스코틀랜드 글래스고 출신의 혼성 인디-개러지 록밴드인 Sons and Daughters의 2005년 두번째 정규작. 이미 첫번째 앨범과 여러 EP들로 씬의 주목을 한몸에 받은 바 있는데 거기다가 또 언니들 두명이 또 한 미모 하셔서 더욱 관심을 받게 되었다. 드러머인 Dave Gow는 같은 글래스고 출신의 뮤지션인 Arab Strap의 드럼 레코딩을 담당했었는데, 본 앨범은 어두운 사운드와 약간은 삐딱한 가사들로 이루어져 있는데 업템포의 리듬과 사운드는 마치 60년대의 사운드를 연상케 하기도 한다. 단단하고 간결하지만 중심을 잃지 않는 사운드를 들려준다. All Music Guide 평점 : 4/5
Hit me hit me hit me I'm already on the ground You're asleep in the next room and I'm banging to be found I cannot feel my body and I'm floating then I'm drowned And nothing I have taken keeps it down
It's a ride
Help me help me help me it's a bitter hit to take When I'm shaking once again this is too long to be awake With the ignorance of new year You could save me for your sake Because I'm falling through the plans that we made
It's a ride
My medicine
Happy happy happy you can lie behind the eyes Without telling those around you that you've built your own disguise Now time can only end it when the remedy's not found Just wrap it up and never take it out
Phone phone the red receiver at the end of the bed it keeps getting clearer Rings run running around me Untying the ribbons for the good of the family And your dear friends gathered together You were looking for trouble now your losing your temper
Cold feet in London Useless confetti No groom No first kiss No diamonds for the girl
Don't look in the side of the wardrobe The white dress hangs tall as a tightrope Clothes piled high in a suitcase Better get moving fast for it's too late And you dear friends gathered in darkness Formed a search and followed their partners
Cold feet in London Useless confetti No groom No first kiss No diamonds for the girl
So phone phone the red receiver at the end of the bed but no one will be here
Dance me in Show me the first part I'll pay close detail To every note in every chart
An escaped voice speaks from the corner of the room It's avoiding the plans Sneaking past the narrow truth Everyone else follows through
You speak for all men The hopeless telling of sorries cling to your lungs In the print of tomorrow what reminds me of them does not remind me of yours Remind me of the young
Just dance me in Just dance me in Just dance me in Dance me in Dance me in
You speak for all men The hopeless telling of sorries cling to your lungs In the print of tomorrow what reminds me of them does not remind me of yours Remind me of the young
Just dance me in Just dance me in Just dance me in Dance me in Dance me in
Lose on both sides until there are two I'm sat at the last table My talk wearing thin I'll wait for answers I'll wait for answers Just dance me in Dance me in
Just dance me in Just dance me in Just dance me in Dance me in Dance me in
Taking your time until they swallowed every line Castrating everyone Now there's bodies on the run We're waiting we're waiting You're burying my good name Keep burying my name
Tight lips have cracked Mouthing behind their backs The forks down the throat of them all til we choked We're waiting we're waiting You're burying my good name Keep burying my name
And now we're all sworn in by the shadows whisperings Markings on the door Then we drop onto the floor We're waiting we're waiting You're burying my good name Keep burying my name
Where did you come from? What have we started? Maybe I call you a liar Held in command Taken by hand Mistaking the words on the wire
Take me down again Pull me down again Take me down and then a a a a a
Don't go and ask your sick little questions I can't find the cure for desire If this continues I'm saving myself By putting my hands in the fire
Take me down again Pull me down again Take me down and then a a a a a
What's natural and real Like monsters we Like banshees That's what we've become There's half a discussion and then we ask What kind of love we have
You know where the door is Can't give you myself Compassions just a word in a dictionary on your shelf Monogamy to you it seems is just black and blue All the best psychotic lovers ain't got nothing on you
Take me down again Pull me down again Take me down and then a a a a a
What's natural and real Like monsters we Like banshees That's what we've become There's half a discussion and then we ask What kind of love we have
On a blue antique night In early October His wavy brown hair Stuck wet to his shoulder And it's click, click, click Go the heels of his feet Listen Da-da-da-da-da-da, da-da-dum Listen Da-da-da-da-da-da, da-da-dum
How long has it been since the boyfriend has visited? The milk's in a pile by the door While her series is playing on terrestrial TV The neighbors, they don't even know And its click, click, click Go the heels of his feet Listen Da-da-da-da-da-da, da-da-dum Listen Da-da-da-da-da-da, da-da-dum
Oh Did you hang her out, then hang her out, then hang her out to dry? Did you hang her out, then hang her out, then hang her out to dry? Did you hang her out, then hang her out, then hang her out to dry? Did you hang her out, then hang her out, then hang her out to dry?
The meal that she was going to eat for her dinner Is left on a plate by the stove While there's unopened bills and letters and junk mail All strewn on the mat by the door And it's click, click, click Go the heels of his feet Listen Da-da-da-da-da-da, da-da-dum Listen Da-da-da-da-da-da, da-da-dum
Oh Did you hang her out, then hang her out, then hang her out to dry? Did you hang her out, then hang her out, then hang her out to dry? Did you hang her out, then hang her out, then hang her out to dry? Did you hang her out, then hang her out, then hang her out to dry?
Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake
How long has it been since the boyfriend has visited? The papers are filling the close While she's face-down on porcelain An inchful of bathwater The neighbors, they don't even know or care And it's drip, drip, drip Goes the tap on her ankles Da-da-da-da-da-da, da-da-dum Listen Da-da-da-da-da-da, da-da-dum
Oh Did you hang her out, then hang her out, then hang her out to dry? Did you hang her out, then hang her out, then hang her out to dry? Did you hang her out, then hang her out, then hang her out to dry? Did you hang her out, then hang her out, then hang her out to dry?
Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake Rama lama lama Shake, shake, shake, shake
Well you can love this feeling and never feel alive In a hopeless silence that falls between our eyes It's not just tonight It's not just tonight When we sat and waited for words we can't deny
Go Gone
And can you be clear to what you adhere to? Find a false witness in somebody near you One of us is right None of this is right I'll cut you out of every photograph within an inch of your life
Go Gone
You chained me down by these arms of affection I tried to escape and I'm trying to follow some direction See the end in sight See the end in sight Well I've crossed I've walked I'm stepping over But nothing left is mine