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4:33 |
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from 양병집 4집 - 부르고 싶었던 노래들 (1988)
휘몰아치는 바람속에
참다 참다 스러져간 아름다웠던 꽃송이야 누구위해 태어난 꽃송이던가 누구위해 자라온 꽃송이던가 검은 하늘 바라보며 스러져가는 향기않고 웃다웃다 지쳐버린 아름다웠던 꽃송이야 누구위해 태어난 꽃송이던가 누구위해 자라온 꽃송이던가 잃어버린 전설속에 사라져간 꿈을 낳고 그늘에서 피다지친 아름다웠던 꽃송이야 누구위해 태어난 꽃송이던가 누구위해 자라온 꽃송이던가 |
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3:53 |
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| from 두 바퀴로 가는 자동차 1집 - 두 바퀴로 가는 자동차 (1996) | |||||
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2:47 |
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| from 양병집 4집 - 부르고 싶었던 노래들 (1988) | |||||
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1:40 |
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from Bob Dylan - Bob Dylan (1962)
Well, I dont know why I love you like I do Nobody in the world can get along with you You got the ways of a devil sleeping in a lion's den I come home last night you wouldn't even let me in. Oh sometimes you're as sweet as nobody want to be Oh when you get the crazy notion of jumping all over me Well, you give me the blues, I guess you're satisfied When you give me the blues I wanna lay down and die. After when you had no shoes on your feet, pretty mama After when you had no food to eat Now you're that kind of woman that just don't understand You're taking all my money and give it to another man. Well, you're that kind of woman makes a man lose his brains You're that kind of woman drives me insane Well, you give me the blues, I guess you're satisfied You give me the blues, I wanna lay down and die. |
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2:48 |
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from Bob Dylan - Good As I Been To You (1992)
You're gonna quit me, baby, Good as I been to you, Lawd, Lawd. Good as I been to you, Lawd, Lawd. Good as I been to you. Give you my money, honey, Buy you shoes and clothes, Lawd, Lawd. You're gonna quit me, baby, Put me outta doors, Lawd, Lawd. Six months on the chain gang, Believe me, it ain't no fun, Lawd, Lawd. Day you quit me, baby, That's the day you die, Lawd, Lawd. Jailhouse ain't no plaything, Believe me, ain't no lie, Lawd, Lawd. Day you quit me, baby, That's the day you die, Lawd, Lawd |
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2:55 |
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| from Bob Dylan - Blood On The Tracks (1975) | |||||
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4:35 |
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from Bob Dylan - Blood On The Tracks (1975)
Our conversation was short and sweet
It nearly swept me off my feet And I'm back in the rain Oh, and you are on dry land You made it there somehow You're a big girl now Bird on the horizon, sitting on a fence He's singing his song for me at his own expense And I'm just like that bird Oh, singing just for you I hope that you can hear Hear me singing through these tears Love is so simple, to quote a phrase You've known it all the time, I'm learning it these days And I know where I can find you Oh, in somebody's room It's a price I have to pay You're a big girl all the way Time is a jet plane, it moves too fast Oh but what a shame, that all we've shared can't last I can change I swear Oh, see what you can do I can make it through You can make it too A change in the weather is known to be extreme But it ain't like changing horses in midstream I'm going out of my mind Oh, with a pain that stops and starts Like a corkscrew to the heart Ever since we've been apart |
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7:01 |
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from Bob Dylan - Hard Rain [live] (1976)
Our conversation was short and sweet
It nearly swept me off my feet And I'm back in the rain Oh, and you are on dry land You made it there somehow You're a big girl now Bird on the horizon, sitting on a fence He's singing his song for me at his own expense And I'm just like that bird Oh, singing just for you I hope that you can hear Hear me singing through these tears Love is so simple, to quote a phrase You've known it all the time, I'm learning it these days And I know where I can find you Oh, in somebody's room It's a price I have to pay You're a big girl all the way Time is a jet plane, it moves too fast Oh but what a shame, that all we've shared can't last I can change I swear Oh, see what you can do I can make it through You can make it too A change in the weather is known to be extreme But it ain't like changing horses in midstream I'm going out of my mind Oh, with a pain that stops and starts Like a corkscrew to the heart Ever since we've been apart |
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4:21 |
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from Bob Dylan - Biograph (1998)
Our conversation was short and sweet It nearly swept me off my feet And I'm back in the rain Oh, and you are on dry land You made it there somehow You're a big girl now Bird on the horizon, sitting on a fence He's singing his song for me at his own expense And I'm just like that bird Oh, singing just for you I hope that you can hear Hear me singing through these tears Love is so simple, to quote a phrase You've known it all the time, I'm learning it these days And I know where I can find you Oh, in somebody's room It's a price I have to pay You're a big girl all the way Time is a jet plane, it moves too fast Oh but what a shame, that all we've shared can't last I can change I swear Oh, see what you can do I can make it through You can make it too A change in the weather is known to be extreme But it ain't like changing horses in midstream I'm going out of my mind Oh, with a pain that stops and starts Like a corkscrew to the heart Ever since we've been apart |
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2:55 |
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from Bob Dylan - 3 Pak : Blonde On Blonde/Blood On The Tracks/Time Out Of Mind [box] (2001)
I've seen love go by my door
It's never been this close before Never been so easy or so slow I been shootin' in the dark too long When something's not right it's wrong You're gonna make me lonesome when you go Dragon clouds so high above I've only known careless love It always has hit me from below But this time 'round it's more correct Right on target so direct You're gonna make me lonesome when you go Purple clover, Queen Anne lace Crimson hair across your face You can make me cry but you don't know Can't remember what I was thinking of You might be spoiling me too much love You're gonna make me lonesome when you go Flowers on the hillside blooming crazy Crickets talking back and forth in rhyme Blue river running slow and lazy I could stay with you forever and never realize the time Situations have ended sad Relationships have all been bad Mine have been like Verlaine's and Rimbaud's But there's no way I can compare All them scenes to this affair, You're gonna make me lonesome when you go You're gonna make me wonder what I'm doing Staying far behind without you You're gonna make me wonder what I'm saying You're gonna make me give myself a good talking to I'll look for you in old Honolulu San Francisco or Ashtabula You're gonna have to leave me now I know But I'll see you in the sky above In the tall grass in the ones I love You're gonna make me lonesome when you go |
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4:32 |
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from Bob Dylan - 3 Pak : Blonde On Blonde/Blood On The Tracks/Time Out Of Mind [box] (2001)
Our conversation was short and sweet
It nearly swept me offa my feet And I'm back in the rain Oh, and you are on dry land You made it there somehow You're a big girl now Bird on the horizon, sitting on a fence He's singing his song for me at his own expense And I'm just like that bird Oh, singing just for you I hope that you can hear Hear me singing through these tears Time is a jet plane, it moves too fast Oh but what a shame, that all we've shared can't last I can change I swear Oh, see what you can do I can make it through You can make it too Love is so simple, to quote a phrase You've known it all the time, I'm learning it these days Oh I know where I can find you Oh, in somebody's room It's a price I have to pay You're a big girl all the way A change in the weather is known to be extreme But what's the sense in changing horses in midstream I'm going out of my mind Oh, with a pain that stops and starts Like a corkscrew to my heart Ever since we've been apart |
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3:17 |
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from Bob Dylan - Knocked Out Loaded (2000)
Well I told my baby
I said Baby, I know where you been Well, I know who you are And what league you played in You wanna ramble To the break of dawn You wanna ramble To the break of dawn You wanna ramble To the break of dawn. Well, the night is so empty So quit and still For only fifteen hundred dollars You can have anybody killed You wanna ramble To the break of dawn You wanna ramble To the break of dawn You wanna ramble To the break of dawn. Well, I told my baby Further down the line I said, ?What happens tomorrow Is on your head, not mine? You wanna ramble To the break of dawn You wanna ramble To the break of dawn You wanna ramble To the break of dawn. |
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2:52 |
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from Bob Dylan - Biograph (1998)
You angel you You got me under your wing. The way you walk and the way you talk I feel I could almost sing. You angel you You're as fine as anything's fine. The way you walk and the way you talk It sure plays on my mind. You know I can't sleep at night for trying, Never did feel this way before. I get up at night and walk the floor. If this is love then gimme more And more and more and more and more. You angel you You're as fine as can be. The way you smile like a sweet baby child, It just falls all over me. You know I can't sleep at night for trying Never did feel this way before, Never did get up and walk the floor. If this is love then gimme more And more and more and more. You angel you You got me under your wing. The way you walk and the way you talk It says everything. |
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2:54 |
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from Bob Dylan - Planet Waves (2000)
You angel you
You got me under your wing. The way you walk and the way you talk I feel I could almost sing. You angel you You're as fine as anything's fine. The way you walk and the way you talk It sure plays on my mind. You know I can't sleep at night for trying, Never did feel this way before. I get up at night and walk the floor. If this is love then gimme more And more and more and more and more. You angel you You're as fine as can be. The way you smile like a sweet baby child, It just falls all over me. You know I can't sleep at night for trying Never did feel this way before, Never did get up and walk the floor. If this is love then gimme more And more and more and more. You angel you You got me under your wing. The way you walk and the way you talk It says everything. |
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2:43 |
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from Bob Dylan, The Band - The Basement Tapes (1975)
Clouds so swift Rain won't lift Gate won't close Railings froze Get your mind off wintertime You ain't goin' nowhere Whoo-ee! Ride me high Tomorrow's the day My bride's gonna come Oh, oh, are we gonna fly Down in the easy chair! I don't care How many letters they sent Morning came and morning went Pick up your money And pack up your tent You ain't goin' nowhere Whoo-ee! Ride me high Tomorrow's the day My bride's gonna come Oh, oh, are we gonna fly Down in the easy chair! Buy me a flute And a gun that shoots Tailgates and substitutes Strap yourself To the tree with roots You ain't goin' nowhere Whoo-ee! Ride me high Tomorrow's the day My bride's gonna come Oh, oh, are we gonna fly Down in the easy chair! Genghis Khan He could not keep All his kings Supplied with sleep We'll climb that hill no matter how steep When we get up to it Whoo-ee! Ride me high Tomorrow's the day My bride's gonna come Oh, oh, are we gonna fly Down in the easy chair |
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- |
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| from Bob Dylan - 30th Anniversary Concert Celebration [live] (2014) | |||||
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2:15 |
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from Bob Dylan, The Band - The Basement Tapes (1975)
Well, the comic book and me, just us, we caught the bus.
The poor little chauffeur, though, she was back in bed On the very next day, with a nose full of pus. Yea! Heavy and a bottle of bread Yea! Heavy and a bottle of bread Yea! Heavy and a bottle of bread It's a one-track town, just brown, and a breeze, too, Pack up the meat, sweet, we're headin' out For Wichita in a pile of fruit. Get the loot, don't be slow, we're gonna catch a trout Get the loot, don't be slow, we're gonna catch a trout Get the loot, don't be slow, we're gonna catch a trout Now, pull that drummer out from behind that bottle. Bring me my pipe, we're gonna shake it. Slap that drummer with a pie that smells. Take me down to California, baby Take me down to California, baby Take me down to California, baby Yes, the comic book and me, just us, we caught the bus. The poor little chauffeur, though, she was back in bed On the very next day, with a nose full of pus. Yea! Heavy and a bottle of bread Yea! Heavy and a bottle of bread Yea! Heavy and a bottle of bread |
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3:30 |
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from Bob Dylan, The Band - The Basement Tapes (1975)
(by j.r. robertson)
Stranded out in the night, Eliza took me down To see the widow give Rain to the town. It's against the law To be a tonic man, But the widow knows She's got the upper hand. So I went on in Feelin' kinda wheezy. You know she soothed my mind, boys, She rocked me kinda slow and easy All day and all night. Pick a card before you go It's a long trip to mexico. Eliza wait by the door, I can't stay here anymore, no, no. Then she took a pill She washed her feet in the mud She said "look out son, You know, I just ordered a flood For forty days and forty nights". Then I dropped my shoes, Eliza called my name. She said it looked to her Like it's gonna rain. Then the cotton king Came in chokin' And the widow laughed and said: "i ain't jokin'. Take once for all" She said "now don't ya tease me. I just fell in love, boy, So rock me kinda slow and kinda easy, All day and all night." Sweet william said With a drunken head: "if I had a boat, I'd help y'all float". Eliza stood there watching, William in a trance, As the widow did the st. vitus dance. But just then an old man With a boat named "breezy" Said: "you can ride with clyde, boys, If you rock it kinda slow and easy, All day and all night". |
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3:58 |
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from Bob Dylan - World Gone Wrong (2000)
Strange things have happened, like never before. My baby told me I would have to go. I can't be good no more, once like I did before. I can't be good, baby, Honey, because the world's gone wrong. Feel bad this morning, ain't got no home. No use in worrying, 'cause the world gone wrong. I can't be good no more, once like I did before. I can't be good, baby, Honey, because the world's gone wrong. I told you, baby, right to your head, If I didn't leave you I would have to kill you dead. I can't be good no more, once like I did before. I can't be good, baby, Honey, because the world's gone wrong. I tried to be loving and treat you kind, But it seems like you never right, you got no loyal mind. I can't be good no more, once like I did before. I can't be good, baby, Honey, because the world's gone wrong. If you have a woman and she don't treat you kind, Praise the Good Lord to get her out of your mind. I can't be good no more, once like I did before. I can't be good, baby, Honey, because the world's gone wrong. Said, when you been good now, can't do no more, Just tell her kindly, "There is the front door." I can't be good no more, once like I did before. I can't be good, baby, Honey, because the world's gone wrong. Pack up my suitcase, give me my hat, No use to ask me, baby, 'cause I'll never be back. I can't be good no more, once like I did before. I can't be good, baby, Honey, because the world's gone wrong. |
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6:07 |
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from Bob Dylan - Modern Times (2006)
There's an evenin' haze
settlin' over town Starlight by the edge of the creek The buyin' power of the proletariat's gone down Money's gettin' shallow and weak Well the place I love best is a sweet memory It's a new path that we trod They say low wages are a reality If we want to compete abroad My cruel weapons have been put on the shelf Come sit down on my knee You are dearer to me than myself As you yourself can see While I'm listening to the steel rails hum Got both eyes tight shut Just sitting here trying to keep the hunger from Creeping it's way into my gut Meet me at the bottom don't lag behind Bring me my boots and shoes You can hang back or fight your best on the frontline Sing a little bit of these workingman's blues Well I'm sailin' on back ready for the long haul Tossed by the winds and the seas I'll drag 'em all down to hell and I'll stand 'em at the wall I'll sell 'em to their enemies I'm tryin' to feed my soul with thought Gonna sleep off the rest of the day Sometimes no one wants what we got Sometimes you can't give it away Now the place is ringed with countless foes Some of them may be deaf and dumb No man no woman knows The hour that sorrow will come In the dark I hear the night birds call I can feel a lover's breath I sleep in the kitchen with my feet in the hall Sleep is like a temporary death Meet me at the bottom don't lag behind Bring me my boots and shoes You can hang back or fight your best on the frontline Sing a little bit of these workingman's blues Well they burned my barn and they stole my horse I can't save a dime I got to be careful I don't want to be forced Into a life of continual crime I can see for myself that the sun is sinking How I wish you were here to see Tell me now am I wrong in thinking That you have forgotten me Now they worry and they hurry and they fuss and they fret They waste your nights and days Them I will forget But you I'll remember always Old memories of you to me have clung You've wounded me with your words Gonna have to straighten out your tongue It's all true everything you've heard Meet me at the bottom don't lag behind Bring me my boots and shoes You can hang back or fight your best on the frontline Sing a little bit of these workingman's blues In you my friend I find no blame Wanna look in my eyes please do No one can ever claim That I took up arms against you All across the peaceful sacred fields They will lay you low They'll break your horns and slash you with steel I say it so it must be so Now I'm down on my luck and I'm black and blue Gonna give you another chance I'm all alone And I'm expecting you To lead me off in a cheerful dance I got a brand new suit and a brand new wife I can live on rice and beans Some people never worked a day in their life Don't know what work even means Meet me at the bottom don't lag behind Bring me my boots and shoes You can hang back or fight your best on the frontline Sing a little bit of these workingman's blues |
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2:07 |
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| from Bob Dylan - Self Portrait (1970) | |||||
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| from Bob Dylan - The Other Side Of The Mirror [video] (2007) | |||||
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7:08 |
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from Bob Dylan - The Times They Are A Changin (1998)
Oh my name it is nothin' My age it means less The country I come from Is called the Midwest I's taught and brought up there The laws to abide And that land that I live in Has God on its side. Oh the history books tell it They tell it so well The cavalries charged The Indians fell The cavalries charged The Indians died Oh the country was young With God on its side. Oh the Spanish-American War had its day And the Civil War too Was soon laid away And the names of the heroes I's made to memorize With guns in their hands And God on their side. Oh the First World War, boys It closed out its fate The reason for fighting I never got straight But I learned to accept it Accept it with pride For you don't count the dead When God's on your side. When the Second World War Came to an end We forgave the Germans And we were friends Though they murdered six million In the ovens they fried The Germans now too Have God on their side. I've learned to hate Russians All through my whole life If another war starts It's them we must fight To hate them and fear them To run and to hide And accept it all bravely With God on my side. But now we got weapons Of the chemical dust If fire them we're forced to Then fire them we must One push of the button And a shot the world wide And you never ask questions When God's on your side. In a many dark hour I've been thinkin' about this That Jesus Christ Was betrayed by a kiss But I can't think for you You'll have to decide Whether Judas Iscariot Had God on his side. So now as I'm leavin' I'm weary as Hell The confusion I'm feelin' Ain't no tongue can tell The words fill my head And fall to the floor If God's on our side He'll stop the next war. |
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6:18 |
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from Bob Dylan - Live 1964 Concert At Philharmonic Hall : The Bootleg Series Vol.6 [live] (2004)
Oh my name it is nothin'
My age it means less The country I come from Is called the Midwest I's taught and brought up there The laws to abide And that land that I live in Has God on its side. Oh the history books tell it They tell it so well The cavalries charged The Indians fell The cavalries charged The Indians died Oh the country was young With God on its side. Oh the Spanish-American War had its day And the Civil War too Was soon laid away And the names of the heroes I's made to memorize With guns in their hands And God on their side. Oh the First World War, boys It closed out its fate The reason for fighting I never got straight But I learned to accept it Accept it with pride For you don't count the dead When God's on your side. When the Second World War Came to an end We forgave the Germans And we were friends Though they murdered six million In the ovens they fried The Germans now too Have God on their side. I've learned to hate Russians All through my whole life If another war starts It's them we must fight To hate them and fear them To run and to hide And accept it all bravely With God on my side. But now we got weapons Of the chemical dust If fire them we're forced to Then fire them we must One push of the button And a shot the world wide And you never ask questions When God's on your side. In a many dark hour I've been thinkin' about this That Jesus Christ Was betrayed by a kiss But I can't think for you You'll have to decide Whether Judas Iscariot Had God on his side. So now as I'm leavin' I'm weary as Hell The confusion I'm feelin' Ain't no tongue can tell The words fill my head And fall to the floor If God's on our side He'll stop the next war. |
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- |
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from Bob Dylan - The Other Side Of The Mirror [video] (2007)
Oh, my name, it ain't nothin', my age, it means less
The country I come from is called the Midwest I's taught and brought up there, the laws to abide And that the land that I live in has God on its side Oh, the history books tell it, they tell it so well The cavalries charged, the Indians died Oh, the country was young With God on its side The Spanish-American War had its day And the Civil War too was soon laid away And the names of the heroes I was made to memorize With guns in their hands and God on their side The First World War, boys, it came and it went The reason for fighting I never did get But I learned to accept it, accept it with pride For you don't count the dead when God's on your side The Second World War came to an end We forgave the Germans and then we were friends Though they murdered six million, in the ovens they fried The Germans now too have God on their side I learned to hate the Russians all through my whole life If another war comes, it's them we must fight To hate them and fear them, to run and to hide And accept it all bravely with God on my side But now we got weapons of chemical dust If fire them we're forced to, then fire them we must One push of the button and a shot the world wide You never ask questions when God's on your side Through many a dark hour I been thinkin' about this That Jesus Christ was betrayed by a kiss But I can't think for you, you'll have to decide Whether Judas Iscariot had God on his side So now as I'm leavin', I'm weary as hell The confusion I'm feelin' ain't no tongue can tell The words fill my head and they fall to the floor That if God's on our side, he'll stop the next war |
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2:24 |
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from Bob Dylan - New Morning (1970)
Winterlude, Winterlude, oh darlin', Winterlude by the road tonight. Tonight there will be no quarrelin', Ev'rything is gonna be all right. Oh, I see by the angel beside me That love has a reason to shine. You're the one I adore, come over here and give me more, Then Winterlude, this dude thinks you're fine. Winterlude, Winterlude, my little apple, Winterlude by the corn in the field, Winterlude, let's go down to the chapel, Then come back and cook up a meal. Well, come out when the skating rink glistens By the sun, near the old crossroads sign. The snow is so cold, but our love can be bold, Winterlude, don't be rude, please be mine. Winterlude, Winterlude, my little daisy, Winterlude by the telephone wire, Winterlude, it's makin' me lazy, Come on, sit by the logs in the fire. The moonlight reflects from the window Where the snowflakes, they cover the sand. Come out tonight, ev'rything will be tight, Winterlude, this dude thinks you're grand. |
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1:53 |
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from Bob Dylan - Christmas In The Heart (2009)
wonderland
winter wonderland wonderland Sleigh bells ring Are you listening? In the lane Snow is glistening A beautiful sight We're happy tonight Walking In a winter wonderland Gone away Is the bluebird In his place Is a new bird He sings a love song As we go along Walking In a winter wonderland In the meadow We can build a snowman And pretend That he is Parson Brown He'll say are you married? We'll say no man But you can do the job When you're in town Later on, we'll conspire As we dream, by the fire To face unafraid The plans that we've made Walking In a winter wonderland In the meadow We can build a snowman And pretend That he's a circus clown We'll have lots of fun With Mr. Snowman Until the other kids 'ill knock him down When it's cold Ain't it thrilling When your nose Gets to chilling We'll frolic and play The Eskimo way Walking In a winter wonderland |
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3:10 |
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| from Bob Dylan - Self Portrait (1970) | |||||
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3:09 |
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| from The Royal Tenenbaums [Expanded] (로얄 테넌바움) by Mark Mothersbaugh [best, ost] (2001) | |||||
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3:07 |
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| from The Royal Tenenbaums (2002) | |||||
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2:10 |
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from Bob Dylan - Under The Red Sky (1990)
Wiggle, wiggle, wiggle like a gypsy queen, Wiggle, wiggle, wiggle all dressed in green, Wiggle, wiggle, wiggle 'til the moon is blue, Wiggle 'til the moon sees you. Wiggle, wiggle, wiggle in your boots and shoes, Wiggle, wiggle, wiggle, you got nothing to lose, Wiggle, wiggle, wiggle, like a swarm of bees, Wiggle on your hands and knees. Wiggle to the front, wiggle to the rear, Wiggle 'til you wiggle right out of here, Wiggle 'til it opens, wiggle 'til it shuts, Wiggle 'til it bites, wiggle 'til it cuts. Wiggle, wiggle, wiggle like a bowl of soup, Wiggle, wiggle, wiggle like a rolling hoop, Wiggle, wiggle, wiggle like a ton of lead, Wiggle - you can raise the dead. Wiggle 'til you're high, wiggle 'til you're higher, Wiggle 'til you vomit fire, Wiggle 'til it whispers, wiggle 'til it hums, Wiggle 'til it answers, wiggle 'til it comes. Wiggle, wiggle, wiggle like satin and silk, Wiggle, wiggle, wiggle like a pail of milk, Wiggle, wiggle, wiggle, rattle and shake, Wiggle like a big fat snake. |
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2:00 |
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| from Bob Dylan - John Wesley Harding (1999) | |||||
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| from Bob Dylan - Shadows In The Night (2015) | |||||
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4:47 |
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from Bob Dylan - Live 1964 Concert At Philharmonic Hall : The Bootleg Series Vol.6 [live] (2004)
Who killed Davey Moore,
Why an' what's the reason for? "Not I," says the referee, "Don't point your finger at me. I could've stopped it in the eighth An' maybe kept him from his fate, But the crowd would've booed, I'm sure, At not gettin' their money's worth. It's too bad he had to go, But there was a pressure on me too, you know. It wasn't me that made him fall. No, you can't blame me at all." Who killed Davey Moore, Why an' what's the reason for? "Not us," says the angry crowd, Whose screams filled the arena loud. "It's too bad he died that night But we just like to see a fight. We didn't mean for him t' meet his death, We just meant to see some sweat, There ain't nothing wrong in that. It wasn't us that made him fall. No, you can't blame us at all." Who killed Davey Moore, Why an' what's the reason for? "Not me," says his manager, Puffing on a big cigar. "It's hard to say, it's hard to tell, I always thought that he was well. It's too bad for his wife an' kids he's dead, But if he was sick, he should've said. It wasn't me that made him fall. No, you can't blame me at all." Who killed Davey Moore, Why an' what's the reason for? "Not me," says the gambling man, With his ticket stub still in his hand. "It wasn't me that knocked him down, My hands never touched him none. I didn't commit no ugly sin, Anyway, I put money on him to win. It wasn't me that made him fall. No, you can't blame me at all." Who killed Davey Moore, Why an' what's the reason for? "Not me," says the boxing writer, Pounding print on his old typewriter, Sayin', "Boxing ain't to blame, There's just as much danger in a football game." Sayin', "Fist fighting is here to stay, It's just the old American way. It wasn't me that made him fall. No, you can't blame me at all." Who killed Davey Moore, Why an' what's the reason for? "Not me," says the man whose fists Laid him low in a cloud of mist, Who came here from Cuba's door Where boxing ain't allowed no more. "I hit him, yes, it's true, But that's what I am paid to do. Don't say 'murder,' don't say 'kill.' It was destiny, it was God's will." Who killed Davey Moore, Why an' what's the reason for? |
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3:41 |
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from Bob Dylan - Live 1964 Concert At Philharmonic Hall : The Bootleg Series Vol.6 [live] (2004)
Who killed Davey Moore,
Why an' what's the reason for? "Not I," says the referee, "Don't point your finger at me. I could've stopped it in the eighth An' maybe kept him from his fate, But the crowd would've booed, I'm sure, At not gettin' their money's worth. It's too bad he had to go, But there was a pressure on me too, you know. It wasn't me that made him fall. No, you can't blame me at all." Who killed Davey Moore, Why an' what's the reason for? "Not us," says the angry crowd, Whose screams filled the arena loud. "It's too bad he died that night But we just like to see a fight. We didn't mean for him t' meet his death, We just meant to see some sweat, There ain't nothing wrong in that. It wasn't us that made him fall. No, you can't blame us at all." Who killed Davey Moore, Why an' what's the reason for? "Not me," says his manager, Puffing on a big cigar. "It's hard to say, it's hard to tell, I always thought that he was well. It's too bad for his wife an' kids he's dead, But if he was sick, he should've said. It wasn't me that made him fall. No, you can't blame me at all." Who killed Davey Moore, Why an' what's the reason for? "Not me," says the gambling man, With his ticket stub still in his hand. "It wasn't me that knocked him down, My hands never touched him none. I didn't commit no ugly sin, Anyway, I put money on him to win. It wasn't me that made him fall. No, you can't blame me at all." Who killed Davey Moore, Why an' what's the reason for? "Not me," says the boxing writer, Pounding print on his old typewriter, Sayin', "Boxing ain't to blame, There's just as much danger in a football game." Sayin', "Fist fighting is here to stay, It's just the old American way. It wasn't me that made him fall. No, you can't blame me at all." Who killed Davey Moore, Why an' what's the reason for? "Not me," says the man whose fists Laid him low in a cloud of mist, Who came here from Cuba's door Where boxing ain't allowed no more. "I hit him, yes, it's true, But that's what I am paid to do. Don't say 'murder,' don't say 'kill.' It was destiny, it was God's will." Who killed Davey Moore, Why an' what's the reason for? |
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from Bob Dylan - The Other Side Of The Mirror [video] (2007)
Who killed Davey Moore,
Why an' what's the reason for? "Not I," says the referee, "Don't point your finger at me. I could've stopped it in the eighth An' maybe kept him from his fate, But the crowd would've booed, I'm sure, At not gettin' their money's worth. It's too bad he had to go, But there was a pressure on me too, you know. It wasn't me that made him fall. No, you can't blame me at all." Who killed Davey Moore, Why an' what's the reason for? "Not us," says the angry crowd, Whose screams filled the arena loud. "It's too bad he died that night But we just like to see a fight. We didn't mean for him t' meet his death, We just meant to see some sweat, There ain't nothing wrong in that. It wasn't us that made him fall. No, you can't blame us at all." Who killed Davey Moore, Why an' what's the reason for? "Not me," says his manager, Puffing on a big cigar. "It's hard to say, it's hard to tell, I always thought that he was well. It's too bad for his wife an' kids he's dead, But if he was sick, he should've said. It wasn't me that made him fall. No, you can't blame me at all." Who killed Davey Moore, Why an' what's the reason for? "Not me," says the gambling man, With his ticket stub still in his hand. "It wasn't me that knocked him down, My hands never touched him none. I didn't commit no ugly sin, Anyway, I put money on him to win. It wasn't me that made him fall. No, you can't blame me at all." Who killed Davey Moore, Why an' what's the reason for? "Not me," says the boxing writer, Pounding print on his old typewriter, Sayin', "Boxing ain't to blame, There's just as much danger in a football game." Sayin', "Fist fighting is here to stay, It's just the old American way. It wasn't me that made him fall. No, you can't blame me at all." Who killed Davey Moore, Why an' what's the reason for? "Not me," says the man whose fists Laid him low in a cloud of mist, Who came here from Cuba's door Where boxing ain't allowed no more. "I hit him, yes, it's true, But that's what I am paid to do. Don't say 'murder,' don't say 'kill.' It was destiny, it was God's will." Who killed Davey Moore, Why an' what's the reason for? |
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2:33 |
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from Bob Dylan - Oh Mercy (1989)
Far Away where the soft winds blow,
Far away from it all, There is a place you go Where teardrops fall. Far away in the stormy night, Far away and over the wall, You are there in the flickering light Where teardrops fall. We banged the drum slowly And played the fife lowly, You know the song in my heart. In the turning of twilight, In the shadows of moonlight, You can show me a new place to start. I've torn my clothes and I've drained the cup, Strippin' away at it all, Thinking of you when the sun comes up Where teardrops fall. By rivers of blindness, In love and with kindness We could hold up a toast if we meet. To the cuttin' of fences, To sharpen the senses That linger in the fireball heat. Roses are red, violets are blue, And time is beginning to crawl, I just might have to come see you Where teardrops fall. |
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2:33 |
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from Bob Dylan - 3 Pak : Oh Mercy / Time Out Of Mind / Love And Theft [box] (2004)
Far Away where the soft winds blow, Far away from it all, There is a place you go Where teardrops fall. Far away in the stormy night, Far away and over the wall, You are there in the flickering light Where teardrops fall. We banged the drum slowly And played the fife lowly, You know the song in my heart. In the turning of twilight, In the shadows of moonlight, You can show me a new place to start. I've torn my clothes and I've drained the cup, Strippin' away at it all, Thinking of you when the sun comes up Where teardrops fall. By rivers of blindness, In love and with kindness We could hold up a toast if we meet. To the cuttin' of fences, To sharpen the senses That linger in the fireball heat. Roses are red, violets are blue, And time is beginning to crawl, I just might have to come see you Where teardrops fall. |
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6:15 |
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from Bob Dylan - Street Legal (1999)
There's a long-distance train rolling through the rain, tears on the letter I write.
There's a woman I long to touch and I miss her so much but she's drifting like a satellite. There's a neon light ablaze in this green smoky haze, laughter down on Elizabeth Street And a lonesome bell tone in that valley of stone where she bathed in a stream of pure heat. Her father would emphasize you got to be more than street-wise but he practiced what he preached from the heart. A full-blooded Cherokee, he predicted to me the time and the place that the trouble would start. There's a babe in the arms of a woman in a rage And a longtime golden-haired stripper onstage And she winds back the clock and she turns back the page Of a book that no one can write. Oh, where are you tonight? The truth was obscure, too profound and too pure, to live it you have to explode. In that last hour of need, we entirely agreed, sacrifice was the code of the road. I left town at dawn, with Marcel and St. John, strong men belittled by doubt. I couldn't tell her what my private thoughts were but she had some way of finding them out. He took dead-center aim but he missed just the same, she was waiting, putting flowers on the shelf. She could feel my despair as I climbed up her hair and discovered her invisible self. There's a lion in the road, there's a demon escaped, There's a million dreams gone, there's a landscape being raped, As her beauty fades and I watch her undrape, I won't, but then again, maybe I might. Oh, if I could just find you tonight. I fought with my twin, that enemy within, 'til both of us fell by the way. Horseplay and disease is killing me by degrees while the law looks the other way. Your partners in crime hit me up for nickels and dimes, the guy you were lovin' couldn't stay clean. It felt outa place, my foot in his face, but he should-a stayed where his money was green. I bit into the root of forbidden fruit with the juice running down my leg. Then I dealt with your boss, who'd never known about loss and who always was too proud to beg. There's a white diamond gloom on the dark side of this room and a pathway that leads up to the stars. If you don't believe there's a price for this sweet paradise, remind me to show you the scars. There's a new day at dawn and I've finally arrived. If I'm there in the morning, baby, you'll know I've survived. I can't believe it, I can't believe I'm alive, But without you it just doesn't seem right. Oh, where are you tonight? |
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| from Bob Dylan - Shadows In The Night (2015) | |||||
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5:30 |
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from Bob Dylan - Slow Train Coming (1999)
God don't make no promises that He don't keep.
You got some big dreams, baby, but in order to dream you gotta still be asleep. When you gonna wake up, when you gonna wake up When you gonna wake up and strengthen the things that remain? Counterfeit philosophies have polluted all of your thoughts. Karl Marx has got ya by the throat, Henry Kissinger's got you tied up in knots. When you gonna wake up, when you gonna wake up When you gonna wake up and strengthen the things that remain? You got innocent men in jail, your insane asylums are filled, You got unrighteous doctors dealing drugs that'll never cure your ills. When you gonna wake up, when you gonna wake up When you gonna wake up and strengthen the things that remain? You got men who can't hold their peace and women who can't control their tongues, The rich seduce the poor and the old are seduced by the young. When you gonna wake up, when you gonna wake up When you gonna wake up and strengthen the things that remain? Adulterers in churches and pornography in the schools, You got gangsters in power and lawbreakers making rules. When you gonna wake up, when you gonna wake up When you gonna wake up and strengthen the things that remain? Spiritual advisors and gurus to guide your every move, Instant inner peace and every step you take has got to be approved. When you gonna wake up, when you gonna wake up When you gonna wake up and strengthen the things that remain? Do you ever wonder just what God requires? You think He's just an errand boy to satisfy your wandering desires. When you gonna wake up, when you gonna wake up When you gonna wake up and strengthen the things that remain? You can't take it with you and you know that it's too worthless to be sold, They tell you, "Time is money" as if your life was worth its weight in gold. When you gonna wake up, when you gonna wake up When you gonna wake up and strengthen the things that remain? There's a Man up on a cross and He's been crucified. Do you have any idea why or for who He died? When you gonna wake up, when you gonna wake up When you gonna wake up and strengthen the things that remain? |
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| from Bob Dylan - 30th Anniversary Concert Celebration [live] (2014) | |||||
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3:18 |
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from Bob Dylan - The Times They Are A Changin (1998)
Oh the time will come up When the winds will stop And the breeze will cease to be breathin'. Like the stillness in the wind 'Fore the hurricane begins, The hour when the ship comes in. Oh the seas will split And the ship will hit And the sands on the shoreline will be shaking. Then the tide will sound And the wind will pound And the morning will be breaking. Oh the fishes will laugh As they swim out of the path And the seagulls they'll be smiling. And the rocks on the sand Will proudly stand, The hour that the ship comes in. And the words that are used For to get the ship confused Will not be understood as they're spoken. For the chains of the sea Will have busted in the night And will be buried at the bottom of the ocean. A song will lift As the mainsail shifts And the boat drifts on to the shoreline. And the sun will respect Every face on the deck, The hour that the ship comes in. Then the sands will roll Out a carpet of gold For your weary toes to be a-touchin'. And the ship's wise men Will remind you once again That the whole wide world is watchin'. Oh the foes will rise With the sleep still in their eyes And they'll jerk from their beds and think they're dreamin'. But they'll pinch themselves and squeal And know that it's for real, The hour when the ship comes in. Then they'll raise their hands, Sayin' we'll meet all your demands, But we'll shout from the bow your days are numbered. And like Pharaoh's tribe, They'll be drownded in the tide, And like Goliath, they'll be conquered. |
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3:37 |
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from No Direction Home : The Bootleg Volume 7 (movie soundtrack) by Bob Dylan [ost] (2005)
Oh the time will come up
When the winds will stop And the breeze will cease to be breathin'. Like the stillness in the wind 'Fore the hurricane begins, The hour when the ship comes in. Oh the seas will split And the ship will hit And the sands on the shoreline will be shaking. Then the tide will sound And the wind will pound And the morning will be breaking. Oh the fishes will laugh As they swim out of the path And the seagulls they'll be smiling. And the rocks on the sand Will proudly stand, The hour that the ship comes in. And the words that are used For to get the ship confused Will not be understood as they're spoken. For the chains of the sea Will have busted in the night And will be buried at the bottom of the ocean. A song will lift As the mainsail shifts And the boat drifts on to the shoreline. And the sun will respect Every face on the deck, The hour that the ship comes in. Then the sands will roll Out a carpet of gold For your weary toes to be a-touchin'. And the ship's wise men Will remind you once again That the whole wide world is watchin'. Oh the foes will rise With the sleep still in their eyes And they'll jerk from their beds and think they're dreamin'. But they'll pinch themselves and squeal And know that it's for real, The hour when the ship comes in. Then they'll raise their hands, Sayin' we'll meet all your demands, But we'll shout from the bow your days are numbered. And like Pharaoh's tribe, They'll be drownded in the tide, And like Goliath, they'll be conquered. |
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3:05 |
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from No Direction Home : The Bootleg Volume 7 (movie soundtrack) by Bob Dylan [ost] (2005)
Oh, the time will come up when the winds will stop
And the breeze will cease to be breathin' Like the stillness in the wind before the hurricane begins The hour that the ship comes in And the sea will split and the ships will hit And the sands on the shoreline will be shaking And the tide will sound and the waves will pound And the morning will be a-breaking The fishes will laugh as they swim out of the path And the seagulls, they'll be smiling And the rocks on the sand will proudly stand The hour that the ship comes in And the words that are used for to get the ship confused Will not be understood as they're spoken For the chains of the sea will have busted in the night And be buried at the bottom of the ocean A song will lift as the mainsail shifts And the boat drifts onto the shoreline And the sun will respect every face on the deck The hour that the ship comes in And the sands will roll out a carpet of gold For your weary toes to be a-touchin' And the ship's wise men will remind you once again That the whole wide world is watchin' Oh, the foes will rise with the sleep still in their eyes And they'll jerk from their beds and think they're dreaming But they'll pinch themselves and squeal and they'll know that it's for real The hour that the ship comes in And they'll raise their hands, saying "We'll meet all your demands" But we'll shout from the bow, "Your days are numbered" And like Pharaoh's tribe they'll be drowned in the tide And like Goliath they'll be conquered |
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2:55 |
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from Bob Dylan - The Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9) (2010)
Oh the time will come up
When the winds will stop And the breeze will cease to be breathin'. Like the stillness in the wind 'Fore the hurricane begins, The hour when the ship comes in. Oh the seas will split And the ship will hit And the sands on the shoreline will be shaking. Then the tide will sound And the wind will pound And the morning will be breaking. Oh the fishes will laugh As they swim out of the path And the seagulls they'll be smiling. And the rocks on the sand Will proudly stand, The hour that the ship comes in. And the words that are used For to get the ship confused Will not be understood as they're spoken. For the chains of the sea Will have busted in the night And will be buried at the bottom of the ocean. A song will lift As the mainsail shifts And the boat drifts on to the shoreline. And the sun will respect Every face on the deck, The hour that the ship comes in. Then the sands will roll Out a carpet of gold For your weary toes to be a-touchin'. And the ship's wise men Will remind you once again That the whole wide world is watchin'. Oh the foes will rise With the sleep still in their eyes And they'll jerk from their beds and think they're dreamin'. But they'll pinch themselves and squeal And know that it's for real, The hour when the ship comes in. Then they'll raise their hands, Sayin' we'll meet all your demands, But we'll shout from the bow your days are numbered. And like Pharaoh's tribe, They'll be drownded in the tide, And like Goliath, they'll be conquered. |
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7:30 |
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from Bob Dylan - Empire Burlesque (1985)
Look out across the fields, see me returning, Smoke is in your eye, you draw a smile. From the fireplace where my letters to you are burning, You've had time to think about it for a while. Well, I've walked two hundred miles, now look me over, It's the end of the chase and the moon is high. It won't matter who loves who, You'll love me or I'll love you When the night comes falling from the sky. I can see through your walls and I know you're hurting, Sorrow covers you up like a cape. Only yesterday I know that you've been flirting With disaster that you managed to escape. I can't provide for you no easy answers, Who are you that I should have to lie? You'll know all about it, love, It'll fit you like a glove When the night comes falling from the sky. I can hear your trembling heart beat like a river, You must have been protecting someone last time I called. I've never asked you for nothing you couldn't deliver, I've never asked you to set yourself up for a fall. I saw thousands who could have overcome the darkness, For the love of a lousy buck, I've watched them die. Stick around, baby, we're not through, Don't look for me, I'll see you When the night comes falling from the sky. In your teardrops, I can see my own reflection, It was on the northern border of Texas where I crossed the line. I don't want to be a fool starving for affection, I don't want to drown in someone else's wine. For all eternity I think I will remember That icy wind that's howling in your eye. You will seek me and you'll find me In the wasteland of your mind When the night comes falling from the sky. Well, I sent you my feelings in a letter But you were gambling for support. This time tomorrow I'll know you better When my memory is not so short. This time I'm asking for freedom, Freedom from a world which you deny. And you'll give it to me now, I'll take it anyhow When the night comes falling from the sky. |
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5:04 |
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from Bob Dylan - Modern Times (2006)
In the still of the night, in the world's ancient light
Where wisdom grows up in strife My bewildering brain, toils in vain Through the darkness on the pathways of life Each invisible prayer is like a cloud in the air Tomorrow keeps turning around We live and we die, we know not why But I'll be with you when the deal goes down We eat and we drink, we feel and we think Far down the street we stray I laugh and I cry and I'm haunted by Things I never meant nor wished to say The midnight rain follows the train We all wear the same thorny crown Soul to soul, our shadows roll And I'll be with you when the deal goes down Well, the moon gives light and it shines by night When I scarcely feel the glow We learn to live and then we forgive O'r the road we're bound to go More frailer than the flowers, these precious hours That keep us so tightly bound You come to my eyes like a vision from the skies And I'll be with you when the deal goes down Well, I picked up a rose and it poked through my clothes I followed the winding stream I heard the deafening noise, I felt transient joys I know they're not what they seem In this earthly domain, full of disappointment and pain You'll never see me frown I owe my heart to you, and that's sayin' it true And I'll be with you when the deal goes down |
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| from Bob Dylan - 30th Anniversary Concert Celebration [live] (2014) | |||||
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1:31 |
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| from No Direction Home : The Bootleg Volume 7 (movie soundtrack) by Bob Dylan [ost] (2005) | |||||
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4:32 |
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from Bob Dylan - Slow Train Coming (1999)
The iron hand it ain't no match for the iron rod,
The strongest wall will crumble and fall to a mighty God. For all those who have eyes and all those who have ears It is only He who can reduce me to tears. Don't you cry and don't you die and don't you burn For like a thief in the night, He'll replace wrong with right When He returns. Truth is an arrow and the gate is narrow that it passes through, He unleashed His power at an unknown hour that no one knew. How long can I listen to the lies of prejudice? How long can I stay drunk on fear out in the wilderness? Can I cast it aside, all this loyalty and this pride? Will I ever learn that there'll be no peace, that the war won't cease Until He returns? Surrender your crown on this blood-stained ground, take off your mask, He sees your deeds, He knows your needs even before you ask. How long can you falsify and deny what is real? How long can you hate yourself for the weakness you conceal? Of every earthly plan that be known to man, He is unconcerned, He's got plans of His own to set up His throne When He returns. |
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2:15 |
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from Bob Dylan - Down In The Groove (1997)
When did you leave heaven ?
How could they let you go ? How's every thing in heaven ? I'd like to know. Why did you trade heaven ? For all these earthly things ? Where on earth you hide halo ? Where did you lose your wings ? Have they missed you ? Can you get back in ? If I kiss you would it be a sin ? I am only human but you are so divine. When did you leave heaven angel mine ? |
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| from Bob Dylan - Shadows In The Night (2015) | |||||
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3:34 |
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| from Bob Dylan - The Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9) (2010) | |||||
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| from Bob Dylan - 30th Anniversary Concert Celebration [live] (2014) | |||||
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5:03 |
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from Bob Dylan - Oh Mercy (1989)
WHAT WAS IT YOU WANTED?
What was it you wanted? Tell me again so I'll know. What's happening in there, What's going on in your show. What was it you wanted, Could you say it again? I'll be back in a minute You can get it together by then. What was it you wanted You can tell me, I'm back, We can start it all over Get it back on the track, You got my attention, Go ahead, speak. What was it you wanted Was there somebody looking When you give me that kiss Someone there in the shadows Someone that I might have missed? Is there something you needed, Something I don't understand. What was it you wanted, Do I have it here in my hand? Whatever you wanted Slipped out of my mind, Would you remind me again If you'd be so kind. Has the record been breaking, Did the needle just skip, Is there somebody waitin', Was there a slip of the lip? What was it you wanted I ain't keepin' score Are you the same person That was here before? Is it something important? Maybe not. What was it you wanted? Tell me again I forgot. Whatever you wanted What could it be Did somebody tell you That you could get it from me, Is it something that comes natural Is it easy to say, Why do you want it, Who are you anyway? Is the scenery changing, Am I getting it wrong, Is the whole thing going backwards, Are they playing our song? Where were you when it started Do you want it for free What was it you wanted Are you talking to me? |
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5:03 |
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from Bob Dylan - 3 Pak : Oh Mercy / Time Out Of Mind / Love And Theft [box] (2004)
WHAT WAS IT YOU WANTED? What was it you wanted? Tell me again so I'll know. What's happening in there, What's going on in your show. What was it you wanted, Could you say it again? I'll be back in a minute You can get it together by then. What was it you wanted You can tell me, I'm back, We can start it all over Get it back on the track, You got my attention, Go ahead, speak. What was it you wanted Was there somebody looking When you give me that kiss Someone there in the shadows Someone that I might have missed? Is there something you needed, Something I don't understand. What was it you wanted, Do I have it here in my hand? Whatever you wanted Slipped out of my mind, Would you remind me again If you'd be so kind. Has the record been breaking, Did the needle just skip, Is there somebody waitin', Was there a slip of the lip? What was it you wanted I ain't keepin' score Are you the same person That was here before? Is it something important? Maybe not. What was it you wanted? Tell me again I forgot. Whatever you wanted What could it be Did somebody tell you That you could get it from me, Is it something that comes natural Is it easy to say, Why do you want it, Who are you anyway? Is the scenery changing, Am I getting it wrong, Is the whole thing going backwards, Are they playing our song? Where were you when it started Do you want it for free What was it you wanted Are you talking to me? |
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4:45 |
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from Bob Dylan - Oh Mercy (1989)
If I just turn away, when I see how you're dressed,
If I shut myself off so I can't hear you cry, What good am I? What good am I if I know and don't do, I If I see and don't say, if I look right through you, If I turn a deaf ear to the thunderin' sky, What good am I? What good am I while you softly weep And I hear in my head what you say in your sleep, And I freeze in the moment like the rest who don't try, What good am I? What good am I then to others and me If I've had every chance and yet still fail to see If my hands are tied must I not wonder within Who tied them and why and where must I have been What good am I if I say foolish things And I laugh in the face of what sorrow brings And I just turn my back while you silently die, What good am I? |
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4:45 |
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from Bob Dylan - 3 Pak : Oh Mercy / Time Out Of Mind / Love And Theft [box] (2004)
If I just turn away, when I see how you're dressed, If I shut myself off so I can't hear you cry, What good am I? What good am I if I know and don't do, I If I see and don't say, if I look right through you, If I turn a deaf ear to the thunderin' sky, What good am I? What good am I while you softly weep And I hear in my head what you say in your sleep, And I freeze in the moment like the rest who don't try, What good am I? What good am I then to others and me If I've had every chance and yet still fail to see If my hands are tied must I not wonder within Who tied them and why and where must I have been What good am I if I say foolish things And I laugh in the face of what sorrow brings And I just turn my back while you silently die, What good am I? |
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5:55 |
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from Bob Dylan - Saved (1999)
You have given everything to me. What can I do for You? You have given me eyes to see. What can I do for You? Pulled me out of bondage and You made me renewed inside, Filled up a hunger that had always been denied, Opened up a door no man can shut and You opened it up so wide And You've chosen me to be among the few. What can I do for You? You have laid down Your life for me. What can I do for You? You have explained every mystery. What can I do for You? Soon as a man is born, you know the sparks begin to fly, He gets wise in his own eyes and he's made to believe a lie. Who would deliver him from the death he's bound to die? Well, You've done it all and there's no more anyone can pretend to do. What can I do for You? You have given all there is to give. What can I do for You? You have given me life to live. How can I live for You? I know all about poison, I know all about fiery darts, I don't care how rough the road is, show me where it starts, Whatever pleases You, tell it to my heart. Well, I don't deserve it but I sure did make it through. What can I do for You? |
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2:52 |
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from Bob Dylan - New Morning (1970)
Went to see the gypsy, Stayin' in a big hotel. He smiled when he saw me coming, And he said, "Well, well, well." His room was dark and crowded, Lights were low and dim. "How are you?" he said to me, I said it back to him. I went down to the lobby To make a small call out. A pretty dancing girl was there, And she began to shout, "Go on back to see the gypsy. He can move you from the rear, Drive you from your fear, Bring you through the mirror. He did it in Las Vegas, And he can do it here." Outside the lights were shining On the river of tears, I watched them from the distance With music in my ears. I went back to see the gypsy, It was nearly early dawn. The gypsy's door was open wide But the gypsy was gone, And that pretty dancing girl, She could not be found. So I watched that sun come rising From that little Minnesota town. |
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4:42 |
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from Bob Dylan - Planet Waves (2000)
I love you more than ever, more than time and more than love,
I love you more than money and more than the stars above, Love you more than madness, more than waves upon the sea, Love you more than life itself, you mean that much to me. Ever since you walked right in, the circle's been complete, I've said goodbye to haunted rooms and faces in the street, To the courtyard of the jester which is hidden from the sun, I love you more than ever and I haven't yet begun. You breathed on me and made my life a richer one to live, When I was deep in poverty you taught me how to give, Dried the tears up from my dreams and pulled me from the hole, Quenched my thirst and satisfied the burning in my soul. You gave me babies one, two, three, what is more, you saved my life, Eye for eye and tooth for tooth, your love cuts like a knife, My thoughts of you don't ever rest; they'd kill me if I lie, I'd sacrifice the world for you and watch my senses die. The tune that is yours and mine to play upon this earth, We'll play it out the best we know, whatever it is worth, What's lost is lost; we can't regain what went down in the flood, But happiness to me is you and I love you more than blood. It's never been my duty to remake the world at large, Nor is it my intention to sound a battle charge, 'Cause I love you more than all of that with a love that doesn't bend, And if there is eternity I'd love you there again. Oh, can't you see that you were born to stand by my side. And I was born to be with you, you were born to be my bride, You're the other half of what I am; you're the missing piece. And I love you more than ever with that love that doesn't cease. You turn the tide on me each day and teach my eyes to see, Just bein' next to you is a natural thing for me. And I could never let you go, no matter what goes on, 'Cause I love you more than ever now that the past is gone. |
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4:05 |
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from Bob Dylan - Street Legal (1999)
I think we better talk this over
Maybe when we both get sober You'll understand I'm only a man Doin' the best that I can. This situation can only get rougher. Why should we needlessly suffer? Let's call it a day, go our own different ways Before we decay. You don't have to be afraid of looking into my face, We've done nothing to each other time will not erase. I feel displaced, I got a low-down feeling You been two-faced, you been double-dealing. I took a chance, got caught in the trance Of a downhill dance. Oh, child, why you wanna hurt me? I'm exiled, you can't convert me. I'm lost in the haze of your delicate ways With both eyes glazed. You don't have to yearn for love, you don't have to be alone, Somewheres in this universe there's a place that you can call home. I guess I'll be leaving tomorrow If I have to beg, steal or borrow. It'd be great to cross paths in a day and a half Look at each other and laugh. But I don't think it's liable to happen Like the sound of one hand clappin'. The vows that we kept are now broken and swept 'Neath the bed where we slept. Don't think of me and fantasize on what we never had, Be grateful for what we've shared together and be glad. Why should we go on watching each other through a telescope? Eventually we'll hang ourselves on all this tangled rope. Oh, babe, time for a new transition I wish I was a magician. I would wave a wand and tie back the bond That we've both gone beyond. |
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4:13 |
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from Bob Dylan - Shot Of Love (1997)
Love that's pure hopes all things, Believes all things, won't pull no strings, Won't sneak up into your room, tall, dark and handsome, Capture your heart and hold it for ransom. You don't want a love that's pure You wanna drown love You want a watered-down love Love that's pure, it don't make no claims, Intercedes for you 'stead of casting you blame, Will not deceive you or lead you to transgression, Won't write it up and make you sign a false confession. You don't want a love that's pure You wanna drown love You want a watered-down love Love that's pure won't lead you astray, Won't hold you back, won't mess up your day, Won't pervert you, corrupt you with stupid wishes, It don't make you envious, it don't make you suspicious. You don't want a love that's pure You wanna drown love You want a watered-down love Love that's pure ain't no accident, Always on time, is always content, An eternal flame, quietly burning, Never needs to be proud, restlessly yearning. You don't want a love that's pure You wanna drown love You want a watered-down love |
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| from Songs Of Bob Dylan/ All Blues'D Up !/ This Ain'T No Tribute Series [tribute] (2005) | |||||
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| from Songs Of Bob Dylan/ All Blues'D Up !/ This Ain'T No Tribute Series [tribute] (2005) | |||||
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3:22 |
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from Bob Dylan - The Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9) (2010)
by Bob Dylan
Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. I got a heavy-headed gal I got a heavy-headed gal I got a heavy-headed gal She ain't feelin' well When she's better only time will tell Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. My money comes and goes My money comes and goes My money comes and goes And rolls and flows and rolls and flows Through the holes in the pockets in my clothes Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. I see the morning light I see the morning light Well it's not because I'm an early riser I didn't go to sleep last night Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind. I got my walkin' shoes I got my walkin' shoes I got my walkin' shoes An' I ain't a-gonna lose I believe I got the walkin' blues Well, I'm walkin' down the line, I'm walkin' down the line An' I'm walkin' down the line. My feet'll be a-flyin' To tell about my troubled mind |
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7:34 |
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from Bob Dylan - Blonde On Blonde (1966)
Ain't it just like the night to play tricks
when you're tryin' to be so quiet? We sit here stranded, though we're all doin' our best to deny it And Louise holds a handful of rain, temptin' you to defy it Lights flicker from the opposite loft In this room the heat pipes just cough The country music station plays soft But there's nothing, really nothing to turn off Just Louise and her lover so entwined And these visions of Johanna that conquer my mind In the empty lot where the ladies play blindman's bluff with the key chain And the all-night girls they whisper of escapades out on the D train We can hear the night watchman click his flashlight Ask himself if it's him or them that's really insane Louise, she's all right, she's just near She's delicate and seems like the mirror But she just makes it all too concise and too clear That Johanna's not here The ghost of 'lectricity howls in the bones of her face Where these visions of Johanna have now taken my place Now, little boy lost, he takes himself so seriously He brags of his misery, he likes to live dangerously And when bringing her name up He speaks of a farewell kiss to me He's sure got a lotta gall to be so useless and all Muttering small talk at the wall while I'm in the hall How can I explain? Oh, it's so hard to get on And these visions of Johanna, they kept me up past the dawn Inside the museums, Infinity goes up on trial Voices echo this is what salvation must be like after a while But Mona Lisa musta had the highway blues You can tell by the way she smiles See the primitive wallflower freeze When the jelly-faced women all sneeze Hear the one with the mustache say, Jeeze I can't find my knees Oh, jewels and binoculars hang from the head of the mule But these visions of Johanna, they make it all seem so cruel The peddler now speaks to the countess who's pretending to care for him Sayin', Name me someone that's not a parasite and I'll go out and say a prayer for him But like Louise always says Ya can't look at much, can ya man? As she, herself, prepares for him And Madonna, she still has not showed We see this empty cage now corrode Where her cape of the stage once had flowed The fiddler, he now steps to the road He writes ev'rything's been returned which was owed On the back of the fish truck that loads While my conscience explodes The harmonicas play the skeleton keys and the rain And these visions of Johanna are now all that remain |
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7:31 |
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from Bob Dylan - Biograph (1998)
Ain't it just like the night to play tricks when you're tryin' to be so quiet? We sit here stranded, though we're all doin' our best to deny it And Louise holds a handful of rain, temptin' you to defy it Lights flicker from the opposite loft In this room the heat pipes just cough The country music station plays soft But there's nothing, really nothing to turn off Just Louise and her lover so entwined And these visions of Johanna that conquer my mind In the empty lot where the ladies play blindman's bluff with the key chain And the all-night girls they whisper of escapades out on the "D" train We can hear the night watchman click his flashlight Ask himself if it's him or them that's really insane Louise, she's all right, she's just near She's delicate and seems like the mirror But she just makes it all too concise and too clear That Johanna's not here The ghost of 'lectricity howls in the bones of her face Where these visions of Johanna have now taken my place Now, little boy lost, he takes himself so seriously He brags of his misery, he likes to live dangerously And when bringing her name up He speaks of a farewell kiss to me He's sure got a lotta gall to be so useless and all Muttering small talk at the wall while I'm in the hall How can I explain? Oh, it's so hard to get on And these visions of Johanna, they kept me up past the dawn Inside the museums, Infinity goes up on trial Voices echo this is what salvation must be like after a while But Mona Lisa musta had the highway blues You can tell by the way she smiles See the primitive wallflower freeze When the jelly-faced women all sneeze Hear the one with the mustache say, "Jeeze I can't find my knees" Oh, jewels and binoculars hang from the head of the mule But these visions of Johanna, they make it all seem so cruel The peddler now speaks to the countess who's pretending to care for him Sayin', "Name me someone that's not a parasite and I'll go out and say a prayer for him" But like Louise always says "Ya can't look at much, can ya man?" As she, herself, prepares for him And Madonna, she still has not showed We see this empty cage now corrode Where her cape of the stage once had flowed The fiddler, he now steps to the road He writes ev'rything's been returned which was owed On the back of the fish truck that loads While my conscience explodes The harmonicas play the skeleton keys and the rain And these visions of Johanna are now all that remain |
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8:09 |
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from Bob Dylan - Live 1966 "The Royal Albert Hall Concert" : The Bootleg Series Vol. 4 (1998)
Ain't it just like the night to play tricks when you're tryin' to be so quiet?
We'll sit here stranded though we're all doing our best to deny it And Louise holds a handful of rain Tempting you to defy it Lights flicker from the opposite loft In this room the heat pipes just cough The country music station plays soft But there's nothing, really nothing to turn off Just Louise And her lover, so entwined And these visions of Johanna That conquer my mind In the empty lot where the ladies play blind man's bluff with the key chain And the all-night girls, they whisper of escapades out on the D Train We can hear the nightwatchman click his flashlight Ask himself if it's him or them that's insane Louise, she's alright, she's just near She's delicate and seems like the mirror But she makes it all to concise and clear That Johanna's not here The ghost of electricity Howls in the bones of her face Where these visions of Johanna Have now taken my place Now, little boy lost, he takes himself so seriously He brags of his misery, he likes to live dangerously And when bringing her name up He speaks of a farewell kiss to me He's sure got a lot of gall To be so useless and all Muttering small talk at the wall While I'm in the hall Oh, how can I explain? It's so hard to get on And these visions of Johanna They've kept me up past the dawn Inside the museums, infinity goes up on trial Voices echo this is what salvation must be like after a while But Mona Lisa must have had the highway blues You can tell by the way she smiles See the primitive wallflower freeze When the jelly-faced women all sneeze Hear the one with the mustache say "Jeez, I can't find my knees" Both jewels and binoculars Hang from the head of the mule But these visions of Johanna They make it all seem so cruel The peddler now speaks to the countess who's pretending to care for him Saying, "Name me someone that's not a parasite and I'll go out and say a prayer for him" But like Louise always says "You can't look at much, can you man?" as she herself prepares for him My Madonna, she still has not showed We see this empty cage now corrode Where her cape of the stage once had flowed The fiddler, he now steps to the road He writes "Everything's been returned which was owed" On the back of the fish truck that loads While my conscience explodes The harmonicas play The skeleton keys and the rain And these visions of Johanna Are now all that remain |
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7:31 |
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from Bob Dylan - Bob Dylan 3CD's Slipcase [box] (1999)
Ain't it just like the night to play tricks when you're tryin' to be so quiet?
We sit here stranded, though we're all doin' our best to deny it And Louise holds a handful of rain, temptin' you to defy it Lights flicker from the opposite loft In this room the heat pipes just cough The country music station plays soft But there's nothing, really nothing to turn off Just Louise and her lover so entwined And these visions of Johanna that conquer my mind In the empty lot where the ladies play blindman's bluff with the key chain And the all-night girls they whisper of escapades out on the "D" train We can hear the night watchman click his flashlight Ask himself if it's him or them that's really insane Louise, she's all right, she's just near She's delicate and seems like the mirror But she just makes it all too concise and too clear That Johanna's not here The ghost of 'lectricity howls in the bones of her face Where these visions of Johanna have now taken my place Now, little boy lost, he takes himself so seriously He brags of his misery, he likes to live dangerously And when bringing her name up He speaks of a farewell kiss to me He's sure got a lotta gall to be so useless and all Muttering small talk at the wall while I'm in the hall How can I explain? Oh, it's so hard to get on And these visions of Johanna, they kept me up past the dawn Inside the museums, Infinity goes up on trial Voices echo this is what salvation must be like after a while But Mona Lisa musta had the highway blues You can tell by the way she smiles See the primitive wallflower freeze When the jelly-faced women all sneeze Hear the one with the mustache say, "Jeeze I can't find my knees" Oh, jewels and binoculars hang from the head of the mule But these visions of Johanna, they make it all seem so cruel The peddler now speaks to the countess who's pretending to care for him Sayin', "Name me someone that's not a parasite and I'll go out and say a prayer for him" But like Louise always says "Ya can't look at much, can ya man?" As she, herself, prepares for him And Madonna, she still has not showed We see this empty cage now corrode Where her cape of the stage once had flowed The fiddler, he now steps to the road He writes ev'rything's been returned which was owed On the back of the fish truck that loads While my conscience explodes The harmonicas play the skeleton keys and the rain And these visions of Johanna are now all that remain |
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7:31 |
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from Bob Dylan - 3 Pak : Blonde On Blonde/Blood On The Tracks/Time Out Of Mind [box] (2001)
Ain't it just like the night to play tricks when you're tryin' to be so quiet?
We'll sit here stranded though we're all doing our best to deny it And Louise holds a handful of rain Tempting you to defy it Lights flicker from the opposite loft In this room the heat pipes just cough The country music station plays soft But there's nothing, really nothing to turn off Just Louise And her lover, so entwined And these visions of Johanna That conquer my mind In the empty lot where the ladies play blind man's bluff with the key chain And the all-night girls, they whisper of escapades out on the D Train We can hear the nightwatchman click his flashlight Ask himself if it's him or them that's insane Louise, she's alright, she's just near She's delicate and seems like the mirror But she makes it all to concise and clear That Johanna's not here The ghost of electricity Howls in the bones of her face Where these visions of Johanna Have now taken my place Now, little boy lost, he takes himself so seriously He brags of his misery, he likes to live dangerously And when bringing her name up He speaks of a farewell kiss to me He's sure got a lot of gall To be so useless and all Muttering small talk at the wall While I'm in the hall Oh, how can I explain? It's so hard to get on And these visions of Johanna They've kept me up past the dawn Inside the museums, infinity goes up on trial Voices echo this is what salvation must be like after a while But Mona Lisa must have had the highway blues You can tell by the way she smiles See the primitive wallflower freeze When the jelly-faced women all sneeze Hear the one with the mustache say "Jeez, I can't find my knees" Both jewels and binoculars Hang from the head of the mule But these visions of Johanna They make it all seem so cruel The peddler now speaks to the countess who's pretending to care for him Saying, "Name me someone that's not a parasite and I'll go out and say a prayer for him" But like Louise always says "You can't look at much, can you man?" as she herself prepares for him My Madonna, she still has not showed We see this empty cage now corrode Where her cape of the stage once had flowed The fiddler, he now steps to the road He writes "Everything's been returned which was owed" On the back of the fish truck that loads While my conscience explodes The harmonicas play The skeleton keys and the rain And these visions of Johanna Are now all that remain |
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6:38 |
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from No Direction Home : The Bootleg Volume 7 (movie soundtrack) by Bob Dylan [ost] (2005)
Ain't it just like the night to play tricks when you're tryin' to be so quiet?
We sit here stranded, though we're all doin' our best to deny it And Louise holds a handful of rain, temptin' you to defy it Lights flicker from the opposite loft In this room the heat pipes just cough The country music station plays soft But there's nothing, really nothing to turn off Just Louise and her lover so entwined And these visions of Johanna that conquer my mind In the empty lot where the ladies play blindman's bluff with the key chain And the all-night girls they whisper of escapades out on the "D" train We can hear the night watchman click his flashlight Ask himself if it's him or them that's really insane Louise, she's all right, she's just near She's delicate and seems like the mirror But she just makes it all too concise and too clear That Johanna's not here The ghost of 'lectricity howls in the bones of her face Where these visions of Johanna have now taken my place Now, little boy lost, he takes himself so seriously He brags of his misery, he likes to live dangerously And when bringing her name up He speaks of a farewell kiss to me He's sure got a lotta gall to be so useless and all Muttering small talk at the wall while I'm in the hall How can I explain? Oh, it's so hard to get on And these visions of Johanna, they kept me up past the dawn Inside the museums, Infinity goes up on trial Voices echo this is what salvation must be like after a while But Mona Lisa musta had the highway blues You can tell by the way she smiles See the primitive wallflower freeze When the jelly-faced women all sneeze Hear the one with the mustache say, "Jeeze I can't find my knees" Oh, jewels and binoculars hang from the head of the mule But these visions of Johanna, they make it all seem so cruel The peddler now speaks to the countess who's pretending to care for him Sayin', "Name me someone that's not a parasite and I'll go out and say a prayer for him" But like Louise always says "Ya can't look at much, can ya man?" As she, herself, prepares for him And Madonna, she still has not showed We see this empty cage now corrode Where her cape of the stage once had flowed The fiddler, he now steps to the road He writes ev'rything's been returned which was owed On the back of the fish truck that loads While my conscience explodes The harmonicas play the skeleton keys and the rain And these visions of Johanna are now all that remain |
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6:37 |
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from No Direction Home : The Bootleg Volume 7 (movie soundtrack) by Bob Dylan [ost] (2005)
Ain't it just like the night to play tricks when you're tryin' to be so quiet?
We'll sit here stranded though we're all doing our best to deny it And Louise holds a handful of rain Tempting you to defy it Lights flicker from the opposite loft In this room the heat pipes just cough The country music station plays soft But there's nothing, really nothing to turn off Just Louise And her lover, so entwined And these visions of Johanna That conquer my mind In the empty lot where the ladies play blind man's bluff with the key chain And the all-night girls, they whisper of escapades out on the D Train We can hear the nightwatchman click his flashlight Ask himself if it's him or them that's insane Louise, she's alright, she's just near She's delicate and seems like the mirror But she makes it all to concise and clear That Johanna's not here The ghost of electricity Howls in the bones of her face Where these visions of Johanna Have now taken my place Now, little boy lost, he takes himself so seriously He brags of his misery, he likes to live dangerously And when bringing her name up He speaks of a farewell kiss to me He's sure got a lot of gall To be so useless and all Muttering small talk at the wall While I'm in the hall Oh, how can I explain? It's so hard to get on And these visions of Johanna They've kept me up past the dawn Inside the museums, infinity goes up on trial Voices echo this is what salvation must be like after a while But Mona Lisa must have had the highway blues You can tell by the way she smiles See the primitive wallflower freeze When the jelly-faced women all sneeze Hear the one with the mustache say "Jeez, I can't find my knees" Both jewels and binoculars Hang from the head of the mule But these visions of Johanna They make it all seem so cruel The peddler now speaks to the countess who's pretending to care for him Saying, "Name me someone that's not a parasite and I'll go out and say a prayer for him" But like Louise always says "You can't look at much, can you man?" as she herself prepares for him My Madonna, she still has not showed We see this empty cage now corrode Where her cape of the stage once had flowed The fiddler, he now steps to the road He writes "Everything's been returned which was owed" On the back of the fish truck that loads While my conscience explodes The harmonicas play The skeleton keys and the rain And these visions of Johanna Are now all that remain |
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6:17 |
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from Bob Dylan - Biograph (1998)
Everything went from bad to worse, money never changed a thing, Death kept followin', trackin' us down, at least I heard your bluebird sing. Now somebody's got to show their hand, time is an enemy, I know you're long gone, I guess it must be up to me. If I'd thought about it I never would've done it, I guess I would've let it slide, If I'd lived my life by what others were thinkin the heart inside me would've died. I was just too stubborn to ever be governed by enforced insanity, Someone had to reach for the risin' star, I guess it was up to me. Oh, the Union Central is pullin' out and the orchids are in bloom, I've only got me one good shirt left and it smells of stale perfume. In fourteen months I've only smiled once and I didn't do it consciously, Somebody's got to find your trail, I guess it must be up to me. It was like a revelation when you betrayed me with your touch, I'd just about convinced myself that nothin' had changed that much. The old Rounder in the iron mask slipped me the master key, Somebody had to unlock your heart, He said it was up to me. Well, I watched you slowly disappear down into the officers' club, I would've followed you in the door but I didn't have a ticket stub. So I waited all night 'til the break of day, hopin' one of us could get free, When the dawn came over the river bridge, I knew it was up to me. Oh, the only decent thing I did when I worked as a postal clerk Was to haul your picture down off the wall near the cage where I used to work. Was I a fool or not to try to protect your identity? You looked a little burned out, my friend, I thought it might be up to me. Well, I met somebody face to face and I had to remove my hat, She's everything I need and love but I can't be swayed by that. It frightens me, the awful truth of how sweet life can be, But she ain't a-gonna make me move, I guess it must be up to me. We heard the Sermon on the Mount and I knew it was too complex, It didn't amount to anything more than what the broken glass reflects. When you bite off more than you can chew you pay the penalty, Somebody's got to tell the tale, I guess it must be up to me. Well, Dupree came in pimpin' tonight to the Thunderbird Cafe, Crystal wanted to talk to him, I had to look the other way. Well, I just can't rest without you, love, I need your company, But you ain't a-gonna cross the line, I guess it must be up to me. There's a note left in the bottle, you can give it to Estelle, She's the one you been wond'rin' about, but there's really nothin' much to tell. We both heard voices for a while, now the rest is history, Somebody's got to cry some tears, I guess it must be up to me. So go on, boys, and play your hands, life is a pantomime, The ringleaders from the county seat say you don't have all that much time. And the girl with me behind the shades, she ain't my property, One of us has got to hit the road, I guess it must be up to me. And if we never meet again, baby, remember me, How my lone guitar played sweet for you that old-time melody. And the harmonica around my neck, I blew it for you, free, No one else could play that tune, You know it was up to me. |
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5:21 |
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from Bob Dylan - Infidels (2000)
Well, my shoes, they come from Singapore, My flashlight's from Taiwan, My tablecloth's from Malaysia, My belt buckle's from the Amazon. You know, this shirt I wear comes from the Philippines And the car I drive is a Chevrolet, It was put together down in Argentina By a guy makin' thirty cents a day. Well, it's sundown on the union And what's made in the U.S.A. Sure was a good idea 'Til greed got in the way. Well, this silk dress is from Hong Kong And the pearls are from Japan. Well, the dog collar's from India And the flower pot's from Pakistan. All the furniture, it says Made in Brazil Where a woman, she slaved for sure Bringin' home thirty cents a day to a family of twelve, You know, that's a lot of money to her. Well, it's sundown on the union And what's made in the U.S.A. Sure was a good idea 'Til greed got in the way. Well, you know, lots of people complainin' that there is no work. I say,Why you say that for When nothin' you got is U.S.-made They don't make nothin' here no more, You know, capitalism is above the law. It say,It don't count 'less it sells When it costs too much to build it at home You just build it cheaper someplace else. Well, it's sundown on the union And what's made in the U.S.A. Sure was a good idea 'Til greed got in the way. Well, the job that you used to have, They gave it to somebody down in El Salvador. The unions are big business, friend, And they're goin' out like a dinosaur. They used to grow food in Kansas Now they want to grow it on the moon and eat it raw. I can see the day coming when even your home garden Is gonna be against the law. Well, it's sundown on the union And what's made in the U.S.A. Sure was a good idea 'Til greed got in the way. Democracy don't rule the world, You'd better get that in your head. This world is ruled by violence But I guess that's better left unsaid. From Broadway to the Milky Way, That's a lot of territory indeed And a man's gonna do what he has to do When he's got a hungry mouth to feed. Well, it's sundown on the union And what's made in the U.S.A. Sure was a good idea 'Til greed got in the way. |
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3:56 |
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from Bob Dylan - Knocked Out Loaded (2000)
Something about you that I can't shake, Don't know how much of this I can take, Baby I'm under your spell. I was knocked out and loaded in the naked night. When my last dream exploded, I noticed your light. Baby, oh what a story I could tell. It's been nice seeing you, you read me like a book If you ever want to reach me, you know where to look. Baby, I'll be at the same hotel. I'd like to help you but I'm in a bit of a jam, I'll call you tomorrow if there's phones where I am. Baby, caught between heaven and hell. But I will be back, I will survive, You'll never get rid of me as long as you're alive. Baby, can't you tell. Well it's four in the morning by the sound of the birds, I'm starin' at your picture, I'm hearin' your words. Baby, they ring in my head like a bell. Everywhere you go it's enough to break hearts Someone always gets hurt, a fire always starts. You were too hot to handle, you were breaking every vow. I trusted you, baby, you can trust me now. Turn back, baby, wipe your eye, Don't think I 'm leaving you here without a kiss goodbye. Baby, is there anything left to tell? I'll see you later when I'm not so out of my head, Maybe next time I'll let the dead bury the dead. Baby, what more can I tell? Well the desert is hot, the mountain is cursed Pray that I don't die of thirst, Baby, two feet from the well. |
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4:10 |
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from Bob Dylan - Under The Red Sky (1990)
There was a little boy and there was a little girl And they lived in an alley under the red sky. There was a little boy and there was a little girl And they lived in an alley under the red sky. There was an old man and he lived in the moon, One summer's day he came passing by. There was an old man and he lived in the moon, And one day he came passing by. Someday little girl, everything for you is gonna be new Someday little girl you'll have a diamond as big as your shoe Let the wind blow low, let the wind blow high. One day the little boy and the little girl were both baked in a pie. Let the wind blow low, let the wind blow high. One day the little boy and the little girl were both baked in a pie. This is the key to the kingdom and this is the town This is the blind horse that leads you around Let the bird sing, let the bird fly, One day the man in the moon went home and the river went dry. Let the bird sing, let the bird fly, The man in the moon went home and the river went dry. |
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4:07 |
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from Bob Dylan - Under The Red Sky (1990)
It's unbelievable, it's strange but true, It's inconceivable it could happen to you. You go north and you go south Just like bait in the fish's mouth. Ya must be livin' in the shadow of some kind of evil star. It's unbelievable it would get this far. It's undeniable what they'd have you to think, It's indescribable it can drive you to drink. They said it was the land of milk and honey, Now they say it's the land of money. Who ever thought they could ever make that stick. It's unbelievable you can get this rich this quick. Every head is so dignified, every moon is so sanctified, Every urge is so satisfied as long as you're with me. All the silver, all the gold, all the sweethearts you can hold That don't come back with stories untold, are hanging on a tree. It's unbelievable like a lead balloon, It's so impossible to even learn the tune. Kill that beast and feed that swine, Scale that wall and smoke that vine, Feed that horse and saddle up the drum. It's unbelievable, the day would finally come. Once there was a man who had no eyes, Every lady in the land told him lies, He stood beneath the silver skies And his heart began to bleed. Every brain is civilized, Every nerve is analyzed, Everything is criticized when you are in need. It's unbelievable, it's fancy-free, So interchangeable, so delightful to see. Turn your back, wash your hands, There's always someone who understands It don't matter no more what you got to say It's unbelievable it would go down this way. |
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3:31 |
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from Bob Dylan - Down In The Groove (1997)
The woman that I love she got a hook in her nose her eyebrows meet, she wears second hand clothes She speaks with a stutter and she walks with a hop I don't know why I love her but I just can't stop You know I love her Yeah I love her I'm in love with the Ugliest Girl in the World If I ever lose her I will go insane I go half crazy when she calls my name When she says babababababy I l-l-love you There ain't nothing in the world that I wouldn't do You know I love her Yeah I love her I'm in love with the Ugliest Girl in the World The woman that I love she got two flat feet Her knees knock together walking down the street She cracks her knuckles and she snores in bed She ain't much to look at but like I said You know I love her Yeah I love her I'm in love with the Ugliest Girl in the World I don't mean to say that she got nothing goin' She got a weird sense of humor that's all her own When I get low she sets me on my feet Got a five inch smile but her breath is sweet You know I love her Yeah I love her I'm in love with the Ugliest Girl in the World The woman that I love she a got a prizefighter nose Cauliflower ears and a run in her hose She speaks with a stutter and she walks with a hop I don't know why I love her but I just can't stop |
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5:45 |
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from Bob Dylan - World Gone Wrong (2000)
He was just a blue-eyed Boston boy, His voice was low with pain. "I'll do your bidding, comrade mine, If I ride back again. But if you ride back and I am left, You'll do as much for me. Mother, you know, must hear the news, So write to her tenderly. "She's waiting at home like a patient saint, Her fond face pale with woe. Her heart will be broken when I am gone, I'll see her soon, I know." Just then the order came to charge, For an instant hand touched hand. They said, "Aye," and away they rode, That brave and devoted band. Straight was the track to the top of the hill, The rebels they shot and shelled, Plowed furrows of death through the toiling ranks, And guarded them as they fell. There soon came a horrible dying yell From heights that they could not gain, And those whom doom and death had spared Rode slowly back again. But among the dead that were left on the hill Was the boy with the curly hair. The tall dark man who rode by his side Lay dead beside him there. There's no one to write to the blue-eyed girl The words that her lover had said. Momma, you know, awaits the news, And she'll only know he's dead. |
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4:47 |
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from Bob Dylan - Love And Theft (2001)
Tweedle Dum and Tweedle Dee
They're throwin' knives into the tree Two big bags of dead man's bones Got their noses to the grind stone Livin' in the Land of Nod Trustin' their fate to the hands of God They pass by so silently Tweedle Dum and Tweedle Dee Well, they're goin' to the country, they're goin' to retire They're takin' a streetcar named Desire Lookin' at a window with a pecan pie Lot of things they'd like they would never buy Neither of them want to turn and run They're makin' a voyage to the Sun "His Master's Voice is calling me" Said Tweedle Dum to Tweedle Dee Tweedle Dee and Tweedle Dum I'll have more than some They walk among the stately trees They know the secrets of the police Tweedle Dum said to Tweedle Dee, "Your presence is obnoxious to me. Feel like baby sittin' on a woman's knee." Tweedle Dum and Tweedle Dee Well, the rain beat'n' down on a window pane I got love for you, and it's all in vain Brains in a pot, they're beginning to boil They're drippin' with garlic and olive oil Tweedle Dee is on his hands and his knees Sayin', "Throw me something, Mister, please!" "What's good for you is good for me," Said Tweedle Dum to Tweedle Dee. Well, they're living in a happy harmony Tweedle Dum and Tweedle Dee They're one day older and a dollar short They got a parade permit and a police escort They're lyin' low and they're makin' hay They seem determined to go all the way They run a brick 'n' tile company Tweedle Dum and Tweedle Dee Well, a childish dream is a deathless need And a noble truth is a sacred creed My pretty baby, she's looking around She's wearin' a forty-thousand dollar gown Tweedle Dee is a low down sorry old man Tweedle Dum he'll stab you where you stand "I've had too much of your company," said Tweedle Dum to Tweedle Dee. |
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4:46 |
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from Bob Dylan - 3 Pak : Oh Mercy / Time Out Of Mind / Love And Theft [box] (2004)
Tweedle Dum & Tweedle Dee They're throwin' knives into the tree Two big bags of dead man's bones Got their noses to the grind stone Livin' in the Land of Nod Trustin' their fate to the hands of God They pass by so silently Tweedle Dum and Tweedle Dee Well, they're goin' to the country, they're goin' to retire They're takin' a streetcar named Desire Lookin' at a window with a pecan pie Lot of things they'd like they would never buy Neither of them want to turn and run They're makin' a voyage to the Sun His Master's Voice is calling me Said Tweedle Dum to Tweedle Dee Tweedle Dee and Tweedle Dum All that'n more, then some They walk among the stately trees They know the secrets of the breeze Tweedle Dum said to Tweedle Dee, Your presence is obnoxious to me. Feel like baby sittin' on a woman's knee. Tweedle Dum and Tweedle Dee Well, the rain beat'n' down on a window pane I got love for you, and it's all in vain Brains in a pot, they're beginning to boil They're drippin' with garlic and olive oil Tweedle Dee is on his hands and his knees Sayin', Throw me something, Mister, please! What's good for you is good for me, Said Tweedle Dum to Tweedle Dee. Well, they're living in a happy harmony Tweedle Dum and Tweedle Dee They're one day older and a dollar short They got a parade permit and a police escort They're lyin' low and they're makin' hay They seem determined to go all the way They run a brick 'n' tile company Tweedle Dum and Tweedle Dee Well, a childish dream is a deathless need And a noble truth is a sacred creed My pretty baby, she's looking around She's wearin' a multi-thousand dollar gown Tweedle Dee is a low down sorry old man Tweedle Dum he'll stab you where you stand I've had too much of your company, said Tweedle Dum to Tweedle Dee |
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3:34 |
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| from Pat Garrett & Billy The Kid by Bob Dylan [ost] (1973) | |||||
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5:21 |
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from Bob Dylan - 3 Pak : Blonde On Blonde/Blood On The Tracks/Time Out Of Mind [box] (2001)
The air is getting hotter, there's a rumblin' in the skies
I've been wading through the high muddy water With the heat risin' in my eyes Every day your memory grows dimmer It dosn't haunt me like it did before I've been walking through the mirror to nowhere Tryin' to get to heaven before they close the door. When I was in Missouri they would not let me be I had to leave there in a hurry I only saw what they let me see You broke a heart that loved you Now you can seal up the book and not write anymore I've been walkin' that lonesome valley Tryin' to get to heaven before they close the door. People on the platforms, waitin' for the trains I can hear their hearts a-beatin' Like pendulums swinging on chains When you think that you've lost everything You find out you can always lose a little more I'm just goin' down the road feeling bad Tryin' to get to heaven before they close the door. I'm goin' down the river, down to New Orleans They tell me everything is gonna be all right But I don't know what all right even means I was ridin' in a buggy with Miss Mary Jane Miss Mary Jane got a house in Baltimore I've been all around the world, boys And I'm tryin' to get to heaven before they close the door. Gonna sleep down in the parlor and relive my dreams I close my eyes and I wonder If everything is as hollow as it seems Some trains don't pull no gamblers No midnight ramblers, like they did before I've been to sugar town, I shook the sugar down Now I'm tryin' to get to heaven before they close the door. |
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5:21 |
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from Bob Dylan - 3 Pak : Oh Mercy / Time Out Of Mind / Love And Theft [box] (2004)
The air is getting hotter, there's a rumblin' in the skies
I've been wading through the high muddy water With the heat risin' in my eyes Every day your memory grows dimmer It dosn't haunt me like it did before I've been walking through the mirror to nowhere Tryin' to get to heaven before they close the door. When I was in Missouri they would not let me be I had to leave there in a hurry I only saw what they let me see You broke a heart that loved you Now you can seal up the book and not write anymore I've been walkin' that lonesome valley Tryin' to get to heaven before they close the door. People on the platforms, waitin' for the trains I can hear their hearts a-beatin' Like pendulums swinging on chains When you think that you've lost everything You find out you can always lose a little more I'm just goin' down the road feeling bad Tryin' to get to heaven before they close the door. I'm goin' down the river, down to New Orleans They tell me everything is gonna be all right But I don't know what all right even means I was ridin' in a buggy with Miss Mary Jane Miss Mary Jane got a house in Baltimore I've been all around the world, boys And I'm tryin' to get to heaven before they close the door. Gonna sleep down in the parlor and relive my dreams I close my eyes and I wonder If everything is as hollow as it seems Some trains don't pull no gamblers No midnight ramblers, like they did before I've been to sugar town, I shook the sugar down Now I'm tryin' to get to heaven before they close the door. |
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5:22 |
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from Bob Dylan - Time Out Of Mind (1997)
The air is getting hotter
There's a rumbling in the skies I've been wading through the high muddy water With the heat rising in my eyes Every day your memory grows dimmer It doesn't haunt me like it did before I've been walking through the middle of nowhere Trying to get to heaven before they close the door When I was in Missouri They would not let me be I had to leave there in a hurry I only saw what they let me see You broke a heart that loved you Now you can seal up the book and not write anymore I've been walking that lonesome valley Trying to get to heaven before they close the door People on the platforms Waiting for the trains I can hear their hearts a-beatin' Like pendulums swinging on chains When you think that you lost everything You find out you can always lose a little more I'm just going down the road feeling bad Trying to get to heaven before they close the door I'm going down the river Down to New Orleans They tell me everything is gonna be all right But I don't know what "all right" even means I was riding in a buggy with Miss Mary-Jane Miss Mary-Jane got a house in Baltimore I been all around the world, boys Now I'm trying to get to heaven before they close the door Gonna sleep down in the parlor And relive my dreams I'll close my eyes and I wonder If everything is as hollow as it seems Some trains don't pull no gamblers No midnight ramblers, like they did before I been to Sugar Town, I shook the sugar down Now I'm trying to get to heaven before they close the door |
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3:28 |
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from Bob Dylan - Empire Burlesque (1985)
Trust yourself, Trust yourself to do the things that only you know best. Trust yourself, Trust yourself to do what's right and not be second-guessed. Don't trust me to show you beauty When beauty may only turn to rust. If you need somebody you can trust, trust yourself. Trust yourself, Trust yourself to know the way that will prove true in the end. Trust yourself, Trust yourself to find the path where there is no if and when. Don't trust me to show you the truth When the truth may only be ashes and dust. If you want somebody you can trust, trust yourself. Well, you're on your own, you always were, In a land of wolves and thieves. Don't put your hope in ungodly man Or be a slave to what somebody else believes. Trust yourself And you won't be disappointed when vain people let you down. Trust yourself And look not for answers where no answers can be found. Don't trust me to show you love When my love may be only lust. If you want somebody you can trust, trust yourself. |
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4:17 |
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| from Bob Dylan - Street Legal (1999) | |||||
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4:38 |
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from Bob Dylan - Shot Of Love (1997)
Trouble in the city, trouble in the farm, You got your rabbit's foot, you got your good-luck charm. But they can't help you none when there's trouble. Trouble, Trouble, trouble, trouble, Nothin' but trouble. Trouble in the water, trouble in the air, Go all the way to the other side of the world, you'll find trouble there. Revolution even ain't no solution for trouble. Trouble, Trouble, trouble, trouble, Nothin' but trouble. Drought and starvation, packaging of the soul, Persecution, execution, governments out of control. You can see the writing on the wall inviting trouble. Trouble, Trouble, trouble, trouble, Nothin' but trouble. Put your ear to the train tracks, put your ear to the ground, You ever feel like you're never alone even when there's nobody else around? Since the beginning of the universe man's been cursed by trouble. Trouble, Trouble, trouble, trouble, Nothin' but trouble. Nightclubs of the broken-hearted, stadiums of the damned, Legislature, perverted nature, doors that are rudely slammed. Look into infinity, all you see is trouble. Trouble, Trouble, trouble, trouble, Nothin' but trouble. |
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3:23 |
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| from Kindred Spirits: A Tribute To The Songs Of Johnny Cash [tribute] (2005) | |||||
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4:17 |
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from Bob Dylan - Planet Waves (2000)
Tough Mama
Meat shakin' on your bones I'm gonna go down to the river and get some stones Sister's on the highway with that steel-drivin' crew Papa's in the big house, his workin' days are through Tough Mama Can I blow a little smoke on you? Dark Beauty Won't you move it on over and make some room? It's my duty to bring you down to the field where the flowers bloom Ashes in the furnace, dust on the rise You came through it all the way, flyin' through the skies Dark Beauty With that long night's journey in your eyes Sweet Goddess Born of a blinding light and a changing wind Now, don't be modest, you know who you are and where you've been Jack the Cowboy went up north He's buried in your past The Lone Wolf went out drinking That was over pretty fast Sweet Goddess Your perfect stranger's comin' in at last Silver Angel With the badge of the lonesome road sewed in your sleeve I'd be grateful if this golden ring you would receive Today on the countryside it was a-hotter than a crotch I stood alone upon the ridge and all I did was watch Sweet Goddess It must be time to carve another notch I'm crestfallen The world of illusion is at my door I ain't a-haulin' any of my lambs to the marketplace anymore The prison walls are crumblin', there is no end in sight I've gained some recognition but I lost my appetite Dark Beauty Meet me at the border late tonight |
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3:04 |
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from Bob Dylan, The Band - The Basement Tapes (1975)
Now, too much of nothing
Can make a man feel ill at ease. One man's temper rises While another man's temper might freeze. In the day of confession We cannot mock a soul. Oh, when there's too much of nothing, No one has control. Say hello to Valerie Say hello to Vivian Send them all my salary On the waters of oblivion Too much of nothing Can cause a man to weep. He can walk the streets like most supposed to But he'd like to keep Now, it's all been done before, It's all been written in the book, But when there's too much of nothing, Nobody should look. Say hello to Valerie Say hello to Vivian Send them all my salary On the waters of oblivion Too much of nothing Can make a man a liar, It can cause one man to sleep on nails It can cause others to eat fire. Ev'rybody's doin' somethin', I heard it in a dream, But when there's too much of nothing, It just makes a fella mean. Say hello to Valerie Say hello to Vivian Send them all my salary On the waters of oblivion |
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3:23 |
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from Bob Dylan - Nashville Skyline (2004)
Throw my ticket out the window,
Throw my suitcase out there, too, Throw my troubles out the door, I don't need them any more 'Cause tonight I'll be staying here with you. I should have left this town this morning But it was more than I could do. Oh, your love comes on so strong And I've waited all day long For tonight when I'll be staying here with you. Is it really any wonder The love that a stranger might receive. You cast your spell and I went under, I find it so difficult to leave. I can hear that whistle blowin', I see that stationmaster, too, If there's a poor boy on the street, Then let him have my seat 'Cause tonight I'll be staying here with you. Throw my ticket out the window, Throw my suitcase out there, too, Throw my troubles out the door, I don't need them any more 'Cause tonight I'll be staying here with you. |
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3:43 |
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from Bob Dylan - Good As I Been To You (1992)
Tomorrow night, will you remember what you said to night ?
Tomorrow night, will all the thrill be gone ? Tomorrow night, will it be just another memory Or just another song, that's in my heart to linger on ? Your lips are so tender, your heart is beating fast And you willingly surrender to me, my darling will it last ? Tomorrow night, will you be with me when the moon is bright ? Tomorrow night, will you say those lovely things you said tonight ? Your lips are so tender, your heart is beating fast And you willingly surrender to me, my darling will it last ? Tomorrow night, will you be with me when the moon is bright ? Tomorrow night, will you say those lovely things you said tonight ? |
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3:23 |
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| from Forever Young/ A British Folk Tribute To Bob Dylan [tribute] (2002) | |||||
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3:45 |
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from Bob Dylan - The Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9) (2010)
If today was not a crooked highway
If tonight was not a crooked trail If tomorrow wasn't such a long time Then lonesome would mean nothing to you at all Yes, and only if my own true love was waitin' If I could hear her heart a softly poundin' Only if she was lyin' by me Then I'd lie in my bed once again I can't see my reflection in the water I can't speak the sounds that show no pain I can't hear the echo of my footsteps Or can't remember the sounds of my own name Yes, and only if my own true love was waitin' And if I could hear her heart a softly poundin' Yes if only if she was lyin' by me Then I'd lie in my bed once again There's beauty in the silver, singin' river There's beauty in the sunrise in the sky But none of these and nothin' else can touch the beauty That I remember in my true loves eyes Yes, and only if my own true love was waitin' I could hear her heart a softly poundin' Yes if only if she was lyin' by me And I'd lie in my bed once again |
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6:01 |
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from Bob Dylan - Highway 61 Revisited (1965)
The sweet pretty things are
in bed now of course The city fathers they're trying to endorse The reincarnation of Paul Revere's horse But the town has no need to be nervous The ghost of Belle Starr she hands down her wits To Jezebel the nun she violently knits A bald wig for Jack the Ripper who sits At the head of the chamber of commerce *Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues The hysterical bride in the penny arcade Screaming she moans, "I've just been made" Then sends out for the doctor who pulls down the shade Says, "My advice is to not let the boys in" Now the medicine man comes and he shuffles inside He walks with a swagger and he says to the bride "Stop all this weeping, swallow your pride You will not die, it's not poison" *Repeat Well, John the Baptist after torturing a thief Looks up at his hero the Commander-in-Chief Saying, "Tell me great hero, but please make it brief Is there a hole for me to get sick in?" The Commander-in-Chief answers him while chasing a fly Saying, "Death to all those who would whimper and cry" And dropping a bar bell he points to the sky Saving, "The sun's not yellow it's chicken" *Repeat The king of the Philistines his soldiers to save Put jawbones on their tombstones and flatters their graves Puts the pied pipers in prison and fattens the slaves Then sends them out to the jungle Gypsy Davey with a blowtorch he burns out their camps With his faithful slave Pedro behind him he tramps With a fantastic collection of stamps To win friends and influence his uncle *Repeat The geometry of innocence flesh on the bone Causes Galileo's math book to get thrown At Delilah who sits worthlessly alone But the tears on her cheeks are from laughter Now I wish I could give Brother Bill his great thrill I would set him in chains at the top of the hill Then send out for some pillars and Cecil B. DeMille He could die happily ever after *Repeat Where Ma Raney and Beethoven once unwrapped their bed roll Tuba players now rehearse around the flagpole And the National Bank at a profit sells road maps for the soul To the old folks home and the college Now I wish I could write you a melody so plain That could hold you dear lady from going insane That could ease you and cool you and cease the pain Of your useless and pointless knowledge *Repeat |
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5:56 |
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from Bob Dylan - Biograph (1998)
The sweet pretty things are in bed now of course The city fathers they're trying to endorse The reincarnation of Paul Revere's horse But the town has no need to be nervous The ghost of Belle Starr she hands down her wits To Jezebel the nun she violently knits A bald wig for Jack the Ripper who sits At the head of the chamber of commerce Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues The hysterical bride in the penny arcade Screaming she moans, "I've just been made" Then sends out for the doctor who pulls down the shade Says, "My advice is to not let the boys in" Now the medicine man comes and he shuffles inside He walks with a swagger and he says to the bride "Stop all this weeping, swallow your pride You will not die, it's not poison" Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues Well, John the Baptist after torturing a thief Looks up at his hero the Commander-in-Chief Saying, "Tell me great hero, but please make it brief Is there a hole for me to get sick in?" The Commander-in-Chief answers him while chasing a fly Saying, "Death to all those who would whimper and cry" And dropping a bar bell he points to the sky Saving, "The sun's not yellow it's chicken" Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues The king of the Philistines his soldiers to save Put jawbones on their tombstones and flatters their graves Puts the pied pipers in prison and fattens the slaves Then sends them out to the jungle Gypsy Davey with a blowtorch he burns out their camps With his faithful slave Pedro behind him he tramps With a fantastic collection of stamps To win friends and influence his uncle Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues The geometry of innocence flesh on the bone Causes Galileo's math book to get thrown At Delilah who sits worthlessly alone But the tears on her cheeks are from laughter Now I wish I could give Brother Bill his great thrill I would set him in chains at the top of the hill Then send out for some pillars and Cecil B. DeMille He could die happily ever after Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues Where Ma Raney and Beethoven once unwrapped their bed roll Tuba players now rehearse around the flagpole And the National Bank at a profit sells road maps for the soul To the old folks home and the college Now I wish I could write you a melody so plain That could hold you dear lady from going insane That could ease you and cool you and cease the pain Of your useless and pointless knowledge Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues |
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5:57 |
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from Bob Dylan - Bob Dylan 3CD's Slipcase [box] (1999)
The sweet pretty things are in bed now of course
The city fathers they're trying to endorse The reincarnation of Paul Revere's horse But the town has no need to be nervous The ghost of Belle Starr she hands down her wits To Jezebel the nun she violently knits A bald wig for Jack the Ripper who sits At the head of the chamber of commerce Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues The hysterical bride in the penny arcade Screaming she moans, "I've just been made" Then sends out for the doctor who pulls down the shade Says, "My advice is to not let the boys in" Now the medicine man comes and he shuffles inside He walks with a swagger and he says to the bride "Stop all this weeping, swallow your pride You will not die, it's not poison" Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues Well, John the Baptist after torturing a thief Looks up at his hero the Commander-in-Chief Saying, "Tell me great hero, but please make it brief Is there a hole for me to get sick in?" The Commander-in-Chief answers him while chasing a fly Saying, "Death to all those who would whimper and cry" And dropping a bar bell he points to the sky Saving, "The sun's not yellow it's chicken" Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues The king of the Philistines his soldiers to save Put jawbones on their tombstones and flatters their graves Puts the pied pipers in prison and fattens the slaves Then sends them out to the jungle Gypsy Davey with a blowtorch he burns out their camps With his faithful slave Pedro behind him he tramps With a fantastic collection of stamps To win friends and influence his uncle Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues The geometry of innocence flesh on the bone Causes Galileo's math book to get thrown At Delilah who sits worthlessly alone But the tears on her cheeks are from laughter Now I wish I could give Brother Bill his great thrill I would set him in chains at the top of the hill Then send out for some pillars and Cecil B. DeMille He could die happily ever after Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues Where Ma Raney and Beethoven once unwrapped their bed roll Tuba players now rehearse around the flagpole And the National Bank at a profit sells road maps for the soul To the old folks home and the college Now I wish I could write you a melody so plain That could hold you dear lady from going insane That could ease you and cool you and cease the pain Of your useless and pointless knowledge Mama's in the fact'ry She ain't got no shoes Daddy's in the alley He's lookin' for the fuse I'm in the streets With the tombstone blues |
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