Disc 1 | ||||||
---|---|---|---|---|---|---|
1. |
| - | ||||
Where have all the flowers gone?
Long time passing Where have all the flowers gone? Long time ago Where have all the flowers gone? Young girls picked them, every one When will they ever learn? When will they ever learn? Where have all the young girls gone? Long time passing Where have all the young girls gone? Long time ago Where have all the young girls gone? Gone to young men, every one When will they ever learn? When will they ever learn? Where have all the young men gone? Long time passing Where have all the young men gone? Long time ago Where have all the young men gone? Gone for soldiers, every one When will they ever learn? When will they ever learn? Where have all the soldiers gone? Long time passing Where have all the soldiers gone? A long, long time ago Where have all the soldiers gone? Gone to graveyards, every one When will they ever learn? When will they ever learn? Where have all the graveyards gone? Long time passing Where have all the graveyards gone? Long time ago Where have all the graveyards gone? Gone to flowers, every one When will they ever learn? When will they ever learn? |
||||||
2. |
| - | ||||
In the chilly hours and minutes
Of uncertainty, I want to be In the warm hold of your loving mind To feel you all around me And to take your hand along the sand Ah, but I may as well try and catch the wind When sundown pales the sky I want to hide a while behind your smile And everywhere I'd look your eyes I'd find For me to love you now Would be the sweetest thing 'twould make me sing Ah, but I may as well try and catch the wind Di di di di, di di di di Di di di di, di di di di Di di di When rain has hung the leaves with tears I want you near to kill my fears To help me to leave all my blues behind For standin' in your heart Is where I want to be and long to be Ah, but I may as well try and catch the wind Ah, but I may as well try and catch the wind |
||||||
3. |
| - | ||||
4. |
| - | ||||
5. |
| - | ||||
I'm sitting in the railway station.
Got a ticket to my destination. On a tour of one-night stands my suitcase and guitar in hand. And ev'ry stop is neatly planned for a poet and a one-man band. Homeward bound, I wish I was, Homeward bound, Home where my thought's escaping, Home where my music's playing, Home where my love lies waiting Silently for me. Ev'ry day's an endless stream Of cigarettes and magazines. And each town looks the same to me, the movies and the factories And ev'ry stranger's face I see reminds me that I long to be, Homeward bound, I wish I was, Homeward bound, Home where my thought's escaping, Home where my music's playing, Home where my love lies waiting Silently for me. Tonight I'll sing my songs again, I'll play the game and pretend. But all my words come back to me in shades of mediocrity Like emptiness in harmony I need someone to comfort me. Homeward bound, I wish I was, Homeward bound, Home where my thought's escaping, Home where my music's playing, Home where my love lies waiting Silently for me. Silently for me. ------------- Lyrics Powered by LyricFind Written By LANDIS, JERRY <i>Lyrics © EMI Music Publishing</i> |
||||||
6. |
| - | ||||
7. |
| - | ||||
8. |
| - | ||||
As I went home on Monday night as drunk as drunk could be
I saw a horse outside the door where my old horse should be Well, I called me wife and I said to her: Will you kindly tell to me Who owns that horse outside the door where my old horse should be? Ah, you're drunk, you're drunk you silly old fool, still you can not see That's a lovely sow that me mother sent to me Well, it's many a day I've travelled a hundred miles or more But a saddle on a sow sure I never saw before And as I went home on Tuesday night as drunk as drunk could be I saw a coat behind the door where my old coat should be Well, I called me wife and I said to her: Will you kindly tell to me Who owns that coat behind the door where my old coat should be Ah, you're drunk, you're drunk you silly old fool, still you can not see That's a woollen blanket that me mother sent to me Well, it's many a day I've travelled a hundred miles or more But buttons in a blanket sure I never saw before And as I went home on Wednesday night as drunk as drunk could be I saw a pipe up on the chair where my old pipe should be Well, I called me wife and I said to her: Will you kindly tell to me Who owns that pipe up on the chair where my old pipe should be Ah, you're drunk, you're drunk you silly old fool, still you can not see That's a lovely tin whistle that me mother sent to me Well, it's many a day I've travelled a hundred miles or more But tobacco in a tin whistle sure I never saw before And as I went home on Thursday night as drunk as drunk could be I saw two boots beneath the bed where my old boots should be Well, I called me wife and I said to her: Will you kindly tell to me Who owns them boots beneath the bed where my old boots should be Ah, you're drunk, you're drunk you silly old fool, still you can not see They're two lovely Geranium pots me mother sent to me Well, it's many a day I've travelled a hundred miles or more But laces in Geranium pots I never saw before And as I went home on Friday night as drunk as drunk could be I saw a head upon the bed where my old head should be Well, I called me wife and I said to her: Will you kindly tell to me Who owns that head upon the bed where my old head should be Ah, you're drunk, you're drunk you silly old fool, still you can not see That's a baby boy that me mother sent to me Well, it's many a day I've travelled a hundred miles or more But a baby boy with his whiskers on sure I never saw before And as I went home on Saturday night as drunk as drunk could be I saw two hands upon her breasts where my old hands should be Well, I called me wife and I said to her: Will you kindly tell to me Who owns them hands upon your breasts where my old hands should be Ah, you're drunk, you're drunk you silly old fool, still you can not see That's a lovely night gown that me mother sent to me Well, it's many a day I've travelled a hundred miles or more But fingers in a night gown sure I never saw before As I went home on Sunday night as drunk as drunk could be I saw a thing in her thing where my old thing should be Well, I called me wife and I said to her: Will you kindly tell to me Who owns that thing in your thing where my old thing should be Ah, you're drunk, you're drunk you silly old fool, still you can not see That's a lovely tin whistle that me mother sent to me Well, it's many a day I've travelled a hundred miles or more But hair on a tin whistle sure I never saw before |
||||||
9. |
| - | ||||
They say everything can be replaced
They say every distance is not near So I remember every face Of every man who put me here I see my light come shinin' From the west down to the east Any day now, any day now I shall be released They say every man needs protection They say that every man must fall Yet I swear I see my reflection Somewhere so high above this wall I see my light come shinin' From the west down to the east Any day now, any day now I shall be released Now, yonder stands a man in this lonely crowd A man who swears he's not to blame All day long, I hear him shouting so loud Just crying out that he was framed I see my light come shinin' From the west down to the east Any day now, any day now I shall be released |
||||||
10. |
| - | ||||
11. |
| - | ||||
You talk like Marlene Dietrich And you dance like Zizi Jeanmaire Your clothes are all made by Balmain And there's diamonds and pearls in your hair, yes there are You live in a fancy apartment Off the Boulevard Saint-Michel Where you keep your Rolling Stones records And a friend of Sacha Distel, yes you do But where do you go to my lovely When you're alone in your bed Tell me the thoughts that surround you I want to look inside your head, yes I do I've seen all your qualifications You got from the Sorbonne And the painting you stole from Picasso Your loveliness goes on and on, yes it does When you go on your summer vacation You go to Juan-les-Pins With your carefully designed topless swimsuit You get an even suntan on your back and on your legs And when the snow falls you're found in Saint Moritz With the others of the jet-set And you sip your Napoleon brandy But you never get your lips wet, no you don't But where do you go to my lovely When you're alone in your bed Won't you tell me the thoughts that surround you I want to look inside your head, yes I do Your name, it is heard in high places You know the Aga Khan He sent you a racehorse for Christmas And you keep it just for fun, for a laugh a-ha-ha-ha They say that when you get married It'll be to a millionaire But they don't realize where you came from And I wonder if they really care, or give a damn Where do you go to my lovely When you're alone in your bed Tell me the thoughts that surround you I want to look inside your head, yes I do I remember the back streets of Naples Two children begging in rags Both touched with a burning ambition To shake off their lowly-born tags, so they try So look into my face Marie-Claire And remember just who you are Then go and forget me forever But I know you still bear the scar, deep inside, yes you do I know where you go to my lovely When you're alone in your bed I know the thoughts that surround you 'Cause I can look inside your head (na na-na-na na na-na-na na-na na na na na) (na na-na-na na na-na-na na-na na na na na) |
||||||
12. |
| - | ||||
13. |
| - | ||||
14. |
| - | ||||
She walks on through the night
Her circumstances slight Are only helping her to fail And though she feels she's right She tries with all her might And makes the deepest peril pale Oh, but she is unreal Oh, but she doesn't feel Oh, but she is unreal She chooses who to love And then unlike a dove She takes the laughter from their smile She wears a velvet glove Her friends may find it rough It is a gauntlet all the while Oh, but she is unreal Oh, but she doesn't feel Oh, but she is unreal |
||||||
15. |
| - | ||||
16. |
| - | ||||
I have flown
To star-stained heights On bend and battered wings In search of Mythical kings Mythical kings Sure that everything of worth Is in the sky and not the earth And i never learned To make my way Down Down Down Where the iguanas play I have ridden Comet tails In search of magic rings To conjure Mythical kings Mythical kings Singing scraps of angel-song High is right and low is wrong And i never taught Myself to give Down Down Down Where the iguanas live Astral walks i try to take I sit and throw i ching Aesthetic bards And tarot cards Are the cords To which i cling Don't break my strings (i wish you would) Or i will fall (i wish i could I wish i could I wish i could) Curse the mind That mounts the clouds In search of mythical kings And only Mystical things Mystical things Cry for the soul That will not face The body as an equal place And i never learned To touch for real Or feel the things Iguanas feel Down Down Down Where they play Teach me Teach me Teach me Reach me. |
||||||
17. |
| - | ||||
18. |
| - | ||||
19. |
| - | ||||
20. |
| - | ||||
Thick As A Brick
Really don't mind if you sit this one out. My words but a whisper -- your deafness a SHOUT. I may make you feel but I can't make you think. Your sperm's in the gutter -- your love's in the sink. So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. And the sand-castle virtues are all swept away In the tidal destruction the moral melee. The elastic retreat rings the close of play as the last wave uncovers the newfangled way. But your new shoes are worn at the heels and your suntan does rapidly peel and your wise men don't know how it feels to be thick as a brick. And the love that I feel is so far away: I'm a bad dream that I just had today -- and you shake your head and say it's a shame. Spin me back down the years and the days of my youth. Draw the lace and black curtains and shut out the whole truth. Spin me down the long ages: let them sing the song. See there! A son is born -- and we pronounce him fit to fight. There are black-heads on his shoulders, and he pees himself in the night. We'll make a man of him put him to trade teach him to play Monopoly and not to sing in the rain. The Poet and the painter casting shadows on the water -- as the sun plays on the infantry returning from the sea. The do-er and the thinker: no allowance for the other -- as the failing light illuminates the mercenary's creed. The home fire burning: the kettle almost boiling -- but the master of the house is far away. The horses stamping -- their warm breath clouding in the sharp and frosty morning of the day. And the poet lifts his pen while the soldier sheaths his sword. And the youngest of the family Is moving with authority. Building castles by the sea, he dares the tardy tide to wash them all aside. The cattle quietly grazing at the grass down by the river where the swelling mountain water moves onward to the sea: the builder of the castles renews the age-old purpose and contemplates the milking girl whose offer is his need. The young men of the household have all gone into service and are not to be expected for a year. The innocent young master -- thoughts moving ever faster -- has formed the plan to change the man he seems. And the poet sheaths his pen while the soldier lifts his sword. And the oldest of the family Is moving with authority. Coming from across the sea, he challenges the son who puts him to the run. What do you do when the old man's gone -- do you want to be him? And your real self sings the song. Do you want to free him? No one to help you get up steam -- and the whirlpool turns you 'way off-beam. LATER. I've come down from the upper class to mend your rotten ways. My father was a man-of-power whom everyone obeyed. So come on all you criminals! I've got to put you straight just like I did with my old man -- twenty years too late. Your bread and water's going cold. Your hair is too short and neat. I'll judge you all and make damn sure that no-one judges me. You curl your toes in fun as you smile at everyone -- you meet the stares. You're unaware that your doings aren't done. And you laugh most ruthlessly as you tell us what not to be. But how are we supposed to see where we should run? I see you shuffle in the courtroom with your rings upon your fingers and your downy little sidies and your silver-buckle shoes. Playing at the hard case, you follow the example of the comic-paper idol who lets you bend the rules. So! Come on ye childhood heroes! Won't you rise up from the pages of your comic-books your super crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. You put your bet on number one and it comes up every time. The other kids have all backed down and they put you first in line. And so you finally ask yourself just how big you are -- and take your place in a wiser world of bigger motor cars. And you wonder who to call on. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you though? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. LATER. See there! A man born -- and we pronounce him fit for peace. There's a load lifted from his shoulders with the discovery of his disease. We'll take the child from him put it to the test teach it to be a wise man how to fool the rest. QUOTE We will be geared to the average rather than the exceptional God is an overwhelming responsibility we walked through the maternity ward and saw 218 babies wearing nylons It says here that cats are on the upgrade upgrade? Hipgrave. Oh, Mac. LATER In the clear white circles of morning wonder, I take my place with the lord of the hills. And the blue-eyed soldiers stand slightly discoloured (in neat little rows) sporting canvas frills. With their jock-straps pinching, they slouch to attention, while queueing for sarnies at the office canteen. Saying -- how's your granny and good old Ernie: he coughed up a tenner on a premium bond win. The legends (worded in the ancient tribal hymn) lie cradled in the seagull's call. And all the promises they made are ground beneath the sadist's fall. The poet and the wise man stand behind the gun, and signal for the crack of dawn. Light the sun. Do you believe in the day? Do you? Believe in the day! The Dawn Creation of the Kings has begun. Soft Venus (lonely maiden) brings the ageless one. Do you believe in the day? Do you? Believe in the day! The fading hero has returned to the night -- and fully pregnant with the day, wise men endorse the poet's sight. Do you believe in the day? Do you? Believe in the day! Let me tell you the tales of your life of your love and the cut of the knife the tireless oppression the wisdom instilled the desire to kill or be killed. Let me sing of the losers who lie in the street as the last bus goes by. The pavements are empty: the gutters run red -- while the fool toasts his god in the sky. So come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. Let me help you pick up your dead as the sins of the father are fed with the blood of the fools and the thoughts of the wise and from the pan under your bed. Let me make you a present of song as the wise man breaks wind and is gone while the fool with the hour-glass is cooking his goose and the nursery rhyme winds along. So! Come all ye young men who are building castles! Kindly state the time of the year and join your voices in a hellish chorus. Mark the precise nature of your fear. See! The summer lightning casts its bolts upon you and the hour of judgement draweth near. Would you be the fool stood in his suit of armour or the wiser man who rushes clear. So! Come on ye childhood heroes! Won't your rise up from the pages of your comic-books your super-crooks and show us all the way. Well! Make your will and testament. Won't you? Join your local government. We'll have Superman for president let Robin save the day. So! Where the hell was Biggles when you needed him last Saturday? And where were all the sportsmen who always pulled you through? They're all resting down in Cornwall -- writing up their memoirs for a paper-back edition of the Boy Scout Manual. OF COURSE So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. |
||||||
21. |
| - | ||||
I have waited the night over
for some word to come I asked the moon o'er the clover but the moon she is dumb You have made me a promise at midnight we'd go and that we should be married sailing westward ho Such words you have spoken you have told me a lie that it could not be broken when you knew it must die There's no light in heaven my eye can see that my heart be imprisoned while the devil go free go free Like honey the ocean in the morning breeze I'll take my tears to the water that the rivers may freeze There's no light in heaven can shine for me that my heart be imprisoned while the devil go free go free What folly is beauty what trick of the skin desire it's fancy and ruin its whim your child within me and what can I do my blood fill with needles that he look like you There's no light in heaven my eye can see that my heart be imprisoned while the devil go free my heart be imprisoned while the devil go free no light in heaven no light for me |
||||||
22. |
| - | ||||
I know your daddy is very wealthy
And that he owns half the town in which my old man worked For half a crown an hour five days a week Who was too tired in the night to speak about the things in his head. Oh Anna what does money mean anyway ? I've got more than all that I can smile when it's a rainy day I can see what's behind the big money game they all must play. Oh Anna, it's not too easy to play the game When you know the rules in favour of the Man who has some golden cuff links For his silken shirt and who never sees the dirt. Oh Anna what does money mean anyway ? I've got more than all that I can smile when it's a rainy day I can see what's behind the big money game they all must play. Oh Anna, I don't give a damn If your daddy can not see me for the things I really am And I don't mind if your mummy and her kind Don't like my hair, I don't care because it's you that's on my mind. Oh Anna what does money mean anyway ? I've got more than all that I can smile when it's a rainy day I can see what's behind the big money game they all must play. Oh Anna what does money mean anyway ? I've got more than all that I can smile when it's a rainy day I can see what's behind the big money game they all must play. |
||||||
23. |
| - | ||||
24. |
| - | ||||
25. |
| - | ||||
26. |
| - | ||||
27. |
| - | ||||
Year Of The Cat - Al Stewart
On a morning from a Bogart movie In a country where they turn back time You go strolling through the crowd like Peter Lorre Contemplating a crime She comes out of the sun in a silk dress running Like a watercolour in the rain Don't bother asking for explanations She'll just tell you that she came In the year of the cat. She doesn't give you time for questions As she locks up your arm in hers And you follow 'till your sense of which direction Completely disappears By the blue tiled walls near the market stalls There's a hidden door she leads you to These days, she says, I feel my life Just like a river running through The year of the cat She looks at you so cooly And her eyes shine like the moon in the sea She comes in incense and patchouli So you take her, to find what's waiting inside The year of the cat. Well morning comes and you're still with her And the bus and the tourists are gone And you've thrown away the choice and lost your ticket So you have to stay on But the drum-beat strains of the night remain In the rhythm of the new-born day You know sometime you're bound to leave her BUt for now you're going to stay In the year of the cat. |
||||||
28. |
| - | ||||
29. |
| - | ||||
30. |
| - | ||||
31. |
| - | ||||
32. |
| - | ||||
33. |
| - | ||||
34. |
| - | ||||
35. |
| - | ||||
36. |
| - | ||||
37. |
| - | ||||
38. |
| - | ||||
39. |
| - | ||||
40. |
| - | ||||