Disc 1 | ||||||
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1. |
| 2:57 | ||||
Beat Me Daddy Eight to the Bar
In a little honky-tonky village in Texas There's a guy who plays the best piano by far He can play piano any way that you like it But the way he likes to play is eight to the bar When he plays, it's a ball He's the daddy of them all The people gather around when he gets on the stand Then when he plays, he gets a hand The rhythm he beats puts the cats in a trance Nobody there bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink, a-plank, a-plink plank, plink plank A-plunkin' on the keys A-riff, a-raff, a-riff raff, riff raff A-riffin' out with ease And when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" He plays a boogie, he plays eight to the bar A boogie-woogie, that is the way he likes to play on his piano And we all know That when he plays he puts them all in a trance The cats all holler "Hooray" You'll hear them say, "Beat me Daddy, eight to the bar" In a little honky-tonky village in Texas There's a guy who plays the best piano by far When he plays with the bass and guitar They holler, "Beat me up Daddy, beat me Daddy, eight to the bar" The people gather around when he gets up on the stand Then when he plays, he gets a hand The rhythm that he plays puts the cats in a trance Nobody there ever bothers to dance But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" A-plink plink, a-plank plank, a-plink plank, plink plank A-plunkin' on the keys A-riff riff, a-raff raff, a-riff raff, riff raff A-riffin' out with ease But when he plays with the bass and guitar They holler out, "Beat me Daddy, eight to the bar" |
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2. |
| 2:48 | ||||
(Don Raye - Hughie Prince)
He was a famous trumpet man from out Chicago way He had a boogie style that no one else could play He was the top man at his craft But then his number came up and he was gone with the draft He's in the army now, a-blowin' reveille He's the boogie woogie bugle boy of Company B They made him blow a bugle for his Uncle Sam It really brought him down because he couldn't jam The captain seemed to understand Because the next day the cap' went out and drafted a band And now the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B A-toot, a-toot, a-toot-diddelyada-toot He blows it eight-to-the-bar, in boogie rhythm He can't blow a note unless the bass and guitar is playin' with 'im He makes the company jump when he plays reveille He's the boogie woogie bugle boy of Company B He was our boogie woogie bugle boy of Company B And when he plays boogie woogie bugle he was busy as a 'bzzz' bee And when he plays he makes the company jump eight-to-the-bar He's the boogie woogie bugle boy of Company B Toot-toot-toot, toot-diddelyada, toot-diddelyada Toot, toot, he blows it eight-to-the-bar He can't blow a note if the bass and guitar isn't with 'im A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B (Instrumental interlude) He puts the boys asleep with boogie every night And wakes 'em up the same way in the early bright They clap their hands and stamp their feet Because they know how he plays when someone gives him a beat He really breaks it up when he plays reveille He's the boogie woogie bugle boy of Company B Da-dah-da-dah-da Da-dah-da-da-dah-da Da-dah-da-da-da A-a-a-and the company jumps when he plays reveille He's the boogie woogie bugle boy of Company B! |
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3. |
| 3:04 | ||||
verse:
I wrote my mother, I wrote my father, And now I'm writing you too. I'm sure of mother, I'm sure of father, And now I want to be sure of you. chorus: Don't sit under the apple tree with anyone else but me, Anyone else but me, anyone else but me, NO NO NO! Don't sit under the apple tree with anyone else but me Till I come marching home. Don't go walking down lovers' lane with anyone else but me, Anyone else but me, anyone else but me, Don't go walking down lovers' lane with anyone else but me Till I come marching home. I just got word from a guy who heard From the guy next door to me, That a girl he met just loves to pet, And it fits you to a "T". So don't sit under the apple tree with anyone else but me Till I come marching home. (Last time, last two lines) Then we'll go arm in arm, and Sit down under the apple tree, Baby, just you and me, When I come marching home. |
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4. |
| 2:53 | ||||
5. |
| 3:12 | ||||
If you ever go down Trinidad
They make you feel so very glad Calypso sing and make up rhyme Guarantee you one real good fine time Drinkin' rum and Coca-Cola Go down Point Koomahnah Both mother and daughter Workin' for the Yankee dollar Oh, beat it man, beat it Since the Yankee come to Trinidad They got the young girls all goin' mad Young girls say they treat 'em nice Make Trinidad like paradise Drinkin' rum and Coca-Cola Go down Point Koomahnah Both mother and daughter Workin' for the Yankee dollar Oh, you vex me, you vex me From Chicachicaree to Mona's Isle Native girls all dance and smile Help soldier celebrate his leave Make every day like New Year's Eve Drinkin' rum and Coca-Cola Go down Point Koomahnah Both mother and daughter Workin' for the Yankee dollar It's a fact, man, it's a fact In old Trinidad, I also fear The situation is mighty queer Like the Yankee girl, the native swoon When she hear der Bingo croon Drinkin' rum and Coca-Cola Go down Point Koomahnah Both mother and daughter Workin' for the Yankee dollar Out on Manzanella Beach G.I. romance with native peach All night long, make tropic love Next day, sit in hot sun and cool off Drinkin' rum and Coca-Cola Go down Point Koomahnah Both mother and daughter Workin' for the Yankee dollar It's a fact, man, it's a fact Rum and Coca-Cola Rum and Coca-Cola Workin' for the Yankee dollar |
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6. |
| 3:13 | ||||
7. |
| 3:07 | ||||
8. |
| 2:25 | ||||
9. |
| 2:48 | ||||
10. |
| 2:59 | ||||
11. |
| 2:58 | ||||
12. |
| 3:05 | ||||
13. |
| 2:51 | ||||
14. |
| 3:18 | ||||
15. |
| 3:07 | ||||
16. |
| 3:06 | ||||
17. |
| 2:58 | ||||
18. |
| - | ||||
19. |
| - | ||||
20. |
| - | ||||
Disc 2 | ||||||
1. |
| - | ||||
2. |
| - | ||||
3. |
| 2:55 | ||||
4. |
| 2:53 | ||||
5. |
| 2:36 | ||||
6. |
| 2:14 | ||||
7. |
| 2:35 | ||||
8. |
| 2:58 | ||||
9. |
| 3:17 | ||||
10. |
| 2:39 | ||||
11. |
| 2:40 | ||||
12. |
| - | ||||
13. |
| - | ||||