear!" They'd be off at last for the northern part of the northern hemisphere! Skimbleshanks, the railway cat, the cat of the railway train You might say that by and large it was me who was in charge Of the sleeping car express From the driver and the guards to the bagmen playing cards I would supervise them all more or less Down the corridor he paces and examines all the faces Of the travellers in the first and the third He established control by a regular patrol And he'd know at once if anything occurred He would watch you without winking and he saw what you were thinking And it's certain that he didn't approve Of hilarity and riot so that folk were very quiet When Skimble was about and on the move You could play no pranks with Skimbleshanks He's a cat that couldn't be ignored So nothing went wrong on the northern mail When Skimbleshanks was aboard It was very pleasant when they'd found their little den With their name written up on the door And the berth was very neat with a newly folded sheet on And not a speck of dust on the floor There was every sort of light you could make it dark or bright And a button you could turn to make a breeze And a funny little basin you're supposed to wash your face in And a crank to shut the window should you sneeze Then the guard looked in politely and would ask you very brightly "Do you like your morning tea weak or strong?" But I just behind him and was ready to remind him For Skimble won't let anything go wrong When they crept into their cozy berth and pulled the counterpane They ought to reflect that it was very nice To know that they wouldn't be bothered by mice They can leave all that to the railway cat The cat of the railway train Skimbleshanks, the railway cat, the cat of the railway train In the watches of the night I was always fresh and bright Every now and then I'd have a cup of tea With perhaps a drop of scotch while I was busy keeping on the watch Only stopping here and there to catch a flea They were fast asleep at Crewe And so they never knew that I was walking up and down the station They were sleeping all the while I was busy at Carlisle Where I met the stationmaster with elation They might see me at Dumfries if I summoned the police If there was anything they ought to know about When they got to Gallowgate there they did not have to wait For Skimbleshanks will help them to get out And he gives you a wave of his long brown tail Which says, "I'll see you again" You'll meet without fail on the midnight mail The cat of the railway train |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Macavity's a mystery cat, he's called the hidden paw
For he's a master criminal who can defy the law He's the bafflement of Scotland Yard, the Flying Squad's despair For when they reach the scene of crime Macavity's not there! Macavity, Macavity, there's no one like Macavity He's broken every human law, he breaks the law of gravity His powers of levitation would make a fakir stare And when you reach the scene of crime Macavity's not there! You may seek him in the basement, you may look up in the air But I tell you once and once again Macavity's not there! Macavity's a ginger cat, he's very tall and thin You would know him if you saw him for his eyes are sunken in His brow is deeply lined in thought, his head is highly domed His coat is dusty from neglect, his whiskers are uncombed He sways his head from side to side with movements like a snake And when you think he's half asleep, he's always wide awake Macavity, Macavity, there's no one like Macavity He's a fiend in feline shape, a monster of depravity You may meet him in a by-street, you may see him in the square But when a crime's discovered then Macavity's not there! He's outwardly respectable, I know he cheats at cards And his footprints are not found in any files of Scotland Yard's And when the larder's looted or the jewel case is rifled Or when the milk is missing or another peke's been stifled Or the greenhouse glass is broken and the trellis past repair There's the wonder of the thing Macavity's not there! Macavity, Macavity, there's no one like Macavity There never was a cat of such deceitfulness and suavity He always has an alibi and one or two to spare What ever time the deed took place Macavity wasn't there! And they say that all the cats whose wicked deeds are widely known I might mention Mungojerrie, I might mention Griddlebone Are nothing more than agents for the cat who all the time Just controls the operations: the Napoleon of crime! Macavity, Macavity, there's no one like Macavity He's a fiend in feline shape, a monster of depravity You may meet him in a by-street, you may see him in the square But when a crime's discovered then Macavity Macavity, Macavity, Macavity When a crime's discovered then Macavity's not there! Macavity's not there! |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
You ought to ask Mr. Mistoffolees!
The original conjuring cat The greatest magicians have something to learn From Mister Mistoffolees' conjuring turn And you'll all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees He is quiet, he is small, he is black From the ears to the tip of his tail He can creep through the tiniest crack He can walk on the narrowest rail He can pick any card from a pack He is equally cunning with dice He is always deceiving you into believing That he's only hunting for mice He can play any trick with a cork Or a spoon and a bit of fish paste If you look for a knife or a fork And you think it is merely misplaced You have seen it one moment and then it's gone! But you find it next week lying on the lawn And we all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees And we all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees And we all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees And we all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Well! My manner is vague and aloof You would think there was nobody shyer But voice has been heard on the roof When I was curled up by the fire And I've sometimes been heard by the fire When I was about on the roof At least they all heard that somebody purred Which is uncontestable proof of my singular magical powers And I've known the family to call me in from the garden for hours While I was asleep in the hall And not long ago this phenomenal cat Produced seven kittens right out of a hat And we all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees And not long ago this phenomenal cat Produced seven kittens right out of a hat And we all say Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Oh! Well I never was there ever A cat so clever as magical Mr. Mistoffolees Ladies and gentlemen, I give you the magical Mr. Mistoffolees! |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Daylight, see the dew on the sunflower
And a rose that is fading Roses wither away Like the sunflower I yearn to turn my face to the dawn I am waiting for the day Midnight Not a sound from the pavement Has the moon lost her memory? She is smiling alone In the lamp light the withered leaves collect at my feet And the wing begins to moan Memory, all alone in the moon light I can smile at the old days I was beautiful then I remember the time I knew what happiness was Let the memory live again Every street lamp seems to beat a fatalistic warming Someone mutters and the street lamp gutters And soon it will be morning Daylight I must wait for the sun rise I must think of a new life And I mustn't give in When the dawn comes tonight will be a memory too And a new day will begin burnt out ends of smoky days The stale cold smell of morning A street lamp dies Another night is over Another day is dawning Touch me It's so easy to leave me All alone with the memory of my days in the sun If you touch me You'll understand what happiness is Look, a new day has begun |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
Up up up past the Russell Hotel
Up up up up to the heaviside layer Up up up past the Russell Hotel Up up up up to the heaviside layer Up up up past the Russell Hotel Up up up up to the heaviside layer Up up up past the Russell Hotel Up up up up to the heaviside layer |
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from Cats (캣츠) by Andrew Lloyd Webber [ost] (1994)
You've heard of several kinds of cat
And my opinion now is that You should need no interpreter to understand our character You've learned enough to take the view That cats are very much like you You've seen us both at work and games And learnt about our proper names Our habits and habitat But how would you ad-dress a cat? So first, your memory I'll jog And say: A cat is not a dog So first, your memory I'll jog And say: A cat is not a dog With cats, some say, one rule is true Don't speak 'til you are spoken to Myself I do not hold with that I say, you should ad-dress a cat But always bear in mind that he resents familiarity You bow, and taking off your hat, ad-dress him in this form "O Cat!" Before a cat will condescend To treat you as a trusted friend Some little token of esteem is needed, like a dish of cream And you might now and then supply Some caviar or Straussburg pie Some potted grouse or salmon paste He's sure to have his personal taste And so in time you reach your aim And call him by his name A cat's entitled to expect These evidences of respect So this is this and that is that And there's how you ad-dress a cat A cat's entitled to expect These evidences of respect So this is this and that is that And there's how you ad-dress a cat! |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
- Superstar -
# JUDAS ; Everytime I look at you I don't understand Why you let the things you do get so out of hand You'd have managed better if you'd had it planned. Why'd you choose such a backward time in such a strange land? If you'd come today you would have reached the whole nation. Israel in 4 BC had no mass communication. Don't get me wrong now. Don't get me wrong. Don't get me wrong. I Only want to know now.... # CHOIR ; Jesus Christ, Jesus Christ Who are you? What have you sacrificed? (x2) Jesus Christ, Superstar Do you think you're what they say you are? (x2) # JUDAS ; Tell me what you think about your friends at the top. Who'd you think besides yourself's the pick of the crop? Buddha, was he where it's at is he where you are? Could Mahomet move a mountain, or was that just PR? Did you mean to die like that? Was that a mistake, or Did you know your messy death would be a record breaker? Don't you get me wrong...Don't get me wrong now. Don't you get me wrong. I only want to know..... # CHOIR ; Jesus Christ, Jesus Christ Who are you? What have you sacrificed? (x2) Jesus Christ, Superstar Do you think you're what they say you are? (x2) (repeat) |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
I don't know how to love him,
what to do, how to move him I've been changed, yes really changed In these past few days when I see myself, I seem like someone else I don't know how to take this, I don't see why he moves me He's a man, he's just a man And I've had so many men before in very many ways, he's just one more Should I bring him down, should I scream and shout Should I speak of love, let my feelings out I never thought I'd come to this, what's it all about Don't you think it's rather funny that I should be in this position I'm the one who's always been so calm, so cool, no lover's fool Running every show, he scares me so Should I bring him down, should I scream and shout Should I speak of love, let my feelings out I never thought I'd come to this, what's it all about Yet, if he said he loved me, I'd be lost, I'd be frightened I couldn't cope, just couldn't cope I'd turn my head, I'd back away, I wouldn't want to know He scares me so, I want him so, I love him so |
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from Andrew Lloyd Webber - The Greatest Songs (1995)
Try not to get worried, try not to turn on to
Problems that upset you, oh. Don't you know Everything's alright, yes, everything's fine. And we want you to sleep well tonight. Let the world turn without you tonight. If we try, we'll get by, so forget all about us tonight APOSTLES' WIVES Everything's alright, yes, everything's alright, yes. MARY MAGDALENE Sleep and I shall soothe you, calm you, and anoint you. Myrrh for your hot forehead, oh. Then you'll feel Everything's alright, yes, everything's fine. And it's cool, and the ointment's sweet For the fire in your head and feet. Close your eyes, close your eyes And relax, think of nothing tonight. APOSTLES' WIVES Everything's alright, yes, everything's alright, yes. JUDAS Woman your fine ointment, brand new and expensive Should have been saved for the poor. Why has it been wasted? We could have raised maybe Three hundred silver pieces or more. People who are hungry, people who are starving They matter more than your feet and hair! MARY MAGDALENE Try not to get worried, try not to turn on to Problems that upset you, oh. Don't you know APOSTLES' WIVES and MARY Everything's alright, yes, everything's alright, yes. JESUS Surely you're not saying we have the resources To save the poor from their lot? There will be poor always, pathetically struggling. Look at the good things you've got. Think while you still have me! Move while you still see me! You'll be lost, and you'll be sorry when I'm gone. MARY MAGDALENE Sleep and I shall soothe you, calm you and anoint you. Myrrh for your hot forehead/ Then you'll feel Everything's alright, yes, everything's fine. And it's cool and the ointment's sweet For the fire in your head and feet. Close your eyes, close your eyes, and relax Think of nothing tonight. APOSTLES' WIVES Everything's alright, yes, everything's alright, yes. MARY MAGDALENE Close your eyes, close your eyes, and relax |
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3:44 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
Close every door to me, hide all the world from me
Bar all the windows and shut out the light Do what you want with me, hate me and laugh at me Darken my daytime and torture my night If my life were important I would ask will I live or die But I know the answers lie far from this world Close every door to me, keep those I love from me Children of Israel are never alone For I know I shall find my own peace of mind For I have been promised a land of my own Just give me a number instead of my name Forget all about me and let me decay I do not matter, I'm only one person Destroy me completely then throw me away If my life were important I would ask will I live or die But I know the answers lie far from this world Close every door to me, keep those I love from me Children of Israel are never alone For we know we shall find our own peace of mind For we have been promised a land of our own |
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from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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3:03 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
I don't expect my love affairs to last for long.
Never fool myself that my dreams will come true. Being used to trouble, I anticipate it, But all the same, I hate it... Wouldn't you? So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? Time and time again I said that I don't care. That I'm immune to gloom, that I'm hard through and through. But every time it matters all my words desert me, So anyone can hurt me, and they do. So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? Call in three months time and I'll be fine, I know. Well maybe not that fine, but I'll survive anyhow. I won't recall the names and faces of each sad occasion, But that's no consilation here and now. So what happens now? (Another suitcase in another hall) So what happens now? (Take your picture off another wall) Where am I going to? (You'll get by, you always have before) Where am I going to? (Don't ask anymore) |
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2:50 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
Salve regina mater misericordiae
Vita dulcedo et spes nostra Salve salve regina Ad te clamamus exules filii Eva Ad te suspiramus gementes et flentes O clemens o pia Oh what a circus, oh what a show Argentina has gone to town Over the death of an actress called Eva Peron We've all gone crazy Mourning all day and mourning all night Falling over ourselves to get all of the misery right Oh what an exit, that's how to go When they're ringing your curtain down Demand to be buried like Eva Peron It's quite a sunset And good for the country in a roundabout way We've made the front page of all the world's papers today But who is this Santa Evita? Why all this howling, hysterical sorrow? What kind of goddess has lived among us? How will we ever get by without her? Salve regina mater misericordiae Vita dulcedo et spes nostra Salve salve regina Ad te clamamus exules filii Eva Ad te suspiramus gementes et flentes O clemens o pia She had her moments, she had some style The best show in town was the crowd Outside the Casa Rosada crying, "Eva Peron" But that's all gone now As soon as the smoke from the funeral clears We're all gonna see and how, she did nothing for years You let down your people Evita You were supposed to have been immortal That's all they wanted, not much to ask for But in the end you could not deliver Salve regina mater misericordiae Vita dulcedo et spes nostra Salve salve regina Peron Ad te clamamus exules filii Eva Ad te suspiramus gementes et flentes O clemens o pia |
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5:19 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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3:36 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
Don't write a letter when you want to leave
Don't call me at 3 am from a friend's apartment I'd like to choose how I hear the news Take me to a park that's covered with trees Tell me on a Sunday please. Let me down easy, no big song and dance No long faces, no long looks, no deep conversation I know the way we should spend that day Take me to a zoo that's got chimpanzees Tell me on a Sunday please. Don't want to know who's to blame, it won't help knowing Don't want to fight day and night, bad enough you're going Don't leave in silence with no word at all Don't get drunk and slam the door, that's no way to end this I know how I want you to say goodbye Find a circus ring with a flying trapeze Tell me on a Sunday please I don't want to fight day and night, bad enough you're going Don't leave in silence with no word at all Don't get drunk and slam the door, that's no way to end this I know how I want you to say goodbye Don't run off in the pouring rain Don't call me as they call your plane Take the hurt of all the pain Take me to a park that's covered with trees Tell me on a Sunday please. |
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2:58 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
You must be mistaken
It couldn't have been You couldn't have seen him yesterday He's doing some deal up in Baltimore now I hate it, when he's away! You must be mistaken I'm sure that you are! There's more than one car with stickers on. And lots of young guys wear corduroy pants. And I'd know if he hadn't gone Take that look off your face (Take that look off your face) I can see through your smile (I can see through your smile) You would love to be right, I bet you didn't sleep good last night Couldn't wait to bring all of that bad news to my door. Well, I've got news for you: I knew before. If I'm not mistaken, it started last year. I'm not very clear how it began I noticed a change, but I just closed my eyes As only a woman can. No, I didn't dig deep. (No, I didn't dig deep.) I did not want to know. (I did not want to know.) Well, you don't interfere when you're scared of the things you might hear. When he's back, you think I will end it right there and then? Well, my fair weather friend: you're wrong again! Take that look off your face (Take that look off your face) I can see through your smile (I can see through your smile) You would love to be right, I bet you didn't sleep good last night Couldn't wait to bring all of that bad news to my door. Well, I've got news for you: I knew before. |
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3:06 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
I have never felt like this
For once I'm lost for words Your smile has really thrown me. This is not like me at all I never thought I'd know The kind of love you've shown me. Now, no matter where I am No matter what I do I see your face appearing Like an unexpected song An unexpected song That only we are hearing I don't know what's going on Can't work it out at all Whatever made you choose me? I just can't believe my eyes You look at me as though You couldn't bare to lose me. Now, no matter where I am No matter what I do I see your face appearing Like an unexpected song An unexpected song That only we are hearing I have never felt like this For once I'm lost for words Your smile has really thrown me. This is not like me at all I never thought I'd know The kind of love you've shown me. Now no matter where I am No matter what I do I see your face appearing Like an unexpected song An unexpected song That only we are hearing Like an unexpected song An unexpected song That only we are hearing! |
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5:10 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
Macavity!
Macavity's a Mystery cat: He's called the Hiddenpaw For he's the master criminal who can defy the law He's the bafflement of Scotland Yard, the Flying Squad's despair For when they reach the scene of crime Macavity's not there! Macavity, Macavity, there's no one like Macavity He's broken every human law, he breaks the law of gravity His powers of levitation would make a fakir stare And when they reach the scene of crime Macavity's not there You may seek him in the basement, you may look up in the air... But I tell you once and once again, Macavity's not there! Macavity's a ginger cat, he's very tall and thin You would know him if you saw him for his eyes are sunken in His brow is deeply lined in thought, his head is highly domed His coat is dusty from neglect, his whiskers are uncombed He sways his head from side to side, with movements like a snake And when you think he's half asleep, he's always wide awake Macavity, Macavity, there's no one like Macavity He's a fiend in feline shape, a monster of depravity You may meet him in a by - street, you may see him in the square But when a crime's discovered then Macavity's not there! He's outwardly respectable, I know he cheats ..at cards.. And his footprints are not found in any files of ..Scotland.. Yard's And when the larder's looted ...or the jewel case is rifled Or when the milk is missing or another peke's been stifled Or the greenhouse glass is broken and the trellis past repair There's the wonder of the thing Macavity's not there! Macavity, Macavity, there's no one like Macavity There never was a cat of such deceitfulness and suavity He always has an alibi, and one or two to spare What ever time the deed took place Macavity's not there! And they say that all the cats whose wicked deeds are widely known I might mention Mungojerrie, I might mention Griddlebone Are nothing more than agents for the cat who all the time Just controls the operations: the Napoleon of Crime! Macavity, Macavity, there's no one like Macavity He's a fiend in feline shape, a monster of depravity You may meet him in a by - street, you may see him in the square But when a crime's discovered then Macavity, Macavity Macavity, Macavity When a crime's discovered then Macavity's not there |
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4:04 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
Midnight, not a sound from the pavement
Has the moon lost her memory? She is smiling alone In the lamplight, the withered leaves collect at my feet And the wind begins to moan Memory, All alone in the moonlight I can smile at the old days I was beautiful then I remember the time I knew what happiness was Let the memory live again Every streetlamp seems to beat A fatalistic warning Someone mutters and the street lamp gutters And soon It will be morning Daylight I must wait for the sunrise I must think of a new life And I mustn't give in. When the dawn comes, tonight will be a memory too And a new day will begin Burnt out ends of smokey days The stale cold smell of morning The streetlamp dies, another night is over Another day is dawning... Optional verse: Sunlight through the trees in summer, endless masquerading... Like a flower, as the day is breaking, The memory is fading... Touch me, It's so easy to leave me All alone with my memory Of my days in the sun... If you touch me, you'll understand what happiness is Look, a new day has begun. |
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3:13 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
RUSTY
When you good nights have been said And you are lying in bed With the covers pulled up tight And though you count every sheep You get the feeling that sleep Is going to stay away tonight. That's when you hear it coming That is when you hear the humming of the Starlight Express, Starlight Express, Are you real, yes or no? Starlight Express, answer me yes. I don't want you to go. Want you to take me away But bring me home before daylight And in the time between Take me to everywhere But don't abandon me there Just want to say I've been. I believe in you completely Though I may be dreaming sweetly of the Starlight Express, answer me yes. I don't want you to go. And if you're there And if you know Then show me which way I should go. Starlight Express, Starlight Express, Are you real, yes or no? Starlight Express, answer me yes. I don't want you to go. |
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3:41 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
I guess I am not too good at keeping love life for long
I think I found the answers but the answers' alway wrong.. My first love was my ture love and it should've been my last The only time I am happy is when I dreaming in the past Next time you fall in love it better be with me the way it used to be Back than was when we touched the star light Sometimes you turn away from what your heart tells you was right And so you settle forward ever get you though the night The frame you though was dead may suddnly begin to burn and broken heart can be repaired that's some thing you learn Next time you fall in love it better be with me the way it used to be back than was when we touch the star light I feel it every moment that I ever shared with you what fools we were to ended a dream that looked like comming ture Next time you fall in love it better be with me the way it used to be back than was when we touched the star light Next time you fall in love it better be with me the way it used to be back than was when we touched the star light I guess I am not too good at keeping loving life for long I think I found the answers but the answers' alway wrong.. My first love was my ture love and it should been my last the only time I am happy is when I dreaming in the past Next time you fall in love (Next time you fall in love)it better be with me the way it used to be back than was when we touch the star light |
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4:11 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
RUSTY
PEARL, I HAD TO FIND YOU WHY YOU LOOKING BLUE? I'M SORRY YOU NEVER FOUND YOUR DREAM TRAIN PEARL RUSTY, I HAVE FOUND HIM BUT YOU WERE LOOKING TOO FOR THE STARLIGHT EXPRESS DID YOU HAVE MUCH SUCCESS? RUSTY YES, I FOUND HIM OKAY NOW I'M BRAVE ENOUGH TO SAY ONLY YOU PEARL YOU ARE THE STARLIGHT RUSTY HAVE THE POWER TO MOVE ME PEARL YOU WON THE RACE? RUSTY I DID RUSTY & PEARL AND TOGETHER WE'LL MAKE THE WHOLE WORLD MOVE IN SYMPATHY YOU & ME, WE'LL BE SUBLIME PEARL ONLY HE RUSTY ONLY SHE RUSTY & PEARL HAS THE POWER TO MOVE ME TAKE ME, MAKE ME, HOLD ME, MOULD ME & IMPROVE ME ONLY YOU HAVE THE POWER TO MOVE ME |
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3:30 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
Sarah
Pie Jesu, pie Jesu, pie Jesu, pie Jesu Qui tollis peccata mundi Dona eis requiem, dona eis requiem Paul Pie Jesu, pie Jesu, pie Jesu, pie Jesu both Qui tollis peccata mundi Dona eis requiem, dona eis requiem choir Agnus Dei, Agnus Dei, Agnus Dei, Agnus Dei both Qui tollis peccata mundi Dona eis requiem, dona eis requiem choir Dona eis requiem both Sempiternam choir Dona eis requiem both Sempiternam Sarah Requiem Paul Sempiternam |
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3:32 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
to moonn6epnce from shootingstar(papayevere)
The Phantom Of The Opera / Emmy Rossum & Gerard Butler (Christine) In sleep he sang to me, 꿈결속에서 그는 제게 노래를 불렀어요 in dreams he came... 꿈속에서 그는 제게 다가왔어요... that voice whitch calls to me 저를 부르는 and speaks my name... 제 이름을 부르는 그 음성은. . . And do I dream again? 그럼 지금 나는 다시 꿈을 꾸고 있나요? For now I find 전 이제 알아요 the Phantom of the Opera is there 오페라의 유령은 inside my mind... 제 마음속에 있어요... (Phantom) Sing once again with me 나와 함께 다시 노래해요 our strange duet... 우리의 이 기괴한 이중창을요... My power over you 당신을 지배하는 나의 힘은 grows stronger yet... 점점 더 강해지는군요 And though you turn from me 당신은 나를 피해 to glance behind, 시선을 외면한다고 하더라도 the Phantom of the Opera is there 오페라의 유령은 inside your mind... 이미 당신 마음속에 있어요. . . (Christine) Thoses who have seen your face 당신을 본 사람들은 draw back in fear... 공포로 뒤로 물러서요... I am the mask you wear... 전 당신이 쓰고 있는 가면이예요... (Phantom) It"s me they hear... 그들이 들었던 것은 내 목소리... (Both) Your/my spirit and your/my voice 당신의(제) 영혼과 당신의(제) 목소리는 in one combined 하나로 뒤섞져요 The Phantom of the Opera is there 오페라의 유령은 inside you/my mine... 당신의(제)마음속에 존재하고 있어요 (Phantom) In all your fantasies, 당신의 모든 환상 속에서 you always knew 당신은 항상 알았어요 that man and mystery... 그 남자와 미스테리는... (Christine) were both in you... 바로 당신 안에 있다는 것을... (Both) And in this labyrinth 그리고 아무것도 보이지 않는 where night is blind, 이러한 밤의 미로에서 The phantom of the opera is 오페라의 유령은 there/here, inside your/my mind 당신의(제) 마음속에 있어요 (Phantom) Sing, my angel of music 노래하라, 음악의 천사여 (Christine) He? there 그가 여기 있네 The Phantom of the Opera... 오페라의 유령... He? there 그가 여기 있네 The Phantom of the Opera... 오페라의 유령... He? there 그가 여기 있네 |
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3:29 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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5:34 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
Night time sharpens, heightens each sensation
Darkness stirs and wakes the imagination Silently the senses abandon their defences Helpless to resist the notes I write, For I compose the music of the night. Slowly, gently, night unfurls its splendour Grasp it, sense it, tremulous and tender Hearing is believing, music is deceiving Hard as lightning, soft as candlelight There you trust the music of the night Close your eyes for your eyes will only tell the truth And the truth isn't what you want to see, In the dark it is easy to pretend That the truth is what it ought to be. Softly, deftly, music shall caress you, Hear it, feel it, secretly posess you, Open up your mind Let your fantasies unwind In this darkness which you know you cannot fight The darkness of the music of the night Close your eyes start a journey through a strange, new world, Leave all thoughts of the world you knew before, Close your eyes and let music set you free, Only then can you belong to me Floating, falling, sweet intoxication Touch me, trust me, savour each sensation Let the dream begin, let your darker side give in To the power of the music that I write The power of the music of the night You alone can make my song take flight Help me make the music of the night. |
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3:31 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
CHRISTINE:
Think of me think of me fondly, when we've said goodbye remember me once in a while, please promise me you'll try Then you find, that once again you long, to take your heart back and be free, if you ever find a moment, spare a thought for me CHRISTINE: We never said our love was evergreen or as unchanging as the sea... but please promise me, that sometimes you will think of me! Think of me think of me waking, silent and resigned... imagine me, trying too hard to put you from my mind... Recall those days, look back on all those times, think of the things we'll never do... there will never be a day when I won't think of you RAOUL: Can it be, Can it be Christine... Bravo! What a change, You're really not a bit The gawkish girl that once you were She may not remember me, But I remember her CHRISTINE: Flowers fade, the fruits of summers fade they have their seasons, so do we but please promise me that sometimes that you will think of me |
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9:17 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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4:25 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
RAOUL
No more talk of darkness, forget these wide-eyed fears; I'm here, nothing can harm you, my words will warm and calm you. Let me be your freedom, let daylight dry your tears; I'm here, with you, beside you, to guard you and to guide you. CHRISTINE Say you love me every waking moment, turn my head with talk of summertime. Say you need me with you now and always; promise me that all you say is true, that's all I ask of you. RAOUL Let me be your shelter, let me be your light; you're safe, no one will find you, your fears are far behind you. CHRISTINE All I want is freedom, a world with no more night; and you, always beside me, to hold me and to hide me. RAOUL Then say you'll share with me one love, one lifetime; let me lead you from your solitude. Say you need me with you, here beside you, anywhere you go, let me go too, Christine, that's all I ask of you CHRISTINE Say you'll share with me one love, one lifetime; say the word and I will follow you. TOGETHER Share each day with me, each night, each morning. CHRISTINE Say you love me! RAOUL You know I do. RAOUL & CHRISTINE Love me, that's all I ask of you. (they kiss) RAOUL & CHRISTINE Anywhere you go, let me go too. Love me, that's all I ask of you. CHRISTINE I must go- They'll wonder where I am Wait fo me Raoul! RAOUL Christine I love you! CHRISTINE Order your fine horses! Be with them at the door! RAOUL And soon you'll be beside me! CHRISTINE You'll guard me and you'll guide me (they hurry off and the phantom emerges from behind the statue) |
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4:19 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
Andrew Lloyd Webber
from _Aspects of Love_ Seeing is believing And in my arms I see her She's here, really here Really mine now She seems at home here Seeing is believing I dreamt that it would be her At last life is full Life is fine now Whatever happens, one thing is certain Each time I see a train go by I'll think of us The night, the sky, forever Seeing is believing My life is just beginning I'm touched and my head won't stop spinning >From winning her love He's young, very young But a feeling... I feel I know him Seeing is believing And I like what I see I like where I am What I'm feeling What are we doing? Can you believe it? A starving actress and a starstruck boy Oh well, I might as well enjoy The moment She's warm, and she's wild And appealing I feel I know her Seeing is believing I never thought I'd be here Is this really real Or am I dreaming? No way of knowing Where this is leading It's fun forgetting who we are Who cares when now the world is far behind us? Seeing is believing My life is just beginning We touched and my head won't stop spinning >From winning your love |
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3:10 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
Love, love changes everything
Hands and faces, earth and sky Love, love changes everything How you live and how you die Love can make the summer fly Or a night seem like a lifetime Yes love, love changes everything Now I tremble at your name Nothing in the world will ever be the same Love, love changes everything Days are longer, words mean more Love, love changes everything Pain is deeper than before Love will turn your world around And that world will last for ever Yes love, love changes everything Brings you glory, brings you shame Nothing in the world will ever be the same Off into the world we go Planning futures, shaping years Love bursts in and suddenly All our wisdom disappears Love makes fools of everyone All the rules we make are broken Yes love, love changes everyone Live or perish in its flame Love will never, never let you be the same Love will never, never let you be the same! |
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3:04 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
Sure I came out here to make my name
Wanted my pool, my dose of fame Wanted my parking space at Warner's But after a year, a one room hell A murphy bed, a rancid smell Wallpaper peeling at the corners Sunset Boulevard, twisting boulevard Secretive and rich, a little scary Sunset Boulevard, tempting boulevard Waiting there to swallow the unwary Dreams are not enough to win a war Out here they're always keeping score Beneath the tan the battle rages Smile a rented smile, fill someone's glass Kiss someone's wife, kiss someone's ass We do whatever pays the wages Sunset Boulevard, headline boulevard Getting here is only the beginning Sunset Boulevard, jackpot boulevard Once you've won you have to go on winning You think I've sold out? Dead right I've sold out! I just keep waiting for the right offer Comfortable quarters, regular rations 24-hour Five Star room service And if I'm honest, I like the lady I can't help being touched by her folly I'm treading water, taking the money Watching her sun set... Well, I'm a writer! L.A.'s changed a lot over the years Since those brave gold rush pioneers Came in their creaky covered wagons Far as they could go end of the line Their dreams were yours, their dreams were mine But in those dreams were hidden dragons Sunset Boulevard, frenzied boulevard Swamped with every kind of false emotion Sunset Boulevard, brutal boulevard Just like you, we'll wind up in the ocean She was sinking fast, I threw a rope Now I have suits and she has hope It seemed an elegant solution One day this must end, it isn't real Still I'll enjoy a hearty meal Before tomorrrow's execution Sunset Boulevard, ruthless boulevard Destination for the stony-hearted Sunset Boulevard, lethal boulevard Everyone's forgotten how they started Here on Sunset Boulevard...! |
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3:43 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
Ring out the old, bring in the new
A midnight wish to share with you Your lips are warm, my head is light Were we in love before tonight? I don't need a crowded ballroom everything I need is here If your with me next year will be The perfect year No need to hear the music play, You eyes say all there is to say The stars can fade and they can shine 'Long as your face is next to mine I don't need a crowded ball room everything I need is here If your with me next year will be The perfect year We don't need a crowded ballroom everything we need is here If your with me next year will be The perfect year It's New Year's Eve and hopes are high Dance one year in, kiss one goodbye Another chance, another start So many dreams to tease the heart We don't need a crowded ballroom everything we need is here And face to face we will embrace The perfect year Oh, we don't need a crowded ballroom everything we need is here And face to face we shall embrace The perfect year Ahh, the perfect year |
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3:45 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
They don't want me any more
They all say I'm through Well, it's time they knew With one look, I can break your heart With one look, I play every part I can make your sad heart sing With one look you'll know, all you need to know With one smile, I'm the girl next door Or the love that you've hungered for When I speak it's with my soul I can play any role No words can tell The stories my eyes tell Watch me when I frown You can't write that down You know, I'm right It's there in black and white When I look your way You'll hear what I say Yes, with one look, I put words to shame Just one look sets the screen aflame Silent music starts to play One tear from my eye makes the whole world cry With one look they'll forgive the past They'll rejoice, I've returned at last To my people in the dark Still out there in the dark Silent music starts to play With one look you'll know, all you need to know With one look, I'll ignite a blaze I'll return to my glory days They'll say Norma's back at last This time I'm staying I'm staying for good, I'll be back Where I was born to be With one look, I'll be me |
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4:16 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995) | |||||
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5:14 | ||||
from Andrew Lloyd Webber - The Greatest Songs (1995)
I dont know why I'm frightened
I know my way around here The cardboard trees, the painted seas, the sound here Yes, a world to rediscover, But I'm not in any hurry, And I need a moment. The whispered conversations In overcrowded hallways. The atmosphere as thrilling here as always. Feel the early morning madness, Feel the magic in the making, Why, everythings as if we never said goodbye. I've spent so many mornings Just trying to resist you. I'm trembling now, you cant know how I've missed you. Missed the fairy tale adventures In this ever spinning playground. We were young together. I'm coming out of makeup, The lights already burning. Not long until the cameras will start turning. And the early morning madness, And the magic in the making, Yes, everythings as if we never said goodbye. I dont want to be alone, That's all in the past. This world's waited long enough, I've come home at last. And this time will be bigger And brighter than we knew it. So watch me fly, we all know I can do it. Could I stop my hand from shaking, Has there ever been a moment With so much to live for? The whispered conversations In overcrowded hallways. So much to say, not just today, but always. We'll have early morning madness, We'll have magic in the making, Yes, everythings as if we never said goodbye. Yes, everythings as if we never said goodbye, We taught the world new ways to dream. |
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5:32 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
This is Control, this is Control
All trains hear this, all trains hear this All trains to racing mode, all trains to racing mode Tonight is race night, tonight is race night All change All change All change |
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4:22 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
My mind is clearer now, at last all too well
I can see where we all soon will be If you strip away the myth from the man you will see where we all soon will be Jesus! You've started believe the things they say of you You really do believe this talk of god is true And all the good you've done will soon get swept away You've begun to matter more than the things you sat Listen Jesus I don't like what I see All I ask is that you listen to me And remember, I've been your right man all along You have set them all on fire They think they've found the new Messiah And they'll hurt you when they find they're wrong I remember when this whole thing began No talk of god, then we called you a man And believe me, my admiration for you hasn't died But every word you sat today Get twisted round some other way And they'll hurt you if they think you've lied Nazareth your famous son should have stayed a great unknown Like his father carving wood, he'd have made good Tables, chairs and oaken chests would have suited Jesus best He'd have caused nobody harm, no one alarm Listen Jesus, do you care for your race? Don't you see we must keep in our place We are occupied, have you forgotten how put down we are? I am frightened by the crowd For we are getting much too loud And they'll crush us if we go too far Listen Jesus to the warning I give Please remember that I want us to live But it's sad to see our chances weakening with every hour And your followers are blind Too much heaven on their mind It was beautiful but now it's sour Yes, it all gone sour |
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2:36 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973) | |||||
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1:52 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
It seems to me a strange thing, mystifying
That a man like you can waste his time On such a concubine Yes, I can understand that she amuses But to let her kiss you, stroke your hair That's hardly in your line It's not that I object to her profession But she doesn't fit in well With what you teach and say It doesn't help us if you are inconsistent They only need a small Excuse to put us all away Who are you to criticise her? Who are you to despise her? Leave her, leave her, let her be now Leave her, leave her, she's with me now If your slate is clean then you can throw stones If your slate is not then leave her alone I'm amazed that men like you Can be so shallow thick and slow There is not a man among you Who knows or cares if I came or go Save Judas No you're wrong, you're very wrong How can you say that? Not one, not one of you |
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2:34 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
We've been sitting on the fence for far too long
Why let him upset us? Caiaphas, let him be All those imbeciles will see He really doesn't matter Jesus is important We've let him go his way before And while he starts a major war We theorize and chatter He's just another scripture Thumping hack from Galilee The difference is they call him King The difference frightens me What about the Romans? When they see King Jesus crowned Do you think they'll stand around Cheering and applauding? What about our people? If they see we've lost our nerve Don't you think that they deserve Something more rewarding? They've got what they want They think so, anyway If he's what they want Why take their toy away? He's a craze Put yourself in my place I can hardly step aside Can not let my hands be tied I am law and order What about our priesthood? Don't you see that we could fall? If we are to last at all We can not be divided Then say so to the council But don't rely on subtlety Frighten them or they won't see Then we are decided Then we are decided |
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3:35 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
MARY MAGDALENE
Try not to get worried, try not to turn on to Problems that upset you oh don't you know Everything's alright yes everything's fine And we want you to sleep well tonight Let the world turn without you tonight If we try we'll get by so forget all about us tonight APOSTLES' WOMEN Everything's alright yes everything's alright yes MARY MAGDALENE Sleep and I shall soothe you, calm you and anoint you Myrrh for your hot forehead oh then you'll feel Everything's alright yes everything's fine And it's cool and the ointment's sweet For the fire in your head and feet Close your eyes close your eyes And relex think of nothing tonight APOSTLES' WOMEN Everything's alright yes everything's alright yes JUDAS Hey-hey-hey Woman your fine oinment-brand new and expensive Shoud have been saved for the poor Why has it been wasted? We could have raised maybe Three hundred silver pieces or more People who are hungry, people who starving They matter more than your feet and hair MARY MAGDALENE Try not to get worried, try not to turn on to Problems that upset you oh don't you know MARY MAGDALENE, APOSTLES' WOMEN Everything's alright yes everything's alright yes JESUS Surely you're not saying we have the resources To save the poor from their lot? There will be poor always, pathetically struggling- Look at the good things you've got! Think! while you still have me Move! while you still see me You'll be lost and you'll be sorry When I'm gone MARY MAGDALENE Sleep and I shall soothe you, calm you and anoint you Myrrh for your hot forehead oh then you'll feel Everything's alright yes everything's fine And it's cool and the oinment's sweet For the fire in your head and feet Close your eyes close your eyes And relax think of nothing tonight |
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3:46 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- This Jesus Must Die -
# PRIEST 1 ; Good Caiaphas, the council waits for you. The Pharisees and priests are here for you. # CAIAPHAS ; Ah, gentlemen, you know why we are here. We've not much time, and quite a problem here. # MOB (outside) ; Hosanna! Superstar! Hosanna! Superstar! # ANNAS ; Listen to the howling mob of blockheads in the street! A trick or two with lepers, and the whole towns on its feet. # ALL (inside) ; He is dangerous! # MOB (outside) ; Jesus Christ ...Superstar! # ALL (inside) ; He is dangerous! # MOB (outside) ; Tell us that you're who they say you are! # PRIEST 2 ; The man is in town right now to whip up some support # PRIEST 3 ; A rabble rousing mission that I think we must abort. # ALL (inside) ; He is dangerous! # MOB (outside) ; Jesus Christ Superstar! # ALL (inside) ; He is dangerous! # PRIEST 2 ; Look Caiaphas -they're right outside our yard! # PRIEST 3 ; Quick Caiaphas-go call the Roman guard! # CAIAPHAS ; No wait! We need a more permanent solution to our problem. # ANNAS ; What then to do about Jesus of Nazareth? Miracle wonderman, hero of fools. # PRIEST 3 ; No riots, no army, no fighting, no slogans..... # CAIAPHAS ; One thing I'll say for him - Jesus is cool. # ANNAS ; We dare not leave him to his own devices. His half-witted fans will get out of control. # PRIEST 3 ; But how can we stop him? His glamour increases By leaps every minute, he's top of the poll. # CAIAPHAS ; I see bad things arising. The crowd crown him king; which the Romans would ban. I see blood and destruction, Our elimination because of one man. Blood and destruction because of one man. # ALL (inside) ; Because, because, because of one man. # CAIAPHAS ; Our elimination because of one man. # ALL (inside) ; Because, because, because of one, 'cause of one, 'cause of one, 'cause of one man. # PRIEST 3 ; What then to do about this Jesusmania? # ANNAS ; How do we deal with this carpenter king? # PRIEST 3 ; Where do we start with a man who is bigger Than John was when John did his baptism thing? # CAIAPHAS ; Fools! You have no perception! The stake we are gambling are frighteningly high. We must crush him completely, So like John before him, this Jesus must die. For the sake of the nation, this Jesus must die. # ALL (inside) ; Must die, must die, this Jesus must die. # CAIAPHAS ; So like John before him, this Jesus must die # ALL (inside) ; Must die, must die, this Jesus must, Jesus must, Jesus must die! |
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2:55 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
(Crowd)
Hosanna Heysanna Sanna Sanna Ho Sanna Hey Sanna Ho Sanna Hey J C, J C won't you smile at me? Sanna Ho Sanna Hey Superstar (Caiaphas) Tell the rabble to be quiet We anticipate a riot This common crowd Is much too loud Tell the mob who sing your song That they are fools and they are wrong They are a curse They should disperse (Crowd) Hosanna Heysanna Sanna Sanna Ho Sanna Hey Sanna Ho Sanna Hey J C, J C you're alright by me Sanna Ho Sanna Hey Superstar (Jesus) Why waste your breath moaning at the crowd? Nothing can be done to stop the shouting If ev'ry tongue was still the noise would still continue The rocks and stones themselves would start to sing: (Crowd, with Jesus) Hosanna Heysanna Sanna Sanna Ho Sanna Hey Sanna Ho Sanna Hey J C, J C won't you fight for me? Sanna Ho Sanna Hey Superstar |
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4:52 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
Christ, You know I love You
Did You see I waved? I believe in You and God So tell me that I'm saved Christ, You know I love You Did You see I waved? I believe in You and God So tell me that I'm saved Jesus, I am with You Touch me, touch me, Jesus Jesus, I am on Your side Kiss me, kiss me, Jesus Christ, what more do You need to convince You That You've made it and You're easily as strong As the filth from Rome who raped our country And who've terrorized our people for so long? Christ, You know I love You Did You see I waved? I believe in You and God So tell me that I'm saved Christ, You know I love You Did You see I waved? I believe in You and God So tell me that I'm saved Jesus, I am with You Touch me, touch me, Jesus Jesus, I am on Your side Kiss me, kiss me, Jesus There must be over fifty thousand Screaming love and more for You Everyone of fifty thousand Would do whatever You ask him to Keep them yelling their devotion But add a touch of hate at Rome You will rise to a greater power We will win ourselves, come home You'll get the power and the glory For ever and ever and ever You got the power and the glory For ever and ever and ever You'll get the power and the glory For ever and ever and ever For ever and ever and ever For ever and ever and ever You'll get the power and the glory For ever and ever and ever Neither you, Simon, nor the fifty thousand Nor the Romans, nor the Jews Nor Judas, nor the twelve Nor the priests, nor the scribes Nor doomed Jerusalem itself Understand what power is Understand what glory is Understand at all Understand at all If you knew all that I knew My poor Jerusalem You'd see the truth But you close your eyes But you close your eyes While you live Your troubles are many Poor Jerusalem To conquer death You only have to die You only have to die |
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1:38 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
Christ you know I love you
Did you see I waved I believe in you and God So tell me that I'm saved Christ you know I love you Did you see I waved I believe in you and God So tell me that I'm saved Jesus I am with you Touch me, touch me Jesus Jesus I am on your side Kiss me, kiss me Jesus Christ what more do you need to convince you? That you've made it and you're easily as strong As the filth from Rome who rape our country And who've terrorized our people for so long Christ you know I love you Did you see I waved I believe in you and God So tell me that I'm saved Christ you know I love you Did you see I waved I believe in you and God So tell me that I'm saved Jesus I am with you Touch me, touch me Jesus Jesus I am on your side Kiss me, kiss me Jesus There must be over fifty thousand Screaming love and all for you And everyone of fifty thousand Would do whatever you ask him to Keep them yelling their devotion But add a touch of hate at Rome And you will rise to a greater power We will win ourselves our home And you'll get the power and the glory For ever and ever and ever And you'll get the power and the glory For ever and ever and ever You'll get the power and the glory (For ever Amen) For ever and ever and ever (For ever Amen) You'll get the power and the glory (For ever Amen) For ever and ever and ever (For ever Amen) You'll get the power and the glory (For ever Amen) For ever and ever and ever (For ever Amen) You'll get the power and the glory (For ever Amen) For ever and ever and ever (For ever Amen) You'll get the power and the glory (For ever Amen) For ever and ever and ever (For ever Amen) Neither you Simon, nor the fifty thousand Nor the Romans, nor the Jews Nor Judas, nor the twelve Nor the priests, nor the scribes Nor doomed Jerusalem itself Understand what power is Understand what glory is Understand at all, understand at all If you knew, all that I knew my poor Jerusalem You'd see the truth but you'd live a lie But you'd live a lie while you live Your troubles are many Poor Jerusalem To conquer death You only have to die You only have to die |
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1:49 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- Pilate's Dream -
# PILATE ; I dreamed I met a Galilean, A most amazing man. He had that look you rarely find, The haunted, hunted kind. I asked him to say what had happened, How it all began I asked again - he never said a word. As if he hadn't heard. And next, the room was full of wild and angry men. They seemed to hate this man. They fell on him him, and then, They disappeared again. Then I saw thousands of millions Crying for this man And then I heard then mentioning my name, And leaving me the blame. |
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5:36 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
(Moneylenders and Merchants)
Roll on up -- for my price is down Come on in -- for the best in town Take your pick of the finest wine Lay your bets on this bird of mine Name your price I got everything Come and buy it's all going fast Borrow cash on the finest terms Hurry now while stocks still last (Jesus) My temple should be a house of prayer But you have made it a den of thieves Get up, get out My time Is almost through Little left to do After all I've tried for three years Seems like thirty Seems like thirty (Crowd) See my eyes I can hardly see See me stand I can hardly walk I believe you can make me whole See my tongue I can hardly talk See my skin I'm a mass of blood See my legs I can hardly stand I believe you can make me well See my purse I'm a poor, poor man Will you touch, will you mend me Christ? Won't you touch, will you heal me Christ? Will you kiss, you can heal me Christ Won't you kiss, won't you pay me Christ? (Jesus) Oh, there's too many of you, don't push me Oh, there's too little of me, don't crowd me Heal yourselves! |
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3:59 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
I don't know how to love him
Waht to do how to move him I've been changed yes really changed In these past few days when I've seen myself I seem like someone else I don't know how to take this I don't see why he moves me He's a man he's just a man And I've had so many men before In very many ways He's just one more Should I bring him down should I scream and shout Should I speak of love let my feelings out I never thought I'd come to this- what's it all about Don't you think it's rather funny I should be in this position I'm the one who's always been So calm so cool, no lover's fool Running every show He scares me so I never thought I'd come to this- what's it all about Yet if he said he loved me I'd be lost I'd be frightened I couldn't cope just couldn't cope I'd turn my head I'd back away I wouldn't want to know He scares me so I want him so I love him so |
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4:38 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- Damned for All Time -
# JUDAS ; Now if I help you, it matters that you see These sordid kinda things are coming hard to me. It's taken me some time to work out what to do. I weighed the whole thing out before I came to you. I had no thought of my own reward. I really didn't come here of my own accord. Just don't say I'm damned for all time. I came because I had to; I'm the one who saw. Jesus can't control me like he did before. And furthermore I know that Jesus thinks so too. Jesus wouldn't mind that I was here with you. I had no thought at all about my own reward. I really didn't come here of my own accord. Just don't say I'm damned for all time. Annas, you're a friend, a worldly man and wise. Caiaphas, my friend, I know you sympathize. Why are we the prophets? Why are we the ones Who see the sad solution - know what must be done? I had no thought at all about my own reward. I really didn't come here of my own accord. Just don't say I'm damned for all time. # ANNAS ; Cut the protesting, forget the excuses. We want information. Get up off the floor. # CAIAPHAS ; We have the papers we need to arrest him. You know his movements. We know the law. # ANNAS ; Your help in the matter won't go unrewarded. # CAIAPHAS ; We'll pay you in silver, cash on the nail. We just need to know where the soldiers can find him... # ANNAS ; With no crowd around him.... # CAIAPHAS ; Then we can't fail. - Blood Money - # JUDAS ; I don't need your blood money! # CAIAPHAS ; Oh, that doesn't matter, our expenses are good. # JUDAS ; I don't want your blood money! # ANNAS ; But you might as well take it. We think that you should. # CAIAPHAS ; Think of the things you could do with that money, Choose any charity - give to the poor. We've noted your motives. We've noted your feelings. This isn't blood money - it's a ... # ANNAS ; a fee...... # CAIAPHAS ; A fee nothing more. # JUDAS ; On Thursday night you'll find him where you want him: Far from the crowd, in the Garden of Gethsemane. # TEMPTRESSES ; Well done Judas. Good old Judas. |
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7:15 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
(Apostles)
Look at all my trials and tribulations Sinking in a gentle pool of wine Don't disturb me now I can see the answers Till this evening is this morning life is fine Always hoped that I'd be an apostle Knew that I would make it if I tried Then when we retire we can write the gospels So they'll still talk about us when we've died (Jesus) The end . . . Is just a little harder when brought about by friends For all you care this wine could be my blood For all you care this bread could be my body The end! This is my blood you drink This is my body you eat If you would remember me when you eat and drink . . . I must be mad thinking I'll be remembered - yes I must be out of my head! Look at your blank faces! My name will mean nothing Ten minutes after I'm dead! One of you denies me One of you betrays me (Apostles) Not I! Who would? Impossible! (Jesus) Peter will deny me in just a few hours Three times will deny me - and that's not all I see One of you here dining, one of my twelve chosen Will leave to betray me - (Judas) Cut out the dramatics! You know very well who - (Jesus) Why don't you go do it? (Judas) You want me to do it! (Jesus) Hurry they are waiting (Judas) If you knew why I do it . . . (Jesus) I don't care why you do it! (Judas) To think I admired you For now I despise you (Jesus) You liar - you Judas (Judas) You wanted me to do it! What if I just stayed here And ruined your ambition? Christ you deserve it! (Jesus) Hurry you fool, hurry and go, Save me your speeches I don't want to know - Go! Go! (Apostles) Look at all my trials and tribulations Sinking in a gentle pool of wine What's that in the bread it's gone to my head Till this morning is this evening life is fine Always hoped that I'd be an apostle Knew that I would make it if I tried Then when we retire we can write the gospels So they'll all talk about us when we've died (Judas) You sad pathetic man - see where you've brought us to Our ideals die around us and all because of you But the saddest cut of all - Someone has to turn you in Like a common criminal, like a wounded animal A jaded mandarin A jaded mandarin Like a jaded, faded, faded, jaded, jaded mandarin (Jesus) Get out! They're waiting! Get out! They're waiting! Oh! They're waiting for you! (Judas) Everytime I look at you I don't understand Why you let the things you did get so out of hand You'd have managed better if you'd had it planned - Ah --- ah (Apostles) Look at all my trials and tribulations Sinking in a gentle pool of wine What's that in the bread it's gone to my head Till this evening is this morning life is fine Always hoped that I'd be an apostle Knew that I would make it if I tried (If I tried) Then when we retire we can write the gospels So they'll still talk about us when we've died (Jesus) Will no-one stay awake with me? Peter? John? James? Will none of you wait with me? Peter? John? James |
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5:41 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
I only want to say,
If there is a way, Take this cup away from me. For I don't want to taste its poison. Feel it burn me, I have changed. I'm not as sure, as when we started. Then, I was inspired. Now, I'm sad and tired. Listen, surely I've exceeded expectations, Tried for three years, seems like thirty. Could you ask as much from any other man? But if I die, See the saga through and do the things you ask of me, Let them hate me, hit me, hurt me, nail me to their tree. I'd want to know, I'd want to know, My God, I'd want to know, I'd want to know, My God, I'd want to see, I'd want to see, My God, I'd want to see, I'd want to see, My God, Why I should die. Would I be more noticed than I ever was before? Would the things I've said and done matter any more? I'd have to know, I'd have to know, my Lord, I'd have to know, I'd have to know, my Lord, I'd have to see, I'd have to see, my Lord, I'd have to see, I'd have to see, my Lord, If I die what will be my reward? If I die what will be my reward? Have to know, have to know, my Lord, Have to know, have to know, my Lord, Why should I die? Why why should I die? Can you show me now that I would not be killed in vain? Show me just a little of your omnipresent brain. Show me there's a reason for you wanting me to die. You're far to keen and where and how, but not so hot on why. Alright, I'll die! Just watch me die! See, see, see how I die! Oh, see, see how I die! Then I was inspired. Now, I'm sad and tired. After all, I've tried for three years, seems like ninety. Why then am I scared to finish what I started, What you started - I didn't start it. God, thy will is hard, But you hold every card. I will drink your cup of poison. Nail me to your cross and break me. Bleed me, beat me. Kill me. Take me, now! Before I change my mind. |
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3:16 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- The Arrest -
# JUDAS ; There he is! They're all asleep -- the fools. # JESUS ; Judas, must you betray me with a kiss? # PETER ; What's the buzz? Tell me what's happening. # PETER and APOSTLES ; What's the buzz? Tell me what's happening.(repeat) Hang on Lord, We're going to fight for you!(repeat) # JESUS ; Put away your sword Don't you know that it's all over? It was nice, but now it's gone. Why are you obsessed with fighting? Stick to fishing from now on. # CROWD ; Tell me Christ how you feel tonight. Do you plan to put up a fight? Do you feel that you've had the breaks? What would you say were your big mistakes? Do you think you may retire? Did you think you would get much higher? How do you view your coming trial? Have your men proved at all worth while? Come with us to see Caiaphas! You'll just love the High Priest's house. You'll just love seeing Caiaphas! You'll just die in the High Priest's house. Come on God this is not like you. Let us know what you're going to do. You know what you're supporter's feel; You'll escape in the final reel. Tell me Christ how you feel tonight. Do you plan to put up a fight? Do you feel that you've had the breaks? What would you say were your big mistakes? Come with us to see Caiaphas. You'll just love the High Priest's house. You'll just love seeing Caiaphas. You'll just die in the High Priest's house. Now we have him! Now we've got him! # CAIAPHAS ; Jesus, you must realize the serious charges facing you. You say your the Son of God in all your handouts... Well, is it true? # JESUS ; That's what you say, you say that I am. # ANNAS ; There you have it gentlemen. What more evidence do we need? Judas, thank you for the victim. Stay a while and you'll see it bleed! # CROWD ; Now we have him! Now we have got him! Take him to Pilate! Take him to Pilate!(repeat) |
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1:28 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
(Maid by the Fire)
I think I've seen you somewhere I remember You were with that man They took away I recognize your face (Peter) You've got the wrong man, lady I don't know him And I wasn't where He was tonight Never near the place (Soldier) That's strange For I am sure I saw you with him You were right by his side And yet you deny it? (Peter) I tell you I was never ever with him (Old Man) But I saw you too It looked just like you (Peter) I DON'T KNOW HIM! (Mary Magdalene) Peter don't you know what you have said You've gone and cut him dead (Peter) I had to do it Don't you see? Or else they'd go for me (Mary Magdalene) It's what he told us you would do I wonder how he knew |
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2:59 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
(PILATE)
Who is this broken man cluttering up my hallway? Who is this unfortunate? (SOLDIER) Someone Christ, King of the Jews. (PILATE) Oh, so this is Jesus Christ, I am really quite surprised. You look so small, Not a king at all. We all know that you are news, But are you king? King of the Jews? (JESUS) That's what you say. (PILATE) What do you mean by that? That is not an answer. You're deep in trouble friend, Someone Christ, King of the Jews.How can someone in your state be so cool about your fate? An amazing thing, this silent king. Since you come from Galilee, then you need not come to me. You're Herod's race! You're Herod's case! (MOB) Ho-ho Sanna Heysanna Sanna Sanna Hosanna Heysanna Ho and how Hey JC, JC please explain to me, You had everything. Where is it now? |
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3:16 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- King Herod's Song -
(Try It and See) # HEROD ; Jesus, I am overjoyed to meet you face to face. You've been getting quite a name all around the place. Healing cripples. Raising from the dead. And now I understand you're God. At least, that's what you've said. So, you are the Christ. You're the great Jesus Christ. Prove to me that you're divine; change my water into wine. That's all you need do, and I'll know it's all true. Come on, King of the Jews. Jesus, you just won't believe the hit you've made around here. You are all we talk about, the wonder of the year. Oh what a pity if it's all a lie. Still, I'm sure that you can rock the cynics if you try. So, you are the Christ. You're the great Jesus Christ. Prove to me that you're no fool; walk across my swimming pool. If you do that for me, then I'll let you go free. Come on, King of the Jews. I only ask things I'd ask any superstar. What is it that you have got that puts you where you are? Oh~I am waiting, yes, I'm a captive fan. I'm dying to be shown that you are not just any man. So, if you are the Christ, yes, the great Jesus Christ Feed my household with this bread. You can do it on your head. Or has something gone wrong? Why do you take so long? Come on, King of the Jews! Hey! Aren't you scared of me Christ? Mr. Wonderful Christ? You're a joke. You're not the Lord. You're nothing but a fraud. Take him away. He's got nothing to say! Get out you King of the Jews! Get out a here! Get out of my life! |
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2:47 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- Could We Start Again Please? -
# MARY MAGDALENE ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? I've been very hopeful so far. Now for the first time I think we're going wrong. Hurry up and tell me this is just a dream. Could we start again please? # PETER ; I think you've made your point now. # MARY MAGDALENE AND PETER ; You've even gone a bit too far to get the message home. # PETER ; Before it gets too frightening, we ought to call a halt. So could we start again please? # MARY MAGDALENE ; Could we start again, please? # PETER ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? # MARY MAGDALENE ; Could we start again, please? # PETER ; I think you've made your point now. # CHORUS ; You've even gone a bit too far to get the message home. Before it gets too frightening, we ought to call a halt. So could we start again please? # MARY MAGDALENE ; Could we start again, please? # CHORUS ; I've been living to see you. Dying to see you, but it shouldn't be like this. This was unexpected. What do I do now? Could we start again please? # PETER ; Could we start again, please? # CHORUS ; Could we start again, please? # MARY MAGDALENE ; Could we start again, please? # CHORUS ; Could we start again, please? # ALL ; Could we start again? |
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4:41 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- Judas' Death -
# JUDAS ; My God! I saw him. He looked three-quarters dead! And he was so bad I had to turn my head. You beat him so hard that he was bent and lame, And I know who everybody's going to blame. I don't believe he knows I acted for our good. I'd save him all this suffering if I could. Don't believe for our good And I'd save him, if I could! # ANNAS ; Cut the confessions. Forget the excuses. I don't understand why you're filled with remorse. All that you've said has come true with a vengeance. The mob turned against him. You backed the right horse. # CAIAPHAS ; What you have done will be the saving of Israel. You'll be remembered forever for this. And not only that, you've been paid for your efforts. Pretty good wages for one little kiss. # JUDAS ; Christ, I know you can't hear me, But I only did what you wanted me to. Christ, I'd sell out the nation, For I have been saddled with the murder of you. I have been splattered with innocent blood. I shall be dragged through the slime and mud. I have been splattered with innocent blood. I shall be dragged through the slime and the slime and the slime and the mud! I don't know how to love him. I don't know why he moves me. He's a man. He's just a man. He is not a King. He is just the same As any one I know. He scares me so! When he's cold and dead will he let me be? Does he love me too? Does he care for me? Ah~! My mind is in darkness now. My God, I am sick. I've been used. And you knew, all the time. God, I will never know why you chose me... for your crime...bloody crime...your foul bloody crime. You have murdered me! Murdered me! Murdered me! Murdered me! Murdered me! Murdered ... # TEMPTRESSES ; Poor old Judas. So long Judas. |
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6:50 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
- Trial Before Pilate -
(Including the 39 lashes) # PILATE ; And so the King is once again my guest. And why is this? Was Herod unimpressed? # CAIAPHAS ; We turned to Rome to sentence Nazareth. We have no law to put a man to death. We need him crucified. It's all you have to do. We need him crucified. It's all you have to do. # PILATE ; Talk to me Jesus Christ. You have been brought here Manacled and beaten by your own people. Do you have the faintest idea why you deserve it? Listen King of the Jews, Where is your kingdom? Look at me. Am I a Jew? # JESUS ; I have no kingdom in the world I'm through. # MOB ; Talk to me Jesus Christ # JESUS ; There may be a kingdom for me somewhere. If I only knew. # PILATE ; Then you are a King? # JESUS ; It's you that say I am. I look for truth and find that I get damned. # PILATE ; But what is truth? Is truth unchanging law? We both have truths. Are mine the same as yours? # MOB ; Crucify him! Crucify him! # PILATE ; What do you mean? You'd crucify your King? # MOB ; We have no King but Ceaser! # PILATE ; He's done no wrong. No, not the slightest thing. # MOB ; We have no King but Ceaser! Crucify him! # PILATE ; I see no reason. I find no evil. This man is harmless, so why does he upset you? He's just misguided, thinks he's important. But to keep you vultures happy I shall flog him! # MOB ; Crucify him! Crucify him! [39 lashes] # PILATE; Where are you from Jesus? What do you want Jesus? Tell me. You've got to be careful. You could be dead soon, Could well be. Why do you not speak when I have your life in my hands? How can you stay quiet? I don't believe you understand. # JESUS ; You have nothing in your hands. Any power you have comes to you from far beyond. Everything is fixed. and you can't change it. # PILATE ; You're a fool Jesus Christ! How can I help you? # MOB ; Pilate, Crucify him! Remember Ceaser. You have a duty. To keep the peace, so crucify him! Remember Ceaser! You'll be demoted! You'll be deported! Crucify him! # PILATE ; Don't let me stop your great self-destruction. Die if you want to you misguided martyr! I wash my hands of you demolition. Die if you want to you innocent puppet! |
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3:58 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973)
Every time I look at you I don't understand
Why you let the things you did get so out of hand. You'd have managed better if you'd had it planned. Why'd you choose such a backward time in such a strange land? If you'd come today you could have reached a whole nation. Israel in 4 BC had no mass communication. Don't you get me wrong. I only want to know. Jesus Christ, Jesus Christ, Who are you? What have you sacrificed? Jesus Christ Superstar, Do you think you're what they say you are? Tell me what you think about your friends at the top. Who'd you think besides yourself's the pick of the crop? Buddha, was he where it's at? Is he where you are? Could Mohammed move a mountain, or was that just PR? Did you mean to die like that? Was that a mistake, or Did you know your messy death would be a record breaker? Don't you get me wrong. I only want to know. Jesus Christ, Jesus Christ, Who are you? What have you sacrificed? Jesus Christ Superstar, Do you think you're what they say you are? (Repeat many times) |
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2:44 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973) | |||||
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2:20 | ||||
from Jesus Christ Superstar (지저스 크라이스트 슈퍼스타) by Andrew Lloyd Webber [ost] (1973) | |||||
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3:03 | ||||
from The Phantom Of The Opera [Special Edition] (오페라의 유령) by Andrew Lloyd Webber [ost] (2005) | |||||
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9:41 | ||||
from The Phantom Of The Opera [Special Edition] (오페라의 유령) by Andrew Lloyd Webber [ost] (2005) | |||||
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from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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from Evita (에비타) by Andrew Lloyd Webber [ost] (1996) | |||||
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1:40 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
AUCTIONEER
Sold. Your number, sir? Thank you. 665, ladies and gentlemen: a papier-mache musical box, in the shape of a barrel-organ. Attached, the figure of a monkey in Persian robes playing the cymbals. This item, discovered in the vaults of the theatre, still in working order. PORTER (holding it up) Showing here. (He sets it in motion) AUCTIONEER My I start at twenty francs? Fifteen, then? Fifteen I am bid. (the bidding continues. RAOUL. eventually buys the box for thirty francs) Sold, for thirty francs to the Vicomte de Chagny. Thank you, sir. (The box is handed across to RAOUL. He studies it, as attention focuses on him for a moment) RAOUL (quietly, half to himself, half to the box) A collector's piece indeed . . . every detail exactly as she said . . . She often spoke of you, my friend .... Your velvet lining, and your figurine of lead... Will you still play, when all the rest of us are dead? (Attention returns to the AUCTIONEER, as he resumes) AUCTIONEER Lot 666, then: a chandelier in pieces. Some of you may recall the strange affair of the Phantom of the Opera: a mystery never fully explained. We are told ladies and gentlemen, that this is the very chandelier which figures in the famous disaster. Our workshops have restored it and fitted up parts of it with wiring for the new electric light, so that we may get a hint of what it may look like when re- assembled. Perhaps we may frighten away the ghost of so many years ago with a little illumination, gentlemen? |
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3:54 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
I closed my eyes drew the curtain. to see for certain what I thought I knew 나는 눈을 감고 커튼을 쳤네. 내가 안다고 생각한 것을 확실히 보기 위해 Far far away someone was weeping But the world was sleeping any dream will do 머나먼 곳에서 어떤이가 울고 있었지만 세상은 자고 있었네. 어떤 꿈도 괜찮아 I wore my coat with golden lining bright color shining wonderful and new 난 금빛 안감을 댄 코드를 입었지 밝은 색깔이 멋지고 신선하게 반짝이는 And in the east the dawn was breaking And the world was waking any dream will do 그리고 동녁에서 동이 터왔네 그리고 세상은 잠을 깨고 있었지. 어떤 꿈도 괜찮아 A crash of drum, a flash of light my golden coat flew out of sight 요란한 북소리, 빛의 반짝임 내 금빛 코트는 시야에서 사라졌네. The color faded into darkness. I was left alone. may I return to the begining. 그 색깔은 어둠속에 사라지고, 나는 홀로 남았네 나 처음으로 돌아갈 수만 있다면 The light is dimming and the dream is too the world and I, we are still waiting still hesitating,any dream will do 빛은 희미해져 가고 꿈 또한 그렇다네 세상과 나. 우리는 아직도 기다리고 있네 아직도 머뭇거리며, 어떤 꿈도 괜찮아 |
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5:35 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
Way way back many centuries ago, Not long after the Bible began Jacob lived in the land of Canaan, A fine example of a family man. Jacob, Jacob and sons, Depended on farming to earn their keep. Jacob, Jacob and sons, Spent all of his days in the fields with sheep. Jacob was the founder of a whole new nation Thanks to the number of children he had He was also known as Israel, but most of the time His sons and his wives used to call him Dad. Jacob, Jacob and sons, Men of the soil, of the sheaf and crook Jacob, Jacob and sons, A remarkable family in anyone's book. Reuben was the eldest of the children of Israel With Simeon and Levi the nex in line Naphtali and Isaachar with Asher and Dan Zebulun and Gad took the total to nine Jacob, Jacob and sons, Benjamin and Judah, which leaves only one Jacob, Jacob and sons, Joseph - Jacob's favourite son Jacob, Jacob and sons Jacob, Jacob and sons Jacob, Jacob and sons Jacob Jacob Jacob Jacob and Sons Joseph's mother, she was quite my favourite wife I never really loved another all my life And Joseph was my joy because He reminded me of her Through young Joseph, Jacob lived his youth again Loved him, praised him, gave him all he could, but then It made the rest feel second best And even if they were - Being told we're also-rans Does not makes us Joseph fans But where they had really missed the boat is We're great guys but no-one seems to notice Joseph's charm and winning smile Failed to slay them in the aisle And his father couldn't see the danger He could not imagine any danger He just saw in Joseph all his dreams come true Jacob wanted to show the world he loved his son To make it clear that Joseph was the special one So Jacob bought his son a coat A multi-coloured coat to wear Joseph's coat was elegant, The cut was fine The tasteful style was the Ultimate in good design And this is why it caught the eye A king would stop and stare And when Joseph tried it on He knew his sheepskin days were gone Such a dazzling coat of many colours How he loved his coat of many coloures In a class above the rest It even went well with his vest Such a stunning coat of many colours How he loved his coat of many colours It was red and yellow and green and Brown and blue Joseph's brothers weren't Too pleased with what they saw We have never liked him All that much before And now this coat Has got our goat We feel life is unfair And when Joseph graced the scene His brothers turned a shade of green His astounding clothing took the biscuit Quite the smoothest person in the district I look handsome, I look smart I am walking work of art Such a dazzling coat of colours How I love my coat of many colours It was red and yellow and green and brown And scarlet and black and ochre and peach And ruby and olive and violet and fawn And lilac and gold and chocolate and mauve And cream and crimson and silver and rose And azure and lemon and russet and grey And purple and white and pink and orange And red and yellow and green and brown and Scarlet and black and ochre and peach And ruby and olive and violet and fawn And lilac and gold and chocolate and mauve And cream and crimson and silver and rose And azure and lemon and russet and grey And purple and white and pink and orange And blue |
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2:56 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003) | |||||
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2:36 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
[Narrator]
Next day, far from home The brothers planned the repulsive crime [Brothers] Let us grab him now Do him in, while we've got the time [Narrator] This they did and made the most of it Tore his coat and flung him in a pit [Brothers] Let us leave him here All alone and he's bound to die [Narrator] Then some Ishmaelites A hairy crew came riding by In a flash the brothers changed their plan [Brothers] We need cash! Let's sell him if we can! [Narrator, Female Ensemble & Children] Poor, poor Joseph, what'cha gonna do? Things look bad for you, hey, what'cha gonna do? Poor, poor Joseph, what'cha gonna do? Things look bad for you, hey, what'cha gonna do? [Brothers] Could you use a slave, you hairy bunch of Ishmaelites? Young, strong, well-behaved Going cheap, and he reads and writes [Narrator] In a trice the dirty deal was done Silver coins for Jacob's favorite son Then the Ishmaelites galloped off with the slave in tow Off to Egypt where Joseph was not keen to go It wouldn't be a picnic he could tell [Joseph] And I don't speak Egyptian very well [Narrator] Joseph's brothers tore his precious multi-colored coat Having ripped it up they next attacked a passing goat Soon the wretched creature was no more They dipped his coat in blood and guts and gore Oh now brothers, how low can you stoop? You make a sordid group, hey, how low can you stoop? Poor, poor Joseph, sold to be a slave Situation's grave, hey, sold to be a slave Sold to be a slave |
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2:57 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
Father, we've something to tell you, a story of our time A tragic but inspiring tale of manhood in its prime You know you had a dozen sons -- well now that's not quite true But feel no sorrow, do not grieve, he would not want you to There's one more angel in Heaven There's one more star in the sky Joseph we'll never forget you It's tough but we're gonna get my There's one less place at our table There's one more tear in my eye But Joseph the things that you stood for Like -- er, truth and light never die When I think of his last great battle A lump comes to my throat It takes a man who knows not fear To wrestle with a goat His blood-stained coat is tribute to his final sacrifice His body may be past its peak but his soul's in paradise There's one less place at our table There's one more tear in my eye But Joseph the things that you stood for Like truth and light never die Carve his name with pride and courage Let no tear be shed If he had not laid down his life we all would now be dead There's one more angel in Heaven There's one more star in the sky Joseph we'll never forget you It's tough but we're gonna get my |
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4:48 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003) | |||||
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3:48 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
Close every door to me Hide all the world from me Bar all the windows and shut out the light Do what you want with me Hate me and laugh at me Darken my daytime and torture my night If my life were important I Would ask will I live or die But I know the answers lie far from this world Close every door to me Keep those I love from me Children of Israel are never alone For I know I shall find My own peace of mind For I have been promised a land of my own Just give me a number Instead of my name Forget all about me and let me decay I do not matter I'm only one person Destroy me completely then throw me away If my life were important I Would ask will I live or die But I know the answers lie far from this world Close every door to me Keep those I love from me Children of Israel are never alone For we know we shall find Our own peace of mind For we have been promised a land of our own |
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5:18 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
Go, Go, Go Joseph Joseph's luck was really out His spirit and his fortune low Alone he sat, alone he thought Of happy times he used to know Hey dreamer, don't be so upset Hey Joseph, you're not beaten yet Go, go go Joseph you know what they say Hang on now Joseph you'll make it some day Don't give up Joseph fight till you drop We've read the book and you come out on top Now into Joseph's prison cell Were flung two very frightened men We don't think that we will ever See the light of day again Hey Joseph, help us if you can We've had dreams that we don't understand Both men were servants of Pharaoh the King Both in the doghouse for doing their thing One was a baker, a cook in his prime One was a butler, the Jeeves of his time Tell me of your dreams my friends And I will tell you what they show Though I cannot guarantee To get it right, I'll have a go First the butler, trembling took the floor Nervously he spoke of what he saw There I was standing in front of a vine I picked some grapes and I crushed them to wine I gave some to Pharaoh who drank from ny cup I tried to interpret but I had to give up You will soon be free, my friend So do not worry any more The king will let you out of here You'll buttle as you did before Next the baker rose to tell his dream Hoping it would have a similar theme There I was standing with baskets of bread High in the sky I saw birds overhead Who flew to my baskets and ate every slice Give me the message, like his would be nice Sad to say your dream is not The kind of dream I'd like to get Pharaoh has it in for you Your execution date is set Don't rely on all I said I saw It's just that I have not been wrong before Go, go, go Joseph you know what they say Hang on now Joseph you'll make it some day Sha la la Joseph you're doing fine You and your dream coat ahead of your time Go, go, go Joseph you know what they say Hang on now Joseph you'll make it some day Sha la la Joseph you're doing fine You and your dream coat ahead of your time Go, go, go, go Go, go, go, go Go, go, go, go Go, go, go, go Go, go, go, go Go, go, go, go, go, go, go, go Joseph you know what they say Hang on now Joseph you'll make it some day Sha la la Joseph you're doing fine You and your dreamcoat ahead of your time Go, go, go, go, go, go, go Joseph you know what they say Hang on now Joseph you'll make it some day Sha la la Joseph you're doing fine You and your dreamcoat ahead of your time Ahead of your time Ahead of my time Ahead of your time Ahead of my Time |
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3:08 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
Pharaoh, he was a powerful man
With the ancient world in the palm of his hand To all intents and purposes, he was Egypt with a capital E Whatever he did he was showered with praise If he cracked a joke then you chortled for days No one had rights or a vote but the king In fact you might say he was fairly right wing When Pharaoh's around, then you get down on the ground If you ever find yourself near Ramses, get down on your knees A Pharaoh story, a Pharaoh story Down at the other end of the scale Joseph is still doing time in jail For even though he is in with the guards A lifetime in prison seems quite on the cards But if my analysis of the position is right At the end of the tunnel there's a glimmer of light For all of a sudden indescribable things Have shattered the sleep of both peasants and kings Strange as it seems, there's been a run of crazy dreams And a man who can interpret could go far, could become a star Could be famous, could be a big success Could be a star |
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1:49 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
Guess what? In his bed Pharaoh had an uneasy night He had had a dream that pinned him to his sheets with fright No-one knew the meaning of the dream What to do? Whatever could it mean? Then his butler said I know a bloke in jail Who is hot on dreams, could explain old Pharaoh's tale Pharaoh said fetch this Joseph man I need him to help me if he can Poor poor Pharaoh, what'cha gonna do? Dreams are haunting you, hey, what'cha gonna do? Chained and bound, afraid, alone Joseph stood before the throne My service to Pharaoh has begun Tell me your problems, mighty one |
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2:56 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
Well I was wandering along by the banks of the river when seven fat cows came out of the Nile And right behind them fine healthy animals came seven other cows, skinny and vile Well the thin cows ate the fat cows which I thought would do them good But it didn't make them fatter like I thought a monster supper should Because the thin ones were as thin as they had ever ever been This dream has got me baffled, hey Joseph, tell me what it means C'mon you know that kings ain't stupid But I don't have a clue So don't be cruel Joseph You gotta help me now I beg of you I was standing doing nothing in a field out of town -- I saw seven beautiful ears of corn They were ripe they were golden but you guessed it right behind them were seven other ears -- tattered and torn Then the bad corn ate the good corn man they came up right behind yes they did And Joseph here's the punchline it's really gonna blow your mind -- flip your lid Because the bad corn was as bad as it had ever ever been This dream has got me all s up, treat me nice and tell me what it means Hey hey Joseph won't you tell me what this crazy dream really means |
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1:23 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003) | |||||
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2:36 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003) | |||||
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4:32 | ||||
from Joseph And The Amazing Technicolor Dreamcoat (어메이징 어드벤쳐) by Werner Bochmann [ost] (2003)
(Simeon)
Do you remember the good years in Canaan? The summers were endlessly gold The fields were a patchwork of clover The winters were never too cold We'd stroll down the boulevards together And everything 'round us was fine (Jacob) Now the fields are dead and bare No joie de vivre anywhere Et maintenant we drink a bitter wine (Brothers) Those Canaan days we used to know Where have they gone, where did they go? Eh bien, raise your berets To those Canaan days (Simeon) Do you remember those wonderful parties? The splendour of Canaan's cuisine Our extravagant, elegant soires The gayest the Bible has seen It's funny, but, since we lost Joseph We've gone to the other extreme No-one comes to dinner now We'd only eat them anyhow I even find I'm missing Joseph's dreams (Brothers) Those Canaan days we used to know Where have they gone, where did they go? Eh bien, raise your berets To those Canaan days (Simeon) It's funny, but, since we lost Joseph We've gone to the other extreme Perhaps we all misjudged the lad Perhaps he wasn't quite that bad And how we miss his entertaining dreams (Brothers) Those Canaan days we used to know Where have they gone, where did--did they go? Eh bien, raise your berets (Simeon) To those Canaan days (Brothers) Eh bien, raise your berets To those Canaan days |