Disc 1 | ||||||
---|---|---|---|---|---|---|
1. |
| - | ||||
2. |
| - | ||||
3. |
| - | ||||
I'm getting younger every day
Every fading day, world How could you possibly explain My hatred of you Don't want to sleep, An empty eye That look at me when I despise Go anywhere, as far away Lie quietly down And die in shame Hysteria - I'm giving my life to you Unknown - It's all that's left to do Hysteria - Throwing my life away Unknown - For you to rip ways Hysteria - Make me okay And do you recall, That we used to walk around in the very central point of this world And shall I recall Well the feelings felt, the force to the sun Might I say It's sometimes good to know that you're insane Might I say I get the feeling I could be the same Hysteria - I'm giving my life to you Unknown - It's all that's left to do Hysteria - I'm throwing my life away Unknown - For you to rip ways Hysteria - Make me okay Hysteria, hysteria, hysteria I am divided every day Every night to day, should Oh should I not choose to explain My hatred of you That living me That talking me That hear the cry I would be free To anyway as far away Lies quietly sound Whose dying shame Hysteria - I'm giving my life to you Unknown - It's all that's left to do Hysteria - I'm throwing my life away Unknown - For you to rip ways Hysteria - Make me okay |
||||||
4. |
| - | ||||
5. |
| - | ||||
6. |
| - | ||||
7. |
| - | ||||
8. |
| - | ||||
I look again at visions,
They won't go away, Calling and changing and making me strange I try to think them away I close my eyes to the day Is no one safe? I will pray For time alone See them everywhere They know me well I know them well They are everywhere Sometimes near but always there I stare once more at those shapes That shine as the day Turning and changing and hanging so strange Caught up I've made me afraid They dance to change me astray I close my eyes to the day For time alone Round and around Waiting for the silence Too much, overwound On my knees up from the ground Visionary cares Visionary cares They are everywhere Of every moment of every day See them everywhere Sometimes near but always there I look again at visions, That won't go away, Calling and changing and leaving me strange I try to think them away I close my eyes to the day Is nowhere safe? I will pray For time alone See them everywhere They know me well I know them well They are everywhere Sometimes near but always there They are everywhere Of every moment of every day See them everywhere Sometimes near but always there |
||||||
9. |
| - | ||||
All the bright young things are talking
Showing off their wings and squawking PLaying games and singing dirges All in circles at the zoo Pupil with the frigid eyes Is pouring out the liquor prizes Shrieking from inside my head And all in cages at the zoo You cruel zoo, you Cruel zoo, you Each desire is chosen And provided courtesy the zoo See each face - each blind indulgence All in circles at the zoo They will lock you up with dogma You'll forget that it was there Everyone will be the same one All in cages at the zoo You cruel zoo, you Cruel zoo, you So beware of supervision Know your keeper And destroy him Changing mind until you find There's no more cages at the zoo You cruel zoo, you Cruel zoo, you You cruel zoo, you Cruel zoo, you You cruel zoo, you Cruel, cruel zoo |
||||||
10. |
| - | ||||
11. |
| - | ||||
12. |
| - | ||||
13. |
| - | ||||
14. |
| - | ||||
The very next time that you get me wrong
Will be the very last time that I ask you along I'm just to uptight to be waiting around I've taken more than enough to make up my mind Unemotional - I know A futureless peep show All shimmering but it's empty and slow Since I lost my feeling some time ago 20th century cold- My head's plugged in where the sun don't shine Where there's no room for anybody else Waging chemical warfare against myself Just to get through the day You see I gotta hurry it away Unacceptable - I know I'm an idiot sideshow I'm .. (blah-blah-blah) And I lost my caring some time ago 20th century cold- My heart still beats but I'm cold Don't you feel it Don't you feel it As you breathe it Don't you believe it Don't you see it Can't you feel it Can't you feel it's cold It's cold Approaching Catatonia It's a quarter to three I see myself reflected In the television screen Somewhere very far away I can hear myself scream And I get that same old feeling Get that same old feeling Get that same old feeling- 20th century cold |
||||||
15. |
| - | ||||
In my sleep
I heard her voice so clearly Whispering my name I thought that she was here Walked the streets Trying to leave her ghost behind me I saw her face, in everything - so clear In the city streets around me In the things I left behind me In the sky that does surround me Everywhere, she's all around me She's all around me Forget your dreams Forget the very nature of your dreams Has gone away She's living with the straights of yesterday Forget yourself Forget the very essence of yourself Has gone away Though remember this - She'll never see you through Waiting for someone to take me to Somewhere I won't leave behind me Somewhere I won't leave behind me to In my life I've lost what I held dearly Thrown it all away And there's nothing takes her place I pace the bars Trying to fill the hole inside me She tore away And there's nothing in her place In the city's filth around me In the things I left behind me In the sky that does surround me Everywhere, she's all around me She's all around me Forget your dreams Forget the very nature of your dreams Has gone away She's living in the blood of yesterday Forget yourself Forget the very essence of yourself Has gone away Remember this - She'll never see you through Waiting for some voice to take me to Somewhere I won't leave behind me Somewhere I won't leave behind me to Somewhere I won't leave behind me to Everywhere she's all around me Everywhere she's all around me Everywhere she's all around me Everywhere she's all around me Forget your dreams Forget the very essence of your dreams Has gone away But remember this - She'll never see you through She'll never, she'll never see you through |
||||||
16. |
| - | ||||
17. |
| - | ||||
18. |
| - | ||||
I'm not the one that you wanted
I'm not the one that you need You hold my hand, but it's not me Who's holding your hand in your dreams I'm not the one that you wanted No, I'm not the one that need Oh, but it's cruel to me Cos I'm holding on, holding on, holding on, holding on to you I'm holding on to you I'm not the one you so hoped for I'm not the one you so need I watch you sleep but it's not me You search through in your dreams for each night I'm not the one that you wanted No, I'm not the one that you need |
||||||
19. |
| - | ||||
Jeremy Handlebars loved Sarah Jane Thomson,
Sarah Jane Thomson loved Jeremy Handlebars, They were going to be married, And they were going to spend the rest of their lives together And be very very happy And that, as Jeremy Handlebars so often said, was that. Sarah giggled, It wasn't quite the proposal she'd imagined, But that was Jeremy all over once he'd made his mind up He was just so decisive she thought, And she wished that she could be like that to. Jeremy said that it was destiny that had brought them together And that no one, not even he, could defy the will of God, So there was no use in either of them fighting it, Or even pretending to, It was more a case of ironing out the practical details And making sure everything ran smoothly on the day. I mean, there was the question of the cake, And the flowers of course, And then, who to invite, And then, who not to invite, I mean, where did you draw the line with a thing like this? Sarah smiled as she stopped listening, and drifted off, It was true, she could still remember that first day they'd met, As vividly as if it was now, And her attention swung back to five years ago, And that car boot sale in Norwich, When she thought of how she might nearly not have gone, She shuddered. Sarah's parents lived quite near Norwich, And on the weekend in question, She had gone back there on a sort of a visit, Her mum had phoned her up in one of her hysterical states. Between the sobbing, Sarah learnt that Dad had started drinking whiskeys in the morning again This time he'd threatened Miss Hand-me-down-lightly, the Lollypop Lady. By sticking a shotgun in her throat, And calling her a 'Handmaiden of the devil' Before unloading into the air and falling down unconscious. It was just another incident in a long line of them, But Sarah's mum went through stages where she just could not cope anymore, And then Sarah would have to go back there for a while, "Shit!", she thought, And got on the next train home. She knew there was nothing anyone could do about Dad, But she felt sorry for her Mum, And liked to tell herself that she loved her, And anyway, there was no point in changing the rules of the game this late in the second half, It was the usual carry-on when she arrived, Her mother cried and cried, While Sarah cooked food for her father, Which he threw against the walls, Then at about seven-thirty each evening, And always a little worse for it, He'd go outside and sit in his car, Wind the window up, Shout the word "Slags!" Over and over again As loud as he could, Til he fell down into a drunken sleep. Then they'd carry him inside, And put him to bed. It was these screams of her father, That accompanied Sarah upon the walks she took, After she'd sneaked out of the house, And strolled along the B1172, As it meanders its way into Norwich. Absentmindedly, she happened upon the car boot sale, And really didn't know why or what she was doing there, Until she saw it, And then everything went clear. The gun cost seventy-five quid, And, after a moment's dilemma, followed by some mental calculations, She decided seventy-five was well worth it to blow that bastard's brains out. With glazed eyes, and, to be quite honest, looking like a bit of a nutter, She stretched out her hand, with the intention of making the gun hers. Now, at that exact moment, a truly rare occurrence in this universe, As it really was that exact moment, Somebody else she hadn't noticed, and who hadn't noticed her, Stretched out his hand to take the very very same gun. It was Jeremy. The gun, her hand, and his hand, all made contact at the exact same instant, Eyes and barrels all meeting simultaneously, Giving rise to what can only be described as something like a sort of true human communication, A real one off, that allowed understanding to flood through and from and into each other, All Sarah's murder impulse was exactly and oppositely reconverted into a passionate desire, Meant with a deep-felt admiration, respect and love for this stranger. Jeremy said he felt the same, So they went for expresso's at Caldidge, which is so convenient when it's just round the corner, They laughed as their stories unravelled, Especially when Jeremy revealed coincidentally, That he was there looking for a gun to empty all over his Mum, And she drank too, And when he'd been away on a two week Communications Course, which work had sent him on, She had forgotten to feed his fish, And he's returned to find them sunny-side down and motionless, mid-tank. He'd loved them fish, And he believed that they knew and loved him too, They were in fact, unbeknownst to his mum, His closest and most treasured companions, He told how he sat frozen for a week after he found them, And how his only contact reality, Had become the sound of the distant tinkling of smashing glasses, Mixed in with the cackling laughter of his mother, As she entertained the local drunks upstairs, And the stench of ghost haddock, Which seemed to permeate the entire accommodation block. He told how he'd remained in this trance, The gun theory slowly revealed itself to him, And as it cleared, he woke to find himself driving through the outskirts of Norwich. As he later went on to explain to Sarah, he had never been to Norwich and it held no fascination for him whatsoever, In this sense at least, he seemed a normal and sane man, Sarah reasoned, And indeed, in many ways, we may assume that he was. They, of course, bought the gun as a token of their love, Jeremy paid for it like proper men do. That was five years ago now, And Sarah sighed as she returned to what she understood to be the present time. Their wedding came and went in relative safety, It was not interesting, In fact, the next significant event to occur in their lives, Was some five years later. With some understanding this intermediate period is necessary, For fuller understanding of what was to follow. Jeremy and Sarah melted, They abandoned their own identities and grew into each other, As time dragged on their branches became so complicatedly intertwined That it was impossible to tell from which person they had originated. They choked the individuality of each other in a frenzy that only the terror of loneliness will allow. Now, neither knew the other, or themselves, But clung to feigned personalities, They believed the other required of them. Their truly sickening and spineless existence, Based upon complete reliance upon one another. But at least they were not lonely! And respite did occur in the form of hobbies, Which they pretended to share and enjoy, But, in fact, did not. The irritation they so often felt for one another, They denied, But it would surface occasionally in sporadic eruptions of screaming and violence, Usually directed at the useless artefacts society offered them as distractions from each other; The TV, the microwave, and the dish-washer, Sat as cold and silent witnesses to their futility, But they did have their uses, As the time spent working to get them, Would have been time they'd have to have spent with each other, In other words, and put much more simply than this, They became what is commonly known as a right couple. The next significant event, then, Was some five years after they'd tied the knot. Jeremy was at work, doing his job at "Fishy Business Aquariums", Where he looked after the fish, And Sarah was at home rearranging their possessions, She never did seem to be able to get it quite right, She sat down and sighed absent-mindedly, Picked up and toyed with the gun which had brought them together, Ten years ago that day, Which was kept, pride of place, on their mantelpiece, And which Jeremy insisted on being kept loaded, When it just went off. The bullet went straight through her, Where her liver was, Blood and bile and pancreatic juice, Splattered against the wall behind her, The three different fluids started dripping down the wall, And it looked like some weird kind of a race, And when one drop mixed in with another, they would hurry each other along, On the descent to the floor. Or when one drop strayed into the path another one had already taken, That would speed it along too. And when the dripping stopped, And it dried up, It looked good. When Jeremy arrived home to find his beloved floating mid-tank, as it were, Something snapped inside him, Maybe it could have been something to do with electricity, Or maybe not But anyway his brain, his brain just shut off, And he stood there for about an hour completely motionless, And then, when he started moving again, He was talking as if nothing had happened! He playfully scolded her, as one scolds a small child, for the mess she'd made on the wall. And then he cleared it up with a new kind of liquid, Which did do the job really well, And as he did so, he carried on talking normally to her, The fact Sarah had never been much of a talker, and tended to drift off, Was an enormous help in maintaining his delusion, He also found, that as he dragged the corpse from room to room with him, It was best if he heightened his conversation to an excited jabbering, And unloaded all the banalities and problems he'd encountered at work, Or just talked anxiously about his money worries. Either way, it really helped. The fact that their coupledom had made them extremely uncomfortable in front of other people, Due to the absurdity of their false roles, Had meant that visitors had not been welcome in the flat for many years, So that was 'no problemo' either. In fact, Jeremy soon found this new state of affairs rather to his liking, Even when the body started to putrefy and fall apart, He lovingly transported the separate bits from room to room, And carefully reassembled them, Just the way he remembered her, He really didn't feel lonely at all. His favourite bits were her beautiful eyes, Which, after they had become detached from the mother-head, He kept in his pocket, And would affectionately fondle, Especially when he felt nervous, Or he was outside, And sometimes when the mood was right at night, He'd pick up an ear, and place it to his mouth, And mumble secrets about love and desire, And if he could find all the right bits, He'd lovingly carry them to his bed, Where he'd fall upon them and wriggle and moan, On these special occasions, he'd take the eyes out of his pocket, And place them on the pillow, And as he lay there writhing on what was left of the body, Her eyes would stare frozen cold and emotionless at the ceiling. Jeremy Handlebars didn't feel lonely at all |