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2:25 | ||||
from Stamping Ground (2009)
She's a mollusk,
a seamstress, a princess, a priestess, a negress, she knows her position She's a swallow, a willow, a cello, a pillow, a bow and also a physician She takes your eyes and mends your head She draws the wine and breaks the bread She has no lies to tell you and no truths to sell you She's a girl, she's almost a woman And Zero she flies as the morning sighs Spreads her wings like a seagull From the mountain he watches her, biding his time But his eyes are the eyes of an eagle He's a hawthorn, a raven, a scarecrow, a haven for moon-blessed thought and opinion He will laugh like the fountains, the bones of the mountains lie deep in his forest religion You will call his name when evening falls And the ground sets hard and the night wind calls You will feed him and heed him, at times you will need him Say you were almost his woman And Zero she flies as the morning sighs Spreads her wings like a seagull From the mountain he watches her, biding his time But his eyes are the eyes of an eagle In the shuddering mad red blood-let sunset a tired man is leaving his cover And the soft eyes of Zero are cut by the sounds of the vanishing feet of her lover And the door slams shut and the air grows tight And her throat is gripped by the hands of night And all that is left is the clock on the shelf As it ticks one day into another And Zero she sighs as the morning dies With the broken wings of a seagull From the mountain he watches her, sensing his time But his eyes are the eyes of an eagle At the pall of the day the man of the mountain is nearing the end of his travel And the fence is down on the westland bounds and a footfall pounds in the gravel Comes a knock three times and the air grows still As he steps inside from the sudden chill And the moment is caught in the net of the night For the coming of dawn to unravel And Zero she flies as the morning sighs Spreads her wings like a seagull From the mountain he's coming, judging his time And his eyes are the eyes of an eagle Oh Zero she flies as the morning dies Spreads her wings like a seagull From her window he watches her, a man in his time But his eyes are the eyes of an eagle |
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5:52 | ||||
from DJ 김기덕의 잊을 수 없는 추억 (2009)
On a morning from a Bogart movie In a country where they turn back time You go strolling through the crowd like Peter Lorre Contemplating a crime She comes out of the sun in a silk dress running Like a watercolour in the rain Don't bother asking for explanations She'll just tell you that she came In the year of the cat. She doesn't give you time for questions As she locks up your arm in hers And you follow 'till your sense of which direction Completely disappears By the blue tiled walls near the market stalls There's a hidden door she leads you to These days, she says, I feel my life Just like a river running through The year of the cat She looks at you so cooly And her eyes shine like the moon in the sea She comes in incense and patchouli So you take her, to find what's waiting inside The year of the cat. Well morning comes and you're still with her And the bus and the tourists are gone And you've thrown away the choice and lost your ticket So you have to stay on But the drum-beat strains of the night remain In the rhythm of the new-born day You know sometime you're bound to leave her BUt for now you're going to stay In the year of the cat. |
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from Al Stewart - Sparks Of Ancient Light (2008) | |||||
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from Al Stewart - Sparks Of Ancient Light (2008)
One day you fell
Down from the sky You oversaw things Forgot how to fly You're an angry bird Walking in circles all alone Angry bird Now you don't belong You stagger round Don't like the air Don't like the ground Angry bird Walking in circles all alone Angry bird Radical penguins Led you astray You say that wings Are so passe You're an angry bird Walking in circles No way out Angry bird Now you say it's pointless You say you're cursed You fill the night with Sarcastic chirps You're an angry bird Walking in circles No way out Angry bird You're fallen in With the avian fringe That fill your head with Thoughts of revenge You're a bird In the moanly Pretty lonely Angry bird On the moonlight branches On a summer's night You can take your chances You could take flight Angry bird Walking in circles No way out Angry bird Your sun is sinking It's so absurd What were you thinking Angry bird |
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from Al Stewart - Sparks Of Ancient Light (2008)
There is an independent book store
the last one that remained all the othres you might look for have been eaten by the chains the soldier on on one cleans the windows panes and it was there I read the story so strange it must be real of a car in Arizona with Elvis at the wheel he is looking up the sky has something to reveal It is the face of Josef Stanhard being formed by drifting clouds above the sleeping Memphis mafia and unsuspecting cows This is a sign from god.... |
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from Al Stewart - Sparks Of Ancient Light (2008)
In the center of the field
stands the favorite player The ball comes floating in They say a silent prayer for him Fifty yards away A minute left to go The reflex at his watch Oh, oh-oh-ohh He cuts into the right Gets past a defender A blur of blue and white The moment has suspended in time One man left to beat He can see the goalkeeper's eyes There's magic in his feet Oh, oh-oh-ohh And a single ray, of sunlight Reaches down to touch, the golden boy Seems to light his way, towards the net In his mind, he sees the headlines In the morning newspaper. This'll be a day, they won't forget Now he's on his own Completely in control of it all The shot comes flying in Headed for the corner of the goal Bounces off the post He watches as it falls, oh-ohh Everyone will say "He should have passed the ball" Now the crowd has gone The stadium is empty Several hundred times He will watch the replay on TV Many years from now When his name's recalled Everyone will say "He should have passed the ball" He should have passed the ball |
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from Al Stewart - Sparks Of Ancient Light (2008)
It's a good day
For going to sea Hanno the Navigator said to me. There's an open sky and a steady breeze Out beyond the Pillars of Hercules. Above the foam-kissed waves seagulls scream Up in the masts of our trireme And it's a good day For going to sea Hanno the Navigator said to me. Water Water From horizon to horizon All I see is water Steer beyond all maps and charts Down along the coast of Africa. The first Phoenicians on this beach, Where the monkeys gibber and the parakeets screech. Strangest women run wild down there, Covered head to toe in fur and hair. They fight like demons, Better let them be, Hanno the Navigator said to me. Water Water From horizon to horizon All I see is water When you pull close to your fire at night With your family framed in the candlelight, Safe inside these walls of stone In the only village you've ever known. The rain-soaked moon plays splintered crystal Shadows on your windowsill. Like sparks of light in the shifting skies, Our ancient ships go sailing still on Water Water When my sailing days are done I'll seek Poseidon's daughter. Oarsmen pull and curse and sweat Underneath this creaking deck. At night I hear their stories told, Strong through storms and weak for gold. Carthage stands like an azure pearl Here in the middle of the known world. And it's a good day For going to sea, Hanno the Navigator said to me. Water Water From horizon to horizon All I see is water. Water Water When my sailing days are done I'll seek Poseidon's daughter. It's a good day For going to sea, Hanno the Navigator said to me. |
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from Al Stewart - Sparks Of Ancient Light (2008) | |||||
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from Al Stewart - Sparks Of Ancient Light (2008) | |||||
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from Al Stewart - Sparks Of Ancient Light (2008)
After these processions comes the sweeping up
The rag and bone possessions, an old tin cup The army trucks have hauled away the newly slain The angry crowd retreats, but they?ll be back again And the prisoner in the palace does not understand The ingratitude around him after all he?s done and planned But if this the way that it must be then he?ll be damned If he will let them take away his perfect dream Ministers stuff bank notes into leather bags Their wives have packed the jewelry and the luggage tanks The word is on the street now, growing day by day And even the informers know the stay away And the prisoner in the palace is appalled by this charade Feeling strangely unprotected by his miles of golden braid And if this is the way that it must be then I?m afraid He will not let them take away his perfect dream And these mountains of equipment brought from foreign lands Are now stacked up in the desert being buried by the sand These rows of helicopters rusting where they stand Are butterflies to take away the perfect dream He cried inside the limousine and at the airport too Where the soldier knelt before him and kissed his shoe He flew across the desert and the open sea While they tore down all his statues and his legacy And the victor greets the newsmen with a strange and stoic style They take a hundred thousand pictures and in none of them a smile But this is just the way that it must be now for a while He?s only come to bring another perfect dream |
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from Al Stewart - Sparks Of Ancient Light (2008) | |||||
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from Al Stewart - Sparks Of Ancient Light (2008)
The stranger comes to town
He is greeted like a prince Society declares him wise and funny Celebrities are only decorations in this place What really matters here is old money His temporary lover has amber coloured skin In a lush apartment in the city center Bankers like his company They always let him in There is no door to tell him do not enter They're following a dream Following a dream Sleepwalking A boy has become a member of a most desired club He has a fine address in these sixties If hipness could be diagrammed he would be the hub Girls follow him round like sexy pixies There's talk among the money men in Miami beach The train is leaving You don't want to miss it Whatever it is he's offering it's there within your reach So here is the ring Why don't you kiss it They're following a dream Following a dream Sleepwalking But there's a country house a world away from here Where accusations fill the room today Something has gone missing and it's absolutely clear A servent left quite suddenly He didn't ask for money He just packed up and left quietly away Back inside the nouveau world The rich are sitting down They realize it's time for some assessments Their charasmatic friend is somehow no where to be found Along with beggered will and their investments Someone said they saw him on a plane to Salvador or Moscow Now the weather's warming The lure of easy money keeps him constantly employed It's a social service he's performing Following a dream Following a dream Sleepwalking They're following a dream Willingly it seems Sleepwalking |
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from Al Stewart - Sparks Of Ancient Light (2008) | |||||
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from Al Stewart - Sparks Of Ancient Light (2008)
This place is so far away
From what passes for civilized life No shops and no cars and no city lights Just a river of stars Over the southernmost ocean so cold A small group of rocks, seagulls and ice Some ramshackle huts A paper in french from long ago A finger that juts out into the foam No boats come this way A few expeditions that pass now and then They'll be back someday But I don't know when It's the loneliest place on the map Night time is utterly black I came here by some grave mishap And I can't find my way back It's all as remote As the wintry smile that you gave As you buttoned your coat And love was erased So this is goodbye I see you silently rowing away The desolate sky threatening rain It's the loneliest place on the map Night time is utterly black I came here by some grave mishap And I can't find my way back |
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5:20 | ||||
from Best Pop 100 Gold (2008)
The Palace Of Versailles
by Al Stewart The wands of smoke are rising From the walls of the Bastille And through the streets of Paris Runs a sense of the unreal The Kings have all departed There servants are nowhere We burned out their mansions In the name of Robespierre And still we wait To see the day begin Our time is wasting in the wind Wondering why Wondering why, it echoes Through the lonely palace of Versailles Inside the midnight councils The lamps are burning low On you sit and talk all through the night But there's just no place to go And Bonaparte is coming With his army from the south Marat your days are numbered And we live hand to mouth While we wait To see the day begin Our time is wasting in the wind Wondering why Wondering why, it echoes Through the lonely palace of Versailles The ghost of revolution Still prowls the Paris streets Down all the restless centuries It wonders incomplete It speaks inside the cheap red wine Of cafe summer nights Its red and amber voices Call the cars at traffic lights Why do you wait To see the day begin Your time is wasting in the wind Wondering why Wondering why, it echoes Through the lonely palace of Versailles Wondering why, it echoes Through the lonely palace of Versailles |
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6:37 | ||||
from Running With Scissors (가위 들고 뛰기) by James Levine [ost] (2006)
Year Of The Cat - Al Stewart
On a morning from a Bogart movie In a country where they turn back time You go strolling through the crowd like Peter Lorre Contemplating a crime She comes out of the sun in a silk dress running Like a watercolour in the rain Don't bother asking for explanations She'll just tell you that she came In the year of the cat. She doesn't give you time for questions As she locks up your arm in hers And you follow 'till your sense of which direction Completely disappears By the blue tiled walls near the market stalls There's a hidden door she leads you to These days, she says, I feel my life Just like a river running through The year of the cat She looks at you so cooly And her eyes shine like the moon in the sea She comes in incense and patchouli So you take her, to find what's waiting inside The year of the cat. Well morning comes and you're still with her And the bus and the tourists are gone And you've thrown away the choice and lost your ticket So you have to stay on But the drum-beat strains of the night remain In the rhythm of the new-born day You know sometime you're bound to leave her BUt for now you're going to stay In the year of the cat. |
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2:54 | ||||
from Al Stewart - A Beach Full Of Shells (2005)
This is the day you disappeared
Your hand was steady and I know that your mind was clear You left a note up on the shelf Saying "I would rather be anyone but myself" You took a simple ride across the Great Divide You left the television on in your room Your friends were sad although they said "I told you so" You never really did fit into your skin The small annoying things you do All seemed so cute and entertaining when they were new This kind of honeymoon can't last I think you knew you wore your welcome out much too fast I was surprised to see you played the lottery Your winning ticket you won't need anymore You were in such a rush you never stopped to check Your jacket pocket on your way out the door This is your anniversary I'll light a candle in the window so you might see This is the day you had to go Good-bye then, this concludes your portion of the show |
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2:20 | ||||
from Al Stewart - A Beach Full Of Shells (2005)
When your little world has fallen apart
You'll be living on Beacon Street In a flat above a laundry It's warm and forgiving on Beacon Street Hundreds of paperback novels adorning your shelves Piles of CDs that are eager to please Still asserting themselves There's something in the morning light That is muted and soft down on Beacon Street Then a bar or two of classical music Will waft through the air Newspaper adverts will usher the future your way Indian teas and then take-out Chinese At the end of the day Shadows on furniture cast by the light of the moon You've got a fridge full of food You won't need to go anywhere soon When it's time to start again They will welcome you in down on Beacon Street Everybody needs a moment or two Now and then on their own |
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4:11 | ||||
from Al Stewart - A Beach Full Of Shells (2005)
Old jazz guys being interviewed
Thirty years beyond their prime With memories of road shows From the Golden Age of Swingtime The piano player strikes a chord Leans forward on his stool And through they've all seen better days They've got that air of faded cool It's an entree of another world One of tailcoats and victrolas And one day they'll make TV shows On aging rock-and-rollers On aging rock-and-rollers Then came the kid with the red Colorama And the Watkins copycat echo chamber and the toothy grin With one hand glued to the tremolo arm While the singer moves around like an Elvis clone They really packed them in And every song was short and sweet, and every beat was fast And every paper in the land said rock-and-roll won't last You know it just won't last, it's such a rapid burn And it's a hard, hard, hard lesson to learn It's a hard, hard, hard lesson to learn Well what are you going to do when it's all over? What are you going to do right now? What are you going to to when it's all over? Will you get along somehow? I just don't know Feeling like I do right now Ask me tomorrow Red guitar, red guitar You know I really miss that red guitar Red guitar, red guitar You know I reallly miss that red guitar And you can write this on my tombstone That'll be my fate I'm a gradute of rock-and-roll Class of '58 '58, '58, I'm a graduate of the class of '58 Red guitar, '58, I'm a graduate of the class of '58 And there's no use analyzing these anthems that were sung Rock-and-roll's not good or bad It's just the sound of being young And it's a long long way from pompadours And doo-wop and payola And one day they'll make TV shows on aging rock-and-rollers One day they'llmakeTV shows on aging rock-and-rollers. |
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3:49 | ||||
from Al Stewart - A Beach Full Of Shells (2005)
Gina in the King's Road, 1968
Blonde hair and eyeshadow, I hyperventilate Purple leather mini, legs up to there Don't you cast aspersions on my naugahyde affair And she can make you believe You're feeling almost sincere And every day's New Years Eve She's giggling in your ear And yet she's so hard to reach Although she's so close at hand I'm like a wave on her beach Sinking in the sand Everyone went out with her, everyone knew why No one ever stayed around, no one ever tried Now Gina drowns her sorrows, drinks away the night She's wrapped around some stranger, hanging on for life repeat chorus Now Gina in the King's Road, in a raincoat shimmering white Hands thrust in her pockets ike Julie Christie might Looks up into othe distance, puckers up her lips I don't stop to talk to her,we're just passing ships repeat chorus |
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3:07 | ||||
from Al Stewart - A Beach Full Of Shells (2005)
When I get even more old than I am now
I'll have a house overlooking the water I'll read all the books that I never got 'round to And pile my suitcases up in the corner The lights of the city they blink off and on again Names in my memory are there, then they're gone again Albums of photographs spread on the floor again I'll spend my evenings with Katherine of Oregon I'll fill my garage up with things I've no use for Obsolete knick-knacks that there's no excuse for I'll turn my back on the world's grand illusions Take my delights in the simplest amusements The lights of the city they blink off and on again Names in my memory are there, then they're gone again Albums of photographs spread on the floor again I'll spend my evenings with Katherine of Oregon I'll wear my clothes with their colors all clashing They'll be so old that they'll come back in fashion I'll sit on the beach with my paper wrapped luncheon I'll enjoy being the ancient curmudgeon The lights of the city they blink off and on again Names in my memory are there then they're gone again I'll have a jukebox and play Lonnie Donegan And I'll spend my evenings with Katherine of Oregon |
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4:26 | ||||
from Al Stewart - A Beach Full Of Shells (2005)
This is the Mona Lisa talking
Out on the street where love goes walking Into the shadows that can't hide you Here is a voice that speaks inside you Go home, pretty baby, go on home, pretty baby You will go home to the one who is waiting for you Anything that you want, anything that you do You will go home to the one who is waiting alone for you This is the Mona Lisa talking Out of a patch of oil and water Over the street lamps and the river Out of a smile that lasts forever Go home, pretty baby, go on home, pretty baby You will go home to the one who is waiting for you Anything that you want, anything that you do You will go home to the one who is waiting alone for you O I know you think you're part of a tragic song You can show reasons it's over, but I know you're wrong These Renaissance girls know what they're saying There are whispers at night in the halls of paintings You think you're the first one to come untethered But we've been watching you forever Go home, pretty baby, go on home, pretty baby You will go home to the one who is waiting for you Anything that you want, anything that you do You will go home to the one who is waiting alone for you This is the Mona Lisa talking This is the Mona Lisa talking |
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3:00 | ||||
from Al Stewart - A Beach Full Of Shells (2005)
How pleasant to know Mr. Lear
How pleasant to know at the end of the day he's near With a portfolio that daily features diverse creatures You open the book and it's true The world is a lot more mysterious than we knew Round every corner unusual things are prone to wander When I was a young man I was oft-times at the zoo To trace the visages and forms of parrots and cockatoos It's over the hill now he goes Pausing a while with the Pobble who has no toes For your perusal, Victorian days are so unsual Oh my aged Uncle Arly, sitting on a heap of barley On his nosehis faithful cricket In his hat a railway ticket But his shoes were far too tight How pleasant to know Mr. Lear In Egypt, the first day of spring You're painting a watercolor,hoping the light will bring Guided by pens and inks, the pyramids and palms and sphinx When I was an old man, I had a cat named Foss Now he's gone I wander on With this unbearable sense of loss How pleasant to know Mr. Lear How pleasant to know at the end of the day he's near And if you should find him His world is dancing close behind him |
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2:18 | ||||
from Al Stewart - A Beach Full Of Shells (2005)
Now here's a book full of photographs
That my ancestors made some generations ago They're wearing the lastest clothes in a nautical way The Suez Canal close behind is frozen in time The deck crews star out of a mime And they seem to be considering me Here on my Egyptian couch O the life on Edwardian steamships Is measured and slow, while down below There are fires that shudder and clang and thunder And sweat-caked in smoke, and cauldrons to stoke To send the ship on her way Tasting the salt and the spray And a century later I scan the equator From my Egyptian couch And the news every day brings Contains the strangest of things But with confident smilesw my forebears decline To gaze into the wings So they look from the photographs And they're curious now, wondering how we turned out Let's say like the Chinese adage We're living our lives in interesting times |
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4:01 | ||||
from Al Stewart - A Beach Full Of Shells (2005)
I'm hiding in a rain barrel inside these consul walls
This shaft of light is so narrow I can't see much at all Outside I hear the feet running And voices all around Footsoldiers with their guns coming I can't make a sound But if Mr. Williams keeps his word My life could still be saved I might live to see a time When all these roads are paved But if they break inside these walls You won't see me again But if Mr. Williams keeps his word Somewhere, my story will be heard I'm living in a strange country, it's so hard to find It's not on any map, you carry it in your heart and mind Outside I hear the ground shaking up from underneath It's only when the empire's breaking That you see their teeth But if Mr. Williams keeps his word My life could still be saved I might live to see a time When all these roads are paved But if they break inside these walls You won't see me again But if Mr. Williams keeps his word Somewhere, my story will be heard I'm hiding in a rain barrel with one small patch of sky Don't think I'm going to see tomorrow Going to bid this world good-bye. |
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4:11 | ||||
from Al Stewart - A Beach Full Of Shells (2005)
I sent my majordomo to your amanuensis
To ascertain your feelings, and strip away pretenses And then a few days later, you sent back your vizier And though he spoke quite courtesously His meaning wasn't clear Not to my majordomo Not to my majordomo So I sent my acolyte to further our relations And he engaged your ministers in lengthy conversations One or two were willingto discuss the matter frankly We then received your advocate Who told me that you thanked me Also my majordomo Also my majordomo I therefore told my counselor to offer my best wishes And he was greeted cordially with smiles and festive dishes I further was encouraged by a note in your handwriting Delivered by your confidant, it seemed you were inviting My plenipotentiary with great felicitations To join your chief of protocol in swift negotiations But something must have happened A secret door had closed then The word from my ambassador was you were indisposed And could not meet my majordomo There's nothing I can do now I sent my majordomo I sent my majordomo |
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6:57 | ||||
from Al Stewart - A Beach Full Of Shells (2005)
On the platform of an old railway station I enter a dream
And a couple are saying good-bye through the noise and the steam But it's just "Brief Encounter" my mind is trying to rerun And I wait for the poignant finale but the dream has moved on And the train has turned into a ship that is sailing away And the platform is a beach full of shells under silvery grey And the girl on the beach is an English Prime Minister's daughter And she watches the ship disappear at the edge of the water And it feels like the pain in her heart will be never-ending And everyone feels this way in the beginning And she watches the ship disappear for the length of a sigh And the maker of rhymes onthe deck who is going to die In the corner of some foreign field that will make him so famous As a light temporarily shines to illumine his pages Then the scene has changed once again; now it's moonlight on wire And the night is disturbed by a sudden volcano of fire And a skull in a trench gazes up open-mouthed at the moon And the poets are now Wilfred own and Siegfried Sassoon And nobody talks anymore about losing and winning And everyone feels that way in the beginning And I'm up in the air looking down at a girl on a bed She's lying asleep on her side with a boook at her head And it's someone who left long ago Was it something I said? And I hope that she's reading "King Lear", but it's "Twelfth Night" instead. Now the girl and the beach and the train and the ship are all gone And the calendar up on the wall says it's ninety years on I go out into the yard where the newspaper waits There's a man on the cover we all know, defying the fates And he seems very sure ashe offers up his opinion Well everyone feels like this in the beginning When you feel that the pain in your heart will be unending Everyone feels this way in the beginning If you feel that the pain in your heart will be never-ending Well everyone feels that way in the beginning |
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4:40 | ||||
from Al Stewart - A Beach Full Of Shells (2005) | |||||
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2:52 | ||||
from Al Stewart - A Beach Full Of Shells (2005) | |||||
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from Al Stewart - Essential (2003)
Lucy worked a different club every day,
And though she put her mind to it, Her heart was never in it, She stayed around just long enough to get paid, She won't pass the time with you, she can't stay a minute, And all these changing faces never bothered her at all, They just existed like a back-drop or a pattern on the wall, Lucy looks like someone who is waiting for a call, She knows he'll come, but no-one else can hear at all, Lucy finds the dressing room and the bar, Hangs her clothes up, hopes tonight, The contract won't be broken, Well, they kick you round so much when you're not a star, Make you play all night just for a pittance or a token, But all these imperfections never bothered her at all, She says it sharpens your perception when your back's against the wall, There's something that enables her to rise above it all, To shrug it off, just when it seems to go too far, Hey, hey, hey, I think you almost, feel the pain comin' on inside, Hey, hey, hey, I think you almost, feel it now and you don't know why, You don't know why. The last time that I saw her she had given up the chase, Moved away to California, got a suntan on her face, She said that life was just another time another space, It's over now, she learned a lot, it's not a waste, Hey, hey, hey, I think you almost, feel the pain comin' on inside Hey, hey, hey, I think you almost, feel it now and you don't know why, Hey, hey, hey, I think you almost, feel yourself reaching out inside, Hey, hey, hey, I think you almost, feel it now and you don't know why. |
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from Al Stewart - Essential (2003) | |||||
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from Al Stewart - Essential (2003)
You told the man in the Broadway Hotel
Nothing was stranger than being yourself And he replied, with a tear in his eye Love was a rollaway Just a cajole away Mist on a summer's day Nothing was clear Love was a smile away Just a defile away I sought it every way No-one came near You asked the man for a room with a view Nothing was said as he stared at his shoe Then he replied as he gave you the key Love was a rollaway Just an unfold away That's all there is to say No-one came near Alone in your room you hide As the night rolls by In the street outside And you feel over the words he said Till they turn to rain all around your head You're seeking a hideaway Where the light of day Doesn't touch your face And a door-sign keeps the world away Behind the shades Of your silent day. You made your home in the Broadway Hotel Room service came at the push of a bell And the man said as he put down the tray Love was a stealaway Just a reveal away I tried to find a way Nothing was clear Then as he turned away You asked the man to stay He was there all the day No-one came near |
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from Al Stewart - Essential (2003)
Shots split the night, a bullet lodged in his brain
He must have died instantly, he felt no pain A crowd quickly gathered to the feast of the gun Waiting for the ambulance and cops to come Hm mmm mmm mmm mmm mmm mmm Sirens wail in the concrete Hm mmm mmm mmm mmm mmm mmm Electric Los Angeles sunset, the sunset, the sunset, oh-o-oh Headlight lit the faces by the tabernacle door Gazing at the bloodstains on the damp sidewalk As the crowd turned to go, a man was heard to say "He must have had it comin' to him anyway" Hm mmm mmm mmm mmm mmm mmm Blood wagon rolls through the dragnet Hm mmm mmm mmm mmm mmm mmm Electric Los Angeles sunset, the sunset, the sunset, oh-o-oh Cadillacs roll through the smoggy perfume The buildings are choking on oxygen fumes Evangelists praying in rented rooms, in the afternoon Which way do the signposts read African eyes in the sunrise The gates of the city are rusted over and mouldering The violence of the evening decays into the night While shadows press like moths against the neon light Movie queues diffuse into the Cinerama haze While libertines read pornozines in street cafes Hm mmm mmm mmm mmm mmm mmm The madman swings in the pulpit Hm mmm mmm mmm mmm mmm mmm Electric Los Angeles sunset, the sunset, the sunset, oh-o-oh |
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from Al Stewart - Essential (2003)
Indian summer, the shops are shuttered and the crowds are gone
The souvenir sellers are moving on Like summer lovers Indian summer The earth is cracked beneath the midday sun You've dragged your shadow round these streets too long There is no cover Come stay, we'll live gazebo lives And let the world outside pass us by Right here in our Arabian Nights Until the Northern Lights cross the sky There is no other Indian summer, the storm that drove you here is far behind What keeps you waiting on this beach tonight It's long been over Come stay, we'll live gazebo lives And let the world outside pass us by Right here in our Arabian Nights Until the Northern Lights cross the sky There is no other Come stay Right here |
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from Al Stewart - Essential (2003) | |||||
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from Al Stewart - Essential (2003)
And I think of you now
As a dream that I had long ago In a kingdom lost in time In a forest of evening The archer is bending a bow And I see you bring him bread and wine Down the legions of years The invaders have taken this land And bent you to their will And the memories fade of the ancients And all that they had Though the magic lingers round you still Oh, who would walk the stony roads of Merlin's time? And keep the watch along the borderline And who would hear the legends passed in song and rhyme? Upon the shepherd pipes of Merlin's time |
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from Al Stewart - Essential (2003)
You say with best intention, lets throw away convention
Set sail across the water, to find the tides of fortune I say please understand it, dont' let our love be stranded upon the midnight rocks, upon the midnight rocks You say theres no endeavour, we couldn't try together no storm we couldn't weather, we'll ride the wind forever I hear the words you've spoken, don't let our love be broken Upon the midnight rocks, oh yeah, upon the midnight rocks. Ahhh...you know you know its easy Ahhh...to let it go believe me Ahhh...you know you know you feel it Ahhh...don't lose it when you need it I know that fascination, with living each sensation in your imagination, theres is no hesitation I know your mind is turning, don't let our love lie burning upon the midnight rocks, oh yeah, upon the midnight rocks. I know that fascination, with living each sensation in your imagination, there is no hesitation I say please understand it, don't let our love be stranded Upon the midnight rocks. |
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from Al Stewart - Essential (2003)
take my troubles on a Friday night
To the heart of the bistro Among the shadows and the low low lights I can find a release-o My favorite waitress will be here tonight I love the way she wears those fish-net tights She's so hard to resist-o in this Mondo Sinistro She picks a menu up and throws it my way With a flick of her wrist-o I'm sitting hoping that the night might take A romantic twist-o I order chicken and a chilled chablis She brings me grapefruit and a cup of tea She's a little Mephisto In this Mondo Sinistro I say I really love her dark brown eyes And the way that they tease-o I tell her everytime she passes by I grow weak in the knees-o I ask her would she like to come and play She blows my candle out and walks away I just cease to exist-o In this Mondo Sinistro |
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from Al Stewart - Essential (2003)
Meet me at the station underneath the clock
Carry an umbrella, no need to talk The man in the homburg, hiding in the fog Will be watching Get yourself a ticket, go through the gate At seven forty-five precisely, don't be late If anybody follows don't hesitate Keep on walking And take the night train to Munich Rumbling down the track After half an hour in the restaurant car Look for the conductor And there will be a stain on his tunic A paper underneath his arm Then you'd better pray that he doesn't look away Or you'll never, never, never come back. When you get the paper take a look inside On page twenty-seven there's a photo of a bride Underneath the story of a man who died In Morocco Memorize the article word for word The man in the homburg understands the code Make sure the conversation isn't overheard They're around you And take the night train to Munich Rumbling down the track After half an hour in the restaurant car Look for the conductor And there will be a stain on his tunic A paper underneath his arm Then you'd better pray that he doesn't look away Or you'll never, never, never come back. I really wouldn't ask if there was anybody else But I now you've got the knack of taking care of yourself And they don't know your face so there won't be anyone Looking for you When you get to Munich we'll be waiting in the car Don't look around, just walk straight out If you don't show, I'm sorry for the pain I caused you Upon the night train to Munich Rumbling down the track After half an hour in the restaurant car Look for the conductor And there will be a stain on his tunic A paper underneath his arm Then you'd better pray that he doesn't look away Or you'll never, never, never come back |
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from Al Stewart - Essential (2003)
The fishing boats go out across the evening water
Smuggling guns and arms across the Spanish border The wind whips up the waves so loud The ghost moon sails among the clouds Turns the rifles into silver on the border On my wall the colours of the maps are running From Africa the winds they talk of changes coming The torches flare up in the night The hand that sets the farms alight Has spread the word to those who're waiting on the border In the village where I grew up Nothing seems the same Still you never see the change from day to day And no-one notices the customs slip away Late last night the rain was knocking at my window I moved across the darkened room and in the lampglow I thought I saw down in the street The spirit of the century Telling us that we're all standing on the border In the islands where I grew up Nothing seems the same It's just the patterns that remain An empty shell But there's a strangeness in the air you feel too well The fishing boats go out across the evening water Smuggling guns and arms across the Spanish border The wind whips up the waves so loud The ghost moon sails among the clouds Turns the rifles into silver on the border On the border On the border On the border |
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from Al Stewart - Essential (2003)
It seems to me as though I've been upon this stage before
And juggled away the night for the same old crowd These harlequins you see with me, they too have held the floor As here once again they strut and they fret their hour I see those half-familiar faces in the second row Ghost-like with the footlights in their eyes But where or when we met like this last time I just don't know It's like a chord that rings and never dies For infinity And now these figures in the wings with all their restless tunes Are waiting around for someone to call their names They walk the backstage corridors and prowl the dressing-rooms And vanish to specks of light in the picture-frames But did they move upon the stage a thousand years ago In some play in Paris or Madrid? And was I there among them then, in some travelling show And is it all still locked inside my head For infinity And some of you are harmonies to all the notes I play Although we may not meet still you know me well While others talk in secret keys and transpose all I say And nothing I do or try can get through the spell So one more time we'll dim the lights and ring the curtain up And play again like all the times before But far behind the music you can almost hear the sounds Of laughter like the waves upon the shores Of infinity |
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from Al Stewart - Essential (2003)
When all the help in the world won't get you by
When all the friends that you lean on let you down, You'll wonder why I see you there with your painting box And your oils and brushes and your artist's smocks What'll you do if the Muse gets lost When I'm gone? You painted me in the way you said you knew I don't believe that I saw myself In anything you drew I say you never quite caught it right You say you see me in a different light What'll you do with your black and white When I'm gone You paint by numbers I never noticed it before You paint by numbers It's just a closing of an open door When you're looking round You won't see me no more You paint by numbers Staying here in this room just makes me pale I never really could fit into your geometric scale I see you measure my profile up And you mix your paints in a broken cup What'll you do if the brush gets stuck When I'm gone You paint by numbers I never noticed it before You paint by numbers It's just a closing of an open door When you're looking round You won't see me no more You paint by numbers |
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from Al Stewart - Essential (2003)
Before the phone hits the receiver
You're halfway to the door The voice said 'get out while you can, There's just ten minutes, nothing more' Time only for the essentials Better gather them and run The false name inside the passport, The gold bars and the gun And once again they've come out of the past And though your mind is cool your heart is beating fast You've been through it all before Each time you wish a little more that you could ask What do you want from me? What do you need from me? There's no rest for the running man Why can't you let him be?' It's a long and twisting journey From the sweeping northern plains To the outcrops of the jungle Bowed beneath the tropic rains In the customs hall the officer Takes you to one side And his eyes reveal no feeling As you hand over the bribe And once again you've bought a little time And once again you're fading out of sight Still the fox is growing older As he calls over his shoulder to the night: What do you want from me? What do you need from me? There's no rest for the running man Why can't you let him be? Here, come over here Beneath a sympathetic moon We'll sit and talk over old times without a fear Another beer, from the cafes of the night The tumbling rhythms of guitars ring loud and clear One by one they've nailed the others But you always got away What it is that keeps you just that step ahead No one can say In one last raid the agents Of the dawn break down the door Of a house where you were standing Maybe just an hour before And still the thread continues to unwind You take the hidden roads that only you can find And should they come upon your tracks There's just a question hanging back you left behind What do you want from me? What do you need from me? No rest for the running man Why can't you let him be? What do you want from me? What do you need from me? |
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from Al Stewart - Essential (2003)
I was making my way through the wasteland
The road into town passes through I was changing the radio stations With my mind on you Oh your friends call you "Lily Paloma" But that's not the way that you are It's too much of a gentle misnomer For a shooting star But you and me baby I saw you there Straight away I knew There's really no hiding I'll tell you right now What we're gonna do We'll go collecting the days Putting the moments away You're on my mind like a Song on the Radio I remember the first time I saw you Alone in the dark with a drink With a candle flame burning before you And your thoughts closed in You were staring out into the distance Not seeming to hear what I said Why did you put up such resistance Like all the lights are red 'Cause you and me baby I saw you there Straight away I knew There's really no hiding I'll tell you right now What we're gonna do We'll go collecting the days Putting the moments away You're on my mind like a Song on the Radio I don't know what it was that was painful But sometimes it's there in your face There are times when you just look disdainful Of the human race Ah, but then on the wings of emotion We circle each other in flight Till together we roll like the ocean In its bed at night 'Cause you and me baby I saw you there Straight away I knew There's really no hiding I'll tell you right now What we're gonna do We'll go collecting the days Putting the moments away You're on my mind like a Song on the Radio You're on my mind like a Song on the Radio |
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from Al Stewart - Essential (2003)
It was late in December, the sky turned to snow
All round the day was going down slow Night like a river beginning to flow I felt the beat of my mind go Drifting into time passages Years go falling in the fading light Time passages Buy me a ticket on the last train home tonight Well I'm not the kind to live in the past The years run too short and the days too fast The things you lean on are the things that don't last Well it's just now and then my line gets cast into these Time passages There's something back here that you left behind Oh time passages Buy me a ticket on the last train home tonight Hear the echoes and feel yourself starting to turn Don't know why you should feel That there's something to learn It's just a game that you play Well the picture is changing Now you're part of a crowd They're laughing at something And the music's loud A girl comes towards you You once used to know You reach out your hand But you're all alone, in these Time passages I know you're in there, you're just out of sight Time passages Buy me a ticket on the last train home tonight |
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from Al Stewart - Essential (2003)
Year Of The Cat - Al Stewart
On a morning from a Bogart movie In a country where they turn back time You go strolling through the crowd like Peter Lorre Contemplating a crime She comes out of the sun in a silk dress running Like a watercolour in the rain Don't bother asking for explanations She'll just tell you that she came In the year of the cat. She doesn't give you time for questions As she locks up your arm in hers And you follow 'till your sense of which direction Completely disappears By the blue tiled walls near the market stalls There's a hidden door she leads you to These days, she says, I feel my life Just like a river running through The year of the cat She looks at you so cooly And her eyes shine like the moon in the sea She comes in incense and patchouli So you take her, to find what's waiting inside The year of the cat. Well morning comes and you're still with her And the bus and the tourists are gone And you've thrown away the choice and lost your ticket So you have to stay on But the drum-beat strains of the night remain In the rhythm of the new-born day You know sometime you're bound to leave her BUt for now you're going to stay In the year of the cat. |
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from Al Stewart - Down In The Cellar (2000) | |||||
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from Al Stewart - Down In The Cellar (2000) | |||||
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from Al Stewart - Down In The Cellar (2000) | |||||
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from Al Stewart - Down In The Cellar (2000) | |||||
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from Al Stewart - The Originals (2000)
What if you reached the age of reason
Only to find there was no reprieve Would you still be a man for all seasons? Or would you just have to leave We measure our days out In steps of uncertainty Not turning to see how we've come And peer down the highway From here to eternity And reach out for love on the run While the man for all seasons Is lost behind the sun Henry Plantagenent still looks for someone To bring good news in his hour of doubt While Thomas More waits in the Tower of London Watching the sands running out And measures the hours out From here to oblivion In actions that can't be undone A sailor through the darkness He scans the meridian And caught by the first rays of dawn The man for all seasons Is lost beneath the storm And I should know by now I should know by now I hear them call it out all around Oh, they go There's nothing to believe in Hear them Just daydreams, deceiving They'll just let you down So what if you reached the age of reason Only to find there was no reprieve Would you still be a man for all seasons? Or would you just disbelieve? We measure our gains out in luck and coincidence Lanterns to turn back in the night And put our defeats down to chance or experience And try once again for the light Some wait for the waters of fortune to cover them Some just see the tides of ill chance rushing over them Some call on Jehovah Some cry out to Allah Some wait for the boats that still row to Valhallah Well, you try to accept what the fades are unfolding While some say they're sure where the shame should be falling You look round for maybe a chance of forestalling But too soon it's over and done And the man for all seasons Is lost behind the sun |
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from Al Stewart - The Originals (2000)
Linda was killed last Saturday about fifteen blocks from where she lives
In a car crash, people gathered ‘round the graveside friends and relatives dressed in black Preacher mumblin' how she's bound to go to Heaven The service started at half-past ten, it was all over by eleven. They say it's God's to give, and God's to take away But why He happened to pick Linda on a Saturday night, no one could say Maybe it's just one of those things, one of those things. They found guy the who did it, he had the lobotomy and the chicken eyes And he gazed around the courtroom with a kind of vague surprise Reminded me of one of those Vikings with the long-handled swords The kind of guy even Joan Baez would not feel non-violent towards. Said he wasn't looking, maybe he had had a bit too much It was dark, it was raining, he didn't see the light or some such It was just one of those things, one of those things. I asked my local guru the situation and he gave me this reply While pointing a bony finger up into the general direction of the sky ’Get on with your own life, it is not ours to reason why’ Said he used to worry about it once when he was young, now he doesn't even bother to try. He left me with a feeling that what he said was basically sound Like a black hole in space or philosophy, useless but profound Just one of those things, one of those things. Tonight I'm gonna take myself down to my local cafe Gonna get smashed out of my mind, gonna waste myself away Gonna drink and drink and sink into that dark abyss I wanna be just like that Viking, I wanna know if ignorance is truly bliss. Linda's in the cold ground, won't see her anymore Somewhere out on the highway tonight, the drunken engines roar It's just one of those things, one of those things. Oh, just one of those things. |
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from Al Stewart - The Originals (2000) | |||||
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from Al Stewart - The Originals (2000)
You told the man in the Broadway Hotel
Nothing was stranger than being yourself And he replied, with a tear in his eye Love was a rollaway Just a cajole away Mist on a summer's day Nothing was clear Love was a smile away Just a defile away I sought it every way No-one came near You asked the man for a room with a view Nothing was said as he stared at his shoe Then he replied as he gave you the key Love was a rollaway Just an unfold away That's all there is to say No-one came near Alone in your room you hide As the night rolls by In the street outside And you feel over the words he said Till they turn to rain all around your head You're seeking a hideaway Where the light of day Doesn't touch your face And a door-sign keeps the world away Behind the shades Of your silent day. You made your home in the Broadway Hotel Room service came at the push of a bell And the man said as he put down the tray Love was a stealaway Just a reveal away I tried to find a way Nothing was clear Then as he turned away You asked the man to stay He was there all the day No-one came near |
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from Al Stewart - The Originals (2000) | |||||
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from Al Stewart - The Originals (2000)
And in the evening when the day goes down
She leaves the bright house lights Stands and watches with her coat pulled around As torches light the western skies Sometimes she thinks she knows him just too well Other times not much at all They live their lives in some familiar spell And catch each other when they fall Nothing lasts, well she knows, try to hang on When it's gone, you'll be burned Fashions and friends come and go Everyone travels that road in their turn She wants to go out where the day meets the night Far beyond these Midwest farms But she'll be with him till the day she finds A stranger lying in her arms |
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from Al Stewart - The Originals (2000)
With your photographs of Kitty Hawk
And the biplanes on your wall You were always Amy Johnson From the time that you were small. No schoolroom kept you grounded While your thoughts could get away You were taking off in Tiger Moths Your wings against the brush-strokes of the day Are you there? On the tarmac with the winter in your hair By the empty hangar doors, you stop and stare Leave the oil-drums behind you, they won't care Oh, are you there? Oh, you wrapped me up in a leather coat And you took me for a ride We were drifting with the tail-wind When the runway came in sight The clouds came up to gather us And the cockpit turned to white When I looked, the sky was empty I suppose you never saw the landing-lights Are you there? In your jacket with the grease stain and the tear Caught up in the slipstream of the dare The compass rose will guide you anywhere, Oh, are you there? The sun comes up on Icarus as the night-birds sail away And lights the maps and diagrams That Leonardo made You can see Faith, Hope and Charity As they bank above the fields You can join the flying circus You can touch the morning air against your wheels Are you there? Do you have a thought for me that you can share? Oh I never thought you'd take me unawares Just call me if you ever need repairs Oh, are you there? |
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from Al Stewart - The Originals (2000)
Nothing that's forced can ever be right
If it doesn't come naturally, leave it That's what she said as she turned out the light And we bent our backs as slaves of the night She lowered her guard and showed me the scars She got from trying to fight Saying oh, you'd better believe it Well I'm up to my neck in the crumbling wreckage Of all that I wanted from life When I looked for respect all I got was neglect Though I swallowed the line as a sign of the times But dealing a jack from the back of the pack They said-You lose again Oh, I said, who needs it? Well don't get me wrong now I tried to get on With the jokers that got in my way And I put on a smile and I tried all the while to be straight But they just wanted more all the time and I'm sure That you know what I mean when I say That I'm sick of the touch and there's only so much you can take. Well nothing that's real is ever for free And you just have to pay for it sometime She said it before, she said it to me I suppose she believed there was nothing to see But the same old four imaginary walls She built for living inside I said oh, you just can't mean it Well there was never a doubt that she had to get out She was just looking around for a way In the pit of the night there was nowhere to hide any more She was out on a limb, she was reaching for things That she wanted, but just couldn't say And she had to be sure that she wouldn't get caught like before. Well nothing that's forced can ever be right If it doesn't come naturally, leave it That's what she said as she turned out the light And she may have been wrong, and she may have been right But I woke with the frost, and noticed she'd lost The veil that covered her eyes I said oh, you can leave it |
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from Al Stewart - The Originals (2000)
Oh come away from the day, here I stay
Living on the bottom of the sea Down metal snake corridors steely grey Engines hum for nobody but me No sound comes from the sea above me No messages crackles through the radio leads They'll never know, never no never How strange life in dark water can be Oh mariners spare a thought when you pass Those who live the submarine life Far in the deep sonar eyes never sleep Hiding like a shadow in the night Jet planes nose through the clouds above me They look for radar traces of me to see They'll never know, never no never How strange life in dark water can be Wonder what the stars look like Coming out tonight Tell my girl she must be strong She sits and waits all night long Just looking for a better day She'll have to find another way to go No memory, tell me what's wrong with me Why am I alone here with no rest And now the name of the ship's not the same How long has it been "Marie Celeste?" Now there's nobody from the crew left Five hundred years supply of food just for me They'll never know, never no never How strange life in dark water can be |
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from Al Stewart - The Originals (2000)
You got your ticket and your hotel keys
And your overnight bag at your feet You're looking down on the tropical trees While the Spanish maids pick up the sheets Conquistador in search of gold For all the jackdaw reasons The Midas shadow that's so hard to please And follows wherever you go Nothing ventured, nothing gained they said So you played for the winner takes all And tossed the dice high up and craned your head To see how the numbers would fall You stole the game so easily Your luck ran with the seasons But still the shadow that the night won't free Just follows wherever you go Another day, another boarding card As you wait for your seat on the 'plane The movie runs but you're still working hard And you don't touch your food or champagne I know that when your well runs dry You'll want to know the reason The empty night will bring you no reply As it follows wherever you go |
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from Al Stewart - The Originals (2000)
You got your ticket and your hotel keys
And your overnight bag at your feet You're looking down on the tropical trees While the Spanish maids pick up the sheets Conquistador in search of gold For all the jackdaw reasons The Midas shadow that's so hard to please And follows wherever you go Nothing ventured, nothing gained they said So you played for the winner takes all And tossed the dice high up and craned your head To see how the numbers would fall You stole the game so easily Your luck ran with the seasons But still the shadow that the night won't free Just follows wherever you go Another day, another boarding card As you wait for your seat on the 'plane The movie runs but you're still working hard And you don't touch your food or champagne I know that when your well runs dry You'll want to know the reason The empty night will bring you no reply As it follows wherever you go |
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from Al Stewart - The Originals (2000)
The fishing boats go out across the evening water
Smuggling guns and arms across the Spanish border The wind whips up the waves so loud The ghost moon sails among the clouds Turns the rifles into silver on the border On my wall the colours of the maps are running From Africa the winds they talk of changes coming The torches flare up in the night The hand that sets the farms alight Has spread the word to those who're waiting on the border In the village where I grew up Nothing seems the same Still you never see the change from day to day And no-one notices the customs slip away Late last night the rain was knocking at my window I moved across the darkened room and in the lampglow I thought I saw down in the street The spirit of the century Telling us that we're all standing on the border In the islands where I grew up Nothing seems the same It's just the patterns that remain An empty shell But there's a strangeness in the air you feel too well The fishing boats go out across the evening water Smuggling guns and arms across the Spanish border The wind whips up the waves so loud The ghost moon sails among the clouds Turns the rifles into silver on the border On the border On the border On the border |
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from Al Stewart - The Originals (2000)
It seems to me as though I've been upon this stage before
And juggled away the night for the same old crowd These harlequins you see with me, they too have held the floor As here once again they strut and they fret their hour I see those half-familiar faces in the second row Ghost-like with the footlights in their eyes But where or when we met like this last time I just don't know It's like a chord that rings and never dies For infinity And now these figures in the wings with all their restless tunes Are waiting around for someone to call their names They walk the backstage corridors and prowl the dressing-rooms And vanish to specks of light in the picture-frames But did they move upon the stage a thousand years ago In some play in Paris or Madrid? And was I there among them then, in some travelling show And is it all still locked inside my head For infinity And some of you are harmonies to all the notes I play Although we may not meet still you know me well While others talk in secret keys and transpose all I say And nothing I do or try can get through the spell So one more time we'll dim the lights and ring the curtain up And play again like all the times before But far behind the music you can almost hear the sounds Of laughter like the waves upon the shores Of infinity |
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from Al Stewart - The Originals (2000) | |||||
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from Al Stewart - The Originals (2000)
The wands of smoke are rising
From the walls of the Bastille And through the streets of Paris Runs a sense of the unreal. The Kings have all departed There servants are nowhere We burned out their mansions In the name of Robespierre. And still we wait to see the day begin Our time is wasting in the wind Wondering why, wondering why, it echoes Through the lonely palace of Versailles. Inside the midnight councils The lamps are burning low Oh you sit and talk all through the night But there′s just no place to go. And Bonaparte is coming With his army from the south Marat your days are numbered And we live hand to mouth. While we wait to see the day begin Our time is wasting in the wind Wondering why, wondering why, it echoes Through the lonely palace of Versailles. The ghost of revolution Still prowls the Paris streets Down all the restless centuries It wonders incomplete. It speaks inside the cheap red wine Of cafe summer nights Its red and amber voices Call the cars at traffic lights. Why do you wait to see the day begin Your time is wasting in the wind Wondering why, wondering why, it echoes Through the lonely palace of Versailles. Wondering why, it echoes Through the lonely palace of Versailles. |
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from Al Stewart - The Originals (2000)
We met on the beach amid rumours of war
Your head in your hand, what you saw you won't say As the newspapers flew in the wind. I can see you're one of that kind Who carry ‘round a time bomb in their mind, no one knows When you'll slip the pin. Rumours of war, rumours of war. I see that your dress is torn at the edge You were lost, intense, like a man on a ledge, waiting to jump As the waves break over the shore. You say there's a storm that can't be delayed And lately it seems to be comin' this way, you can hear it break Like the slam of a door. Rumours of war, rumours of war. You tell me, just look all around At the past and the present, the cross and the crescent The signs and the planets are lining up like before. There are souls on fire in the day and the night On the left and the right, in the black and the white You can see it burn in the eyes of the rich and the poor. Rumours of war, rumours of war. Rumours of war, rumours of war. |
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from Al Stewart - The Originals (2000) | |||||
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from Al Stewart - The Originals (2000)
You always were a city kid
Though you were country raised And back in some forgotten time We shared the cold north days But the simple life was not your style, And you just had to escape So it's goodbye to my lady of the islands On Remembrance Day the bands all played, The bells pealed through the park And you lay there by the "Do Not" signs, And shamed them with your spark Now winter moans in old men's bones As the day falls into dark And it's goodbye to my lady of the islands It was just like this Behind the kisses you so soon swept away Oh I always knew That some day you'd Be bound to just get pulled away The summer sun beats on and on, The shops swim in the heat And you're standing by the traffic signs With taxis at your feet Oh I know that in your city skin You're feeling more complete So it's goodbye to my lady of the islands No I never got the letters That you said you'd send me So it's goodbye to my lady of the islands |
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from Al Stewart - The Originals (2000)
I was making my way through the wasteland
The road into town passes through I was changing the radio stations With my mind on you Oh your friends call you "Lily Paloma" But that's not the way that you are It's too much of a gentle misnomer For a shooting star But you and me baby I saw you there Straight away I knew There's really no hiding I'll tell you right now What we're gonna do We'll go collecting the days Putting the moments away You're on my mind like a Song on the Radio I remember the first time I saw you Alone in the dark with a drink With a candle flame burning before you And your thoughts closed in You were staring out into the distance Not seeming to hear what I said Why did you put up such resistance Like all the lights are red 'Cause you and me baby I saw you there Straight away I knew There's really no hiding I'll tell you right now What we're gonna do We'll go collecting the days Putting the moments away You're on my mind like a Song on the Radio I don't know what it was that was painful But sometimes it's there in your face There are times when you just look disdainful Of the human race Ah, but then on the wings of emotion We circle each other in flight Till together we roll like the ocean In its bed at night 'Cause you and me baby I saw you there Straight away I knew There's really no hiding I'll tell you right now What we're gonna do We'll go collecting the days Putting the moments away You're on my mind like a Song on the Radio You're on my mind like a Song on the Radio |
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from Al Stewart - The Originals (2000)
You're a strange girl, you come from a strange family
You're a strange girl, I don't understand your vanity. Your mother's taking pills all day, she's looking to escape Your uncle's in the County Jail for statutory rape Just another runner never made it to the tape. Your cousin gets his kicks setting everything on fire Your little brother always lets the air out of my tyres Your sister wants to prove that she's an object of desire. You're a strange girl, you come from a strange family You're a strange girl, I don't understand your fantasy. Your father's a collector and his things are a delight He likes cameras and binoculars and everything in sight He collects them in a wagon in the middle of the night. Every holiday's a nightmare and it's giving me the chills Everybody ends up fighting, I remember it still The only thing that they agree on is it's me they want to kill. You're a strange girl, you come from a strange family You're a strange girl, I don't understand your vanity. I think we ought to break up, I could really use the rest Everything I like you say is something you detest But every time I try to leave you say you love me best. I was looking for some mystery, I thought you'd be the girl I really must admit you were like nothing in this world I finally got the oyster but I never found the pearl. You're a strange girl, you come from a strange family You're a strange girl, I don't understand your vanity. You're a strange girl, you come from a strange family You're a strange girl, I think you're headed for calamity. (Strange strange) girl (Strange strange) girl (Strange strange) most peculiar! (Strange strange) girl. |
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from Al Stewart - The Originals (2000)
Inside the lonely building sits the candidate
His speech is typed and ready, the hundred dollar plates Sit on deserted tables beneath fluorescent light But no one comes to hear him; no cheers disturb the night So where are all the voters? Where the voters' wives? They've all gone to the movies, trying to understand their lives The candidate is slipping into some dream of old Not noticing around him, a thousand rubber chickens going cold. |
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from Al Stewart - The Originals (2000) | |||||
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from Al Stewart - The Originals (2000) | |||||
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from Al Stewart - The Originals (2000)
Sleeping under the sky
The barges are gone to a lost decade On overgrown banks here Lovers footsteps went by Long before ever the roads were made And in our turn we passed here And carved our names on trees As the days washed by like Waves of an endless sea Under timeless arcadian skies Under timeless arcadian skies Time runs through your fingers You never hold it at all till it's gone Some fragments just linger with you Like snow in the spring hanging on I left the village behind in the night To fade like a sail on the darkening seas The shifts and changes in the patterns of life Will weather it more than the centuries And in another village in a far off foreign land The new day breaks out opening up its hand And the sun has the moon in his eyes As he wanders the timeless skies |
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from Al Stewart - The Originals (2000)
Find another lover tomorrow
Go find another lover today You've been so long on lonely street That you're surely falling into decay It's time to reconstruct yourself Time to test the water again Well it's sad to see It's a tragedy That you're wasting away Look around ... tell me Is it really worth the price That you pay On Valentina Way I don't think she's ready to listen I don't think she wants to come back The atmosphere's too cold in here To attract a butterfly like that I think she took the boat-train out Maybe caught the night express She's got devious lies And chameleon eyes And she can't care less Oh, buy yourself a ticket On anything leaving today From Valentina Way Oh the rain comes down And shines up the stars Oh, the night steps out In streetlights and bars To the sounds of guitars Listen ... |
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from Al Stewart - The Originals (2000)
Year Of The Cat - Al Stewart
On a morning from a Bogart movie In a country where they turn back time You go strolling through the crowd like Peter Lorre Contemplating a crime She comes out of the sun in a silk dress running Like a watercolour in the rain Don't bother asking for explanations She'll just tell you that she came In the year of the cat. She doesn't give you time for questions As she locks up your arm in hers And you follow 'till your sense of which direction Completely disappears By the blue tiled walls near the market stalls There's a hidden door she leads you to These days, she says, I feel my life Just like a river running through The year of the cat She looks at you so cooly And her eyes shine like the moon in the sea She comes in incense and patchouli So you take her, to find what's waiting inside The year of the cat. Well morning comes and you're still with her And the bus and the tourists are gone And you've thrown away the choice and lost your ticket So you have to stay on But the drum-beat strains of the night remain In the rhythm of the new-born day You know sometime you're bound to leave her BUt for now you're going to stay In the year of the cat. |
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from Al Stewart - The Originals (2000) | |||||
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1:27 | ||||
from Al Stewart - Live (1997) | |||||
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from Al Stewart - Live (1997) | |||||
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from Al Stewart - Live (1997)
Nothing that's forced can ever be right
If it doesn't come naturally, leave it That's what she said as she turned out the light And we bent our backs as slaves of the night She lowered her guard and showed me the scars She got from trying to fight Saying oh, you'd better believe it Well I'm up to my neck in the crumbling wreckage Of all that I wanted from life When I looked for respect all I got was neglect Though I swallowed the line as a sign of the times But dealing a jack from the back of the pack They said-You lose again Oh, I said, who needs it? Well don't get me wrong now I tried to get on With the jokers that got in my way And I put on a smile and I tried all the while to be straight But they just wanted more all the time and I'm sure That you know what I mean when I say That I'm sick of the touch and there's only so much you can take. Well nothing that's real is ever for free And you just have to pay for it sometime She said it before, she said it to me I suppose she believed there was nothing to see But the same old four imaginary walls She built for living inside I said oh, you just can't mean it Well there was never a doubt that she had to get out She was just looking around for a way In the pit of the night there was nowhere to hide any more She was out on a limb, she was reaching for things That she wanted, but just couldn't say And she had to be sure that she wouldn't get caught like before. Well nothing that's forced can ever be right If it doesn't come naturally, leave it That's what she said as she turned out the light And she may have been wrong, and she may have been right But I woke with the frost, and noticed she'd lost The veil that covered her eyes I said oh, you can leave it |
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4:25 | ||||
from Al Stewart - Live (1997)
Nothing that's forced can ever be right
If it doesn't come naturally, leave it That's what she said as she turned out the light And we bent our backs as slaves of the night Then she lowered her guard and showed me the scars She got from trying to fight Saying oh, you'd better believe it. Well I'm up to my neck in the crumbling wreckage Of all that I wanted from life When I looked for respect all I got was neglect Though I swallowed the line as a sign of the times But dealing a jack from the back of the pack They said-"You lose again" Oh, I said, who needs it? Well don't get me wrong now I tried to get on With the jokers that got in my way And I put on a smile and I tried all the while to be straight But they just wanted more all the time and I'm sure That you know what I mean when I say That I'm sick of the touch and there's only so much you can take. Well nothing that's real is ever for free And you just have to pay for it sometime She said it before, she said it to me I suppose she believed there was nothing to see But the same old four imaginary walls She built for living inside I said oh, you just can't mean it Well there was never a doubt that she had to get out she was just looking around for a way In the pit of the night there was nowhere to hide any more She was out on a limb, she was reaching for things That she wanted, but just couldn't say And she had to be sure that she wouldn't get caught like before. Well nothing that's forced can ever be right If it doesn't come naturally, leave it That's what she said as she turned out the light And she may have been wrong, and she may have been right But I woke with the frost, and noticed she'd lost The veil that covered her eyes I said oh, you can leave it. |
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2:56 | ||||
from Al Stewart - Live (1997)
And I think of you now
As a dream that I had long ago In a kingdom lost in time In a forest of evening The archer is bending a bow And I see you bring him bread and wine Down the legions of years The invaders have taken this land And bent you to their will And the memories fade of the ancients And all that they had Though the magic lingers round you still Oh, who would walk the stony roads of Merlin's time? And keep the watch along the borderline And who would hear the legends passed in song and rhyme? Upon the shepherd pipes of Merlin's time |
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from Al Stewart - Live (1997)
And I think of you now
As a dream that I had long ago In a kingdom lost in time In a forest of evening The archer is bending a bow And I see you bring him bread and wine Down the legions of years The invaders have taken this land And bent you to their will And the memories fade of the ancients And all that they had Though the magic lingers round you still Oh, who would walk the stony roads of Merlin's time? And keep the watch along the borderline And who would hear the legends passed in song and rhyme? Upon the shepherd pipes of Merlin's time |
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from Al Stewart - Live (1997)
In the east the wind is blowing the boats across the sea
And their sails will fill the morning and their cries ring out to me Oh, Oh Oh, the more it changes, the more it stays the same And the hand just re-arranges the players in the game Oh, I had a dream, it seemed I stood alone And the veil of all the years Goes sinking from my eyes like a stone A king shall fall and put to death by the English parliament shall be Fire and plague to London come in the year of six and twenties three An emperor of France shall rise who will be born near Italy His rule shall cost his empire dear, Napoloron his name shall be From Castile does Franco come and the Government driven out shall be An English king seeks divorce, and from his throne cast down is he One named Hister shall become a captain of Greater Germany No law does this man observe and bloody his rise and fall shall be Man, man, your time is sand, your ways are leaves upon the sea I am the eyes of Nostradamus, all your ways are known to me Man, man, your time is sand, your ways are leaves upon the sea I am the eyes of Nostradamus, all your ways are known to me In the new lands of America three brothers now shall come to power Two alone are born to rule but all must die before their hour Two great men yet brothers not make the north united stand Its power be seen to grow, and fear possess the eastern lands Three leagues from the gates of Rome a Pope named Pol is doomed to die A great wall that divides a city at this time is cast aside These are the signs I bring to you to show you when the time is nigh Man, man, your time is sand, your ways are leaves upon the sea I am the eyes of Nostradamus, all your ways are known to me |
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13:02 | ||||
from Al Stewart - Live (1997) | |||||
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from Al Stewart - Live (1997)
The fishing boats go out across the evening water
Smuggling guns and arms across the Spanish border The wind whips up the waves so loud The ghost moon sails among the clouds Turns the rifles into silver on the border On my wall the colours of the maps are running From Africa the winds they talk of changes coming The torches flare up in the night The hand that sets the farms alight Has spread the word to those who're waiting on the border In the village where I grew up Nothing seems the same Still you never see the change from day to day And no-one notices the customs slip away Late last night the rain was knocking at my window I moved across the darkened room and in the lampglow I thought I saw down in the street The spirit of the century Telling us that we're all standing on the border In the islands where I grew up Nothing seems the same It's just the patterns that remain An empty shell But there's a strangeness in the air you feel too well The fishing boats go out across the evening water Smuggling guns and arms across the Spanish border The wind whips up the waves so loud The ghost moon sails among the clouds Turns the rifles into silver on the border On the border On the border On the border |
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from Al Stewart - Live (1997)
The fishing boats go out across the evening water
Smuggling guns and arms across the Spanish border The wind whips up the waves so loud The ghost moon sails among the clouds Turns the rifles into silver on the border On my wall the colours of the maps are running From Africa the winds they talk of changes coming The torches flare up in the night The hand that sets the farms alight Has spread the word to those who're waiting on the border In the village where I grew up Nothing seems the same Still you never see the change from day to day And no-one notices the customs slip away Late last night the rain was knocking at my window I moved across the darkened room and in the lampglow I thought I saw down in the street The spirit of the century Telling us that we're all standing on the border In the islands where I grew up Nothing seems the same It's just the patterns that remain An empty shell But there's a strangeness in the air you feel too well The fishing boats go out across the evening water Smuggling guns and arms across the Spanish border The wind whips up the waves so loud The ghost moon sails among the clouds Turns the rifles into silver on the border On the border On the border On the border |
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7:53 | ||||
from Al Stewart - Live (1997)
They crossed over the border the hour before dawn
moving in lines through the day Most of our planes were destroyed on the ground where they lay Waiting for orders we held in the wood Word from the front never came By evening the sound of the gunfire was miles away I softly move through the shadows, slip away through the trees Crossing their lines in the mist in the fields on our hands and our knees And all that i ever Was able to see The fire in the air, glowing red Silhouetting the smoke on the breeze All summer they drove us back through the Ukraine Smolensk and Viasma soon fell By Autumn we stood with our backs to the town of Orel Closer and closer to Moscow they come Riding the wind like a bell General Guderian stands at the crest of the hill Winter brought with the rains, oceans of mud filled the roads Gluing the tracks of their tanks to the ground, while the skies filled with snow And all that I ever Was able to see The fire in the air, glowing red Silhouetting the snow on the breeze (Ah, Ah , Ah) x4 (Ah, Ah, Ah) - all thru bridge In the footsteps of Napoleon, the shadow figures stagger through the winter Falling back before the gates of Moscow, standing in the wings like an avenger And far away behind their lines, the partisans are stirring in the forest Coming unexpectedly upon their outpost, growing like a promise You'll never know, you'll never know, which way to turn, which way to look you'll never see us As we steal into the blackness of the night you'll never know, you'll never hear us And evening sings in a voice of amber, the dawn is surely coming The morning road leads to Stalingrad, and the sky is softly humming Two broken tigers on fire in the night Flicker their souls to the wind We wait in the lines for the final approach to begin It's been almost four years that I've carried a gun At home, it will alomst be spring The flames of the tiger are lighting the road to Berlin I quickly move through the ruins that bow to the ground The old men and children they send out to face us, they can't slow us down And all that I ever Was able to see The eyes of the city are opening Now it's the end of a dream (Ah. Ah, Ah) x4 (Ah, Ah, Ah) thru this section I'm coming home, I'm coming home , now you can taste it in the wind the war is over And I listen to the clicking of the train wheels as we roll across the border And now they ask about the time that i was caught behind their time and taken prisoner They only held me for a day, a lucky break i say They turn and listen closer I'll never know, I'll never know, why I was taken from the line with all the others to board a special train and journey deep into the heart of holy Russia And it's cold and damp in the transit camp and the air is still and sullen and the pale sun of Octobe whispers the snow will soon be coming And I wonder when, I'll be home again and the morning answers never And the evening sighs and the steely, Russian skies go on, forever... |
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from Al Stewart - Live (1997)
They crossed over the border the hour before dawn
moving in lines through the day Most of our planes were destroyed on the ground where they lay Waiting for orders we held in the wood Word from the front never came By evening the sound of the gunfire was miles away I softly move through the shadows, slip away through the trees Crossing their lines in the mist in the fields on our hands and our knees And all that i ever Was able to see The fire in the air, glowing red Silhouetting the smoke on the breeze All summer they drove us back through the Ukraine Smolensk and Viasma soon fell By Autumn we stood with our backs to the town of Orel Closer and closer to Moscow they come Riding the wind like a bell General Guderian stands at the crest of the hill Winter brought with the rains, oceans of mud filled the roads Gluing the tracks of their tanks to the ground, while the skies filled with snow And all that I ever Was able to see The fire in the air, glowing red Silhouetting the snow on the breeze (Ah, Ah , Ah) x4 (Ah, Ah, Ah) - all thru bridge In the footsteps of Napoleon, the shadow figures stagger through the winter Falling back before the gates of Moscow, standing in the wings like an avenger And far away behind their lines, the partisans are stirring in the forest Coming unexpectedly upon their outpost, growing like a promise You'll never know, you'll never know, which way to turn, which way to look you'll never see us As we steal into the blackness of the night you'll never know, you'll never hear us And evening sings in a voice of amber, the dawn is surely coming The morning road leads to Stalingrad, and the sky is softly humming Two broken tigers on fire in the night Flicker their souls to the wind We wait in the lines for the final approach to begin It's been almost four years that I've carried a gun At home, it will alomst be spring The flames of the tiger are lighting the road to Berlin I quickly move through the ruins that bow to the ground The old men and children they send out to face us, they can't slow us down And all that I ever Was able to see The eyes of the city are opening Now it's the end of a dream (Ah. Ah, Ah) x4 (Ah, Ah, Ah) thru this section I'm coming home, I'm coming home , now you can taste it in the wind the war is over And I listen to the clicking of the train wheels as we roll across the border And now they ask about the time that i was caught behind their time and taken prisoner They only held me for a day, a lucky break i say They turn and listen closer I'll never know, I'll never know, why I was taken from the line with all the others to board a special train and journey deep into the heart of holy Russia And it's cold and damp in the transit camp and the air is still and sullen and the pale sun of Octobe whispers the snow will soon be coming And I wonder when, I'll be home again and the morning answers never And the evening sighs and the steely, Russian skies go on, forever... |
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4:44 | ||||
from Al Stewart - Live (1997)
Before the phone hits the receiver
You're halfway to the door The voice said 'get out while you can, There's just ten minutes, nothing more' Time only for the essentials Better gather them and run The false name inside the passport, The gold bars and the gun And once again they've come out of the past And though your mind is cool your heart is beating fast You've been through it all before Each time you wish a little more that you could ask What do you want from me? What do you need from me? There's no rest for the running man Why can't you let him be?' It's a long and twisting journey From the sweeping northern plains To the outcrops of the jungle Bowed beneath the tropic rains In the customs hall the officer Takes you to one side And his eyes reveal no feeling As you hand over the bribe And once again you've bought a little time And once again you're fading out of sight Still the fox is growing older As he calls over his shoulder to the night: What do you want from me? What do you need from me? There's no rest for the running man Why can't you let him be? Here, come over here Beneath a sympathetic moon We'll sit and talk over old times without a fear Another beer, from the cafes of the night The tumbling rhythms of guitars ring loud and clear One by one they've nailed the others But you always got away What it is that keeps you just that step ahead No one can say In one last raid the agents Of the dawn break down the door Of a house where you were standing Maybe just an hour before And still the thread continues to unwind You take the hidden roads that only you can find And should they come upon your tracks There's just a question hanging back you left behind What do you want from me? What do you need from me? No rest for the running man Why can't you let him be? What do you want from me? What do you need from me? |